DOCSLIB.ORG

L Music Week Market Shares

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
L Music Week Market Shares L Music Week Market Shares THIS WEEK'S CHART SHARE O TOP 75 CHART BY CORPORATE GROUP THIS WEEK'S TOTAL MARKET !ur SINGLES ARTIST ALBUMS ALL ALBUMS SINGLES STREAMS SINGLES SALES ARTIST ALBUM SALES NO.1 UNIVERSAL NO.1 NO. Sr NO.1 RCA NO.1 RCA NO.1 COLUMBIA ',HARE COMPANY SHARE TW COMPANY SHARE SHARE 11111111111111111111111111111 1 RCA LABEL GROUP 1 RCA LABEL GROUP 13 6X 1 COLUMBIA LABEL GROUP 1 UNIVERSAL MUSIC 40 50% 1 SONY MUSIC 1 SONY MUSIC 71% 71% 2 VIRGIN EMI 2 VIRGIN EMI 12 3% 2 VIRGIN EMI 2 SONY MUSIC 31 57% 2 UNIVERSAL MUSIC 2 UNIVERSAL MUSIC 24 93% 3 POLYDOR 3 POLYDOR 84% 3 SONY MUSIC CG 53% 3 WARNER MUSIC 20 36% 3 WARNER MUSIC 3 WARNER MUSIC 11 89% 4 ISLAND 4 ISLAND 68% 4 POLYDOR 5.1% 4 BENDO 04% 4 BMG 4 KNYMUSICAAMISICMIX 6 71% 45% 5 A—LANT1C RECORDS UK 5 ATLANTIC RECORDS UK 62X RHINO (WARNERS) • UNIVEPSAL MUSCAVARI,ER MSC 0 89% S XL BEGGARS 5 26% 5 BMG 5 46% 6 COLUMBIA LABEL GROUP 6 WARNER BROS 6 IX 6 UMC 43% 5 03% OTHERS 7 70% OTHERS 5 64% OTHERS 7 WARNER BROS 7 COLUMBIA LABEL CROUP 57% 7 BMG 39% 8 PARLOPHONE 8 SYCO MUSIC 8 RCA LABEL GROUP 38% TOP 75 CHART BY RECORD COMPANY 9 SYCO MUSIC 9 CAPITOL 9 WARNER BROS 37% 10 ATLANTIC RECORDS UK 34% SINGLES ARTIST ALBUMS ALL ALBUMS 10 UMC 10 PARLOPHONE NO.1 VIRGIN EMI NO.1 COLUMBIA NO.1 COLUMBIA 11 CAPITOL 11 UMC 11 ISLAND 3.3% 12 BLACK BUTTER 12 RHINO (WARNE v 12 DECCA 32% 159 COMPANY SHARE TW COMPANY SHARE TW COMPANY SHARE 13 RHINO (WARNERS) 13 SONY MUSIC CO 13 CAROLINE 28% 1 VIRGIN EMI 1710% 1 COWMI31A LABELGROUP 1 COLUN'OA LABEL GROUP 14 DECCA 14 DECCA 14 PARLOPHONE 18% 1? 31% 2 ATLANTIC RECORDS UK 2 UMC 2 RCA LABEL GROUP 15 SONY MUSIC CC 15 BLACK BUTTER 15 'Cillls.G1LR(SFIEOCCE143S osx 3 AILAAIMREOORDSUK 11 94% 3 BMG to,% 3 ATLANTIC UK OTHERS OTHERS OTHERS 31% 4 POLYDOR 1102% 4 ISLAND 4 SONY CGNIRGIN EMI 71% 5 SYCO MUSIC 8 63% 5 POLYDOR 4 861. S SONY MUSIC CG 6 57% BY CORPORATE GROUP 6 WARNER BROS 7 105 6 RCA LABEL GROUP 4 22% 6 BMG 5 46% SINGLES SALES ARTIST ALBUM SALES 7 BLACK BUTTER 5 65% 7 CAROLINE 3 98X 7 ISLAND 591% SINGLES STREAMS NO.1 UNIVERSAL NO.1 UNIVERSAL 8 CAPITOL 5 39% 8 WARNER BROS ;85'. 8 POLYDOR 5 83% NO.1 UNIVERSAL 544% 9 ISLAND 1 76% 9 SONY MUSIC CG 9 WARNER BROS ; 28% 10 COLUMBIA 10 VIRGIN EMI 10 RCA LABEL GROUP 1 UNIVERSAL MUSIC 35 ?X 1 UNIVERSAL MUSIC 35 3% 1 UNIVERSAL MUSIC 28 1% 11 POLYDORNIRGIN EMI 11 YOUNG TURKS 11 CAROLINE 2 SONY MUSIC 23 9% 2 SONY MUSIC 26 5% 2 SONY MUSIC 26 1% 12 BENDO 12 UMC 12 UMOD 3 WARNER MUSIC 17 2% 3 WARNER MUSIC 17 1% 3 WARNER MUSIC 14 5% 4 1 4% 4 BMG 14% 4 BMG 51% 13 PARLOPHONE 13 BLACK BUTTER • 13 YOUNG TURKS XL BEGGARS 5 BMG 1 : 5 XL BEGGARS 13% 5 XL BEGGARS 29% 14 INSANITY 14 BIG BROTHER 14 BLACK BUTTER 1 `,2 OTHERS OTHERS 18 4% OTHERS 22 7% 15 PARLOPHONE/VIRGIN EM 15 RHINO (WARNERS) • 15 EIG BROTI-IER OTHERS OTHERS OTHERS AES (ALL ALBUM 5) 1 - • AES (ARTIST ALBUMS) 1 ,i1•1 99% 2 2 A I ABEt OPOI If, 91% TOTAL MARKET - THIS WEEK 3 „• TOTAL MARKET - THIS WEEK 3 90% III 4 N 4 8% • 1 5 4 • 5 69% II 2 ' 6 6 6.3% • 3 7 7 ,S 46% • 4 8 8 Pt °PHONE 2.1% 5 9 'IC . 4% so 9 • 10 10 • • BY CORPORATE GROUP BY RECORD COMPANY BY CORPORATE GROUP BY RECORD COMPANY MARKET STATS - THIS WEEK SINGLES ARTIST ALBUMS COMPS ALL ALBUMS STREAMS TOTAL PHYSICAL DOWNLOADS SEA2 TOTAL SEA2 TOTAL SALES 1 11 11111C 33 3 1 111111 I SALES THIS WEEK 1,244,595.069 440,967 769.539 LAST WEEK 1.161.637,662 421,043 698,582 186,135 698.582 % CHANGE +7 1% +4 7% +10 2% -4.1% +10.2% 44 I Music Week 25.09.17 musicweek.com .
Load more

Recommended publications
  • VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
    VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just the slightest marks. For collectors searching top copies, you’ve come to the right place! The further we get from the time of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually with a translation of the text or similarly related comments. BESSIE ABOTT [s]. Riverdale, NY, 1878-New York, 1919. Following the death of her father which left her family penniless, Bessie and her sister Jessie (born Pickens) formed a vaudeville sister vocal act, accompanying themselves on banjo and guitar. Upon the recommendation of Jean de Reszke, who heard them by chance, Bessie began operatic training with Frida Ashforth. She subsequently studied with de Reszke him- self and appeared with him at the Paris Opéra, making her debut as Gounod’s Juliette.
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-Q (Mark One) x QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended June 30, 2013 OR ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission File Number 001-32502 Warner Music Group Corp. (Exact name of Registrant as specified in its charter) Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 75 Rockefeller Plaza New York, NY 10019 (Address of principal executive offices) (212) 275-2000 (Registrant’s telephone number, including area code) Indicate by check mark whether the Registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ¨ No x Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T (§232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). Yes x No ¨ Indicate by check mark whether the Registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer or a smaller reporting company.
    [Show full text]
  • 825646078684.Pdf
    JOHANNES BRAHMS 1833–1897 Concerto for violin and cello in A minor, Op.102* 1 I Allegro 16.10 2 II Andante 7.39 3 III Vivace non troppo 8.10 FELIX MENDELSSOHN 1809–1847 Violin Concerto in E minor, Op.64 4 I Allegro molto appassionato 12.28 5 II Andante 7.42 6 III Allegretto non troppo — Allegro molto vivace 6.38 58.47 ITZHAK PERLMAN violin YO-YO MA cello* Chicago Symphony Orchestra/Daniel Barenboim IGOR STRAVINSKY 1882–1971 Violin Concerto in D 7 I Toccata 5.40 8 II Aria I 4.04 9 III Aria II 5.00 10 IV Capriccio 5.52 SERGEI PROKOFIEV 1891–1953 Violin Concerto No.2 in G minor, Op.63 11 I Allegro moderato 10.06 12 II Andante assai 9.15 13 III Allegro, ben marcato 6.13 46.10 ITZHAK PERLMAN violin Chicago Symphony Orchestra/Daniel Barenboim 2 Original album cover 3 he erato & Teldec Recordings Mendelssohn · Prokofiev · Brahms · Stravinsky On these two albums — the Mendelssohn and Prokofiev concertos originally released on Erato, the two others on Teldec — Itzhak Perlman was revisiting repertoire he had first recorded earlier on in his career. He had recorded Prokofiev’s Second Violin Concerto for RCA (with the Boston Symphony Orchestra under Erich Leinsdorf) as early as 1966, and Mendelssohn’s Concerto (with the London Symphony Orchestra and André Previn; see volume 5) six years later. He had also gone on to commit a further interpretation of each work to disc: the Prokofiev with the BBC Symphony Orchestra and Gennady Rozhdestvensky in 1980 (see volume 29), the Mendelssohn with the Amsterdam Concertgebouw and Bernard Haitink in 1983 (volume 33).
    [Show full text]
  • WARNER MUSIC GROUP FILES REGISTRATION STATEMENT for an INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner
    WARNER MUSIC GROUP FILES REGISTRATION STATEMENT FOR AN INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner Music Group Corp. (“Warner Music Group”) today announced that it has filed a registration statement on Form S-1 with the U.S. Securities and Exchange Commission (“SEC”) for a proposed initial public offering (“IPO”) of its common stock. The shares of common stock to be sold in this offering are proposed to be sold by certain of Warner Music Group’s stockholders. The number of shares of common stock to be offered and the price range for the proposed offering have not yet been determined. Morgan Stanley, Credit Suisse and Goldman Sachs & Co. LLC are acting as joint bookrunning managers for the offering. When available, copies of the preliminary prospectus relating to the offering may be obtained from: Morgan Stanley & Co. LLC, Attention: Prospectus Department, 180 Varick Street, 2nd Floor, New York, NY 10014; Credit Suisse Securities (USA) LLC, Attention: Prospectus Department, Eleven Madison Avenue, 3rd floor, New York, NY 10010, by telephone at (800) 221-1037, or by email at [email protected]; or Goldman Sachs & Co. LLC, Attention: Prospectus Department, 200 West Street, New York, NY 10282, by telephone at (866) 471-2526, or by email at [email protected]. A registration statement relating to these securities has been filed with the SEC but has not yet become effective. These securities may not be sold nor may offers to buy be accepted prior to the time the registration statement becomes effective. This press release does not constitute an offer to sell or the solicitation of an offer to buy securities, and shall not constitute an offer, solicitation or sale in any jurisdiction in which such offer, solicitation or sale would be unlawful prior to registration or qualification under the securities laws of that jurisdiction.
    [Show full text]
  • 7 Claude Debussy (Orch. Maurice Ravel) Tarantelle Styrienne (5:41) Orchestre De La Radiodiffusion Française O.L.V
    CD1 Marc-Antoine Charpentier Te Deum in D H146 1 II Prélude - Marche en Rondeau (1:33) 2 III Te Deum laudamus (1:05) 3 IV Te aeternum (1:44) Concept: Klara i.s.m. Warner Music Benelux 4 V Pleni sunt caeli et terra (2:35) Opdrachtgever: Chantal Pattyn (Netmanager Klara) Les Arts Florissants o.l.v. William Christie 2005 Parlophone Records Limited, a Warner Music Group Company Muziekkeuze: Klara-team Muzikale samenstelling: Gerrit Valckenaers 5 Arvo Pärt O Weisheit uit 7 Magnificat-Antiphonen (1:45) Estonian Philharmonic Chamber Choir o.l.v. Tonu Kaljuste Productie en coördinatie: 1997 Parlophone Records Limited, a Warner Music Group Company Marc Weyts (Klara) & Brigitte Ghyselen (Warner Music) 6 Gustav Holst Mercury, the Winged Messenger uit The Planets op.32 (4:00) Mastering: Pieter de Wagter (EQuuS) Berliner Philharmoniker o.l.v. Simon Rattle ‘Klara 20’ logo en coverontwerp: Lucy Agency 2006 Parlophone Records Limited, a Warner Music Group Company Opmaak: Piet De Ridder 7 Claude Debussy (orch. Maurice Ravel) Tarantelle styrienne (5:41) Orchestre de la Radiodiffusion Française o.l.v. Jean Martinon 1974 Parlophone/Warner Music France. Remastered 1998 Parlophone / Met de vriendelijke medewerking van Bl!ndman, De Maeyer/Kende, Warner Music France, a Warner Music Group Company Deutschlandradio/Anneleen Lenaerts, Erato/Warner Classics, George Frideric Handel Water Music Suite in D HWV349 Nonesuch Records, Parlophone/Warner Music France, 8 I Overture (2:05) 9 II Alla Hornpipe (3:13) Parlophone Records Germany, Teldec Classics International GmbH, 10 III Menuet (2:56) VRT/Klara en WEA International 11 V Lentement (2:15) 12 VI Bourrée (1:18) The London Classical Players o.l.v.
    [Show full text]
  • 2020'S BEST MUSIC MARKETING CAMPAIGNS
    BROUGHT TO YOU COURTESY OF ™ AMP IN ASSOCIATION WITH sandbox DECEMBER 09 2020 | Music marketing for the digital era ISSUE 266 2020’s BEST MUSIC MARKETING CAMPAIGNS Songtrust has the world's largest and most accessible network of direct global publishing relationships. Our easy to use platform enables you, and our 300,000+ clients, to register and collect performance and mechanical royalties directly around the world, without giving up any rights or any other revenues. ACCESS WHAT YOU'RE DUE SPONSOR PAGE PANDORA STORIES With Pandora Stories, artists and creators can add their voices to playlists and mixtapes. It’s the newest addition to AMP, Pandora’s suite of free and powerful tools for creators. The ability to combine music and storytelling allows artists to give their music more context while forging an even deeper connection with their fans, new and old. Artists can: • Share the stories behind the making of their music – influences, recording process, etc. • Supplement a podcast with a companion playlist using their own voice tracks. • Create a virtual setlist, complete with between song banter. • Program and promote career retrospectives, or deep dives into single albums. • Share their current favorite music with their fans. • Offer custom exclusive Stories as a premium or special offering for supporters on crowdfunding platforms. SANDBOX CAMPAIGNS OF THE YEAR 2020 2020’s BEST MUSIC MARKETING CAMPAIGNS elcome to Sandbox’s shortlist we had a record number of entries, from labels of the best, most original, and of all sizes from around the world. W most impactful music marketing campaigns of 2020. It’s a celebration of We’re very grateful for everyone who submitted remarkably innovative and creative work across campaigns for consideration – and we hope that a vast array of genres, with many notable in these campaigns you find a wealth of brilliant achievements notched up along the way.
    [Show full text]
  • Warner Music Group Annual Report 2019
    Warner Music Group Annual Report 2019 Form 10-K (NASDAQ:WMG) Published: November 27th, 2019 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 ___________________________________________________________________________________________ FORM 10-K ___________________________________________________________________________________________ (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended September 30, 2019 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32502 ___________________________________________________________________________________________ Warner Music Group Corp. (Exact name of Registrant as specified in its charter) ___________________________________________________________________________________________ Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 1633 Broadway New York, NY 10019 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 275-2000 ___________________________________________________________________________________________ Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered None None None Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________________________________________
    [Show full text]
  • Pet Shop Boys Have Finished Their New Album “Elysium” Which Will Be Released in September on Parlophone
    2012-06-13 09:22 CEST PET SHOP BOYS HAVE FINISHED THEIR NEW ALBUM “ELYSIUM” WHICH WILL BE RELEASED IN SEPTEMBER ON PARLOPHONE. Pet Shop Boys recently returned to the UK from Los Angeles where they recorded their brand new studio album “Elysium” for release in September. The album was co-produced by Pet Shop Boys with the young American engineer/producer, Andrew Dawson, who has won three Grammy awards for his work on Kanye West’s albums. Further information on the album, including a confirmed release date, will follow. A single will be released to radio at the beginning of July but right now, to give a taste of the album’s sound, a short film for the album track “Invisible” can be viewed online at www.petshopboys.co.uk or on www.vevo.com. The film was made by renowned Los Angeles artist/film-maker Brian Bress. “Elysium” was recorded earlier this year during the three months Neil Tennant and Chris Lowe spent in Los Angeles. Producer Andrew Dawson recently said: “It was really exciting for me to work with Pet Shop Boys - the breadth of their career has been phenomenal. They both have incredible ideas and I’ve definitely learned a few tricks from them on making records”. Pet Shop Boys said today: “We wanted to make this album in a different environment. Despite frequent visits there we have never made an album in Los Angeles. Working there with Andrew Dawson has enabled us to make a very fresh-sounding album.” Like several tracks on “Elysium”, “Invisible” features backing vocals by veteran singers Oren, Maxine and Julie Waters whose long career spans sessions with The Jackson Five to Adele, and singer/songwriter James Fauntleroy.
    [Show full text]
  • History of Parlophone Singles Parlophon Began As a German
    History of Parlophone Singles Parlophon began as a German company founded in 1896 by Carl Lindström, a Swedish inventor who lived in Berlin. Lindström made phonographs using the name “Parlophon,” and dictating machines using the name “Parlograph.” In 1911, Lindström’s company obtained controlling interest in the International Talking Machine Company – the German corporation that owned and had created Odeon Records. Lindström saw the opportunity to merge the European record manufacturing and player manufacturing markets, and to expand this new industry. During this period, records were being exported from Germany to Great Britain in increasing numbers – so that German imports consisted of a sizable portion of the British record market. Lindström endeavored to expand the production of Odeon’s discs worldwide, and after the First World War he succeeded in bringing the Odeon label to the United States, but his struggles to acquire a British company had been unsuccessful. William Barry Owen worked for German‐American inventor Emile Berliner, the man who introduced the disc record and “gramophone” in late 1887. In July, 1897, he left US‐based National Gramophone Company, a subsidiary of Berliner Gramophone, to move to England. He and Trevor Williams founded the UK Gramophone Company in May, 1898 – not long after Lindström founded his Parlophon company in Germany. Their independent company became Berliner’s partner in Britain. One of Berliner’s associates was Frank Seaman, who had managed the National Gramophone Company. Seaman left Berliner in 1899. Using technology that he “borrowed” from Berliner, Seaman founded Zon‐o‐Phone Records. Seaman pursued an alliance with Columbia Records, offering Columbia royalties for the stylus design in exchange for driving Emile Berliner out of business in America.
    [Show full text]
  • Content Community and Social Platform Kuaishou and Warner Music Group Strike Global Licensing Deal
    Content Community and Social Platform Kuaishou and Warner Music Group Strike Global Licensing Deal 2021.08.31 Deal Brings WMG's Artists' Music to Kuaishou's International Apps Kwai and SnackVideo NEW YORK, Aug. 31, 2021 /PRNewswire/ -- Warner Music Group (WMG) and China-based short-form video platform Kuaishou have struck a new licensing deal which will see WMG make its artists' music available on all of Kuaishou's overseas products including apps Kwai and SnackVideo. With more than one billion users worldwide, Kuaishou encourages its global community to share their activities, habits, and more with the core mission to 'embrace all lifestyles.' Oana Ruxandra, Chief Digital Officer & EVP of Business Development, WMG, said: "We're excited to bring our diverse music catalog to Kuaishou's passionate and creative global community. As WMG's universe of social partners grows, so too does our artists' reach and impact." Tony Qiu, Head of Kuaishou International Business, Kuaishou, said: "The partnership with WMG allows us to provide a wide range of fantastic music for our creators and users and is part of our commitment to provide fun, diverse, and authentic content to our global community." In June 2021 Kuaishou hit a major milestone amassing over one billion users worldwide. Kuaishou's monthly active users reached more than 180 million outside of China with both Kwai in Latin America and MENA and SnackVideo in South and Southeast Asia becoming some of the most popular apps in the regions. About Kuaishou Kuaishou is a leading content community and social platform with its mission to be the most customer-obsessed company in the world.
    [Show full text]
  • ARIA Licensors
    ARIA Licensors Licensing Copyright Owners BMG AUSTRALIA LIMITED 194 Miller Street, North Sydney NSW 2060 COLOSSAL RECORDS OF AUSTRALIA PTY LTD 14-16 Wilson Avenue, Brunswick VIC 3056 EMI MUSIC (AUSTRALIA) PTY LTD 98-100 Glover Street, Cremorne NSW 2090 * FESTIVAL RECORDS PTY LTD 235 Pyrmont Street, Pyrmont NSW 2009 * MUSHROOM DISTRIBUTION SERVICES PTY LTD 55 Danks Street, Port Melbourne VIC 3207 JANDA RECORDS (AUST) PTY LTD 2/17 Tennyson Road, Mortlake NSW 2137 LARRIKIN ENTERTAINMENT PTY LTD 235 Pyrmont Street, Pyrmont NSW 2009 SHOCK RECORDS PTY LTD 200 Beavers Road, Northcote VIC 3070 SONY MUSIC ENTERTAINMENT (AUSTRALIA) LTD 11 Hargrave Street, East Sydney NSW 2010 UNIVERSAL MUSIC AUSTRALIA LIMITED 3 Munn Reserve, Millers Point NSW 2000 WARNER MUSIC AUSTRALIA PTY LTD 39-47 Albany Street, Crows Nest NSW 2065 * Trading as Festival Mushroom Records Please note that the following sound recordings are expressly excluded from this Agreement: AC/DC: and EMI Music owned or controlled sound recordings by the Beatles (and solo members), Queen (and solo members) and Rolling Stones (and solo members). ARIA Labels Licensing Copyright Owner Labels 1500 Records (Universal) Alligator (Shock) 415 Records (Sony) Almo Sounds (Universal) 4AD (Shock) Alternative Tentacles (Shock) 4TH & Broadway (Universal) Amadeo (Universal) 510 Records (Universal) Ambient Sound (Shock) 550 Music (Sony) American Clave (Shock) A Star Academy (Zomba) American Decca Jazz (Universal) A&E Records Ltd (FMR) American Explorer (Warner) A&M (Universal) Anchor & Hope (Shock) A&M Records
    [Show full text]
  • Miles Leonard, Chairman of Parlophone Records UK and Warner Bros Records UK, Makes the Case for a Digital Future Based Around Access Not Ownership
    DIGITAL MUSIC Can the music industry be saved? Miles Leonard, chairman of Parlophone Records UK and Warner Bros Records UK, makes the case for a digital future based around access not ownership nly the most obstinate, with brands, and there was very little piracy. “The on-message, “my com- route to market was pretty straightforward – you pany, right or wrong” had radio, TV and press and that was it,” Leonard corporate spokesperson continues. “It was straightforward and didn’t would try to claim that change for many years – the only change was the record industry has really format, ie vinyl to cassette, cassette to CD.” not taken a pummelling What this meant was that the labels were the in the last decade. In 2004, the global record “gatekeepers of the market”, they would promote Oindustry was worth $21.9 billion, whereas last year to a selected targeted audience through radio and it accounted for $15 billion, down around a third. TV, and could manipulate sales through press and In the UK, the story is even worse, closer to a 50 granting or withholding access to artists, not to per cent drop. mention deciding when they would release singles But rumours of the death of the music industry from an album. have been greatly exaggerated. “Back in the day, 12”s were £3.99 or £4.99, the “Record companies, as they were then called Eugene Costello Words: original 7” was about £1.99, so not to be sneezed – nowadays we use the term music companies at, though nowhere near as important as album 70 more accurately – were interested in selling sales, when you consider that in the ’90s, we could physical copies of CDs, vinyl or cassettes,” says sell album CDs for £12 to £15 and upwards, Miles Leonard, chairman of Parlophone Records especially for well-packaged special editions for col- UK and Warner Bros Records UK.
    [Show full text]