7 Claude Debussy (Orch. Maurice Ravel) Tarantelle Styrienne (5:41) Orchestre De La Radiodiffusion Française O.L.V

Total Page:16

File Type:pdf, Size:1020Kb

7 Claude Debussy (Orch. Maurice Ravel) Tarantelle Styrienne (5:41) Orchestre De La Radiodiffusion Française O.L.V CD1 Marc-Antoine Charpentier Te Deum in D H146 1 II Prélude - Marche en Rondeau (1:33) 2 III Te Deum laudamus (1:05) 3 IV Te aeternum (1:44) Concept: Klara i.s.m. Warner Music Benelux 4 V Pleni sunt caeli et terra (2:35) Opdrachtgever: Chantal Pattyn (Netmanager Klara) Les Arts Florissants o.l.v. William Christie 2005 Parlophone Records Limited, a Warner Music Group Company Muziekkeuze: Klara-team Muzikale samenstelling: Gerrit Valckenaers 5 Arvo Pärt O Weisheit uit 7 Magnificat-Antiphonen (1:45) Estonian Philharmonic Chamber Choir o.l.v. Tonu Kaljuste Productie en coördinatie: 1997 Parlophone Records Limited, a Warner Music Group Company Marc Weyts (Klara) & Brigitte Ghyselen (Warner Music) 6 Gustav Holst Mercury, the Winged Messenger uit The Planets op.32 (4:00) Mastering: Pieter de Wagter (EQuuS) Berliner Philharmoniker o.l.v. Simon Rattle ‘Klara 20’ logo en coverontwerp: Lucy Agency 2006 Parlophone Records Limited, a Warner Music Group Company Opmaak: Piet De Ridder 7 Claude Debussy (orch. Maurice Ravel) Tarantelle styrienne (5:41) Orchestre de la Radiodiffusion Française o.l.v. Jean Martinon 1974 Parlophone/Warner Music France. Remastered 1998 Parlophone / Met de vriendelijke medewerking van Bl!ndman, De Maeyer/Kende, Warner Music France, a Warner Music Group Company Deutschlandradio/Anneleen Lenaerts, Erato/Warner Classics, George Frideric Handel Water Music Suite in D HWV349 Nonesuch Records, Parlophone/Warner Music France, 8 I Overture (2:05) 9 II Alla Hornpipe (3:13) Parlophone Records Germany, Teldec Classics International GmbH, 10 III Menuet (2:56) VRT/Klara en WEA International 11 V Lentement (2:15) 12 VI Bourrée (1:18) The London Classical Players o.l.v. Roger Norrington www.klara.be 1997 Parlophone Records Limited, a Warner Music Group Company www.warnerclassics.com 13 Claudio Monteverdi Lamento della ninfa uit 8ste Madrigalenboek (5:10) Natalie Dessay / Le Concert d’Astrée o.l.v. Emmanuelle Haïm 2008 Parlophone Records Limited, a Warner Music Group Company 14 Clara Schumann (arr. Lenaerts/Grammenos) Liebst du um Schönheit uit 12 Gedichte aus Liebesfrühling op.37 (2:07) Anneleen Lenaerts / Dionysis Grammenos 9 John Adams Ständchen - The Little Serenade 2016 Deutschlandradio/Anneleen Lenaerts under exclusive licence to Parlophone Records Limited, uit John’s Book of Alleged Dances (4:55) a Warner Music Group Company Kronos Quartet 15 Wolfgang Amadeus Mozart Allegro Moderato © Hendon Music, Inc., a Boosey & Hawkes Company (BMI) 1998 Nonesuch Records Inc, a Warner Music Group Company uit Symfonie nr.29 in A K201 (9:10) Amsterdam Baroque Orchestra o.l.v. Ton Koopman 10 Eric Sleichim Plateaux - 3th Movement for Beuys (4:48) 1989 Erato Disques, a Warner Music UK Division Bl!ndman Sax © Copyright control 16 Antonio Vivaldi Pastorale uit Sonate in A op.13/4 RV59 (2:36) 1992 Bl!ndman under exclusive license to Parlophone Music Benelux NV/SA, A Warner Music group company Il Giardino Armonico o.l.v. Giovanni Antonini 1991 Teldec Classics International GmbH 11 Avishai Cohen Arab Medley (4:07) Avishai Cohen 17 Franz Schubert Presto Vivace uit Symfonie nr.3 in D D200 (6:16) © Copyright control Royal Concertgebouw Orchestra o.l.v. Nicolaus Harnoncourt 2013 Parlophone/Warner Music France. A Warner Music Group Company. 1993 Teldec Classics International GmbH 12 Youssou N’Dour Touba - Daru Salaam (5:49) 18 George Frideric Handel Tu del ciel ministro eletto (Aria della Bellezza) Youssou N’Dour uit Il Triomfo del Tempo HWV46 (6:05) © EMI Virgin Music Publishing France S.A. (SACEM) and African Broadband Publishing (BMI) 2004 Nonesuch Records Inc., a Warner Music Group Company Natalie Dessay / Le Concert d’Astrée o.l.v. Emmanuelle Haim 2007 Parlophone Records Limited, a Warner Music Group Company 13 Brad Mehldau The Falcon Will Fly Again (8:21) 19 Johann Nepomuk Hummel Rondo uit Trompetconcerto in Es (3:33) Brad Mehldau © Werther Music BMI / 2010 Nonesuch Records Alison Balsom / Deutsche Kammerphilharmonie Bremen 2008 Parlophone Records Limited, a Warner Music Group Company 14 Punch Brothers (Radiohead) Kid A (4:51) Punch Brothers © Warner Chappell Music Ltd./WB Music Corp. (ASCAP) - 2012 Nonesuch Records Inc., a Warner Music Group Company CD2 15 Steve Reich Fast uit Electric Counterpoint (4:26) 1 Johann Sebastian Bach Jauchzet, frohlocket Johnny Greenwood uit Weihnachtsoratorium BWV248 (7:44) © Hendon Music, Boosey & Hawkes - 2014 Nonesuch Records Inc., a Warner Music Group Company Collegium Vocale o.l.v. Philippe Herreweghe 1989 Parlophone Records Limited, a Warner Music Group Company 16 John Coltrane (Richard Rodgers/Oscar Hammerstein) My Favorite Things (13:41) 2 Antonio Vivaldi Vedro con mi diletto uit Giustino RV717 (5:10) John Coltrane Philippe Jaroussky / Ensemble Mattheus o.l.v. Jean-Christophe Spinosi © Williamson Music, ASCAP / Chappell & Co., ASCAP - 1961 WEA International Inc. 2006 Parlophone Records Limited, a Warner Music Group Company 3 Antonin Dvorak Molto vivace uit Strijkkwartet nr.14 in As op.105 (5:11) 14 Johann Sebastian Bach / Victor Kissine Aria from BWV988 (Goldberg) (6:15) Alban Berg Quartett Kremerata Baltica o.l.v. Gidon Kremer 2001 Parlophone Records Limited, a Warner Music Group Company © Victor Kissine - 2012 WEA International 4 Frédéric Chopin Tempo giusto nr.2 in f uit 3 Walsen op.70 (3:08) Dmitri Shostakovich (arr. Tsyganov) Preludes Ingrid Fliter 15 Moderato, op.34 nr.13 in Fis (1:01) 2009 Parlophone Records Limited, a Warner Music Group Company 16 Allegretto, op.34 nr.15 in Des (0:54) Jolente De Maeyer / Nikolaas Kende 5 Max Bruch Finale uit Vioolconcerto op.26 (7:29) 2016 De Maeyer/Kende under exclusive license to Warner Music Benelux NV-SA, a Warner Music Group Company Maxim Vengerov / Gewandhausorchester Leipzig o.l.v. Kurt Masur 1994 Teldec Classics International GmbH 17 Giuseppe Verdi Sempre Libera uit La Traviata (3:42) Diana Damrau / Turin Teatro Regio Orchestra o.l.v. Gianandrea Noseda 6 Domenico Scarlatti Allegro uit Sonate in A K209 (L428) (4:21) 2015 Parlophone Records Limited, a Warner Music Group Company Christian Zacharias 1984/Digital Remaster 1991 Parlophone Records Germany CD3 7 Felix Mendelssohn Allegro vivace uit Symfonie nr.4 in A op.90 ‘Italiaanse’ (10:37) 1 David ByrneTree (Today is an Important Occasion) (4:07) David Byrne Chamber Orchestra of Europe o.l.v. Nicolaus Harnoncourt © Index Music, Inc., ASCAP - 2007 Nonesuch Records, Inc., a Warner Music Group Company 1995 Teldec Classics International GmbH 2 Fanfares uit Etudes pour piano, premier livre (3:29) 8 Camille Saint-Saëns Gavotte & Finale uit Septet in Es op.64 (3:30) György Ligeti Pierre-Laurent Aimard Renaud Capuçon / Gautier Capuçon / Frank Braley / David Guerrier / Béatrice Muthelet / © Copyright control - 2003 Warner Classics, Warner Music UK Esther Hoppe / Janne Saksala 2003 Parlophone Records Limited, a Warner Music Group Company Manuel de Falla (arr. Revue Blanche) Siete canciones populares españolas Johann Sebastian Bach Goldbergvariaties BWV988 3 I El paño moruno (1:15) 4 II Seguidilla murciana (1:13) 9 Aria (3:45) 5 III Asturiana (2:19) Jeremy Denk 6 IV Jota (3:17) 2013 Nonesuch Records Inc., a Warner Music Group Company 7 VII Polo (1:22) 10 Variatio 1 (2:07) Revue Blanche 2015 VRT/Klara under exclusive license to Warner Music Benelux NV-SA, a Warner Music Group Company 11 Variatio 2 (1:31) 12 Variatio 4 (1:08) 8 Enrique Granados Danse espagnole nr.5 uit Suite espagnole (3:53) 13 Variatio 5 (1:31) Gwen Cresens Philippe Thuriot © Editions Salabert 2015 VRT/Klara under exclusive license to Warner Music Benelux NV-SA, a Warner Music Group Company 2018 VRT/Klara, under exclusive license to Warner Music Benelux NV-SA, a Warner Music Group Company .
Recommended publications
  • VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
    VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just the slightest marks. For collectors searching top copies, you’ve come to the right place! The further we get from the time of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually with a translation of the text or similarly related comments. BESSIE ABOTT [s]. Riverdale, NY, 1878-New York, 1919. Following the death of her father which left her family penniless, Bessie and her sister Jessie (born Pickens) formed a vaudeville sister vocal act, accompanying themselves on banjo and guitar. Upon the recommendation of Jean de Reszke, who heard them by chance, Bessie began operatic training with Frida Ashforth. She subsequently studied with de Reszke him- self and appeared with him at the Paris Opéra, making her debut as Gounod’s Juliette.
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-Q (Mark One) x QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended June 30, 2013 OR ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission File Number 001-32502 Warner Music Group Corp. (Exact name of Registrant as specified in its charter) Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 75 Rockefeller Plaza New York, NY 10019 (Address of principal executive offices) (212) 275-2000 (Registrant’s telephone number, including area code) Indicate by check mark whether the Registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ¨ No x Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T (§232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). Yes x No ¨ Indicate by check mark whether the Registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer or a smaller reporting company.
    [Show full text]
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • 825646078684.Pdf
    JOHANNES BRAHMS 1833–1897 Concerto for violin and cello in A minor, Op.102* 1 I Allegro 16.10 2 II Andante 7.39 3 III Vivace non troppo 8.10 FELIX MENDELSSOHN 1809–1847 Violin Concerto in E minor, Op.64 4 I Allegro molto appassionato 12.28 5 II Andante 7.42 6 III Allegretto non troppo — Allegro molto vivace 6.38 58.47 ITZHAK PERLMAN violin YO-YO MA cello* Chicago Symphony Orchestra/Daniel Barenboim IGOR STRAVINSKY 1882–1971 Violin Concerto in D 7 I Toccata 5.40 8 II Aria I 4.04 9 III Aria II 5.00 10 IV Capriccio 5.52 SERGEI PROKOFIEV 1891–1953 Violin Concerto No.2 in G minor, Op.63 11 I Allegro moderato 10.06 12 II Andante assai 9.15 13 III Allegro, ben marcato 6.13 46.10 ITZHAK PERLMAN violin Chicago Symphony Orchestra/Daniel Barenboim 2 Original album cover 3 he erato & Teldec Recordings Mendelssohn · Prokofiev · Brahms · Stravinsky On these two albums — the Mendelssohn and Prokofiev concertos originally released on Erato, the two others on Teldec — Itzhak Perlman was revisiting repertoire he had first recorded earlier on in his career. He had recorded Prokofiev’s Second Violin Concerto for RCA (with the Boston Symphony Orchestra under Erich Leinsdorf) as early as 1966, and Mendelssohn’s Concerto (with the London Symphony Orchestra and André Previn; see volume 5) six years later. He had also gone on to commit a further interpretation of each work to disc: the Prokofiev with the BBC Symphony Orchestra and Gennady Rozhdestvensky in 1980 (see volume 29), the Mendelssohn with the Amsterdam Concertgebouw and Bernard Haitink in 1983 (volume 33).
    [Show full text]
  • WARNER MUSIC GROUP FILES REGISTRATION STATEMENT for an INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner
    WARNER MUSIC GROUP FILES REGISTRATION STATEMENT FOR AN INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner Music Group Corp. (“Warner Music Group”) today announced that it has filed a registration statement on Form S-1 with the U.S. Securities and Exchange Commission (“SEC”) for a proposed initial public offering (“IPO”) of its common stock. The shares of common stock to be sold in this offering are proposed to be sold by certain of Warner Music Group’s stockholders. The number of shares of common stock to be offered and the price range for the proposed offering have not yet been determined. Morgan Stanley, Credit Suisse and Goldman Sachs & Co. LLC are acting as joint bookrunning managers for the offering. When available, copies of the preliminary prospectus relating to the offering may be obtained from: Morgan Stanley & Co. LLC, Attention: Prospectus Department, 180 Varick Street, 2nd Floor, New York, NY 10014; Credit Suisse Securities (USA) LLC, Attention: Prospectus Department, Eleven Madison Avenue, 3rd floor, New York, NY 10010, by telephone at (800) 221-1037, or by email at [email protected]; or Goldman Sachs & Co. LLC, Attention: Prospectus Department, 200 West Street, New York, NY 10282, by telephone at (866) 471-2526, or by email at [email protected]. A registration statement relating to these securities has been filed with the SEC but has not yet become effective. These securities may not be sold nor may offers to buy be accepted prior to the time the registration statement becomes effective. This press release does not constitute an offer to sell or the solicitation of an offer to buy securities, and shall not constitute an offer, solicitation or sale in any jurisdiction in which such offer, solicitation or sale would be unlawful prior to registration or qualification under the securities laws of that jurisdiction.
    [Show full text]
  • WDR 3 Klassik 21. März 2021 Klassik Klub Mit Maria Nguyen-Nhu 16:04-17:45
    WDR 3 Klassik 21. März 2021 Klassik Klub mit Maria Nguyen-Nhu 16:04-17:45 Stand: 14.03.2021 Komponist Titel/ Länge Interpret/ Label Johann Sebastian Bach Invention Nr. 13, BWV 784 (bearb. Mari Samuelsen, Violine Badzura) (1'37'') Konzerthausorchester Berlin Leitung: Jonathan Stockham- mer Label: Deutsche Grammophon GmbH LC 00173 Georg Friedrich Händel Sarabande Variationen (aus der Suite Martin Stadtfeld, Klavier in d-Moll, HWV 437): Label: Sony Music Entertain- Variation I(0'48'') ment Germany GmbH Variation II (0'45'') LC 00316 Variation III (0'43'') Variation IV (0'22'') Variation V (0'27'') Variation VI (1'07'') Variation VII (0'41'') Variation VIII (1'25'') Antonio Vivaldi Konzert in D-Dur, RV 549: III. Allegro Shunske Sato, Violine (Live) (2'23'') Mayumi Hirasaki, Violine Jesús Merino-Ruiz, Violine Evgeny Sviridov, Violine Concerto Köln, Label: Berlin Classics/Edel Germany GmbH LC 10024 Franz Schubert Symphonie Nr. 3, D. 200: II. Alleg- Concertgebouworkest retto (4'20'') Leitung: Nikolaus Harnoncourt Label: Teldec LC 06019 Johannes Brahms Klarinettenquintett, Op. 115: 3. An- Reto Bieri, Klarinette dantino (4'42'') Meta4 Label: ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin LC 00173 Henri Vieuxtemps Sonate, Op. 36: II. Barcarolle (5'38'') Jean Daufresne, Flügelhorn Alexandre Collard, Horn Mathilde Nguyen, Klavier Label: Klarthe LC --- Ludwig van Beethoven Prelude, WoO 55 (3'54'') Matthias Kirschnereit Label: Berlin Classics/Edel Germany GmbH LC 10024 Mario Castelnuovo-Tedesco Gitarrenquintett, Op. 143: II. Andante Jason Vieaux, Gitarre mesto (5'56'') Escher String Quartet Label: Azica Records LC 30321 Carlos Martínez Gil Suite estiu: Ibrahim Aziz, Viola da Gamba IV.
    [Show full text]
  • Trevor Tolley Jazz Recording Collection
    TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre.
    [Show full text]
  • L Music Week Market Shares
    L Music Week Market Shares THIS WEEK'S CHART SHARE O TOP 75 CHART BY CORPORATE GROUP THIS WEEK'S TOTAL MARKET !ur SINGLES ARTIST ALBUMS ALL ALBUMS SINGLES STREAMS SINGLES SALES ARTIST ALBUM SALES NO.1 UNIVERSAL NO.1 NO. Sr NO.1 RCA NO.1 RCA NO.1 COLUMBIA ',HARE COMPANY SHARE TW COMPANY SHARE SHARE 11111111111111111111111111111 1 RCA LABEL GROUP 1 RCA LABEL GROUP 13 6X 1 COLUMBIA LABEL GROUP 1 UNIVERSAL MUSIC 40 50% 1 SONY MUSIC 1 SONY MUSIC 71% 71% 2 VIRGIN EMI 2 VIRGIN EMI 12 3% 2 VIRGIN EMI 2 SONY MUSIC 31 57% 2 UNIVERSAL MUSIC 2 UNIVERSAL MUSIC 24 93% 3 POLYDOR 3 POLYDOR 84% 3 SONY MUSIC CG 53% 3 WARNER MUSIC 20 36% 3 WARNER MUSIC 3 WARNER MUSIC 11 89% 4 ISLAND 4 ISLAND 68% 4 POLYDOR 5.1% 4 BENDO 04% 4 BMG 4 KNYMUSICAAMISICMIX 6 71% 45% 5 A—LANT1C RECORDS UK 5 ATLANTIC RECORDS UK 62X RHINO (WARNERS) • UNIVEPSAL MUSCAVARI,ER MSC 0 89% S XL BEGGARS 5 26% 5 BMG 5 46% 6 COLUMBIA LABEL GROUP 6 WARNER BROS 6 IX 6 UMC 43% 5 03% OTHERS 7 70% OTHERS 5 64% OTHERS 7 WARNER BROS 7 COLUMBIA LABEL CROUP 57% 7 BMG 39% 8 PARLOPHONE 8 SYCO MUSIC 8 RCA LABEL GROUP 38% TOP 75 CHART BY RECORD COMPANY 9 SYCO MUSIC 9 CAPITOL 9 WARNER BROS 37% 10 ATLANTIC RECORDS UK 34% SINGLES ARTIST ALBUMS ALL ALBUMS 10 UMC 10 PARLOPHONE NO.1 VIRGIN EMI NO.1 COLUMBIA NO.1 COLUMBIA 11 CAPITOL 11 UMC 11 ISLAND 3.3% 12 BLACK BUTTER 12 RHINO (WARNE v 12 DECCA 32% 159 COMPANY SHARE TW COMPANY SHARE TW COMPANY SHARE 13 RHINO (WARNERS) 13 SONY MUSIC CO 13 CAROLINE 28% 1 VIRGIN EMI 1710% 1 COWMI31A LABELGROUP 1 COLUN'OA LABEL GROUP 14 DECCA 14 DECCA 14 PARLOPHONE 18% 1? 31% 2 ATLANTIC RECORDS UK 2 UMC 2 RCA LABEL GROUP 15 SONY MUSIC CC 15 BLACK BUTTER 15 'Cillls.G1LR(SFIEOCCE143S osx 3 AILAAIMREOORDSUK 11 94% 3 BMG to,% 3 ATLANTIC UK OTHERS OTHERS OTHERS 31% 4 POLYDOR 1102% 4 ISLAND 4 SONY CGNIRGIN EMI 71% 5 SYCO MUSIC 8 63% 5 POLYDOR 4 861.
    [Show full text]
  • 2020'S BEST MUSIC MARKETING CAMPAIGNS
    BROUGHT TO YOU COURTESY OF ™ AMP IN ASSOCIATION WITH sandbox DECEMBER 09 2020 | Music marketing for the digital era ISSUE 266 2020’s BEST MUSIC MARKETING CAMPAIGNS Songtrust has the world's largest and most accessible network of direct global publishing relationships. Our easy to use platform enables you, and our 300,000+ clients, to register and collect performance and mechanical royalties directly around the world, without giving up any rights or any other revenues. ACCESS WHAT YOU'RE DUE SPONSOR PAGE PANDORA STORIES With Pandora Stories, artists and creators can add their voices to playlists and mixtapes. It’s the newest addition to AMP, Pandora’s suite of free and powerful tools for creators. The ability to combine music and storytelling allows artists to give their music more context while forging an even deeper connection with their fans, new and old. Artists can: • Share the stories behind the making of their music – influences, recording process, etc. • Supplement a podcast with a companion playlist using their own voice tracks. • Create a virtual setlist, complete with between song banter. • Program and promote career retrospectives, or deep dives into single albums. • Share their current favorite music with their fans. • Offer custom exclusive Stories as a premium or special offering for supporters on crowdfunding platforms. SANDBOX CAMPAIGNS OF THE YEAR 2020 2020’s BEST MUSIC MARKETING CAMPAIGNS elcome to Sandbox’s shortlist we had a record number of entries, from labels of the best, most original, and of all sizes from around the world. W most impactful music marketing campaigns of 2020. It’s a celebration of We’re very grateful for everyone who submitted remarkably innovative and creative work across campaigns for consideration – and we hope that a vast array of genres, with many notable in these campaigns you find a wealth of brilliant achievements notched up along the way.
    [Show full text]
  • Warner Music Group & Atlantic Records
    Christine Osazuwa Marketing Plan November 19, 2010 Warner Music Group & Atlantic Records Company History & Overview Warner Music Group Warner Music Group Corporation is the world’s only publically traded major music company. WMG operates all over the world; its best-known labels include Atlantic, Elektra, Reprise, Rhino, Roadrunner and Warner Brothers. In addition to distribution and labels, WMG offers artist management and music publishing. Warner Music Group (WMG) began in the 1800s, with sheet and classical music. By the early 1900s, WMG had procured exclusive rights to the Vitaphone. In 1929, Jack Warner found Music Publishers Holding Company to acquire music copyrights for use in films. In 1947, Ahmet Ertehun and Herb Abramson found Atlantic Records. Three years later Jac Holzman found Elektra Records. Word Records was founded in 1951 as one of the first companies in contemporary Christian music. Warner Brothers Records was founded in 1958 as a soundtrack factory for Warner Brothers movie studio, and two years late Frank Sinatra created Reprise Records. Warner Bros and Reprise merge in 1963. In 1970, Elektra and Nonesuch Records become part of Kinney National, which became Warner Communications and forms Warner- Elektra-Atlantic (WEA Corporation), which is the first major music distribution company in the US. 1986 brought WEA Manufacturing, the company’s first CD manufacturing plant as well as further international expansion. Warner merges with Time, Inc to form Time Warner and 1 | P a g e Christine Osazuwa Marketing Plan November 19, 2010 becomes, at the time, the world’s largest music publisher. Throughout the 1990s, Time Warner was the largest media company in the world.
    [Show full text]
  • Warner Music Group Annual Report 2019
    Warner Music Group Annual Report 2019 Form 10-K (NASDAQ:WMG) Published: November 27th, 2019 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 ___________________________________________________________________________________________ FORM 10-K ___________________________________________________________________________________________ (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended September 30, 2019 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32502 ___________________________________________________________________________________________ Warner Music Group Corp. (Exact name of Registrant as specified in its charter) ___________________________________________________________________________________________ Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 1633 Broadway New York, NY 10019 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 275-2000 ___________________________________________________________________________________________ Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered None None None Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________________________________________
    [Show full text]
  • WARNER BROS. / WEA RECORDS 1970 to 1982
    AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
    [Show full text]