DOCSLIB.ORG

V O L U M E 27 | Is S U E 26 | Ju Ne 2 8 -Ju Ly 4 , 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
V O L U M E 27 | Is S U E 26 | Ju Ne 2 8 -Ju Ly 4 , 2018 FILLING YOUR BLANKS SINCE 1992 ILLUSTRATION BY COREY YAZZIE VOLUME 27 | ISSUE 26 | JUNE 28-JULY 4, 2018 | FREE Experience The Rush Of LightSpeed! If you have the need for speed, Southwest Cyberport has you covered. With speeds as fast as 20mb/s and plans starting at $43 a month. But at SWCP, we go way beyond bandwidth. Our tech experts provide personalized service and support from our Albuquerque headquarters to thousands of New Mexicans. Call SWCP today for all your high speed internet needs. New Mexico’s Expert Internet Service Provider since 1994 505-243-SWCP (7927) SWCP.com [2] WEEKLY ALIBI JUNE 28-JULY 4, 2018 JUNE 28-JULY 4, 2018 WEEKLY ALIBI [3] alibi VOLUME 27 | ISSUE 26 | JUNE 28-JULY 4, 2018 EDITORIAL MANAGING AND FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] MUSIC AND NEWS EDITOR: August March (ext. 245) [email protected] ARTS AND LIT.EDITOR: Maggie Grimason (ext. 239) [email protected] FOOD EDITOR: Robin Babb [email protected] COPY EDITOR: Taylor Grabowsky [email protected] CALENDARS EDITOR: Ashli Mayo [email protected] STAFF WRITER: Joshua Lee (ext. 243) [email protected] SOCIAL MEDIA COORDINATOR: Samantha Carrillo (ext. 223) [email protected] EDITORIAL INTERN: Adam Wood [email protected] CONTRIBUTING WRITERS: Cecil Adams, Rob Brezsny, Carolyn Carlson, Zabrina Chavez, Desmond Fox, Taylor Grabowsky, Hosho McCreesh, Mayo Lua de Frenchie, Adam Wood PRODUCTION PRODUCTION MANAGER/EDITORIAL DESIGNER: Valerie Serna (ext. 254) [email protected] GRAPHIC DESIGNERS: Corey Yazzie [email protected] Ramona Chavez [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Max Cannon, Michael Ellis, Ryan North, Mike Organisciak, Jen Sorensen SALES SALES DIRECTOR: Tierna Unruh-Enos (ext. 248) [email protected] ACCOUNT EXECUTIVES: Kittie Blackwell (ext. 224) [email protected] John Hankinson (ext. 235) [email protected] Shane Boyd (ext. 223) [email protected] Sarah Shipman (ext. 210) [email protected] STREET TEAM: Alexis Al Omari [email protected] ADMINISTRATION PUBLISHER: Constance Moss (ext. 222) [email protected] CONTROLLER: Courtney Foster (ext. 257) [email protected] SYSTEMS MANAGER: Kyle Silfer (ext. 242) [email protected] WEB MONKEY: John Millington (ext. 238) [email protected] OWNERS, PUBLISHERS EMERITI: Christopher Johnson, Daniel Scott and Carl Petersen ACCOUNTS RECEIVABLE: Ramona Chavez (ext. 233) [email protected] CIRCULATION CIRCULATION MANAGER: Chris Silva (ext. 252) [email protected] CIRCULATION SPECIAL FORCES: Darrell Sparks [email protected] INFORMATION PRINTER: The Santa Fe New Mexican IN LOVING MEMORY: Doug Albin, Martin Candelaria, Michael Henningsen, Gretchen Hudson, Eric Johnson, Greg Medara, Victor Woodward Milán, Chico Ramirez, Mina Yamashita INTERNET SERVICE PROVIDER: Southwest Cyberport (232-7992) [email protected] NATIONAL ADVERTISING: VMG Advertising (888) 278-9866 www.vmgadvertising.com NUCITY PUBLICATIONS, INC. P.O. Box 81 Albuquerque, NM 87103 BUSINESS HOURS: 10AM–5PM MON–FRI PHONE and FAX: (505) 346-0660 Alibi (ISSN 1088-0496) is published weekly 52 times per year. The content of this issue is Copyright © 2018 by NuCity Publications, Inc., and may not be reprinted in part or in whole without written consent of the publisher. All rights are reserved. One copy of each edition of Alibiis available free to county residents and visitors each week. Anyone caught removing papers in bulk will be prosecuted on theft charges to the fullest extent of the law. Yearly subscription $100, back issues are $3, Best of Burque is $5. Queries and manuscripts should include a self-addressed stamped envelope; Alibi assumes no responsibility for unsolicited material. Association of Alternative Newsmedia [4] WEEKLY ALIBI JUNE 28-JULY 4, 2018 Email letters, including author’s name, mailing address and daytime phone number to [email protected]. Letters can also be mailed to P.O. Box 81, Albuquerque, N.M., 87103 or faxed to (505) 346-0660. Letters—including comments posted on alibi.com—may be published in any medium and edited for length and clarity; owing to the volume of correspondence, we regrettably can’t respond to every letter. Those Who Forget each person only looking out for themselves, I would ask this question: Has this been a fair Dear Alibi, system for everyone living in the US? Has every America, once the “home of the brave and land person had the same chance for an equal of the free,” has become unrecognizable. Many of opportunity? An objective study of our history our fathers and grandfathers would now be would result in the answer to this question being ashamed of what we have become. They went to a resounding, “No,” because our laws and policies war against a nation that also believed the of operation have not been designed throughout rhetoric of a liar and tyrant. He also promised an these more than 200 years to benefit everyone. economic revival and the destruction of those Many have contained built-in biases and the who were not of the true, white race. The people ability to make life less advantageous for some of Germany believed Hitler’s lies; thus, suffering groups of people, whether this was intentional or war and destruction beyond what most of you not. Part of the reason for this is that average can imagine. Those not of the Aryan race were people who will be directly affected by the forced to wear yellow letters, sent to internment outcome are not in the room giving their input camps or killed outright. Hitler formed his when laws and policies are made. We need a lot “Brown Shirts” and “SS” to carry out his orders more grassroots participation in our government and cower the populace. So many of Germany’s at all levels and politicians who listen to all of us. people were not even aware of the cruelty others We also need much more participation in the were experiencing. Families were split up. voting process. Are you registered? Your chance Children were separated from parents. Yet people to participate in the system, whether for the first accepted these practices as necessary or just time, or being a regular participant, is coming claimed ignorance. Does any of this sound right up in October (early voting) and familiar? November 2018. When my country sent me to Vietnam, I was Pauline Cahalan, proud to serve, even though veterans of that war Albuquerque were ostracized upon returning. Our nation now stands at a crossroads. We can continue as “the ’ land of the free,” or we can ignore our heritage Who s Misguided? and repeat the mistakes of Nazi Germany. I used Dear Mr. Rogers, to be proud of my country. No more. (Man it kills me to compare you to that great Terry L. Warkentine, man.) [In response to your v27 i24 letter to the Albuquerque editor, titled “Your Misguidedness.”] I'm sure you’re out there recycling your own Oh, That Bob urine or fighting a grizzly bear with nothing more than an evil glare in your eye. I don't know how Dear Alibi, you are reading this surviving in the woods all by How sad and frustrating to read the letter by Bob yourself there, Grizzly Adams. The rest of us live Rogers in the latest issue [v27 i24]. What it told in the really real modern world. We have shelter, me is that progressives, though present in our grocery stores, houses with heaters and AC, and political system for many years, have done a very hospitals. poor job of getting the message of what they You keep using the word "progressive" like it's stand for out to the masses. Mr. Rogers’ letter was an insult, but the root word there is progress! The all about himself and how he will use the skills world is changing (I know how much that word he has learned for his own survival. No mention scares you), and we're trying to make the future of how he might teach these skills to others and like “Star Trek,” I'm sure you want to make it help everyone share in the making of the bread, like Mad Max. I'm sorry for using pop culture the fish caught or the safe water for drinking, references since you don’t use electricity for TV cooking and bathing. Potential ingredients for a or movies. collaborative meal. I want to work to pay my bills. I don't, I contrast his letter with what I learned about however, want to work 80 hours every week to through Jim Hightower’s newsletter this month be able to afford those basic amenities or be in that explains exactly what progressives are debt up to my eyeballs so I can go to school for a fighting for. Contrary to Mr. Rogers’ thinking chance at a better job. I'll work for water, food that, “All you progressive want everything for and healthcare, but I want them to be reasonably free,” both progressive Democrats and priced so I don't become homeless. Other places Republicans (Yes, there are both of these) are like Canada, Switzerland and Australia have fighting for a sharing economy that would already done these things and they seem to be include jobs that pay a living wage, that we pay doing a lot better we are, so they do work. As for our fair share of taxes, that some of this go to pay your last point, I know you only get your FOX for a health care system that covers everyone, News piped in from a hand-cranked radio, but and a political system that gives all potential the United States is already heavily in debt to political candidates a fair chance of being China, and Russia has a foot in the door.
Load more

Recommended publications
  • Eptember L Heist
    Ksini1975 CASSIAR, B.C. VOLUME 19 EPTEMBER L HEIST TOP ROW - JACK GRANT, JOHN WRIGHT, JOHN OLSON, JACK ROBISON 2ND ROW - JENNY DEROUIN, BEVERLY EVANS, KAREN CLARK, KATHY ROBISON LEFT TO RIGHT. 2ND ROW - DAVID RASMUS, DONNA A B LIN , N ATALIE OLSON, PAUL WOOD, B IL L BURR MISSING FROM PICTURE: MARGARET METCALFE, KIRSTEN SMIDT, PAT HICKMAN. Joining the staff are: Margaret Metcalfe, who takes over the Kindergarten. CASSIAR SCHOOL STAFF. NUMBERS FIFTEEN Mr. Metcalfe has taught in Scotland and Africa. Cassiar Elementary Secondary School welcomes ten new Jenny DeRouin, teaches Grade three. Mrs. DeRouin members to the staff for the coming school year. The new­ has taught previously in Clinton Creek and Ontario. comers join Beverly Evans, Grade one; Paul Wood, Grade Four; John Olson, Grade Six and Seven; Natalie Olson, Kathy and Jack Robison, have come to Cassiar from English and Commerce; and Pat Hickman, Industrial Good Hope Lake where they taught last year. Mrs. Robison Education and Math; — all of whom are well known to teaches the Grade Two Class, and Mr. Robison has charge Cassiar residents and students. of the Grade Five-Six Group. New members of the Secondary Staff include: KAREN CLARK - LEARNING ASSISTANT Bill Burr, who after training at U.B.C. and Simon Mrs. Karen Clark has been appointed full time Fraser, assumes teaching duties in Mathematics and Science learning assistant for the Stikine School District. Karen, who is widely known in the north for her contribu­ John Wright, an experienced teacher from New Denver tions to education, will supervise learning assistance and Squamish, teaches the Social Studies courses.
    [Show full text]
  • The Repeal of DADT
    HOWARD BROWN MEETS GOAL PAGE 11 WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 DEC. 29, 2010 TIMES VOL 26, NO. 13 www.WindyCityMediaGroup.com Obama signs DADT repeal BY LISA KEEN RICK GARCIA OPENS KEEN NEWS SERVICE UP AGAIN ON FIRING Following a dramatic and eloquent speech, on Dec. 22 President Obama signed the legislation PAGE 12 that will launch the repeal of a 17-year-old law that prohibits openly gay people from serving in the military. “This is done,” he said, looking up and slap- ping his hand on the table, and the crowded auditorium of an Interior Department building in Washington, D.C., erupted with cheers and applause. The historic ceremony took place less than 24 hours after Republican Senate Minority Leader President Obama signs the DADT Repeal Act of 2010 during a ceremony at the Interior Depart- Turn to page 4 ment in Washington, D.C., on Dec. 22. Official White House photo by Chuck Kennedy LATIN STARS profiLED Doctors IN STEVE STARR BOOK united in PAGE 21 career and life BY ROSS FORMAN David Moore and David Blatt can appreciate the significance of Dec. 1 more than most in Illi- nois. It was, of course, World AIDS Day and also the day that the Illinois State Senate passed the Civil Union Act. Their lives, personally and professionally, are intertwined through their long medical fight against HIV/AIDS—and the fact they were mar- ried during the interval when gay marriages were TRANS WRESTLER legal in California in 2008.
    [Show full text]
  • Find a Quiet Place in the Finger Lakes Spring 2009 by Carol White Llewellyn
    TheThe magazinemagazine thatthat re-introducesre-introduces itsits readersreaders The magazine that re-introduces its readers toto thisthis specialspecial NewNew YorkYork StateState regionregion eacheach passingpassing seasonseason to this special New York State region each passing season Home || Contact Us || Subscribe/Renew || Gift Subscriptions || Calendar || Advertiser Links || Where to Buy || ExploretheFingerLakesFingerLakes Home | Contact Us | Subscribe/Renew | Gift Subscriptions | Calendar | Advertiser Links | Where to Buy | ExploretheFingerLakes Search: Search: << Back to Archived Article Main Page << Back to Archived Article Main Page Print Article || Email to a Friend Print Article | Email to a Friend Lifestyle LifestyleLifestyle FindFindFind aa a QuietQuiet Quiet Place PlacePlace ininin thethethe FingerFinger LakesLakes Spring 2009 SpringSpring 2009 2009 by Carol White Llewellyn byby Carol Carol White White Llewellyn Llewellyn In Bloomfield, an A-frame house stands nestled among tall trees and evergreens. Except for the mailbox, you might drive past without noticing its presence. The solitude of its location serves Eric Moon and Jan McKie well. Eric is a professional voiceover talent, and Jan is a former graphic artist turned entrepreneur. They both work from home, and the concept of The Quiet Place is their brainchild. The Quiet Place opened in April 2000 as one secluded getaway cabin conveniently located near Cumming Nature Center, Bristol Mountain, Grimes Glen and several wonderful restaurants and wine trails. Today, there are eight cabins and cottages scattered throughout the Finger Lakes, each one designated as The Quiet Place. The cabins range in size from one to four bedrooms, with the largest accommodating up to eight people. Serenity is inspirational A life-size scarecrow greets me from a lawn chair as I step onto their deck.
    [Show full text]
  • Disability in Popular Horror
    Volume 15 REVIEW OF DISABILITY STUDIES: AN INTERNATIONAL JOURNAL Issue 1 Editorial “Disability in Popular Horror: A New Trend?” Raphael Raphael, PhD RDS Associate Editor of Creative Works and Multimedia University of Hawaiʻi at Mānoa, Center on Disability Studies Since its inception, film has always been fascinated with disability, although we don’t usually like to mention it. (I have written elsewhere how imagining the disabled body and the experience of having a disability has helped shape the medium of film, in ways largely overlooked or disavowed.) As a genre, horror (which might be the most popular kind of film at the moment) has always been especially interested in disability; the threat of becoming disabled or the threat of being attacked by a character with a visible disability or disfigurement have long been dependable narrative devices. Even when a disabled character is presented as sympathetic, the very experience of having a disability is traditionally imagined as itself a source of terror. For example, in Wait until Dark (1967), we are invited to vicariously experience being a young, sightless Audrey Hepburn faced with threats made horrific precisely by her inability to see. Recently, in just the past year, a very different trend might be emerging in horror films. Although this trend unsettles many years of cultural scripts about disability, it appears to be largely overlooked in the dominant, charged debates about recent horror films. This new trend---if it’s safe to call it that based on the two most popular recent horror films (A Quiet Place and Bird Box)---appears to imagine disability in an entirely new way.
    [Show full text]
  • Family Values in the Movie “A Quiet Place”: a Semiotic Approach
    DOI: https://doi.org/10.24843/JH.2020.v24.i04.p01 p-ISSN: 2528-5076, e-ISSN: 2302-920X Terakreditasi Sinta-4, SK No: 23/E/KPT/2019 Humanis Vol 24.4 Nopember 2020: 339-349 Family Values in the Movie “A Quiet Place”: A Semiotic Approach Ni Putu Ayuniantari*, Eunike Iona Saptanti, Eunike Serfina Fajarini LSPR Communication and Business Institute, Jakarta [[email protected]] Jakarta, DKI Jakarta, Indonesia *Corresponding Author Abstract There are only few commercially successful horror movies over fifty years since 1970s that win many awards. One of many horror films released in 2018 that left deep impression for audiences is ―A Quiet Place‖. McClintock (2018) claimed that the movie has earned more than $300M globally, making strides toward becoming one of the biggest-grossing original scary movies ever. ―A Quiet Place‖ is a silence movie directed by John Krasinski. Because of its silence and quietness, the audiences were forced to focus on the nonverbal signs in the movie. The theme of this movie was family values. One of many important films is mise –en-scene as this communicates indirectly to the audiences. The aim of this study was to know how the theme ―Family Values‖ was visualized in the movie. Using qualitative approach and Semiotics analysis method, this study focused on how the signs and mise-en-scene in the film were interpreted based on the researchers’ interpretation using Metz’ Grand Syntagmatique (1974). This study was a desk research and the data were obtained from selected scenes of the movie. The results showed that there were five syntagma category used in the film; i.e.
    [Show full text]
  • An Animated Examination of Horror in Cinema
    An Animated Examination of Cinematic Horror Elisa Stanis Spring 2019 Thesis submitted in completion of Honors Senior Capstone requirements for the DePaul University Honors Program Thesis Director: Devin Bell, Animation Faculty Reader: Brian Ferguson, Animation S t a n i s | 2 “The night is dark and full of terrors” - George R. R. Martin "What are common tropes in horror movies, and how have they evolved over time?" By researching the history of horror-related storytelling in cinema, I designed an animated short that pays homage to cinematic horror. My research explores the evolution of horror-related movies and alters the aesthetics of animation to fit differing visual themes. I delve into the details of designing a character that can be altered to exist in these conjoining sections, as well as how to best cinematically tell my story. Additionally, I specifically examine the role of young women in horror movies, as well as the idea of turning mundane actions into terrifying experiences. S t a n i s | 3 TABLE OF CONTENTS Abstract ________________________________________________________________________ 02 Acknowledgements ____________________________________________________________ 04 Introduction ____________________________________________________________________ 05 Concept to Creation ____________________________________________________________ 06 Designing a Protagonist _______________________________________________________ 08 Thematic Content: Structured by Segment: Traditional Horror (1960s) __________________________________________
    [Show full text]
  • Blogs and the Negative Stereotypes of African American Women on Reality Television
    Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication Summer 7-19-2013 The Reality Of Televised Jezebels and Sapphires: Blogs and the Negative Stereotypes of African American Women on Reality Television Safiya E. Reid Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Reid, Safiya E., "The Reality Of Televised Jezebels and Sapphires: Blogs and the Negative Stereotypes of African American Women on Reality Television." Thesis, Georgia State University, 2013. https://scholarworks.gsu.edu/communication_theses/100 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE REALITY OF TELEVISED JEZEBELS AND SAPPHIRES: BLOGS AND THE NEGATIVE STEREOTYPES OF AFRICAN AMERICAN WOMEN ON REALITY TELEVISION by SAFIYA REID Under the Direction of Dr. Marian Meyers ABSTRACT Americans spend an average of 5.1 hours a day viewing television, with reality television as the most prevalent type of programming. Some of the top reality television shows feature African American women in negative and limiting roles. However, little research examines how the stereotypes presented on reality television about African American women are viewed by the audiences
    [Show full text]
  • Academy Invites 842 to Membership
    MEDIA CONTACT [email protected] July 1, 2019 FOR IMMEDIATE RELEASE ACADEMY INVITES 842 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 842 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2019 class is 50% women, 29% people of color, and represents 59 countries. Those who accept the invitations will be the only additions to the Academy’s membership in 2019. Six individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2019 invitees are: Actors Adewale Akinnuoye-Agbaje – “Suicide Squad,” “Trumbo” Yareli Arizmendi – “A Day without a Mexican,” “Like Water for Chocolate” Claes Bang – “The Girl in the Spider’s Web,” “The Square” Jamie Bell – “Rocketman,” “Billy Elliot” Bob Bergen – “The Secret Life of Pets,” “WALL-E” Bruno Bichir – “Crónica de un Desayuno,” “Principio y Fin” Claire Bloom – “The King’s Speech,” “Limelight” Héctor Bonilla – “7:19 La Hora del Temblor,” “Rojo Amanecer” Juan Diego Botto – “Ismael,” “Vete de Mí” Sterling K. Brown – “Black Panther,” “Marshall” Gemma Chan – “Crazy Rich Asians,” “Mary Queen of Scots” Rosalind Chao – “I Am Sam,” “The Joy Luck Club” Camille Cottin – “Larguées,” “Allied” Kenneth Cranham – “Maleficent,” “Layer Cake” Marina de Tavira – “Roma,” “La Zona (The
    [Show full text]
  • An Analysis of Gestures Found in “A Quiet Place” Film
    Philosophica Vol III No. 1, Juni 2020 AN ANALYSIS OF GESTURES FOUND IN “A QUIET PLACE” FILM RAHMA AMALIA PUTRI, SITI LESTARI, AB PRABOWO KA English Department, Universitas PGRI Semarang [email protected] First received: 23 February 2020 Final proof received: 30 May 2020 Abstract This final project presents the analysis of gestures found in “A Quiet Place” film. The main purposes of this research are (1) to find out the kinds of gestures found in “A Quiet Place” film (2) to analyze the function of gesture found in “A Quiet Place” Film. The method of this research is descriptive qualitative research. For collecting the data, the researcher should watch “A Quiet Place” Film. After watching film, the researcher should find out the kinds of gesture in another journal or books then analyzing the kinds of gesture that found in “A Quiet Place” film. The researcher found the kinds of gesture that written by David McNeill and Levy 2005. There are four dimensions of the previous researcher about the kinds of gesture: Iconic, Metaphoric, Deictic, and Beats. That are the kinds of gesture that the researcher will analyze based on the film. The four kinds of gesture is importance for balancing the speakers meaning when they talk, and when the speakers did not allow to speech or using their sounds. Study about gesture is important, as a student of English education the researcher took this subject because it related to cultural understanding and linguistics. The researcher chose “A Quiet Place” film that relating to this research. “A Quiet Place” is an American post-apocalyptic horror film directed by John Krasinski in 2018, who wrote the screenplay with Bryan Woods and Scott Beck.
    [Show full text]
  • Film Anaylsis Essay
    Foushee !1 Victoria Foushee A Quiet Place: A Film Where Sound Speaks Volumes Without a Whole Lot of Volume Foushee !2 John Krasinski’s 2018 film, A Quiet Place, is a horror film that has been praised for being something audiences have never seen before. Because of this, some might even classify it as a “revisionist film” within its genre. According to the textbook written by Maria Pramaggiore and Tom Wallis, a revisionist film is “a genre film that radically modifies accepted genre conventions for dramatic effect,” (456). As for A Quiet Place, its biggest modification would be its usage of sound, or lack there of, to be exact. Director John Krasinski also stars in the film alongside his real-life wife, Emily Blunt, and actors Noah Jupe and Millicent Simmonds, who play their children. In multiple interviews and press releases, Krasinski has explained that A Quiet Place is in fact a horror film that revolves around the idea of family, however, it is easy to argue that the family, and its physical members, are not the film’s main character, but instead, sound is. There are a few factors that support the claim that sound is indeed the underlying main character of the film, such as: the realization that the audience is not given much information about the family and their background, leaving very little room for character development or connection, and the fact that sound is used strategically to fill the lack of emotional connection, while still being the film’s primary focus of attention. A Quiet Place is unique because it lacks quite a bit of diegetic sound, which is something that has not really been done outside the realm of avant-garde and silent films, and especially in the genre of horror.
    [Show full text]
  • Franklin Theatre Movie List
    11/5/2020 Grid view Grid view # Title Genre Rating Run Time Volume 1 (500) Days of Summer Comedy Drama Romance Indie PG-13 1:35 -15.0 dB 2 A Quiet Place Horror Comedy Sci-Fi PG-13 1:30 3 Aladdin Family Animated Comedy G 1:30 4 All About Eve Drama Classic Not Rated 2:18 5 Amelie Comedy Romance R 2:02 6 American Graffiti Comedy Drama PG 1:50 7 An American in Paris Drama Musical Romance Classic 1:54 8 Annie (1981) Comedy Drama Family Musical PG 2:07 9 Avatar Action Sci-Fi Fantasy PG-13 2:42 10 Babe Comedy Drama Family G 1:31 11 Back to the Future Trilogy 12 Bambi Animated Family G 1:10 -23.0 dB 13 Beauty & The Beast (1991) Animated Family Musical G 1:42 14 Beauty and The Beast (2017) Family Musical Fantasy PG 2:09 15 Beetlejuice Comedy Fantasy PG 1:32 16 Ben-Hur (1959) Drama Adventure G 3:32 -19.0 dB 17 Ben-Hur (2016) Action Drama PG-13 2:03 18 Big Lebowski, The Comedy R 1:57 -15dB https://airtable.com/tbliO3nSlMxjireyP/viwBkmtxU2ybFSqbm?blocks=hide 1/25 11/5/2020 Grid view # Title Genre Rating Run Time Volume 19 Big Trouble in Little China Action Comedy PG-13 1:39 -7.0 20 Bishop's Wife, The Christmas Comedy Drama Classic Not Rated 1:49 21 Black Swan Drama Thriller R 1:48 22 Blazing Saddles Comedy Western R 1:33 23 Blind Side, The Biopic Drama Sport PG-13 2:09 24 Breakfast at Tiffany’s Classic Comedy Drama Romance Not Rated 1:55 25 Breakfast Club, The Comedy Drama R 1:37 26 Bridesmaids Comedy Romance R 2:05 27 Bridget Jones’s Diary Comedy Christmas Romance R 1:37 28 Butch Cassidy and the Sundance … Biopic Drama Western PG 1:50 29 Caddyshack
    [Show full text]
  • Film Flashback… Ghostbusters & Gremlins Opened
    Monday, June 7, 2021 | No. 171 Film Flashback… Ghostbusters & Gremlins Opened on 6/8/1984 Weekends with two major openings that aren't targeted to the same audience typically boost box office business – as we just saw Memorial Day weekend. There was, however, a time when studios didn't always avoid going head-to-head with the wrong films. The classic example of what not to do occurred June 8, 1984 when Columbia opened Ivan Reitman's action fantasy GHOSTBUSTERS and Warner Bros. launched Joe Dante's action fantasy GREMLINS. Both were going to play best to younger males. Both studios wanted to kick-off that weekend because in those days early June was when most schools had just closed for the summer, so younger males were now able to see movies all week long. GHOSTBUSTERS looked the strongest. Reitman had already directed hit comedies like MEATBALLS (1979 - $43M) & STRIPES (1981 - $85M). His new film had big star power – Bill Murray, Dan Aykroyd & Sigourney Weaver. GREMLINS' Joe Dante hadn't directed any big hits yet but had gotten lots of attention with his werewolf film THE HOWLING (1981 - $18M). Stars Zach Galligan, Phoebe Cates & Hoyt Axton weren't as well-known as GHOSTBUSTERS' star trio. GREMLINS did have some significant star power behind the camera in executive producer Steven Spielberg, whose Gremlins opened on 6/8/1984, INDIANA JONES & THE TEMPLE OF DOOM had just opened Memorial Day weekend to Directed by Joe Dante and Executive $42.3M and would do $333M worldwide. Despite industry speculation that one title might Produced by Steven Spielberg move, both studios stayed the course.
    [Show full text]