DOCSLIB.ORG

Short + Sweet E Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Short + Sweet E Program MAY 10 - AUGUST 22, 2021 TOM MANN THEATRE 136 Chalmers St, Surry Hills PROGRAM 2021 PROGRAM SHORT+SWEET SYDNEY SYDNEY SHORT+SWEET SYDNEY SHORT+SWEET THOUSANDS OF SHOWS PROGRAM 2021 AT YOUR FINGERTIPS! PROGRAM 2021 OCAT L IO O N E ! G • Follow your favourite actors and creatives • Buy tickets • Read reviews • Get directions to theatres And so much more! Download the NEW StageCenta App 2 FREE! 3 SHORT+SWEET SYDNEY SYDNEY SHORT+SWEET SYDNEY SHORT+SWEET THOUSANDS OF SHOWS PROGRAM 2021 AT YOUR FINGERTIPS! PROGRAM 2021 2020 HINDSHIGHT FINAL SUNDAY MAY 16 — 2PM 2020 HINDSIGHT AWARDS GALA SUNDAY MAY 16 — 6PM 2021 COMPETITION MAY 20 — AUGUST 22, 2021 Get your tickets to Short+Sweet Sydney OCAT via the Stagecenta app or visit L IO O N shortandsweet.org/sydney E ! G GET INVOLVED! WRITE DIRECT ACT VOLUNTEER • Follow your favourite actors and creatives Like us on Facebook facebook.com/shortsweetsydney • Buy tickets Follow us on Instagram @shortsweetfest • Read reviews #shortandsweetsydney #shortsweetfest #sss21 • Get directions to theatres Founder and Artistic Director – Mark Cleary International Literary Manager – Alex Broun MAJOR SPONSOR And so much more! Festival Director, Short+Sweet Theatre, Sydney – Nick Hardcastle Festival Producer – Belinda Ling Festival Production Manager – Karen Ways Press and Publicity – Geoff Sirmai Graphic Designer – Emily Maskimovic Download the NEW PARTNERS StageCenta App MEDIA PARTNER 2 FREE! 3 SHORT+SWEET SYDNEY SYDNEY SHORT+SWEET SYDNEY SHORT+SWEET A NOTE FROM FOUNDER MARK CLEARY Welcome (back) It doesn’t seem enough to just welcome you to the theatre today as if nothing has significant PROGRAM 2021 has happened... to proceed as though it has been PROGRAM 2021 another normal year, without mention of the evil elephant in the room that still lurks around the edges. It seems like an age ago (in March 2020) when I came back home after a fantastic Short+Sweet program in the UAE (Dubai/Abu Dhabi/Sharja). We’d managed to get the whole 8 week program done and I got a flight the day after it ended. As it happened, I got back to Sydney days before the two week quarantine came into effect. The festival in Sydney was halfway through and people were afraid, audiences evaporating, actors didn’t want to be on stage (imagine that - actors not wanting to be on stage!). It was palpable. Like a dark cloud. People didn’t want to be inside and certainly not in a crowd. So we bit the bullet. It was a group decision but everyone was instantly relieved. We tightened our belts and took whatever other cliched actions were required to somehow survive. All our other festivals (12 countries worth) also shut down and shuttered, battening the hatches. Even now as things start to open up with little light peeking through the cracks and around the edge of the metaphorical door, I’m still trying to find the silver lining. Maybe there isn’t one. Lots of artists did their best through this time with Zoom and other mechanical solutions. I didn’t have the heart for it. Because our heart is ‘live’ performance. People, in a room, telling their stories to other people, and the more the merrier... So we made plans for our comeback and stepped away a couple of times... it didn’t seem right (safe) until now... yes we’ve just has another scare but we’ve gotten better at all this and the vaccine is rolling out... There have been a few minor miracles during the covid time. We presented a fantastic new festival in Perth (finished last month) and that went off without a hitch thanks to a wonderful local team led by Michael Woods. Dubai, rebooted, rebounded with a bang. So for Sydney I’m so grateful that Nick Hardcastle (your fabulous S+S Sydney Festival Director) decided to give Los Angeles a wide berth, for the moment at least and came back home. Hollywood’s loss is our gain and now it’s (finally) Sydney’s turn. So, Welcome back! As if it was a normal year… Mark Cleary Artistic Director Short+Sweet 4 5 SHORT+SWEET SYDNEY SYDNEY SHORT+SWEET SYDNEY SHORT+SWEET FESTIVAL DIRECTOR’S WELCOME 2020 was an incredibly challenging year for all of us – particularly those of us working in the theatre. Our 2020 Short+Sweet Sydney Theatre Festival was cut short at PROGRAM 2021 week 5 due to the COVID-19 Pandemic and PROGRAM 2021 I was living in Los Angeles, where rising case numbers and deaths and an incredibly hostile political climate led to at least one silver lining. I came back to Australia. Now, here I am, back in the theatre, well before anyone in the US has been able to be, presenting Short+Sweet Sydney as we turn the lights back on at the Tom Mann. We have also introduced the Inaugural Short+Sweet Actor’s Circle, It’s wonderful to be able to present the which instead of awarding a Best Actor top plays that were performed last year, or Best Actress, is acknowledging 5 with our ‘HINDSIGHT 2020’ Final to outstanding performances irrespective of launch this year’s Festival. Our thanks gender identity. to JJ Splice, Simona Janek and Casting Networks for honoring their promised 2020 In the interest of reducing unnecessary prizes to the 2020 winners and their for contact and increasing a commitment to continued support. My thanks also to our sustainability, we have gone digital with esteemed judges joining us at the finals and ticketing and voting this year and have throughout the Festival. introduced upcycled, re-useable and recyclable drinkware from One Green I’m thrilled to be able to welcome back Cup. This is thanks to our Major Sponsor, so many of our 2020 participants for Screenwise, Australia’s leading screen HINDSIGHT and this year’s competition. acting school. Our greatest challenge this year was simply to get the Festival back open amidst Finally, we have a professional development continued lockdowns, restrictions, border program that offers free workshops and closures and a range of new protocols and panels for our participants, with writers, procedures that need to be adhered to in actors, directors, casting directors, this ‘New World’. industry thought leaders and mental health professionals, which kicks off in July and Well, we made it! Now, our mission is promises to add enormous value to the to bring to you, our audience and our Short+Sweet experience. participants, an experience really worth waiting for! We’ve made some changes While we continue to navigate many new to programming and have two groups and unpredictable circumstances outside of performing each week, all named after one our control, we hope that you’ll join us for of our iconic Sydney beaches. We’ve done the journey and come back often to share away with Wildcard entries, opening the in some incredible stories from around the festival right up and focused our attention globe with some truly brilliant local talent. on making Short+Sweet a truly inclusive Thank you for having me Sydney- it’s great festival with the creation of our Diversity to be back! and Inclusion Programming Committee. Thank you to Mark Cleary and my team, especially Belinda Ling, Karen Ways and Nick Hardcastle Geoff Sirmai and everyone who has become Festival Director a part of our first ever D&I Committee. You can request a copy of our D&I strategy @nickcastlehard through our website shortandsweet.org/ Sydney. 4 5 SHORT+SWEET SYDNEY SHORT+SWEET SYDNEY PROGRAM 2021 WELCOME TO PROGRAM 2021 COUNTRY Short+Sweet 2021 takes place on Gadigal land. We are honoured that Matthew Doye has generously prepared our very special Welcome to Country. Matthew Doyle is a descendant of the Muruwari people from the Lightning Ridge area of NSW and was born and raised on Gadigal land. He is a professional musician, composer, dancer, choreographer, cultural consultant and educator, with a passion for passing on the indigenous languages of Sydney. From 1985-1988 Matthew completed an Associate Diploma in with the prestigious Aboriginal Islander Dance Theatre (now, NAISDA Dance College). In 1990 he returned to AIDT to become a founding member of their professional company, where he worked on several productions. Matthew’s company, Wuriniri Music & Dance, is comprised of professional indigenous musicians and dancers who create and present both contemporary and traditional performances. Matthew has toured extensively in Australia and abroad, performing in many countries as both a Soloist and a Collaborator. He has performed in many major international events including the 1996 Olympic Games Closing Ceremony in Atlanta and the Opening and Closing ceremonies of the Sydney 2000 Olympics. Matthew played digeridoo on top of the Sydney Opera House, as part of the ABC Millennium Broadcast. Other performing credits include the opening of the Indigenous Gallery Musee Du Quay Branly in Paris, World Expo Japan, World Youth Day 2008 and the production of “I am Eora” at the 2012 Sydney Festival. 7 6 SHORT+SWEET SYDNEY SYDNEY SHORT+SWEET SYDNEY SHORT+SWEET WELCOME TO PROGRAM 2021 PROGRAM 2021 COUNTRY Your Stories, Your Voice, Your City. YOUR FESTIVAL Since 2002! This year all of our short works have been programmed in to groups that are named after one of Sydney’s iconic beaches. Each group will present a minimum of 3 performances over four days, ahead of being considered for our Finals Week. All performances are at the Tom Mann Theatre in Surry Hills. 6 7 SHORT+SWEET SYDNEY SHORT+SWEET SYDNEY COOGEE & NEWPORT BONDI & MANLY WEEK BEGINNING MAY 24 WEEK BEGINNING MAY 17 PROGRAM 2021 PROGRAM 2021 Thursday 7:30pm COOGEE Thursday 7:30pm BONDI Friday 7:30pm NEWPORT Friday 7:30pm MANLY Saturday 2pm NEWPORT Saturday 2pm MANLY Saturday 7:30pm COOGEE Saturday
Load more

Recommended publications
  • Rachael Beck
    Rachael Beck One of Australia's leading performers and educators, Rachael Beck is a multi-faceted, award- winning powerhouse whose talents span across stage and screen, as both an acclaimed vocal artist and actress. Rachael is widely remembered for her award-winning role as Belle opposite Hugh Jackman in Beauty and the Beast, which won the 1996 ARIA Award for the Best Australian Soundtrack/Cast/Show Release. Her outstanding credits include her Green Award nominated performance as 'Fantine' in Les Miserables and 'Rumpleteaser' in Cats, both produced by Cameron Mackintosh. Most recently Rachael has completed filming the lead role of Vivian in Alex Lyko’s film A Long Night and opened The Long and the Short of It with Rhonda Burchmore at the Thebarton Theatre. In January 2018, Rachael toured You and Me with Michael Cormick at the City Recital Hall in Sydney. Rachael’s theatre credits include 'Peg Hartigan' in Summer Rain directed by Robyn Nevin, Secret Bridesmaid's Business, as 'Fredrika' in A Little Night Music, 'Lady Mortimer' in Henry IV for The Sydney Theatre Company and Me and My Girl, which toured Australia and New Zealand for the Adelaide Festival. Rachael’s credits for The Production Company include The Pajama Game, Call Me Madam and Big Hair in America, which premiered at the Hot House Theatre. Her other credits include Eureka for Essgee Entertainment, directed by Gale Edwards; ‘Sally Bowles’ in IMG’s Cabaret, directed by Sam Mendes; 'Kathy Selden' in Singing in the Rain directed by David Atkins, which earned her a Mo Award nomination; and 'Maria' in The Gordon/Frost Organization/SEL production of The Sound of Music.
    [Show full text]
  • Have We Found
    ON STAGE The Summer 2005 newsletter of Vol.6 No.1 Have we found it? When offered the opportunity to be directly involved in the new musical production, Eureka, Darien Sticklen found himself asking with many others: Might this be the one? ow many of us over the years about five years—and list the creative team, have wanted to see a truly including Gale Edwards (directing and Horiginal Australian musical make co-authoring a new book with John it to hit status? Countless numbers have Senzcuk), Max Lambert and Michael Tyack tried. Here are selected extracts from (music), Peter England and Gabriella Darien Sticklen's Eureka Diary… Coslovich (set and costume design), Tony March 2004 Bartuccio (choreography) Trudy Dagleish (lighting design)…a talented team indeed. Seemingly out of the blue, I’m given a They’ve just had a workshop of the message that Simon Gallaher would like me new Act I script in Sydney and are to call him. After days of phone tag, we also planning a workshop of Act II finally speak. there in July, before rehearsals start. Simon wonders what my work schedule Their enthusiasm for the new is like in the later part of this year but is musical is infectious, of course. I very mysterious about the ‘acorn of an make it clear that I am not available idea’. Eventually he explains that on behalf during the Act II workshop period— of the producers of Eureka, he wants to this is not seen as a ‘deal- know if I’d be interested in taking the role breaker’.
    [Show full text]
  • Website Biography
    ! Michael Falzon is widely recognised as one of Australia’s most diversely talented entertainers. Falzon’s early career saw him working throughout Australia and touring Asia in many musicals including those by Gilbert & Sullivan, Jerry Herman and Andrew Lloyd Webber, paving the way for a versatility seldom seen in stage performers. His break-through role came in 2003 when he was hand-picked by Ben Elton and QUEEN's Brian May & Roger Taylor to star as ‘Galileo’ in the first international production of We Will Rock You. With unanimous critical acclaim Falzon was invited to reprise the role in Japan and led the cast to break box-office records in the United Kingdom, playing the show’s first-ever arena in 2010, The Times proclaiming “… with a panache (of which) Freddie Mercury would have approved, Falzon simply let rip.” His stage appearances include Sydney Theatre Company’s The Wharf Revue, performing with luminaries Justin Hayward (The Moody Blues) and Chris Thompson (Manfred Mann’s Earth Band) in Jeff Wayne’s The War of the Worlds (Australia/New Zealand & UK/Europe arena tours), and with Rachael Beck and Geraldine Turner in Side by Side by Sondheim. His performance in Adam Guettel’s Floyd Collins, prompted StageNoise to write “As Homer, Falzon underlines why he is a bona fide international musical theatre star”, and of his portrayal of ‘Judas’ in Jesus Christ Superstar The Sydney Morning Herald further reviewed, “Falzon’s performance is riveting, commanding the stage and traversing the fine line between villain and victim. It is a tour de force performance that compels engagement.” Other notable roles include ‘Stacee Jaxx’ in Rock of Ages.
    [Show full text]
  • 2010 - 2011 Annual R
    Live Performance AustraliaTM Vision Strategic Priorities Ensure the growth and long term sustainability Workplace Relations Develop and review Industry Codes and of the Australian live performance industry Guidelines Lead industrial vision and policy for the industry • Consumer education & protection Strategic Intent • Develop our long range industrial relations policy position Membership Services, As the peak body for the broad live performance industry Communications and Events LPA will continue to meet the needs and interests • Negotiate new industrial agreements consistent with our policy position and which of members through the delivery of core services, Strengthen membership engagement communication and influence. reflect the global and digital environment Develop best practice frameworks • Ensure members are well informed about, The strategic flagship areas for LPA in the next and can easily access, LPA resources three years are: • Support industry OH&S compliance and practice • Encourage member engagement around key industry issues and policy positions Use industry knowledge • Advise and support members on new to position and influence industrial relations best practice Continue to provide quality membership services Use the knowledge we have Deliver Professional Development developed and continue to build Policy and Strategy including a national Producer Development this resource to represent and Program advance the business interests Build knowledge and information about the of the industry industry Present the annual Helpmann
    [Show full text]
  • Media Kit Cameron Mackintosh Announces His Acclaimed New Production of Les Misérables Will Open in Australia in 2014
    MELBOURNE, AUSTRALIA 2014 MEDIA KIT CAMERON MACKINTOSH ANNOUNCES HIS ACCLAIMED NEW PRODUCTION OF LES MISÉRABLES WILL OPEN IN AUSTRALIA IN 2014 Cameron Mackintosh announced today that his acclaimed new production of Boublil & Schönberg’s legendary musical, LES MISÉRABLES, will arrive in Australia in 2014. With glorious new staging and dazzlingly reimagined scenery designed by Matt Kinley, inspired by the paintings of Victor Hugo, this new record breaking production is directed by Laurence Connor and James Powell and will premiere at Melbourne’s Her Majesty’s Theatrein June 2014. Tickets will go on sale in October 2013. The new production ofLES MISÉRABLES has been acclaimed by critics, fans and new audiences for the last three years, breaking box office records internationally and inspiring filmmakers to make the outstandingly successful movie which has gone on to win 3 Golden Globes®, 4 BAFTA’s and receive 8 Academy Award® nominations. ‘Thrilling, spectacular & unforgettable’ - The New York Times ‘A five star hit, astonishingly powerful’ - The Times, UK ‘The new production ofLES MISÉRABLES qualifies as a truly extraordinary theatrical experience. It is nothing less than stunning. This production is so breathtaking, you simply won’t want it to end.’ - The Boston Globe ‘This actually exceeds the original – Les Mis is born again’ - New York 1 Television Cameron Mackintosh said, “These are very exciting times for LES MISÉRABLES, having inspired such a hugely successful film - with amazing Australian cast - to now confirming the 25th Anniversary Production going to Broadway and Melbourne in 2014, as well as playing in Canada, Korea, Japan, Spain and continuing its record- breaking run on tour in the United States.
    [Show full text]
  • NEWSLETTER Delivering Excellence, Innovation, Opportunity and Student Success
    DENISON COLLEGE OF SECONDARY EDUCATION KELSO HIGH CAMPUS 4th June 2014 NEWSLETTER Delivering excellence, innovation, opportunity and student success Telephone: 6331 4544 email: [email protected] PO Box 499 Fax: 6332 1678 web: www.kelso-h.schools.nsw.edu.au Bathurst 2795 www.facebook.com/KelsoHigh Principal’s Report Important Future Dates Thanks to Stephanie Brown, Rob Bartulovich, Greg Please note the following dates for Commendation Ceremonies and annual Presentation Night Hurford and Kim Baker for their efforts in ensuring the campus ran smoothly in my absence earlier Semester 1 Commendation Ceremony – this term. It is gratifying to know these skilled and 26th June dedicated people are able to step in when I am absent. I am still catching up on all the events of 9.20 am - Years 10, 11 and 12 those few weeks. 11.30 am - Years 7 , 8 and 9 th Years 9 and 10 are currently on exams, and we Semester 2 Commendation Ceremony 24 await their results. Simple equation remains, boys November and girls….. effort in equals results out. Do the 9.20 am - Years 9, 10 and 11 work, and rewards occur. 11.30 am - Years 7 and 8 A reminder to parents of students with risk of th anaphylaxis or asthma. It is crucial that you Kelso High Presentation Night 27 November provide a copy of your child’s Action Plan to the Commencing 7.00 pm office at the school as soon as possible. This document ensures your child’s condition is treated correctly should an attack occur at school – it is really important.
    [Show full text]
  • Australian Musical
    ON STAGE The Spring 2004 newsletter of Vol.5 No.4 Is the ‘Australian musical’ an oxymoron? Was there ever such a thing? Or is it a search for the golden boomerang? Frank Van Straten reveals the true history of the Australian musical. hen I started going to the in the ensuing half century. And it also concentrate on stage works: book musicals, theatre the term ‘Australian tweaked my curiosity about what had gone and therefore not revue. That’s an entirely Wmusical’ was an oxymoron. An before, and a keen interest in what followed. different story! Australian musical? An Australian musical? This discourse, then, is a fairly selective And a ramble like this raises the Come on, Australians didn’t write musicals. précis of that sometimes heart-warming, question of what exactly is an Australian There was no point. Nobody would have sometimes heart-breaking history. We’ll musical. I’ve followed the line that we’re wanted to produce one because nobody touch occasionally on musicals on film, talking about shows developed and would have dreamed of going to see one! radio and television, but mainly we’ll produced in Australia by Then along came an extraordinary Australians, although, as you’ll see, character called Edmond Samuels. He’d there are some intriguing hybrids lurking made a fortune selling hangover cures at his in the wings. chemist’s shop in Sydney and he had And if I’ve left out some of your written a musical. The commercial favourites, I’m sorry. managements snubbed him so he decided ‘I wrote FFF to find an outlet for to put up a considerable amount of his own superfluous energy that would result in money to get the thing on stage.
    [Show full text]
  • EDUCATION RESOURCE PACK AUSTRALIAN TOUR 2014 TM © 1986 CMOL TM © 1986 CMOL Les Misérables – Education Resource Pack OVERTURE: ANINTRODUCTION V
    CAMERON MACKINTOSH’S ACCLAIMED NEW PRODUCTION BOUBLIL & SCHÖNBERG’S LEGENDARY MUSICAL Lyrics by HERBERT KRETZMER EDUCATION RESOURCE PACK AUSTRALIAN TOUR 2014 TM © 1986 CMOL TM © 1986 CMOL Les Misérables – Education Resource Pack OVERTURE: AN INTRODUCTION Dear Teacher, Welcome to the Education Resource Pack for the 2014 Australian tour of the classic musical, Les Misérables. This education program is designed for students aged 13 years and over to coincide with the suggested age group for attendance to the stage musical. This resource includes discussion points and seven lesson plans, as well as supporting material surrounding the production. The activities focus on the transfer of the classic tale from page to stage and then screen and universal themes such as: social structure, poverty, crime and punishment. In addition, activities surround aspects of the live production, including characterisation, music and staging which lead to students writing their own personal review of the show. Each activity is based around the challenges faced turning a classic and much-loved novel into a fully staged musical theatre production (and then a feature film), maintaining the existing plot, characters and their environment, complete with a libretto, comprehensive staging and a complex physical production. Combined with a visit to the show these lessons will give your students an insight in the production of the musical, as well as a pivotal time in French history and the personal journeys of Victor Hugo’s famous characters including Jean Valjean, Javert, Fantine, Eponine, Cosette and Marius. This resource pack has been created for use in the classroom and is designed to facilitate discussion and the gaining of knowledge surrounding the complex elements which, when combined, result in this production.
    [Show full text]
  • Rachael Beck
    Rachael Beck A sensation in musical theatre & television Rachael Beck is one of Australia’ most in-demand performers in musical theatre and television. Having starred in three consecutive seasons of the hit television show, It Takes Two, multi-award winning Rachael Beck is now available for Corporate and Concert bookings. Sassier, sexier than ever before, Rachael Beck has wowed audiences throughout the country with her extraordinary voice and superbly choreographed dance moves. She performs a wide range of musical genres from pop, jazz, and swing through to musical theatre and adult contemporary – a fantastic recognisable repertoire combined with fun audience interaction. Rachael Beck has worked consistently in Australia’s most popular theatre productions, including Eureka, Cabaret, Singing in the Rain (which earned her a prestigious Mo Award nomination), and The Sound of Music. Prior to that, Rachael performed in myriad productions including Call Me Madam and Big Hair in America. Rachael’s other stage credits include her Green Award nominated performance as Fantine in Les Miserables, Rumpleteaser in Cats, Secret Bridesmaid’s Business and Me and My Girl. She has also appeared in A Little Night Music and Henry IV. In 1992, Rachael performed the role of Judy Garland in her own one-woman show, Young Judy written by John Beck. An impressive list of television credits include Stingers, Mercury, The Feds, This Man This Woman, GP, Flying Doctors, and her popular role as Sam in Hey Dad over three years. She also appeared in the film Ocean Boulevard. Rachael worked with Todd McKenney and Tommy Tycho in a series of concerts entitled Broadway to Hollywood with Symphony Orchestras around Australia.
    [Show full text]
  • 2007 Official Souvenir Program
    years 2007 official souvenir program Vision Australia’s message There’s always something special about Christmas Eve, but this night is always particularly magical at Meet the Law family the Sidney Myer Music Bowl. Anthony Callea’s big night! For the past 50 years families and friends have Myer’s gift to the gathered at this unique outdoor venue to enjoy a community night of stars, song and good cheer at Vision Australia’s Carols by Candlelight™. Enjoy the show! The Nine Network’s message It’s hard to imagine Christmas Eve without this inspirational event, which has been a central part 70 years of magic of the Melbourne – and now Australian – Christmas The performers experience for so long now. Blending tradition with fun, Vision Australia’s Carols by Candlelight is one Song list of those rare traditions that unites young and old. Carol lyrics The joy on the candlelit faces of children joining in rollicking Christmas singalongs is always matched Map by that of adults enjoying performances by some of Thanks to our sponsors the nation’s top performers. And thanks to the television broadcast, the festive mood in the Bowl is spread far and wide. In homes across the land it’s become something of a Christmas Eve ritual to settle down with friends and family to share in the spirit of Carols. Others tune in to the radio simulcast while driving to spend this special time of year with loved ones. For many of us Vision Australia has used its leading busy lives, it signals the start of the holiday best endeavours to ensure season – a time to unwind and reflect on what has that material contained in this been and our hopes for the upcoming year.
    [Show full text]
  • Annual Report 2019 - 2020
    GEELONG PERFORMING ARTS CENTRE TRUST ANNUAL REPORT 2019 - 2020 ANNUAL REPORT Geelong Arts Centre Image Credit: Rory Gardiner CONTENTS CONTACT US Chair’s Foreword 3 Tel: 1300 251 200 81 Ryrie Street Chief Executive Officer’s Review 5 Geelong VIC 3220 Strategic Framework 6 ACKNOWLEDGEMENT OF COUNTRY At Geelong Arts Centre we acknowledge the Traditional Owners of the land on which we In the Spotlight 7 are located, the Wadawurrung people of the Kulin Nation. We pay our respects to Elders, Performance Report 10 past, present and emerging. For thousands of generations, this land has been a significant site of gathering, belonging and storytelling. We are The Curtain Rises 17 proud to continue this tradition by embracing and celebrating the culture of Australia’s First Peoples and all First Nations Peoples. Partners and Supporters 19 RESPONSIBLE BODY’S DECLARATION Governance 21 In accordance with the Financial Management Act 1994, I am pleased to present the Geelong Administrative Reporting Requirements 25 Performing Arts Centre Trust’s Annual Report for the year ended 30 June 2020. Report Against Output Targets 34 Lesley Alway Chair, Geelong Performing Arts Centre Trust 25 November 2020 Five Year Financial Summary 34 Financial Overview 35 FRONT COVER Geelong Arts Centre, Ryrie Street Exterior Financial Statements 41 Image Credit: Rory Gardiner PLEASE NOTE Disclosure Index 79 Information is correct at the time of printing. PRINTING Printed on EcoStar Uncoated 100% recycled stock using vegetable inks FSC certification licence code is: Australian Made licence code is: PEFC certificate code is: GEELONG ARTS CENTRE — ANNUAL REPORT 1 ABOUT GEELONG ARTS CENTRE The Geelong Performing Arts Centre Trust The Act states that the functions of the (the Trust) was established by the Geelong Trust shall be: Performing Arts Centre Trust Act 1980 (the Act).
    [Show full text]
  • Girls on Film
    Girls on Film A dynamic show celebrating Hollywood's biggest stars Girls on Film is a fast-paced, slick and classy production that celebrates Hollywood’s biggest stars and brings you the greatest hit songs ever put to film. Three of Australia’s finest performers deliver a fresh, new high-impact show designed to hit your event with a bang, and leave it with a wink and a smile. This winning combination is currently wowing audiences around Australia. With classic ballads, high-powered dance tracks and stunning medleys, this sensational show is guaranteed to engage your guests and give them the most memorable night. Girls on Film delivers entertainment, excitement and sheer excellence and is easily tailored to your event. It is perfect as a conference opener, closer or as your featured dinner performer. About the Girls: Danielle Barnes has appeared in over 16 major musical theatre productions, from flying through the air as one of the Divas in Priscilla Queen of the Desert, singing Phantom of the Opera with Anthony Warlow to disco dancing with Marcia Hines in Oh What a Night. Add to that countless concerts and corporate events and you have the consummate entertainer! Rachael Beck ran away from the circus when she was 15 to perform in the musical Cats, then became a household name as Sam in Hey Dad. One of the most in-demand performers in Australian show business, she has starred in many of our most successful musicals including Le Miserables, Singing in the Rain and Cabaret. Hugely popular in Channel Seven’s singing show, It Takes Two, Rachael has been described as the perfect entertainer.
    [Show full text]