Shae Whelpley - Management Rep
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Carrier: Enrollment Won't Rise Until '92 I Same
9A Day in the Life': Slides show nations' realities V/14 MONDAY, OCTOBER 3, 1988 JAMES MADISON UNIVERSITY VOL. 66 NO. 11 Carrier: Enrollment won't rise until '92 I same. We shall not increase enrollment opportunities for program development By William Young part, in the fact that I have suggested staff writer but expand our present facilities to . and he [tells] his faculty that we that we buy it, because $4 million is a accommodate our present enrollment." can't grow because we don't have any lot of money. But the land is needed as JMU shouldn't increase its enrollment This fall's enrollment is about 10,500. space or we don't have any land." an opportunity for the university." until at least 1992, JMU President Though JMU won't expand "The land is to provide for future The $175,000 option cost will be Ronald Carrier said Thursday at a enrollment for now, it does want to growth of this institution, whether it be applied toward the estimated $4.1 special faculty meeting. expand its land holdings by purchasing in buildings, specialized programs or million purchase price. Carrier said. "We will not increase enrollment 110 acres of land near the Convocation parking lots," Carrier said. until we have adequate personnel and Center. Those 110 acres are vital to The land's owners told JMU about The JMU Board of Visitors voted facilities for the present enrollment,'' JMU's future expansion, Carrier said. two years ago that a developer had Sept. 24 to ask the Virginia General Carrier told about 300 faculty members The land is not being sought for current offered to buy the property. -
Whargoul.Pdf
DEADITE PRESS 205 NE BRYANT PORTLAND, OR 97211 www.DEADITEPRESS.com AN ERASERHEAD PRESS COMPANY www.ERASERHEADPRESS.com ISBN: 1-936383-36-5 Copyright © 2010 by Dave Brockie Cover art copyright © 2010 Dave Brockie www.ODERUS.com All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written consent of the publisher, except where permitted by law. Printed in the USA. 1 Redeemer I walk into the restaurant that is about to be bombed. It is a Polish diner, well known for its cabbage rolls. Choosing a seat with a solid wall behind me, I sit down just as the bomb detonates. The walls burst, the roof drops, my pants explode. People become bloody foam. Staring into my cup, I ignore their shrieks as my booth is heavily spackled with crimson clods. But my coffee is brown . and I am brown . Eating my food slowly, I derive little from it but texture. It’s bland, and it bores me, dulling my senses. I cram slice after slice of heavy bread into my mouth, chewing it with the occasional aid of my coffee, forgetting where I put the bomb or why I even brought it here. The Poles babble insanely, and I scowl, realizing I have totally forgotten their language. I cannot tell them how very sorry I am for my appalling behavior in Warsaw, during the ghetto assaults. Every Wednesday I come here and eat heavy bread for hours, waiting. -
Sold out 7Th Annual Monster Energy Aftershock Wraps Biggest Year
Date: October 18, 2018 Sold Out 7th Annual Monster Energy Aftershock Wraps Biggest Year Ever With 60,000 In Attendance October 13 & 14 At Discovery Park In Sacramento, CA With System Of A Down, Deftones & More Monster Energy Aftershock wrapped its biggest year ever, with 60,000 in attendance over a sold- out weekend October 13 & 14 at Discovery Park in Sacramento, CA. System Of A Down and Sacramento natives Deftones headlined the 7th annual festival, joined by Alice In Chains, Incubus, Godsmack, Shinedown, 311, Slash featuring Myles Kennedy And The Conspirators, At The Drive In, Seether and many more. Even with expanded capacity for this year’s festival, weekend passes for Monster Energy Aftershock were sold out months in advance. The festival wrapped up with an unforgettable performance from System Of A Down, who made their Monster Energy Aftershock debut with one of their first appearances in the States in three years, as the band celebrates the 20th anniversary of their landmark self-titled first album. Saturday night was capped off by local favorites Deftones, who headlined the festival for the first time (after appearing previously in 2012 and 2015), nearly seven years since their last headlining hometown performance. On Saturday afternoon, Monster Energy Aftershock performers and special guests also came together to pay tribute to the late Vinnie Paul, who had been scheduled to play Aftershock with his band Hellyeah before his unexpected passing in June. Hosted and curated by SiriusXM’s Jose Mangin, and anchored by Hellyeah’s Kyle Sanders on bass and KYNG’s Pepe Clarke playing Vinnie Paul’s own Hellyeah drum kit, the tribute featured a revolving cast of guitarists and vocalists playing songs from Damageplan and Pantera. -
Reconsidering Carnival in Heavy Metal Culture
HEAVY METAL HUMOR: CONSIDERING CARNIVAL IN HEAVY METAL CULTURE A Thesis by GARY BOTTS POWELL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Chair of Committee, Harris M. Berger Committee Members, Judith Hamera Patrick Burkart Jayson Beaster-Jones Head of Department, Claudia Nelson August 2013 Major Subject: Performance Studies Copyright 2013 Gary Botts Powell ABSTRACT What can 15th century France and heavy metal have in common? In Heavy Metal Humor, Gary Powell explores metal culture through the work of Mikael Bakhtin‘s “carnivalesque theory.” Describing the practice of inverting commonly understood notions of respectability and the increasing attempts to normalize them, Bakhtin argues that carnivals in Francois Rabelais’ work illustrate a sacrilegious uprising by the peasant classes during carnival days against dogmatic aristocrats. Powell asserts that Rabelais’ work describes cartoonish carnivals that continue in as exaggerated themes and tropes into other literary styles, such as comedy and horror that ultimately inform modern-day metal culture. To highlight the similarities of Bakhtin’s interpretation of Rabelais’ work to modern-day metal culture, Powell draw parallels to between Bakhtin’s carnivalesque theory and metal culture with two different, exemplary “humorous” metal performances, GWAR and Anal Cunt. Powell chooses “humorous” metal groups because, to achieve their humor, they exaggerate tropes, and behaviors in metal culture. To this end, Powell explores metal culture through GWAR, a costumed band who sprays their audience with fake body fluids as they decapitate effigies. He points out examples of Rabelais’ work which Bakhtin uses to describe carnivalesque tropes, and threads them to modern-day metal culture. -
Cultural Heritage and History in the Metal Scene
_Cultural Heritage and History in the Metal Scene _reem saouma_sophia molpheta simon pille_stefan de klepper Cultural heritage and History in the Metal Scene Cultural Heritage And History in the Metal Scene Belvedere Chair in The Chairgroup Land Use Planning Roel During, Marieke Muilwijk Wageningen, October 2007 Stefan de Klepper_forest and nature conservation Sophia Molpheta_landscape architecture and planning Simon Pille_landscape architecture and planning Reem Saouma_landscape architecture and planning abstract abstract This paper represents an inquiry on the use of history and cultural heritage in the metal scene. It is an attempt to show how history and cultural heritage can possibly be spread among people using an unconventional way. The followed research method was built on an explorative study that included an analysis of elements of the music, such as lyrics, performance and fashion, together with interviews of bands and people from the metal scene. However, the study focused on five different metal styles in Europe: the early metal (60’s and early 70’s), The new wave of British heavy metal (around the 80’s), the Swedish death metal (’90-present), the Norwegian black metal (’90-present) and the folk metal (mid 90’s-present). The analysis shows that cultural history plays a role in certain styles of metal or particular bands. Especially in Black metal and in the closely related Viking metal, the use of history and cultural heritage is most common. There are bands within these styles that tell stories through their lyrics and express the historical feeling by the overall image and appearances at concerts. The research shows how history and cultural heritage are used by many bands as an inspiration as well as how it can play a role in forming a common identity among fans and musicians. -
The Miami Hurricanes During Their 45-17 Loss to Florida State University Saturday Night
MHMC- Commercial Template Doc Size 11.25” X 14” Image Area 10.375 x 11.75 CYAN MAGENTA YELLOW BLACK 1 Vol. 88, Issue 39 | Oct. 11 - Oct. 13, 2010 The Miami com . HURRICANESTUDENT NEWSPAPER OF THE UNIVERSITY OF MIAMI IN CORAL GABLES, FLORIDA, SINCE 1929 Not even close LINDSAY BROWN // Photo Editor SORRY SITUATION: Senior wide reciever Leonard Hankerson holds his head aft er a failed third-down conversion; the team captain was escorted off the fi eld by trainers. Hankerson’s dropped passes ended two critical drives for the Miami Hurricanes during their 45-17 loss to Florida State University Saturday night. FFARMARM FFRESHRESH FFRUITSRUITS Fans abandon failing Hurricanes in the final quarter THE FARMER’S MARKET COMES TO CAMPUS WEDNESDAY PAGE 3 hree years ago when the ESPN analyst Mark May predicted that UM Virginia Cavaliers anni- would finish the season 13-1. For the first time hilated the Miami Hur- since 2005, Miami was the top-ranked team in CCANESANES LLEFTEFT OOUTUT ricanes 48-0 at the final Florida. Orange Bowl game, UM Funny how quickly things change. Losing SOME STUDENTS DIDN’T MAKE IT INTO T faithful stayed for the alma ma- 45-17 to a rival should never happen, especially THE STADIUM FOR FSU GAME PAGE 5 ter. at home. On Saturday night in front Junior linebacker Jordan Futch, one of the CHRISTINA of the first UM sellout crowd at brashest members of the team, explained the im- CCRUISINGRUISING TTHEHE CCARIBBEANARIBBEAN DENICOLA Sun Life Stadium, fans clad in portance of FSU/UM leading up to the game. -
Brevard Live October 2014
Brevard Live October 2014 - 1 2 - Brevard Live October 2014 Brevard Live October 2014 - 3 4 - Brevard Live October 2014 Brevard Live October 2014 - 5 6 - Brevard Live October 2014 Content October 2014 FEATURES FAIR, FESTIVALS, CONCERTS THE MIFF PROGRAM There is no shortage of entertainment at For fans of independent film, this festival any time of the year. The Palm Bay Fair is a jewel. The festival includes special ce- lebrity guests, red carpet welcomes, wine- Columns returns with a Haunted House, shows and thrill rides. There’s a Weekend on Wheels, tastings, live music, and several panel the Native Rhythm Festival, the MIFF, discussions on filmmaking all at the Pre- Charles Van Riper Earth, Wind & Fire, and Smash Mouth. miere Theaters Oaks 10. 24 Political Satire Page 11 & 23 Page 27-30 Calendars THESE WERE THE BMAS! OMS 4 31 Live Entertainment, We compiled the memories and moments The 4th annual Original Music Series Concerts, Festivals of the 11th annual Brevard Live Music wants to provide a premier showcase for Awards, the stage where we celebrate original music in this county. With three Outta Space some of the finest of our local music scene. bands every Sunday night it’s a music 38 by Jared Campbell Page 12 lover’s event. Page 36 Local Lowdown GWAR 41 by Steve Keller No story fits the Halloween spirit better THE TIME WARP What’s trending? than the story of GWAR, the most brutal This full fledged production features a band in existence - with blood, pain, cult cast of 22 talented and enthusiastic players Knights After Nights and whatever. -
Twenty Years Later, GWAR Is Back by Emma Ruthnum Ance
INK volume 5 issue 10 8 November 25, 2009 What are people on campus listening to? "Someone Who Cares by Three Days Grace because they’re my favourite band. It’s just a really good song, and I like it.” - Kira Dotchuk Metal Blade Records Graphic interpretation of thrash metal band GWAR. Twenty years later, GWAR is back by Emma Ruthnum ance. They have garnered a cult- into. It’s cartoon violence like following and will have out- though,” he said. “I don't think anyone could lived many bands by turning 25 “There was a time when it had be fully prepared for that show,” this year. very sexually overt tones to it. said Venue nightclub owner GWAR is celebrating their Now it’s changed in that they’ve "I’m currently listening to Rumpelstilt- Guy Stuart to the Regina Free quarter-century anniversary realized that this is a business to skin Grinder. It is a new-era thrash Press, in an article published in with a North American tour and them. This is their livelihood. August 1989. The show marked the release of Lust in Space. The They’ve realized in this day and band and I am a thrash fanatic ... I’m the last time GWAR played the album proved they could still age that people’s attitudes have currently listening to Brainwasher cur- Queen City. keep it relevant by charting at changed.” rent era 1655. It’s very aggressive, Now, 20 years later, Regina 96 on the Billboard Top 200, Jelinski also debunked ru- good guitars solos, (I) highly has decided to give the thrash the highest ranking in their ca- mours that the band had been recommend it.” metal band another chance. -
Multilingual Metal Music EMERALD STUDIES in METAL MUSIC and CULTURE
Multilingual Metal Music EMERALD STUDIES IN METAL MUSIC AND CULTURE Series Editors: Rosemary Lucy Hill and Keith Kahn-Harris International Editorial Advisory Board: Andy R. Brown, Bath Spa University, UK; Amber Clifford-Napleone, University of Central Missouri, USA; Kevin Fellezs, Columbia University, USA; Cynthia Grund, University of Southern Denmark, Denmark Gérôme Guibert, Université Sorbonne Nouvelle, France; Catherine Hoad, Macquarie University, Australia; Rosemary Overell, Otago University, New Zealand; Niall Scott, University of Central Lancashire, UK; Karl Sprack- len, Leeds Beckett University, UK; Heather Savigny, De Montfort University, UK; Nelson Varas-Diaz, Florida International University, USA; Deena Wein- stein, DePaul University, USA Metal Music Studies has grown enormously over the last 8 years from a hand- ful of scholars within Sociology and Popular Music Studies, to hundreds of active scholars working across a diverse range of disciplines. The rise of interest in heavy metal academically reflects the growth of the genre as a normal or con- tested part of everyday lives around the globe. The aim of this series is to provide a home and focus for the growing number of monographs and edited collections that analyse heavy metal and other heavy music; to publish work that fits within the emergent subject field of metal music studies; that is, work that is critical and inter-disciplinary across the social sciences and humanities; to publish work that is of interest to and enhances wider disciplines and subject fields across social sciences and the humanities; and to support the development of early career researchers through providing opportunities to convert their doctoral theses into research monographs. -
February 2021
FEBRUARY 2021 Maryland l Washington, DC 08 18 28 34 26 FEATURES DEPARTMENTS 14 34 WHISKEY: WHAT'S NEW PROPRIETOR PROFILE: 18 02 Party Time Liquors ... HOW BARS ARE PUB PAGE 24 An American Success Story SURVIVING THE A Look Back, BRAND PROFILE to Find a Way Forward ... PANDEMIC Barefoot Stays Sweet Bar owners from across the with Fruitscato country share strategies for 04 staying in business. NEW PRODUCTS 26 & PROMOTIONS REGION FOCUS 28 LIGHT WHISKEY’S 08 Opportunity Knocks for Alentejo COMEBACK? BEER, Distillers rediscover this INDUSTRY TRENDS 28 high-proof, light-colored— Breweries were forced to CATEGORY FOCUS and long forgotten— adapt in 2020. Which pivots category as a blank canvas are poised to become Light Whiskey's Comeback? ON THE COVER: of opportunity. permanent fixtures on the Photograph by brewing landscape? Maxim Fesenko / iStock VOLUME83NUMBER02 February 2021 BEVERAGE JOURNAL 1 PUB Maryland l Washington, DC PAGE Published Monthly by The Beverage Journal, Inc. (USPS# PE 783300) A LOOK BACK, Over 80 Years of Continuous Publication TO MOVE FORWARD… We now know that three things are BEVERAGE JOURNAL, INC. For so many, 2020 was a year of fear and certain: the pandemic tested the limits of President / Publisher Stephen Patten uncertainty as the coronavirus ravaged the operator creativity and knowhow, acceler- [email protected] country and put the on-premise side of the ated tech adoption and emerging trends, and 410.796.5455 industry through its worst year in history. The confirmed that customers sorely miss their Board of Directors Lee W. Murray economy came to a halt as millions of Ameri- restaurant experiences. -
1~1~HE~~,Mi'~HJ:IGAN;1~REVIEW "~
r : 1·\ .... U ':/ ~ . ' 'i ', -, , • . ... , -•.•; ,.-,,., ,\. ' . .. '•. I"i.~~~~;(;:~ . -_.. ~ ""'~'Jf'\";s" -. -'. :r £' , ' •• , ~ .. - ....~"~j;J.~ .... -.:- ,-~,,,,,~,, 't.'" ". c; • - • -.' -~.~, - .'~ .' .,. - '.- ~ 1~1~HE~~, Mi'~HJ: IGAN;1~REVIEW "~ .;'.. ' ,.' .• '.. \ i· .< Volume 13, Number 7 The Campus Affairs Journal ofthe Unive~sity of Mich'igan December 1, 1993 Dude Hails Manufactured Culture BY JAMES A. ROBERTS, II these peoples can succeed, can achieve complex world." the Michigan Mandate's effort to offer their goals." The Mandate, "is yet an- Throughout much of the seminar, additional courses regarding lesser HE UNlVERSI'IY OF MICHI other step" to make this goal a reality. the administrators celebrated the in- known cultures is, perhaps, a benevo gan is "an institution fOWlded The consensus among those admin- creases in minority enrollment as a lent goal. This particular initiative, fot the people, by the people, to istrators attending the meeting was vital step toward the Mandate's effort T n along with any argument concerning serve the people. Its purpose is "to that the U- M has made significant to achieve campus diversity. Yet this affirmative action notwithstanding, the provide education of the highest pos progress in this effort toward campus- reliance upon statistics as being a gauge Mandate remains flawed in one impor sible quality, but to a far broader seg wide diversity. "The num- of success reveals the mis- tant respect: it fails to address the ac 'ment of our society." So said James bers we see today/' guided simplicity of the tual origin of a culture. By attempting Duderstadt, President of the Univer Duderstadt proclaimed, Mandate. By concentrating to create a multicultural society tlrrough sity of Michigan, during a one-hour "are as encouraging as seen on such superficial charac- the admissions process, the Mandate seminar held on November 16 in the on any college campus in teristics as race, the U-M assumes that a centralized body can Michigan Union.