MC Copy of Projectprofile GWAR

Total Page:16

File Type:pdf, Size:1020Kb

MC Copy of Projectprofile GWAR ARTIST ICA COMMISSION PROFILE DECLARATION APRIL 21st – SEPTEMBER 9th ICAVCU.ORG #DECLARATION #ICAVCU Installation view, Declaration of GWAR, Institute for Contemporary Art, Richmond, Virginia, 2018. Photo: Terry Brown GWAR The figures in, Declaration of GWAR, a new installation ON VIEW N created for the ICA, enact a scene that has played out at Declaration of GWAR, 2018 many GWAR concerts: a staged conflict between Mixed-media installation including “protesters” and members of the legendary Richmond- costumes and ephemera based metal band. GWAR was formed by musicians and former VCUarts students who created alter-egos, Courtesy of the artists O performing as hyper-masculine alien invaders bent on LOCATION destroying the world. While wearing grotesque, elaborately I 2nd Floor Landing handmade costumes they enact satirically violent and evenhandedly offensive attacks on all kinds of norms and RELATED PROGRAM institutions, from art school to the church to the political TOPIC TOUR: T status quo. The backdrop is covered with copies of vintage DECLARATION OF GWAR and recent ephemera from GWAR’s archive. August 25, 2018, 1pm Visit ICAVCU.ORG for dates, event A details and ticketing information. All events are free and open to the public MOBILE TOUR R icavcu.org/exhibtions/ declaration/#mobile- tour A L Installation view, Declaration of GWAR, detail, Institute for Contemporary Art, Richmond, Virginia, 2018. C E D ARTIST PROFILE GWAR is angry at the state of the world, angry at America, angry INTERVIEW at Art! We mistook this new building as a spacecraft for us to escape Earth with! This is the only reason we are here! —GWAR WHAT MOTIVATES YOU AS DO YOU BELIEVE ART HAS SOCIALLY ARTISTS? TRANSFORMATIVE POWER? DEATH! We believe in the transformative power N of death! Death to life! Death to Art!! ARE THERE DETAILS ABOUT THE WORK YOU’RE SHOWING IN DECLARATION THAT YOU’D ESPECIALLY LIKE AUDIENCES TO PAY O ATTENTION TO? I We present a bloody tableau wherein the noble Scumdog warriors defeat the oppressive forces of Religion, Military, and T Politics! A R A L C E Installation view, Declaration of GWAR, Institute for Contemporary Art, Richmond, Virginia, 2018. Photo: Terry Brown D ARTIST PROFILE BIOGRAPHY Fans at a GWAR concert. Image courtesy of the artists Richmond, Virginia, EST. 1984–Current Current members: N Michael Bishop (Blothar) (2014–present) Mike Derks (Balsac the Jaws of Death) (1988–present) Brad Roberts (Jizmak Da Gusha) (1989–present) Jamison Land (Beefcake the Mighty) (2011–present) O Brent Purgason (Pustulus Maximus) (2012–present) Bob Gorman (Bonesnapper)(1995–1996, 2014–present) I Matt Maguire (Sawborg Destructo)(1995-1996, 2009–present) Sleazy P. Martini (Don Drakulich) (1985–present) T GWAR is a Richmond based heavy metal band composed of a rotating cast of artists, musicians, and filmmakers. The collective was founded in 1984 with a thematic concept based on an elaborate science-fiction mythology, which claims that the band members are barbaric interplanetary warriors. Their music is known for its violent, sexual, and scatological humor, as well A as its social and political satire. Select Discography: Hell-O (1988); Scumdogs of the Universe (1994); Ragnarok (1995); Carnival R of Chaos (1997); America Must Be Destroyed (1992); Violence Has Arrived (2001); Beyond Hell (2006); Lust in Space (2009); Battle Maximus (2013). Film: Mystery Date (1990). Select television and film appearances: Beavis and Butt-head (1994), Empire Records (1995), The Joan Rivers Show (1997), Kids Next Door (2004). A L C E D.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Gwar Ragnarök Mp3, Flac, Wma
    Gwar Ragnarök mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Ragnarök Country: US Released: 2018 Style: Heavy Metal, Thrash, Punk MP3 version RAR size: 1602 mb FLAC version RAR size: 1765 mb WMA version RAR size: 1316 mb Rating: 4.9 Votes: 676 Other Formats: VOC WMA AUD AC3 TTA APE WAV Tracklist A1 Meat Sandwich 3:29 A2 The New Plague 2:52 A3 Whargoul 5:37 A4 Rag Na Rok 3:59 A5 Dirty, Filthy 2:30 A6 Stalin's Organs 2:19 A7 Knife In Yer Guts 3:15 B1 Think You Outta Know This 2:46 B2 Martyr Dumb 3:58 B3 Nudged 2:40 B4 Fire In The Loins 3:59 B5 Surf Of Syn 4:22 B6 Crush, Kill, Destroy 1:34 B7 None But The Brave 3:51 Notes First vinyl pressing Gray/white marbled - /1000 (THIS) Blue/red swirl - /500 Barcode and Other Identifiers Barcode (Scanned): 039842508917 Barcode (Printed): 0 39842 50891 7 Other versions Category Artist Title (Format) Label Category Country Year Metal Blade MBD-50527 Gwar Ragnarök (CD, Album) MBD-50527 US 1995 Records Ragnarök (CD, Album, Attic, Metal Blade P2 50527 Gwar P2 50527 Canada 1995 Club) Records Ragnarök (LP, Album, Metal Blade 3984-25089-1 Gwar 3984-25089-1 US 2018 Ltd, Blu) Records Ragnarök (CD, Album, Metal Blade P2 50527 Gwar P2 50527 US 1995 Club) Records Metal Blade 1054045 Gwar Ragnarok (CD, Album) 1054045 Denmark Unknown Records Comments about Ragnarök - Gwar Konetav Avoid!! Terrible job by Metal Blade, blown up CD scan for a cover, nothing added to the booklet or anything else.
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • AD GUITAR INSTRUCTION** 943 Songs, 2.8 Days, 5.36 GB
    Page 1 of 28 **AD GUITAR INSTRUCTION** 943 songs, 2.8 days, 5.36 GB Name Time Album Artist 1 I Am Loved 3:27 The Golden Rule Above the Golden State 2 Highway to Hell TUNED 3:32 AD Tuned Files and Edits AC/DC 3 Dirty Deeds Tuned 4:16 AD Tuned Files and Edits AC/DC 4 TNT Tuned 3:39 AD Tuned Files and Edits AC/DC 5 Back in Black 4:20 Back in Black AC/DC 6 Back in Black Too Slow 6:40 Back in Black AC/DC 7 Hells Bells 5:16 Back in Black AC/DC 8 Dirty Deeds Done Dirt Cheap 4:16 Dirty Deeds Done Dirt Cheap AC/DC 9 It's A Long Way To The Top ( If You… 5:15 High Voltage AC/DC 10 Who Made Who 3:27 Who Made Who AC/DC 11 You Shook Me All Night Long 3:32 AC/DC 12 Thunderstruck 4:52 AC/DC 13 TNT 3:38 AC/DC 14 Highway To Hell 3:30 AC/DC 15 For Those About To Rock (We Sal… 5:46 AC/DC 16 Rock n' Roll Ain't Noise Pollution 4:13 AC/DC 17 Blow Me Away in D 3:27 AD Tuned Files and Edits AD Tuned Files 18 F.S.O.S. in D 2:41 AD Tuned Files and Edits AD Tuned Files 19 Here Comes The Sun Tuned and… 4:48 AD Tuned Files and Edits AD Tuned Files 20 Liar in E 3:12 AD Tuned Files and Edits AD Tuned Files 21 LifeInTheFastLaneTuned 4:45 AD Tuned Files and Edits AD Tuned Files 22 Love Like Winter E 2:48 AD Tuned Files and Edits AD Tuned Files 23 Make Damn Sure in E 3:34 AD Tuned Files and Edits AD Tuned Files 24 No More Sorrow in D 3:44 AD Tuned Files and Edits AD Tuned Files 25 No Reason in E 3:07 AD Tuned Files and Edits AD Tuned Files 26 The River in E 3:18 AD Tuned Files and Edits AD Tuned Files 27 Dream On 4:27 Aerosmith's Greatest Hits Aerosmith 28 Sweet Emotion
    [Show full text]
  • Carrier: Enrollment Won't Rise Until '92 I Same
    9A Day in the Life': Slides show nations' realities V/14 MONDAY, OCTOBER 3, 1988 JAMES MADISON UNIVERSITY VOL. 66 NO. 11 Carrier: Enrollment won't rise until '92 I same. We shall not increase enrollment opportunities for program development By William Young part, in the fact that I have suggested staff writer but expand our present facilities to . and he [tells] his faculty that we that we buy it, because $4 million is a accommodate our present enrollment." can't grow because we don't have any lot of money. But the land is needed as JMU shouldn't increase its enrollment This fall's enrollment is about 10,500. space or we don't have any land." an opportunity for the university." until at least 1992, JMU President Though JMU won't expand "The land is to provide for future The $175,000 option cost will be Ronald Carrier said Thursday at a enrollment for now, it does want to growth of this institution, whether it be applied toward the estimated $4.1 special faculty meeting. expand its land holdings by purchasing in buildings, specialized programs or million purchase price. Carrier said. "We will not increase enrollment 110 acres of land near the Convocation parking lots," Carrier said. until we have adequate personnel and Center. Those 110 acres are vital to The land's owners told JMU about The JMU Board of Visitors voted facilities for the present enrollment,'' JMU's future expansion, Carrier said. two years ago that a developer had Sept. 24 to ask the Virginia General Carrier told about 300 faculty members The land is not being sought for current offered to buy the property.
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]
  • Whargoul.Pdf
    DEADITE PRESS 205 NE BRYANT PORTLAND, OR 97211 www.DEADITEPRESS.com AN ERASERHEAD PRESS COMPANY www.ERASERHEADPRESS.com ISBN: 1-936383-36-5 Copyright © 2010 by Dave Brockie Cover art copyright © 2010 Dave Brockie www.ODERUS.com All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written consent of the publisher, except where permitted by law. Printed in the USA. 1 Redeemer I walk into the restaurant that is about to be bombed. It is a Polish diner, well known for its cabbage rolls. Choosing a seat with a solid wall behind me, I sit down just as the bomb detonates. The walls burst, the roof drops, my pants explode. People become bloody foam. Staring into my cup, I ignore their shrieks as my booth is heavily spackled with crimson clods. But my coffee is brown . and I am brown . Eating my food slowly, I derive little from it but texture. It’s bland, and it bores me, dulling my senses. I cram slice after slice of heavy bread into my mouth, chewing it with the occasional aid of my coffee, forgetting where I put the bomb or why I even brought it here. The Poles babble insanely, and I scowl, realizing I have totally forgotten their language. I cannot tell them how very sorry I am for my appalling behavior in Warsaw, during the ghetto assaults. Every Wednesday I come here and eat heavy bread for hours, waiting.
    [Show full text]
  • Order Form Full
    METAL ARTIST TITLE LABEL RETAIL 1349 MASSIVE CAULDRON OF CHAOS (SPLATTER SEASON OF MIST RM121.00 16 LIFESPAN OF A MOTH RELAPSE RM111.00 16 LOST TRACTS OF TIME (COLOR) LAST HURRAH RM110.00 3 INCHES OF BLOOD BATTLECRY UNDER A WINTERSUN WAR ON MUSIC RM102.00 3 INCHES OF BLOOD HERE WAITS THY DOOM WAR ON MUSIC RM113.00 ACID WITCH MIDNIGHT MOVIES HELLS HEADBANGER RM110.00 ACROSS TUNDRAS DARK SONGS OF THE PRAIRIE KREATION RM96.00 ACT OF DEFIANCE BIRTH & THE BURIAL (180 GR) METAL BLADE RM147.00 ADMIRAL SIR CLOUDESLEY SHOVELL KEEP IT GREASY! (180 GR) RISE ABOVE RM149.00 ADMIRAL SIR CLOUDSLEY SHOVELL CHECK 'EM BEFORE YOU WRECK 'EM RISE ABOVE RM149.00 AGORAPHOBIC NOSEBLEED FROZEN CORPSE STUFFED WITH DOPE RELAPSE RECORDS RM111.00 AILS THE UNRAVELING FLENSER RM112.00 AIRBOURNE BLACK DOG BARKING ROADRUNNER RM182.00 ALDEBARAN FROM FORGOTTEN TOMBS KREATION RM101.00 ALL OUT WAR FOR THOSE WHO WERE CRUCIFIED VICTORY RECORDS RM101.00 ALL PIGS MUST DIE NOTHING VIOLATES THIS NATURE SOUTHERN LORD RM101.00 ALL THAT REMAINS MADNESS RAZOR & TIE RM138.00 ALTAR EGO ART COSMIC KEY CREATIONS RM119.00 ALTAR YOUTH AGAINST CHRIST COSMIC KEY CREATIONS RM123.00 AMEBIX MONOLITH (180 GR) BACK ON BLACK RM141.00 AMEBIX SONIC MASS EASY ACTION RM129.00 AMENRA ALIVE CONSOULING SOUND RM139.00 AMENRA MASS I CONSOULING SOUND RM122.00 AMENRA MASS II CONSOULING SOUND RM122.00 AMERICAN HERITAGE SEDENTARY (180 GR CLEAR) GRANITE HOUSE RM98.00 AMORT WINTER TALES KREATION RM101.00 ANAAL NATHRAKH IN THE CONSTELLATION OF THE.. (PIC) BLACK SLEEVES RM128.00 ANCIENT VVISDOM SACRIFICIAL MAGIC
    [Show full text]
  • Liste Gebrauchtware Privatkunden Datum
    TWS-Source Of Deluge - Delmenhorst -- FON 04221-452011 -- FAX 04221-452012 Liste Gebrauchtware Privatkunden Seite: 1 Artikelnummer Interpret Titel Jahr Preis Beschreibung 310 G 42269 13 ENGINES A BLUR TO ME NOW 1991 7,00 € cut out 310 G 55515 28 DAYS UPSTYLEDOWN 2000 5,00 € limited edition with cd rom 320 G 60594 38 SPECIAL TOUR DE FORCE 1983 12,00 € LP 327 G 44956 38 SPECIAL YOU KEEP RUNNING AWAY 1982 4,00 € 7" vinyl single, written on 310 G 11847 40 GRIT NOTHING TO REMEMBER 2003 3,00 € 310 G 5454 454 BIG BLOCK YOUR JESUS 1995 2,00 € 327 G 44777 46 SHORT / KROMBACHERKELLERKINDER SPLIT 5,00 € 7" clear vinyl single 313 G 48055 4LYN LYN 2001 2,00 € MCD 310 G 13839 4LYN SAME 2001 5,00 € 327 G 44860 707 HELL OR HIGH WATER / MEGA FORCE 1982 3,00 € 7" Single 310 G 7738 88 CRASH FIGHT WICKET PENCES 1993 2,00 € 310 G 25423 A D SAME 1993 3,00 € 327 G 61780 A FLOCK OF SEAGULLS I RAN 1982 8,00 € LP Vinyl Maxi Single small 310 G 30902 A PERFECT CIRCLE THIRTENTH STEP 2003 9,00 € 320 G 12156 AARON, LEE CALL OF THE WILD 1985 4,00 € LP 327 G 61726 AARON, LEE POWERLINE 1987 4,00 € one sided 7 inch single, 320 G 23334 AARON, LEE SAME 1987 4,00 € LP 320 G 64407 AARON, LEE SAME 1982 5,00 € LP 310 G 6181 ABADDON I AM LEGION 2000 5,00 € 310 G 8810 ABOMINATION RITES OF THE ETERNAL HATE 2000 5,00 € 310 G 47223 ABSORBED SUNSET BLEEDING 1999 16,00 € 310 G 64482 ABSTUERZENDE BRIEFTAUBEN DER LETZTE MACHT DIE TÜR ZU 7,00 € 310 G 53022 ABSTÜRZENDE BRIEFTAUBEN AUSSER KONTROLLE 1992 7,00 € 60 minute live cd 310 G 55825 ABSTÜRZENDE BRIEFTAUBEN DAS KRIEGEN WIR SCHON HIN
    [Show full text]
  • Powell.Pdf (571.8Kb)
    HEAVY METAL HUMOR: CONSIDERING CARNIVAL IN HEAVY METAL CULTURE A Thesis by GARY BOTTS POWELL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Chair of Committee, Harris M. Berger Committee Members, Judith Hamera Patrick Burkart Jayson Beaster-Jones Head of Department, Claudia Nelson August 2013 Major Subject: Performance Studies Copyright 2013 Gary Botts Powell ABSTRACT What can 15th century France and heavy metal have in common? In Heavy Metal Humor, Gary Powell explores metal culture through the work of Mikael Bakhtin‘s “carnivalesque theory.” Describing the practice of inverting commonly understood notions of respectability and the increasing attempts to normalize them, Bakhtin argues that carnivals in Francois Rabelais’ work illustrate a sacrilegious uprising by the peasant classes during carnival days against dogmatic aristocrats. Powell asserts that Rabelais’ work describes cartoonish carnivals that continue in as exaggerated themes and tropes into other literary styles, such as comedy and horror that ultimately inform modern-day metal culture. To highlight the similarities of Bakhtin’s interpretation of Rabelais’ work to modern-day metal culture, Powell draw parallels to between Bakhtin’s carnivalesque theory and metal culture with two different, exemplary “humorous” metal performances, GWAR and Anal Cunt. Powell chooses “humorous” metal groups because, to achieve their humor, they exaggerate tropes, and behaviors in metal culture. To this end, Powell explores metal culture through GWAR, a costumed band who sprays their audience with fake body fluids as they decapitate effigies. He points out examples of Rabelais’ work which Bakhtin uses to describe carnivalesque tropes, and threads them to modern-day metal culture.
    [Show full text]
  • 313 3D in Your Face 44 Magnum 5 X a Cosmic Trail A
    NORMALPROGRAMM, IMPORTE, usw. Richtung Within Temptation mit einem guten Schuß Sentenced ALLOY CZAR ANGEL SWORD ACCUSER Awaken the metal king CD 15,50 Rebels beyond the pale CD 15,50 Dependent domination CD 15,50 Moderater NWoBHM Sound zwischen ANGRA BITCHES SIN, SARACEN, DEMON, Secret garden CD 15,50 Diabolic CD 15,50 SATANIC RITES gelegen. The forlorn divide CD 15,50 ALLTHENIKO ANGRA (ANDRE MATOS) Time to be free CD 29,00 ACID Back in 2066 CD 15,50 Japan imp. Acid CD 18,00 Devasterpiece CD 15,50 ANGUISH FORCE Engine beast CD 18,00 Millennium re-burn CD 15,50 2: City of ice CD 12,00 ACRIDITY ALMANAC 3: Invincibile imperium Italicum CD 15,50 For freedom I cry & bonustracks CD 17,00 Tsar - digibook CD & DVD 18,50 Cry, Gaia cry CD 12,00 ACTROID ALMORA Defenders united MCD 8,00 Crystallized act CD 29,00 1945 CD 15,50 Japan imp. RRR (1998-2002) CD 15,50 Kalihora´s song CD 15,50 Sea eternally infested CD 12,00 ABSOLVA - Sid by side CD 15,50 ADRAMELCH Kiyamet senfonisi CD 15,50 Broken history CD 15,50 ANIMETAL USA Shehrazad CD 15,50 Lights from oblivion CD 15,50 W - new album 2012 CD 30,00 313 ALTAR OF OBLIVION Japan imp. Opus CD 15,50 Three thirteen CD 17,00 Salvation CD 12,00 ANNIHILATED ADRENALINE KINGS 3D IN YOUR FACE ALTERED STATE Scorched earth policy CD 15,50 Same CD 15,50 Faster and faster CD 15,50 Winter warlock CD 15,50 ANNIHILATOR ADRENICIDE Eine tolle, packende Mischung aus AMARAN Alice in hell CD 12,00 PREMONITION (Florida) ILIUM, HAN- War begs no mercy CD 15,50 KER und neueren JAG PANZER.
    [Show full text]
  • Sold out 7Th Annual Monster Energy Aftershock Wraps Biggest Year
    Date: October 18, 2018 Sold Out 7th Annual Monster Energy Aftershock Wraps Biggest Year Ever With 60,000 In Attendance October 13 & 14 At Discovery Park In Sacramento, CA With System Of A Down, Deftones & More Monster Energy Aftershock wrapped its biggest year ever, with 60,000 in attendance over a sold- out weekend October 13 & 14 at Discovery Park in Sacramento, CA. System Of A Down and Sacramento natives Deftones headlined the 7th annual festival, joined by Alice In Chains, Incubus, Godsmack, Shinedown, 311, Slash featuring Myles Kennedy And The Conspirators, At The Drive In, Seether and many more. Even with expanded capacity for this year’s festival, weekend passes for Monster Energy Aftershock were sold out months in advance. The festival wrapped up with an unforgettable performance from System Of A Down, who made their Monster Energy Aftershock debut with one of their first appearances in the States in three years, as the band celebrates the 20th anniversary of their landmark self-titled first album. Saturday night was capped off by local favorites Deftones, who headlined the festival for the first time (after appearing previously in 2012 and 2015), nearly seven years since their last headlining hometown performance. On Saturday afternoon, Monster Energy Aftershock performers and special guests also came together to pay tribute to the late Vinnie Paul, who had been scheduled to play Aftershock with his band Hellyeah before his unexpected passing in June. Hosted and curated by SiriusXM’s Jose Mangin, and anchored by Hellyeah’s Kyle Sanders on bass and KYNG’s Pepe Clarke playing Vinnie Paul’s own Hellyeah drum kit, the tribute featured a revolving cast of guitarists and vocalists playing songs from Damageplan and Pantera.
    [Show full text]