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Prescription Companion
PRESCRIPTION COMPANION ©2012Transitions Optical inc. ophthalmic lens technical reference JUBILEE YEAR 2012 E -Edition 7 www.norville.co.uk Introduction and Page Index The Norville Companion is a supporting publication for our Prescription Catalogue, providing further technical details, hints and ideas gleaned from everyday experiences. TOPIC Page(s) TOPIC Page(s) Index 2 - 3 Part II Rx Allsorts Lens Shapes 4 - 6 Lens Forms 49 Effective Diameter Chart 7 Base Curves 50 - 51 Simplify Rx 8 Aspherics 52 - 53 Ophthalmic Resins 9 Free-form Digital Design 54 Indices of Ophthalmic lenses - Resin 10 Compensated Lens Powers 55 - 56 Polycarbonate 11 Intelligent Prism Thinning 57 - 58 Trivex 12 - 13 Superlenti - Glass 59 Resin Photochromic Lenses 14 Superlenti - Resin 60 Transitions Availability Check List 15 V Value / Fresnels 61 Nupolar Polarising Lenses 16 E Style Bifocal / Trifocal 62 Drivewear Lenses 17 - 18 Photochromic / Glazing / Prisms 63 UV Protective Lenses 19 Lens Measures 64 Norville PLS Tints 20 Sports 65 Tinted Resin Lenses 21 3D Technology Overview 66 Mid and High Index Resins Tintability 22 Rx Ordering 67 Norlite Tint Transmission Charts 23 - 25 Order Progress 68 Norlite Speciality Tinted Resins 26 - 31 Rx Order Form 69 Norlite Mirror Coating 32 Queries 70 Reflection Free Coating 33 - 34 Optical Heritage 71 F.A.Q. Reflection Free Coatings 35 - 37 Rx House - Change afoot? 72 - 73 Indices of Ophthalmic Lenses - Glass 38 Remote Edging 74 Glass Photochromic Lenses 38 Remote edging - F.A.Q. 75 Speciality Absorbing Glass 39 Quality Assurance -
Pediatric Ophthalmology/Strabismus 2017-2019
Academy MOC Essentials® Practicing Ophthalmologists Curriculum 2017–2019 Pediatric Ophthalmology/Strabismus *** Pediatric Ophthalmology/Strabismus 2 © AAO 2017-2019 Practicing Ophthalmologists Curriculum Disclaimer and Limitation of Liability As a service to its members and American Board of Ophthalmology (ABO) diplomates, the American Academy of Ophthalmology has developed the Practicing Ophthalmologists Curriculum (POC) as a tool for members to prepare for the Maintenance of Certification (MOC) -related examinations. The Academy provides this material for educational purposes only. The POC should not be deemed inclusive of all proper methods of care or exclusive of other methods of care reasonably directed at obtaining the best results. The physician must make the ultimate judgment about the propriety of the care of a particular patient in light of all the circumstances presented by that patient. The Academy specifically disclaims any and all liability for injury or other damages of any kind, from negligence or otherwise, for any and all claims that may arise out of the use of any information contained herein. References to certain drugs, instruments, and other products in the POC are made for illustrative purposes only and are not intended to constitute an endorsement of such. Such material may include information on applications that are not considered community standard, that reflect indications not included in approved FDA labeling, or that are approved for use only in restricted research settings. The FDA has stated that it is the responsibility of the physician to determine the FDA status of each drug or device he or she wishes to use, and to use them with appropriate patient consent in compliance with applicable law. -
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Media Laboratories The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how literature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/flashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Founding Editor; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Founding Editor; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Coordinator; Catherine Gallagher (English, UC Berkeley), Founding Editor; Nouri Gana (Comparative Literature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Literature, UC Santa Cruz); Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz) A complete list of titles begins on page 235. Media Laboratories Late Modernist Authorship in South America Sarah Ann Wells northwestern university press ❘ evanston, illinois this book is made possible by a collaborative grant from the andrew w. mellon foundation. Northwestern University Press www.nupress.northwestern.edu Copyright © 2017 by Northwestern University Press. Published 2017. All rights reserved. Portions of Chapter 1 appeared in an earlier form in articles published in Modernism/ Modernity 18.2 (2011): 425– 41 and Luso- Brazilian Review 53.1 (2016). -
Does Occlusion Therapy Improve Control in Non-Diplopic Patients with Intermittent Exotropia?
Does Occlusion Therapy Improve Control in Non-Diplopic Patients with Intermittent Exotropia? by Lina Sulaiman Alkahmous Submitted in partial fulfilment of the requirements for the degree of Master of Science at Dalhousie University Halifax, Nova Scotia November 2011 © Copyright by Lina Sulaiman Alkahmous, 2011 DALHOUSIE UNIVERSITY CLINICAL VISION SCIENCE PROGRAM The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “Does Occlusion Therapy Improve Control in Non-Diplopic Patients with Intermittent Exotropia?” by Lina Sulaiman Alkahmous in partial fulfilment of the requirements for the degree of Master of Science. Dated: November 17, 2011 Supervisors: _________________________________ _________________________________ Readers: _________________________________ _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: November 17, 2011 AUTHOR: Lina Sulaiman Alkahmous TITLE: Does Occlusion Therapy Improve Control in Non-Diplopic Patients with Intermittent Exotropia? DEPARTMENT OR SCHOOL: Clinical Vision Science Program DEGREE: MSc CONVOCATION: May YEAR: 2012 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from -
BPI Therapeutic Tints
®™®™ % © 2006. Spectral curves and colors are registered with the US Copyright Office BPI FILTER VISION 450nm (BPI Winter Sun ) 90 80 USES: 70 BPI® ® ™ rfect • Night Blindness 60 WINTER SUN e 50 P • Macular Degeneration BPI# 37623 40 • Retinitis Pigmentosa 30 • Pre-operative Cataract 20 SM • Forensic Science 10 BPI# 37623 Tint n BPI# 99900 Frame and lenses • SAD (Seasonal Affective Disorder) isio 350 400 450 500 550 600 650 NM V ®™®™ % © 2006. Spectral curves and colors are registered with the US Copyright Office BPI FILTER VISION 480nm (BPI Euro-Brown ) 90 80 ® 70 BPI® USES: ™ 60 EURO-BROWN • Macular Degeneration 50 BPI# 37622 BPI • Retinitis Pigmentosa 40 • Pre-operative Cataract 30 • Forensic Science 20 10 THERAPEUTIC BPI# 376®22 Tint BPI# 99900 Frame and lenses 350 400 450 500 550 600 650 NM ® ® ®™ ® % © 2006. Spectral curves and colors are registered with the US Copyright Office TINTS BPI DIAMOND DYE 500nm Blue Barrier Tint 90 80 Tint Your Own Therapeutic ® USES: ® ® 70 BPI DIAMOND ™ Lenses With BPI Therapeutic Tints. • Macular Degeneration 60 DYE 5 00nm • Retinitis Pigmentosa 50 BPI# 37604 Order Therapeutic Lenses from 40 ® • Post-operative Cataract BPI Laboratories. 30 • Aphakia/Pseudophakia 20 • Forensic Science 10 Send Your Prescription Lenses To BPI# 37604 Tint ® BPI# 99900 Frame and lenses • Dentistry BPI Laboratories For 350 400 450 500 550 600 650 NM Therapeutic Tinting ®™ ® % © 2006. Spectral curves and colors are registered with the US Copyright Office BPI DIAMOND DYE 540nm Blue Barrier Tint 90 Complete Frames With 80 Therapeutic Lenses Or Clip-ons 70 BPI® DIAMOND USES: DYE ™5 40nm Also Available. -
HEADLINE NEWS • 6/26/05 • PAGE 2 of 12
CAN BAGO BAG ANOTHER G1? HEADLINE ...p9 NEWS For information about TDN, DELIVERED EACH NIGHT BY FAX AND FREE BY E-MAIL TO SUBSCRIBERS OF call 732-747-8060. www.thoroughbreddailynews.com SUNDAY, JUNE 26, 2005 A FAIRY TALE ENDING LIKE FATHER, LIKE SON? It was one of the few races Inside Information failed With Hurricane Run (Ire) (Montjeu {Ire}), Scorpion to win. Sent off the 7-10 favorite in the 1994 edition of (Ire) (Montjeu {Ire}) and Walk in the Park (Ire) (Montjeu the GI Mother Goose S., the {Ire}) to represent him, Coolmore’s stallion sensation champion suffered the only looks to be in a win-win situation defeat of her sophomore sea- in today’s G1 Budweiser Irish son, finishing a shocking 10 Derby at The Curragh. It was six 1/4 lengths behind Lakeway years ago that the John as she crossed the finish line Hammond-trained Montjeu took in third. Injured in the race, apart his rivals in this Classic. she was then sidelined for five With an Epsom Derby winner months. But her daughter already in his first crop thanks to Smuggler Adam Coglianese Smuggler (Unbridled) made up Motivator (GB), a famous double for that loss with a game per- could be on the cards. Scorpion Montjeu Glyn Kirk/Action Plus formance in the 49th running of the filly Classic at has the most to prove of his trio, Belmont Park yesterday. “This is pretty exciting for but, according to Racing Post, was “all the rage” after me,” said trainer Shug McGaughey, who also condi- breaking his maiden at Leopardstown May 8. -
Course Notes
Siggraph ‘97 Stereo Computer Graphics for Virtual Reality Course Notes Lou Harrison David McAllister Martin Dulberg Multimedia Lab Department of Computer Science North Carolina State University ACM SIGGRAPH '97 Stereoscopic Computer Graphics for Virtual Reality David McAllister Lou Harrison Martin Dulberg MULTIMEDIA LAB COMPUTER SCIENCE DEPARTMENT NORTH CAROLINA STATE UNIVERSITY http://www.multimedia.ncsu.edu Multimedia Lab @ NC State Welcome & Overview • Introduction to depth perception & stereo graphics terminology • Methods to generate stereoscopic images • Stereo input/output techniques including head mounted displays • Algorithms in stereoscopic computer graphics Multimedia Lab @ NC State Speaker Biographies: David F. McAllister received his BS in mathematics from the University of North Carolina at Chapel Hill in 1963. Following service in the military, he attended Purdue University, where he received his MS in mathematics in 1967. He received his Ph. D. in Computer Science in 1972 from the University of North Carolina at Chapel Hill. Dr. McAllister is a professor in the Department of Computer Science at North Carolina State University. He has published many papers in the areas of 3D technology and computer graphics and has given several courses in these areas at SPIE, SPSE, Visualization and SIGGRAPH. He is the editor of a book on Stereo Computer Graphics published by Princeton University Press. Lou Harrison received his BS in Computer Science from North Carolina State University in 1987 and his MS in Computer Science, also from NCSU, in 1990. Mr. Harrison has taught courses in Operating Systems and Computer Graphics at NCSU and is currently Manager of Operations for the Department of Computer Science at NCSU while pursuing his Ph. -
A Pragmatic Check out System for Remedy Eyeglasses Vinutha H1, Rajeshwari S2 Assistant Professor1, 2 Department of ISE Rajarajeswari College of Engineering, India
ISSN XXXX XXXX © 2018 IJESC Research Article Volume 8 Issue No.4 A Pragmatic Check out System for Remedy Eyeglasses Vinutha H1, Rajeshwari S2 Assistant Professor1, 2 Department of ISE Rajarajeswari College of Engineering, India Abstract: Vision correcting specs leave progressed the bum millions of folks. Eye frames moderately have an effect on the wearer’s image, and the choice of latest pairs of goggles is essentially in response to how the eyeglasses express just after wearers try the system on. However, an generally overviewed information is that one punitive lenses plan lie led to by the refraction outcome. Prescription lorgnette plan refraction final results that modify the wearer’s presence. The eyes of individual dressed in disciplinary lenses for nearsightedness materialize lower come dressed in non preparation lenses, while inspection of an individual dressed in lenses for hyperopia show up bigger. The conventional means of stressful and picking new goggles frames within a stone and glue emporium has an important fault: sunglasses at the emblazon are geared up amidst trial lenses that one know blank punitive prestige, and hence refraction doesn't cripple inquiry. Thus, practicers cannot see what they are going to in fact sound like in expectation their practice instruction lenses are connected within the frames and the reduction is very last. Their presentation determinations vary of the in-store case that may result in adversity and buyer’s grief, particularly for methoders amidst intense specs instructions. A send occurs stable including wired retail outlets, which permit ruler to nearly analysis contacts frames by overlaying diehards out upon a dossier perception. -
Haitian Creole – English Dictionary
+ + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo + + + + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo dp Dunwoody Press Kensington, Maryland, U.S.A. + + + + Haitian Creole – English Dictionary Copyright ©1993 by Jean Targète and Raphael G. Urciolo All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without the prior written permission of the Authors. All inquiries should be directed to: Dunwoody Press, P.O. Box 400, Kensington, MD, 20895 U.S.A. ISBN: 0-931745-75-6 Library of Congress Catalog Number: 93-71725 Compiled, edited, printed and bound in the United States of America Second Printing + + Introduction A variety of glossaries of Haitian Creole have been published either as appendices to descriptions of Haitian Creole or as booklets. As far as full- fledged Haitian Creole-English dictionaries are concerned, only one has been published and it is now more than ten years old. It is the compilers’ hope that this new dictionary will go a long way toward filling the vacuum existing in modern Creole lexicography. Innovations The following new features have been incorporated in this Haitian Creole- English dictionary. 1. The definite article that usually accompanies a noun is indicated. We urge the user to take note of the definite article singular ( a, la, an or lan ) which is shown for each noun. Lan has one variant: nan. -
1 Box 12 Abbot, John M. La Coralie Polka Schottisch. Composed for And
Box 12 Abbot, John M. La Coralie polka schottisch. Composed for and respectfully dedicated to Miss Kate E. Stoutenburg. For solo piano. New York: J. E. Gould and Co., 1851. Abbot, John M. La reve d’amour. For solo piano. New York: William Hall & Son, 1858. 3 copies. L’Aboyar. La coquetterie polka facile. For solo piano. Boston: Oliver Ditson, 1853. Adam, Adolphe. Duke of Reichstadt’s waltz. For solo piano. New York: James L. Hewitt & Co., [s.d.]. Adam, Adolphe. Duke of Reichstadt’s waltz. For solo piano. Boston: C. Bradlee, [s.d.].. Adam, A. Hungarian flag dance. Danced by forty-eight Danseuses Viennoises at the principal theatres in Europe and the United States. For solo piano. Arranged by Edward L. White. Boston: Stephen W. Marsh, 1847. Adams, A.M. La petite surprise! For solo piano. New York: W. Dubois, [s.d.]. Adams, G. Molly put the kettle on. For solo piano. Boston: Oliver Ditson, [s.d.]. Adams, G. Scotch air. With variations as performed by Miss. R. Brown on the harp at the Boston Concerts. For solo piano or harp. New York: William Hall & Son, [s.d.]. Adams, G. Scotch air. With variations as performed by Miss R. Brown on the harp at the Boston Concerts. For solo piano or harp. New York: Firth, Hall, and Pond, [between 1846 and 1847]. Adams, J.B. Sunbeam polka. For solo piano. Boston: Oliver Ditson, 1853. Adams, J. Willard. Dream life polka. Composed and most respectfully dedicated to the Ladies of Fredericksburg, PA. For solo piano. New York: Firth, Pond, and Co., 1852. -
Subpixel-Filterung Für Eine Autostereoskopische Multiperspektiven-3-D- Darstellung Hoher Qualität
Subpixel-Filterung für eine autostereoskopische Multiperspektiven-3-D- Darstellung hoher Qualität Dissertation zur Erlangung des akademischen Grades Dr.-Ing. der Universität Kassel Fachbereich Elektrotechnik/Informatik Fachrichtung Informatik vorgelegt von Dipl.-Inf. Dirk Müller Kassel im November 2005 Tag der mündlichen Prüfung: 09. Februar 2006 Erstgutachter: Prof. Dr.-Ing. Siegbert Hentschke Zweitgutachter: Prof. Dr.-Ing. Dieter Wloka Dirk Müller: 2 „Subpixel-Filterung für eine autostereoskopische Multiperspektiven-3-D-Darstellung hoher Qualität“ Für Dorota 3 Dirk Müller: 4 „Subpixel-Filterung für eine autostereoskopische Multiperspektiven-3-D-Darstellung hoher Qualität“ Danksagung Die Vorbereitung und Fertigstellung dieser Arbeit wurde mir durch meinen Doktorvater Herrn Prof. Hentschke und die ständige Unterstützung und Aufmunterung durch meine Eltern ermöglicht. Außerdem möchte ich die stets gute Zusammenarbeit mit meinen Kollegen der Fachgruppe Digitaltechnik an der Universität Kassel erwähnen. Allen genannten Personen gilt mein ganz besonderer Dank. 5 Dirk Müller: 6 „Subpixel-Filterung für eine autostereoskopische Multiperspektiven-3-D-Darstellung hoher Qualität“ Inhaltsverzeichnis 1 Einleitung................................................................................................... 11 2 S tand der Technik: 3- D -Display-Technologie und Autostereoskopie..15 2.1 Überblick................................................................................................................. 15 2.2 M otivation von 3- D -Displays................................................................................ -
Introducing Ophthalmology
introducing ophthalmology a p r i m e r for off ice st a f f Third Edition 655 Beach Street P.O. Box 7424 San Francisco, CA 94120-7424 introducing ophthalmology: a primer for office staff ophthalmology liaisons committee academy staff Samuel P. Solish, MD, Chair Richard A. Zorab, Vice President, Richard C. Allen, MD, PhD Ophthalmic Knowledge Amy S. Chomsky, MD Hal Straus, Director of Print Publications JoAnn A. Giaconi, MD Susan R. Keller, Acquisitions Editor Humeyra Karacal, MD Kimberly A. Torgerson, Publications Editor Martha P. Schatz, MD D. Jean Ray, Production Manager John Michael Williams Sr, MD Debra Marchi, CCOA, Administrative Assistant Kyle Arnoldi-Jolley, CO, COMT Annquinetta F. Dansby-Kelly, RN, CRNO Diana J. Shamis, COMT © 2013 American Academy of Ophthalmology All rights reserved. ii Preface iv contents 1 IntroductIon to oPhthalmology 1 2 d how oes the eye work? 7 3 d why o we need eyeglasses? 15 4 t wha can go wrong wIth the eye? 22 5 m the edIcal eye examInatIon 33 6 offIce etIquette and ethIcs 40 glossary 47 common oPhthalmIc abbrevIatIons 51 suggested resources 54 Chinese spectacles with tangerine skin case, ca 1780 (Courtesy Museum of Vision, Foundation of the American Academy of Ophthalmology) iii preface This edition of Introducing Ophthalmology: A Primer for Office Staff has been reviewed for currency, updated, and converted to a digital format. The primary audience for this book is new office staff who need understanding of basic concepts in ophthalmology. New office staff will gain insights into the eye health terms and concepts they encounter.