DOCSLIB.ORG

Cannes Edition 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cannes Edition 2021 www.filmsk.sk Cannes Edition 2021 THE HISTORY AND PRESENT OF THE SLOVAK FILM INSTITUTE editorial The Slovak Film Institute (SFI) is the sole state- funded memory and archive institution operating in the area of audiovision in Slovakia. The National Film Archive and the National Cinematographic Centre are the SFI’s basic organisational units. The SFI is a member of the SLOVAK FILM INSTITUTE International Federation of Film Archives (FIAF), European Film Promotion (since 2006); it operates as a service work- place for the European Audiovisual Observatory (EAO) and the Council of Europe cinema support fund – Eurimages. AND SLOVAK FILM COMMISSION Creative Europe Desk Slovensko is also part of the Slovak Film Institute. The Film Institute in Bratislava was established JOIN FORCES TO PROMOTE In the previous Berlinale Edition 2021, the first spe- on 1st April 1963. The film archive, which was established cial festival edition of Film.sk, we committed to the Cannes in 1958, also became part of the Institute. In 1970, the SFI and Karlovy Vary editions. However, their production process was presented with a copy of the first Slovak feature film Jánošík (dir. Jaroslav Siakeľ, 1921) which was later re- was constantly complicated by new anti-pandemic measures SLOVAKIA AT INTERNATIONAL stored and provided with a soundtrack. and date changes of festivals. As a result, we decided to put By the end of 1976, the Film Club of the Central together a combined summer festival version of Film.sk – Office of Slovak Film was opened in Bratislava. Cinema FILM MARKETS. the Cannes & Karlovy Vary Edition 2021, published on two Lumière, opened in 2011 and operated by the SFI, is locat- occasions. ed on its premises at the present day. The first,Cannes Edition 2021 showcases new Slovak In January 1991, the National Cinematographic films presented in Cannes exclusively in an electronic version. Centre was established as an independent public con- Which Slovak filmmakers will represent their country? What tributory organisation managed by the Ministry of Slovak films are about to be screened at the prestigious Culture. By delimitation, the SFI acquired producer festival? You will find out right on the first pages! rights to the archived Slovak films made before 1991. Moreover, we managed to boost the issue with more inter- Institute played a part in the preparation of the extensive publication entitled History of Slovak Cinema views, in which the respondents share personal insights (Dejiny slovenskej kinematografie, 1997; updated issue into many aspects of production. 2016). In 2002, the SFI published its first DVD; since then, In the poll, a number of filmmakers will reveal their current it has published dozens of other DVDs, which are now avail- projects as well as their future plans. able with everything else related to films at the SFI’s on- In addition to introducing new films, we will also provide line shop Klapka.sk, opened in 2008. In 2002, the SFI started an overview of new releases (DVD and Blu-ray) which were to implement the long-term integrated audiovisual infor- successfully restored by the SFI. mation system project SK CINEMA. EUROPEAN FILM MARKET, Lastly, we summarise how Slovak cinema and distribution In 2006, the Government adopted the draft Project BERLINALE did in the rough year 2020. of the Systematic Restoration of Audiovisual Cultural At the end of July, the Karlovy Vary section will be Heritage with the objective of rescuing cinematographic added to the issue, highlighting the Slovak representation and audiovisual works and gradually making them acces- sible to the public. This is the SFI’s long-term priority at the festival in Karlovy Vary. project. In August, you can hopefully look forward to the printed MARCHÉ DU FILM, In the years 2011 to 2015, the SFI, in cooperation version of the complete overview of the two largest sum- with the Radio and Television Slovakia, implemented the FESTIVAL DE CANNES mer festivals – the Cannes & Karlovy Vary Edition 2021. ◀ national project Digital Audiovision. During the project, 61,650 cultural objects were digitised. The project is sus- tainable over a long period and continues to reach its goal — Veronika Krejčová / executive editor — – digitisation of the audiovisual heritage of the Slovak Republic. The SFI’s digitisation workplace has become a permanent part of its professional workplaces. Film.sk, the only printed film monthly in Slovakia, has been published by the SFI since 2000. During the 21 years of its existence, it has undergone other format and conceptual changes, but the goals remain to provide a wide range of information and opinions from the domestic audio- visual environment, capable of appealing to film experts and the wider public alike. The website www.filmsk.sk has supported its printed version since 2001. ◀ content contributors Mariana Jaremková Publicist and presenter. She collaborated with several editorial teams and worked for Film.sk for several years. Over a long period, she also cooperates with Rádio Devín, the programme service of Radio and Television Slovakia that focuses on art and culture. Jaroslava Jelchová Editor of Film.sk. Studied Mass Media Communication at the University of Ss. Cyril and Methodius in Trnava and Audio-visual Studies (FTF VŠMU). In cooperation with the Cultural Centre of Gemer- film.sk Malohont in Rimavská Sobota, she does audiovisual creative workshops for children from disad- vantaged backgrounds. Lecturer of the Film Cabinet for Children, an educational project of the Publisher: Association of Slovak Film Clubs. Slovak Film Institute Address: Mária Ferenčuhová film.sk / Slovak Film Institute 27 Editor of Film.sk. Former lecturer at the Film and TV School of the Academy of Performing Arts Grösslingová 32 / 811 09 Bratislava in Prague, where she also worked as a vice-rector (2004 – 2007). Author of the scientific monograph Slovak Republic tel.: +421 2 57 10 15 25 Odložený čas (Time Delayed), co-author and editor of two more books on film. She translates prose, e-mail: [email protected] poetry and non-literary texts from French. Author of five poetry collections. www.filmsk.sk Editor-in-chief: Matúš Kvasnička Matúš Kvasnička Editor-in-chief of Film.sk and publicist. Graduated from the Department of Audio-visual Studies Executive editor: 3 contributors (FTF VŠMU), majoring in film science. In 2003, he joined and later managed (2012 – 2019) culture Veronika Krejčová 4 — 6 what’s slovak in cannes? Editing: desk of nationwide daily newspaper Pravda. Mária Ferenčuhová 7 producers on the move: Katarína Tomková Jaroslava Jelchová Miroslav Ulman Editorial board: Peter Dubecký 8 — 15 interview: Katarína Krnáčová | Peter Kerekes Film publicist, researcher at the Slovak Film Institute, co-founder of the monthly Film Fan Rastislav Steranka (1990 – 1995) and founder of the first Slovak website about cinemaFilmsite (1997). Co-organiSer Marián Brázda 16 — 17 what are they up to? Miroslav Ulman of several festivals, co-author of the book Sprievodca klubovým filmom (A Guide Through Club 18 — 21 interview: Viera Čákanyová | Martin Štrba Simona Nôtová-Tušerová Film), dramaturge of the Music & Film cycle at the Cinema Lumière. Holder of the Slovak Film Andrea Biskupičová 22 — 27 new slovak films: The Lines | Applause | Power | Critics Award. English translation: Simona Sklenárová, except pages Once There Was a Sea… | The Nightsiren | The Sailor Jana Dudková 28 - 30 (Rastislav Steranka), Senior Researcher at the Institute of Theatre and Film Research, Slovak Academy of Sciences in 31 (Ivana Musilová) 28 — 31 interview: Rastislav Steranka | Meir Lubor Dohnal Design & Graphic design: p & j Bratislava. Her main interests include postcolonial and multicultural studies, balkanism and Printing: Dolis Goen, s. r. o. 32 — 35 slovak classics on dvd and blu-ray: Havetta Collection | transcultural influences in Slovak and Balkan cinemas. Author of around sixty papers published in various languages, author of three monographs on Emir Kusturica, Serbian cinema of the Tenderness (1991) | The Shop on Main Street(1965) | Hanák Collection Cover photo: 1990s and Slovak cinema in the era of transculturality. The Sailor – TOXPRO 36 100 years of slovak cinema Film.sk is supported by the Ministry Erik Binder of Culture of the Slovak Republic. 37 10 years of kino lumière Film critic and publicist. Graduated as an architect, currently a PhD student at the Department The opinions of the editioral staff do not necessarily 38 — 41 2020 in fiction film of Audio-visual Studies (FTF VŠMU), from which he graduated in 2018. He lectures on world comply with the opinions expressed by the contributors. cinema and publishes on several portals and in magazines. Editor of the anthology Pavel Branko 42 — 45 2020 in documentary film – V znamení filmu a jazyka (In the Sign of Film and Language) about film critic Pavel Branko. 46 — 49 2020 in animated film Eva Šošková 50 — 51 distribution of slovak films in 2020 She works at the Department of Audio-visual Studies (FTF VŠMU), focusing on animated film. 52 cinema in pandemic times She participated in the preparation of the retrospective of Czechoslovak animated films for the Filmmuseum in Vienna. Every year, she reviews the past year’s Slovak animated films on various platforms. Film.sk is supported by — text: Matúš Kvasnička — photo: nutprodukcia, Silverart, BFILM, CinemArt SK — “People with disabilities are often portrayed as cute, Not Enough to Be Just Good kind and a little silly in films. In my experience, this view is very In Saving One Who Was Dead, director and screen- limiting. On that account, when writing the screenplay, I tried writer Václav Kadrnka used the personal experience with to avoid false poetics or romanticising the mental disability. his father who suffered a stroke. Being emotionally in- Personal Stories David is supposed to be a complex character with positive and volved has pros and cons. “It all depends on the extent to negative personality traits,” says screenwriter and director which the filmmaker has individually dealt with a certain Zuzana Kirchnerová about the main character of her topic.
Load more

Recommended publications
  • Copyrighted Material
    Index Academy Awards (Oscars), 34, 57, Antares , 2 1 8 98, 103, 167, 184 Antonioni, Michelangelo, 80–90, Actors ’ Studio, 5 7 92–93, 118, 159, 170, 188, 193, Adaptation, 1, 3, 23–24, 69–70, 243, 255 98–100, 111, 121, 125, 145, 169, Ariel , 158–160 171, 178–179, 182, 184, 197–199, Aristotle, 2 4 , 80 201–204, 206, 273 Armstrong, Gillian, 121, 124, 129 A denauer, Konrad, 1 3 4 , 137 Armstrong, Louis, 180 A lbee, Edward, 113 L ’ Atalante, 63 Alexandra, 176 Atget, Eugène, 64 Aliyev, Arif, 175 Auteurism , 6 7 , 118, 142, 145, 147, All About Anna , 2 18 149, 175, 187, 195, 269 All My Sons , 52 Avant-gardism, 82 Amidei, Sergio, 36 L ’ A vventura ( The Adventure), 80–90, Anatomy of Hell, 2 18 243, 255, 270, 272, 274 And Life Goes On . , 186, 238 Anderson, Lindsay, 58 Baba, Masuru, 145 Andersson,COPYRIGHTED Karl, 27 Bach, MATERIAL Johann Sebastian, 92 Anne Pedersdotter , 2 3 , 25 Bagheri, Abdolhossein, 195 Ansah, Kwaw, 157 Baise-moi, 2 18 Film Analysis: A Casebook, First Edition. Bert Cardullo. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. 284 Index Bal Poussière , 157 Bodrov, Sergei Jr., 184 Balabanov, Aleksei, 176, 184 Bolshevism, 5 The Ballad of Narayama , 147, Boogie , 234 149–150 Braine, John, 69–70 Ballad of a Soldier , 174, 183–184 Bram Stoker ’ s Dracula , 1 Bancroft, Anne, 114 Brando, Marlon, 5 4 , 56–57, 59 Banks, Russell, 197–198, 201–204, Brandt, Willy, 137 206 BRD Trilogy (Fassbinder), see FRG Barbarosa, 129 Trilogy Barker, Philip, 207 Breaker Morant, 120, 129 Barrett, Ray, 128 Breathless , 60, 62, 67 Battle
    [Show full text]
  • Star Channels, Jan. 5-11, 2020
    JANUARY 5 - 11, 2020 staradvertiser.com HEARING VOICES In an innovative, exciting departure from standard television fare, NBC presents Zoe’s Extraordinary Playlist. Jane Levy stars as the titular character, Zoey Clarke, a computer programmer whose extremely brainy, rigid nature often gets in the way of her ability to make an impression on the people around her. Premiering Tuesday, Jan. 7, on NBC. Delivered over 877,000 hours of programming Celebrating 30 years of empowering our community voices. For our community. For you. olelo.org 590191_MilestoneAds_2.indd 2 12/27/19 5:22 PM ON THE COVER | ZOEY’S EXTRAORDINARY PLAYLIST A penny for your songs ‘Zoey’s Extraordinary Playlist’ ...,” narrates the first trailer for the show, “... her new ability, when she witnesses an elabo- what she got, was so much more.” rate, fully choreographed performance of DJ premieres on NBC In an event not unlike your standard super- Khaled’s “All I Do is Win,” but Mo only sees “a hero origin story, an MRI scan gone wrong bunch of mostly white people drinking over- By Sachi Kameishi leaves Zoey with the ability to access people’s priced coffee.” TV Media innermost thoughts and feelings. It’s like she It’s a fun premise for a show, one that in- becomes a mind reader overnight, her desire dulges the typical musical’s over-the-top, per- f you’d told me a few years ago that musicals to fully understand what people want from formative nature as much as it subverts what would be this culturally relevant in 2020, I her seemingly fulfilled.
    [Show full text]
  • Beneath the Surface *Animals and Their Digs Conversation Group
    FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you.
    [Show full text]
  • 1 Professor Martin Votruba
    Professor Martin Votruba (1948-2018) Michael J. Kopanic, Jr. It is with a heavy heart that I announce the passing of an outstanding teacher, a dear friend and an esteemed colleague, Professor Martin Votruba. He served as the Head of Slovak Studies Program and was a Senior Lecturer at the University of Pittsburgh (Slavic Department, Dietrich School of Arts and Sciences). Many considered him to be the country's leading scholar on Slovak culture. Martin died on November 23, 2018 after a short bout with lung cancer, even though he never smoked. Votruba's passing was a shock to the academic and Slovak-American community. As his long-time secretary and friend Chris Metil related, "Martin was an invaluable member of the department, a teacher, scholar, and friend. He is greatly missed. He was the rock that built the Slovak program", the only one of its kind in the United States. He assisted in sending many of his students to study Slovak at Studia Academica Slovaca, the Slovak language summer school at Comenius University in Bratislava. The University of Pittsburgh is the only university in the United States that offers a Slovak studies minor. His death was surprising, since as recently as November 4, he had just presented his informative lecture at the University of Pittsburgh's Annual Slovak Heritage Festival: "Slovaks Facing the Revolts of 1848: Between Imperial Vienna and Combative Budapest." Votruba had looked thinner and more frail than the last time I saw him, but he delivered a superb presentation, and as usual, interacted well with the audience and addressed questions with enthusiasm and his breadth of knowledge.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • CZECH CINEMA: NEW WAVE and BEYOND Coordinators: Robert
    CZECH CINEMA: NEW WAVE AND BEYOND Coordinators: Robert Gerace and Eva Vogel We survey films from the Czech cinema after WW II, beginning with the German and Soviet Occupations, continuing with the Czech New Wave and the Prague Spring of the 1960’s, and ending with more contemporary films of the modern era. Our materials on Czech and Slovak history and culture provide a framework and context for critical evaluation. We ask which policies and attitudes of the prevailing Soviet and German authorities are satirized in these films? How do the directors attempt to bypass strict censorship of this veiled government criticism? We come to understand the importance of the Czech film industry and how it reflected the historic struggles and aspirations of the citizens of Bohemia and Slovakia. Readings and other Required Materials: Subscription to Netflix is required. Class handouts and Web references will be provided. They include film reviews, director biographies and articles on Czech and Slovak history and culture. Robert has coordinated study groups on Greenwich Village Writers, Italian Neo Realism, and French New Wave Cinema. Eva is an enthusiast of Czech and Slovak films that reflect her family’s experience of the WWII German occupation and her own life during the Soviet occupations after 1968. * * * * * * * * Syllabus * * * * * * * * After viewing the films at home we consider assigned questions about theme, character development, cinematography and director’s style. We evaluate our answers as we view and discuss film clips of the highlights shown in class. Students are encouraged to submit their own questions for class discussion. Assigned background readings include: "Prague Spring: Russian tanks in the streets and a New Wave in the cinema," Peter Hames, The Manchester Guardian, 1999.
    [Show full text]
  • Network Review #37 Cannes 2021
    Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening
    [Show full text]
  • Monthly Guide
    MARCH 2019 ISSUE 116 EASTERN MONTHLY GUIDE MONT BLANC MURDER - THE EVIL HANDS - BROKEN PROMISE EUROCHANNEL GUIDE MARCH 2019 1 2 EUROCHANNEL GUIDE MARCH 2019 TABLE OF CONTENTS MONTHLY GUIDE | MARCH 2019 | ISSUE 116 4 STRIKE FORCE - SEASON 3 SEASON 3 6 MONT BLANC MURDER Gustavo Vainstein Eurochannel’s CEO The first quarter of the year is underway and, at Eurochannel, we are proud 10 THE EVIL HANDS to offer the finest in European audiovisual productions to celebrate it. This month, we have an exclusive selection of productions from the Netherlands, Slovakia, Italy and France — some aired for the first time in the United States. 13 BROKEN PROMISE All of these programs were impossible to watch unless you lived in Europe . until now! 17 FULL DISCLOSURE This month, we are proud to premiere a new season of one of the most 18 ONLY YOU acclaimed crime series from the Netherlands. In this third season of Strike Force, you will again witness the adventures of Theo and Willem as they 20 WEEK 1 fight international crime and corrupt officers. This new season finds them battling with an old enemy, ‘The Diplomat,’ who now seems to be smuggling 22 WEEK 2 immigrants into Europe to feed terrorist cells. 24 WEEK 3 Also in March, do not miss the new episodes of Full Disclosure and Only you as the series grow closer to their finales. 26 WEEK 4 In March, we also take you to Slovakia and France with a collection of riveting 28 WEEK 5 productions. In Broken Promise (Slovakia’s submission to the 2009 Academy Awards), meet a Jewish teenager whose only dream is to become a soccer star.
    [Show full text]
  • Corpus Christi
    CORPUS CHRISTI A FILM BY JAN KOMASA POLAND, FRANCE 2019 Corpus Christi is the story of a 20-year-old Daniel who experiences a spiritual transformation while living in a Youth Detention Center. He wants to become a priest but this is impossible because of his criminal record. When he is sent to work at a carpenter’s workshop in a small town, on arrival he dresses up as a priest and accidentally takes over the local parish. The arrival of the young, charismatic preacher is an opportunity for the local community to begin the healing process after a tragedy that happened there. SYNOPSIS Corpus Christi was actually inspired by true events. Was it It’s interesting that a person deprived of a traditional se- just one particular story? minary formation would actually touch people on a much deeper level. Daniel’s sermons in the film are very direct and There was one case, which actually generated some head- honest – how did you develop them? lines in Poland, of a boy who impersonated a priest for about three months. His name was Patryk and he was probably 19 In order to avoid making another broad comedy à la [Whoopi years old at the time. Mateusz Pacewicz, who wrote the script, Goldberg’s vehicle] Sister Act, we needed to make sure the wrote an article about it and that’s how this entire film came viewer would believe that these people believed as well. It into being. We changed his name to Daniel, but the characters was quite a challenge, both when it comes to the script and are similar and so is the way that led him to this small town.
    [Show full text]
  • Report on the Slovak Audiovisual Situation in 2007 Report on the Slovak Audiovisual Situation in 2007
    REPORT ON THE SLOVAK AUDIOVISUAL SITUATION IN 2007 REPORT ON THE SLOVAK AUDIOVISUAL SITUATION IN 2007 ➜ CONTENT ■ Introduction ........................................................................................... 3 ■ Legislation ............................................................................................. 4 ■ Film Education ........................................................................................ 6 ■ Film Production ...................................................................................... 8 ■ State Audiovisual Support ....................................................................... 9 ■ MEDIA .................................................................................................. 11 ■ Eurimages ............................................................................................ 13 ■ Film Distribution .................................................................................... 14 ■ Videodistribution .................................................................................... 17 ■ Cinemas..................................................................................................19 ■ Film Clubs .............................................................................................. 20 ■ National Festivals, Reviews and Awards ................................................... 22 ■ Awards of Slovak Films and Filmmakers Abroad ........................................ 26 ■ Slovak Film Institute ..............................................................................
    [Show full text]
  • The Innocents
    presents THE INNOCENTS A film by Anne Fontaine 115 min | France/Poland | 2016 | PG-13 | 1.85 In French and Polish with English subtitles Official Website: http://www.musicboxfilms.com/innocents Press Materials: http://www.musicboxfilms.com/innocents-press New York/National Press Contacts: Sophie Gluck & Associates Sophie Gluck: [email protected] | 212-595-2432 Aimee Morris: [email protected] | 212-595-2432 Los Angeles Press Contacts: Marina Bailey Film Publicity Marina Bailey: [email protected] | 323-962-7511 Sara Tehrani: [email protected] | 323-962-7511 Music Box Films Contacts Marketing & Publicity Yasmine Garcia | [email protected] | 312-508-5362 Theatrical Booking Brian Andreotti | [email protected] | 312-508-5361 Exhibition Materials Lindsey Jacobs | [email protected] | 312-508-5365 FESTIVALS AND AWARDS Official Selection – Sundance Film Festival Official Selection – COLCOA Film Festival Official Selection – San Francisco Int’l Film Festival Official Selection – Minneapolis St. Paul Int’l Film Festival Official Selection – Newport Beach Film Festival SYNOPSIS Warsaw, December 1945: the second World War is finally over and French Red Cross doctor Mathilde (Lou de Laage) is treating the last of the French survivors of the German camps. When a panicked Benedictine nun appears at the clinic begging Mathilde to follow her back to the convent, what she finds there is shocking: a holy sister about to give birth and several more in advanced stages of pregnancy. A non-believer, Mathilde enters the sisters’ fiercely private world, dictated by the rituals of their order and the strict Rev. Mother (Agata Kulesza, Ida). Fearing the shame of exposure, the hostility of the occupying Soviet troops and local Polish communists and while facing an unprecedented crisis of faith, the nuns increasingly turn to Mathilde as their beliefs and traditions clash with harsh realities.
    [Show full text]
  • 02 Main Catalogue Front
    GLOBAL VISION 環球視野 Turkey 土耳其 Poland/France 波蘭／法國 2020 | Turkish/Kurdish 2019 | Polish | DCP | Colour | 116min DCP/Online | Colour | 85min Director Jan Komasa Director Ferit Karahan Producer Aneta Hickinbotham, Leszek Bodzak Producer Kanat Do ramacı Scriptwriter Mateusz Pacewicz Scriptwriter Ferit Karahan, Gülistan Acet Cinematographer Piotr Soboci ski Jr. Cinematographer Türksoy Gölebeyi Editor Przemysław Chru cielewski Editor Sercan Sezgin, Hayedeh Safiyari, Production Designer Marek Zawierucha Ferit Karahan Music Galperin Brothers Production Designer Tolunay Türköz Sound Kacper Habisiak, Marcin Kasinski, Sound Srdjan Kurpjel Tomasz Wieczorek Cast Samet Yıldız, Ekin Koç, Mahir Ipek, Cast Bartosz Bielenia, Aleksandra Konieczna, Nurullah Alaca, Cansu Fırıncı, Melih Selçuk Eliza Rycembel, Tomasz Zi tek Production Asteros Film Production Aurum Film World Sales Intramovies World Sales New Europe Film Sales Persons Aged 18 and Above Only 只准18歲或以上人士 Corpus Christi Bo e Cia o 流氓神父 Corpus Christi was actually inspired by true events. Was it just one [導演訪問] particular story? 《流氓神父》啟發自真人真事，是否取材自某一特定 There was one case, which actually generated some headlines in 故事？ Poland, of a boy who impersonated a priest for about three months. 一個名叫帕德烈的十九歲男孩假扮神父三個月，這宗個 His name was Patryk and he was probably 19 years old at the time… 案在波蘭成為頭條新聞。我們將他易名丹尼爾，個性相 We changed his name to Daniel, but the characters are similar and 似，逃到小鎮的經歷也接近。他主持婚禮、洗禮及葬 so is the way that led him to this small town. This boy performed 禮，對此產生興趣，真的想成為神父。我們以此故事為 weddings, baptisms and conducted funeral ceremonies. He was 藍本，編劇加入青年教導的劇情，以及小鎮曾經歷意外 fascinated by all this and really wanted to become a priest. So we 創傷的設定。爭議之處在於，他比上任神父取得更大成 based the film on his story, but Mateusz added the part about the 效，關鍵在於他來自教會外，不在乎教條，而民眾卻滿 juvenile detention centre and the accident that shook up the entire 意他的工作！類似事件每年都有，不單發生在波蘭；在 town… The whole controversy arose from the fact that he actually 西班牙，就有一個男人假扮神父超過十二年！他們原因 turned out to be much more efficient than his predecessor.
    [Show full text]