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Unit 31 Social Significance of Religious Festivals
UNIT 31 SOCIAL SIGNIFICANCE OF RELIGIOUS FESTIVALS structure 3 1.0 Objectives 3 1.1 Introduction 31.2 Scope of the Unit 32.2.1 What is a Religious Festival 32.2.2 Meaning of Social Significance 3 1.3 Some Religious Festivals 31.3.1 Sajhi 31.3.2 Kanva Chauth 31.3.3 Ravidar Jayanti 3 I .4 Social Significance : A Discussion 31.4.1 Adjustment Between Man, Nature and Society ' 3 1.4.2 Emotional Social Security of Individual 3 1.4.3 Identity, Solidarity, Differentiation and Conflict 3 1.4.4 Social Stratification 31.4.5 Ritual Art 31.4.6 Unity in Diversity 31.5 Let Us Sum Up 31.6 Key Words 3 1.7 Further Reading 3 1.8 Answers to Check Your Progress , 31.0 OBJECTIVES This unit seeks to help you to comprehend, sociologically, the phenomenon of religious festivals analyse its relation with individual, society and culture in general and in India in particular delineate its social significance, both positive and negative . enrich your overall understanding of the relation between Society and Religion. In this block we have so far covered three previous units on life cycle ritual (birth and marriage; and death) and a unit on pilgrimage. These units indicate that the social significance of religion pervades every aspect of our living right from birth onwards to marriage and death. It also pervades our ejforts at a better lge dtmd an attempt to come in contact with the sacred. This unit shows us a colourfi~lside of the significance of rituals. -
1/3/2018 31/3/2018 Hoshiarpur District Social Security Office
District Social Security Office Hoshiarpur MUKERIAN ABDULAPUR ABDULLAPUR Beneficiary Wise Sanction Report 1/3/2018 T o 31/3/2018 --------------------------------------------------------------------------------------------------------- Sr.N PLA No. Beneficiary Name Father/Husband Name Amount --------------------------------------------------------------------------------------------------------- District Social Security Office Hoshiarpur MUKERIAN ABDULAPUR ABDULLAPUR Beneficiary Wise Sanction Report 1/3/2018 T o 31/3/2018 --------------------------------------------------------------------------------------------------------- Sr.N PLA No. Beneficiary Name Father/Husband Name Amount --------------------------------------------------------------------------------------------------------- Block/Panchayat/Village Name MUKERIAN ABDULAPUR ABDULLAPUR Scheme Name FADC 1 hsp/2017/r VEENA DEVI RAJINDER KUMAR 1,500 2 hsp/2017/r PREM LATA BALDEV SINGH 750 3 13630 BHOLI KARTAR SINGH 1,500 4 13629 PREM LATA VIJAY KUMAR 750 Scheme Name FADP 5 16605 HARJIT KAUR PREM LAL 750 6 9288 LISWA TARSEM MASIH 750 7 9507 RAMESH SINGH(CHANDNI) SANT SINGH 750 8 9496 RAKESH KUMAR BACHITER RAM 750 9 9505 KULDIP SINGH KIRPA RAM 750 10 9506 JIT KUMAR KAPOOR CHAND 750 11 2354 PREM LAL MANU 750 12 1749 SHAKTI KUMAR BASANTA RAM 750 Scheme Name FAWD 13 20473 PUSHPA DEVI SOHAN LAL 750 14 20475 RAM PIARI BALWARPAR SINGH 750 15 20471 RESHMA GULZAR 750 16 20472 SATYA DEVI JANAK RAJ 750 17 20743 KUSAM CHIB KIRSAN SINGH 750 18 20736 KAILASH DEVI AMAR SINGH 750 19 6447 PUSHPA DEVI -
Folk and Traditional Media: a Powerful Tool for Rural Development
© Kamla-Raj 2011 J Communication, 2(1): 41-47 (2011) Folk and Traditional Media: A Powerful Tool for Rural Development Manashi Mohanty and Pritishri Parhi* College of Home Science, O.U.A.T, Bhubaneswar 751 003, Orissa, India Telephone: *<9437302802>, *<9437231705>; E-mail: [email protected] KEYWORDS Folk Media. Traditional Media. Rural Development ABSTRACT Tradition is the cumulative heritage of society which permeates through all levels of social organization, social structure and the structure of personality. The tradition which is the cumulative social heritage in the form of habit, custom, attitude and the way of life is transmitted from generation to generation either through written words or words of mouth. It was planned to focus the study on stakeholders of rural development and folk media persons, so that their experience, difficulties, suggestion etc. could be collected to make the study realistic and feasible. The study was conducted in the state of Orissa comprising 30 districts out of which 3 coastal districts, namely, Cuttack, Puri and Balasore were selected according to the specific folk media culture namely, ‘Jatra’, ‘Pattachitra’ , ‘Pala’, ‘Daskathjia’ for their cultural aspects and uses. The study reveals that majority of the respondents felt that folk media is used quite significantly in rural development for its cultural aspect but in the era of Information and Communication Technology (ICT), it is losing its significance. The study supports the idea that folk media can be used effectively along with the electronic media for the sake of the development of rural society INTRODUCTION their willing participation in the development of a country is well recognized form of reaching The complex social system with different people, communicating with them and equipp- castes, classes, creeds and tribes in our country ing them with new skills. -
Pros and Cons of Migration in Punjab
www.ijird.com March, 2015 Vol 4 Issue 3 ISSN 2278 – 0211 (Online) Pros and Cons of Migration in Punjab Kamaljit Rai Assistant Professor, Department of English, Mata Ganga Khalsa College for Girls, Manji Sahib, Kottan, Ludhiana, Punjab, India Abstract: In this paper I have discussed the pros and cons of migration from other states to Punjab. The problems faced by them, their rootlessness and the changing economic status of poor families in their hometowns are discussed with reference to the state of Punjab. The migrants go through teething troubles after coming to a new place, face a lot of sociological and psychological dilemmas which sometimes breaks them and sometimes saves them. The economic help which they send to their home state is used by them for development of their homes and families but the state in which they have migrated faces more crime, more illiteracy, more population and more problems of employment. The local population loses the job opportunities while the migrants grab the opportunity with both hands and are exploited by the rich landowners and industrialists and given low wages. They are subjected to inhuman and unhygienic conditions and are exploited physically, mentally, psychologically as well as sexually. 1. Introduction As defined by Lee, "Migration is permanent or semi-permanent change of residence". Migration has been the key word in modern history. Man has migrated from one place to another since ancient time. We too, as Aryans have migrated from far-off places to the fertile lands of Punjab. When a person changes a place of his residence it brings about lots of changes in his life. -
Bengal Patachitra
ojasart.com BENGAL PATACHITRA Ojas is a Sanskrit word which is best transliterated as ‘the nectar of the third eye and an embodiment of the creative energy of the universe’. Ojas endeavours to bring forth the newest ideas in contemporary art. Cover: Swarna Chitrakar Santhal Wedding Ritual, 2018 Vegetable colour on brown paper 28x132 inch 1AQ, Near Qutab Minar Mehrauli, Delhi 110 030 Ph: 85100 44145, +91 11 2664 4145 [email protected] @/#ojasart Bengal Patachitra Works by Anwar Chitrakar 8 Dukhushyam Chitrakar 16 Moyna & Joydeb Chitrakar 24 Swarna Chitrakar 36 Uttam Chitrakar 50 CONTENTS Essays by Ojas Art Award Anubhav R Nath 4 The Mesmerizing Domains of Patta-chittra Prof Neeru Misra 6 Bengal Pata Chitra: Painitng, narrating and singing with twists and turns Prof Soumik Nandy Majumdar 14 Pattachitra of Bengal: An emotion of a community Urmila Banu 34 About the Artists 66 Ojas Art Award rt has a bigger social good is a firm belief and I have seen art at work in changing lives of communities through the economic independence and sustainability that it had Athe potential to provide. A few years ago, I met some accomplished Gond artists in Delhi and really liked their art and the history behind it. Subsequent reading and a visit to Bhopal revealed a lot. The legendary artist J. Swamintahan recognised the importance of the indigenous arts within the contemporary framework, which eventually lead to the establishment and development of institutions like Bharat Bhavan, IGRMS and Tribal Museum. Over the decades, may art forms have been lost to time and it is important to keep the surviving ones alive. -
Nobel's Noble Gifts
Nobel’s Noble Gifts : On October Alfred Bemhard Nobel, 1833 Medicine 8, the Nobel Prize was -.1896, a Swedish chemist awarded to three who invented dynamite in scientists -Mario R. 1866 and developed other Capecchi, Martin J. explosives, suddenly realised Evans and Oliver philanthropy could obliterate Smithies for Physiology/ his disastrous designs when Medicine for their path- he happened to read his own breaking findings in obituary in a paper which biomedical research. termed him "a merchant of Their discoveries death". The paper, however, concerning embryonic carried the obituary of his stem cells and DNA brother, Ludwig by mistake. Alfred Nobel recombination in Nobel who tried to atone for mammals have led to a his sins, turned a do-gooder and bequeathed 94 per cent of Oliver Smithies powerful technology his wealth for awarding prizes to persons or institutions referred to as gene targeting in mice and this is now being for outstanding contributions in their fields of work. The applied to almost all areas of biomedicine, from basic Nobel Foundation announces its awards annually for research to developing new therapies. While Martin J.I persons who had performed outstanding work in the fields Evans is the Director of the School of Biosciences and of Peace, Literature, Physics, Physiology, Medicine and, Professor of Mammalian Genetics of the Cardiff Chemistry from the year 1901. The prize for Economics University in Britain, Mario Capacchi is the Howard was added more than sixty years later. The selection Hughes Medical Institute Investigator and Distinguished process of Nobel Prize awardees is said to be stringent Professor of Human Genetics and Biology of the despite criticisms against such selections for sins of University of Utah and Oliver Smithies is the Excellence omission and commission Professor of Pathology and Laboratory Medicine in the besides discrimination on the University of North Carolina in the U.S. -
THE ENERGY and RESOURCES INSTITUTE Creating Innovative Solutions for a Sustainable Future
THE ENERGY AND HE NERGY AND T E RESOURCES INSTITUTE RESOURCES INSTITUTE Creating Innovative Solutions for a Sustainable Future Creating Innovative Solutions for a Sustainable Future Meri Ek Kahani is a compilation of experts’ essays and nature stories submitted by children under ‘The Green School’ project. During the earlier phases of the project, it was felt that the rich traditional knowledge which exists in the remote areas of the project locations needs to be documented and shared with the world. Thus, this book was compiled by bringing together the experience of indigenous knowledge experts and the creativity of the students. Through the medium of storytelling, we get an insight of how our young citizenry perceives the world around them—their thoughts, priorities and areas of interest. About Editors Pankaj K Satija is Chief-Regulatory Affairs, Tata Steel Ltd and has twenty five years of experience in mining areas of India inhabited by indigenous people. He has worked extensivly on tribal sports, cuisine, music, dance and traditional festivals in Odisha and Jharkhand. Livleen K Kahlon leads the Environment Education and Awareness group at TERI. A botanist by education with a doctorate in indigenous knowledge system, she is actively engaged with children and youth through ESD (Education for Sustainable Development) projects. The Green School project is a joint initiative of Tata Steel and TERI, and is implemented in TSL operational areas across Jharkhand and Odisha on issues related to climate change. The focus is to create awareness and enable the school fraternity to comprehend their relationship with environment through curriculum linkages, competitions, workshops, etc. -
Bangalore for the Visitor
Bangalore For the Visitor PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 12 Dec 2011 08:58:04 UTC Contents Articles The City 11 BBaannggaalloorree 11 HHiissttoorryoofBB aann ggaalloorree 1188 KKaarrnnaattaakkaa 2233 KKaarrnnaattaakkaGGoovv eerrnnmmeenntt 4466 Geography 5151 LLaakkeesiinBB aanngg aalloorree 5511 HHeebbbbaalllaakkee 6611 SSaannkkeeyttaannkk 6644 MMaaddiiwwaallaLLaakkee 6677 Key Landmarks 6868 BBaannggaalloorreCCaann ttoonnmmeenntt 6688 BBaannggaalloorreFFoorrtt 7700 CCuubbbboonPPaarrkk 7711 LLaalBBaagghh 7777 Transportation 8282 BBaannggaalloorreMM eettrrooppoolliittaanTT rraannssppoorrtCC oorrppoorraattiioonn 8822 BBeennggaalluurruIInn tteerrnnaattiioonnaalAA iirrppoorrtt 8866 Culture 9595 Economy 9696 Notable people 9797 LLiisstoof ppee oopplleffrroo mBBaa nnggaalloorree 9977 Bangalore Brands 101 KKiinnggffiisshheerAAiirrll iinneess 110011 References AArrttiicclleSSoo uurrcceesaann dCC oonnttrriibbuuttoorrss 111155 IImmaaggeSS oouurrcceess,LL iicceennsseesaa nndCC oonnttrriibbuuttoorrss 111188 Article Licenses LLiicceennssee 112211 11 The City Bangalore Bengaluru (ಬೆಂಗಳೂರು)) Bangalore — — metropolitan city — — Clockwise from top: UB City, Infosys, Glass house at Lal Bagh, Vidhana Soudha, Shiva statue, Bagmane Tech Park Bengaluru (ಬೆಂಗಳೂರು)) Location of Bengaluru (ಬೆಂಗಳೂರು)) in Karnataka and India Coordinates 12°58′′00″″N 77°34′′00″″EE Country India Region Bayaluseeme Bangalore 22 State Karnataka District(s) Bangalore Urban [1][1] Mayor Sharadamma [2][2] Commissioner Shankarlinge Gowda [3][3] Population 8425970 (3rd) (2011) •• Density •• 11371 /km22 (29451 /sq mi) [4][4] •• Metro •• 8499399 (5th) (2011) Time zone IST (UTC+05:30) [5][5] Area 741.0 square kilometres (286.1 sq mi) •• Elevation •• 920 metres (3020 ft) [6][6] Website Bengaluru ? Bangalore English pronunciation: / / ˈˈbæŋɡəɡəllɔəɔər, bæŋɡəˈllɔəɔər/, also called Bengaluru (Kannada: ಬೆಂಗಳೂರು,, Bengaḷūru [[ˈˈbeŋɡəɭ uuːːru]ru] (( listen)) is the capital of the Indian state of Karnataka. -
Cultures of Instrument Making in Assam Upatyaka Dutta
Cultures of Instrument Making in Assam Upatyaka Dutta As Assam slowly recovers from the double whammy of COVID-19 pandemic and floods, I utilized every little opportunity to visit instrument makers living in the interior villages of Assam. My first visit was made to a Satra (Neo-vaishnavite monastery) by the name of Balipukhuri Satra on the outskirts of Tezpur (Sonitpur district), the cultural capital of Assam. There in the Satra, the family introduced me to three hundred years old folk instruments. A Sarinda, which is an archaic bowed string instrument, turns out to be one of their most prized possessions. Nobody in the family is an instrument maker, however, their ancestors had received the musical instruments from an Ahom king almost three hundred years back. The Sarinda remains in a dilapidated condition, with not much interest given to its restoration. Thus, the sole purpose that the instrument is serving is ornamentation. Fig 1: The remains of a Sarinda at Balipukhuri Satra The week after that was my visit to a village in Puranigudam, situated in Nagaon district of Assam. Two worshippers of Lord Shiva, Mr. Golap Bora and Mr. Prafulla Das, told tales of Assamese folk instruments they make and serenaded me with folk songs of Assam. Just before lunchtime, I visited Mr. Kaliram Bora and he helped me explore a range of Assamese instruments, the most interesting among which is the Kali. The Kali is a brass musical instrument. In addition to making instruments, Kaliram Bora is a well-known teacher of the Kali and has been working with the National Academy of Music, Dance and Drama’s Guru-shishya Parampara system of schools to imbibe education in Kali to select students of Assam. -
Instrument: Tabla, Classical Kettledrums for Meditation Country
ROOTS OF RHYTHM - CHAPTER 14: THE TABLA FROM INDIA Instrument: Tabla, classical kettledrums for meditation Country: India Flag: The flag has three equal horizontal bands with saffron, a subdued orange, on the top, white in the middle, and green at the bottom. A blue chakra (sha-krah) or 24-spoked wheel is centered in the white band. Size and Population: The country has an area of 179,744 square miles with 1,858,243 square miles of land surface and 196,500 square miles of water. India has 4375 miles of coastline and is slightly more than one- third the size of the US. The population of India is estimated at 1,220,800,359 as of July 2013; ranked 2nd in the world. Geography and Climate: India’s landscape contains great variety including a desert, tropical forests, lowlands, mighty rivers, fertile plains and the world’s highest mountain ranges, the Himalayas. With the enormous wall of the Himalayas on the north, the triangular-shaped subcontinent of India borders the Bay of Bengal to the east, the Arabian Sea to the west, and the India Ocean to the south. From the Chinese border on the north, India extends 2000 miles to its southern tip, where the island nation of Sri Lanka is located. Going northeast of the Himalaya mountain range, India’s borders constrict to a small channel that passes between Nepal, Tibet, Bangladesh, and Bhutan, then spreads out again to meet Burma in an area called the “eastern triangle.” India’s western border is with Pakistan. India has three main land regions: the Himalaya, the Northern Plains, and the Deccan or Southern Plateau. -
T>HE JOURNAL MUSIC ACADEMY
T>HE JOURNAL OF Y < r f . MUSIC ACADEMY MADRAS A QUARTERLY IrGHTED TO THE ADVANCEMENT OF THE SCIENCE ' AND ART OF MUSIC XXXVIII 1967 Part.' I-IV ir w > \ dwell not in Vaikuntha, nor in the hearts of Yogins, ^n- the Sun; (but) where my Bhaktas sing, there L ^ Narada ! ” ) EDITED BY v. RAGHAVAN, M.A., p h .d . 1967 PUBLISHED BY 1US1C ACADEMY, MADRAS a to to 115-E, MOWBRAY’S ROAD, MADRAS-14 bscription—Inland Rs. 4. Foreign 8 sh. X \ \ !• ADVERTISEMENT CHARGES \ COVER PAGES: Full Page Half Page i BaCk (outside) Rs. 25 Rs. 13 Front (inside) 99 20 .. 11. BaCk (Do.) 30 *# ” J6 INSIDE PAGES: i 1st page (after Cover) 99 18 io Other pages (eaCh) 99 15 .. 9 PreferenCe will be given (o advertisers of musiCal ® instruments and books and other artistic wares. V Special positions and speCial rates on appliCation. t NOTICE All correspondence should be addressed to Dr. V. Ragb Editor, Journal of the MusiC ACademy, Madras-14. Articles on subjects of musiC and dance are accepte publication on the understanding that they are Contributed to the Journal of the MusiC ACademy. f. AIT manuscripts should be legibly written or preferabl; written (double spaced—on one side of the paper only) and be sigoed by the writer (giving his address in full). I The Editor of the Journal is not responsible for tb expressed by individual contributors. AH books, advertisement moneys and cheques du> intended for the Journal should be sent to Dr. V, B Editor. CONTENTS Page T XLth Madras MusiC Conference, 1966 OffiCial Report .. -
Annual Report 1990 .. 91
SANGEET NAT~AKADEMI . ANNUAL REPORT 1990 ..91 Emblem; Akademi A wards 1990. Contents Appendices INTRODUCTION 0 2 Appendix I : MEMORANDUM OF ASSOCIATION (EXCERPTS) 0 53 ORGANIZATIONAL SET-UP 05 AKADEMI FELLOWSHIPS/ AWARDS Appendix II : CALENDAR OF 19900 6 EVENTS 0 54 Appendix III : GENERAL COUNCIL, FESTIVALS 0 10 EXECUTIVE BOARD, AND THE ASSISTANCE TO YOUNG THEATRE COMMITTEES OF THE WORKERS 0 28 AKADEMID 55 PROMOTION AND PRESERVATION Appendix IV: NEW AUDIO/ VIDEO OF RARE FORMS OF TRADITIONAL RECORDINGS 0 57 PERFORMING ARTS 0 32 Appendix V : BOOKS IN PRINT 0 63 CULTURAL EXCHANGE Appendix VI : GRANTS TO PROGRAMMES 0 33 INSTITUTIONS 1990-91 064 PUBLICATIONS 0 37 Appendix VII: DISCRETIONARY DOCUMENTATION / GRANTS 1990-91 071 DISSEMINATION 0 38 Appendix VIll : CONSOLIDATED MUSEUM OF MUSICAL BALANCE SHEET 1990-91 0 72 INSTRUMENTS 0 39 Appendix IX : CONSOLIDATED FINANCIAL ASSISTANCE TO SCHEDULE OF FIXED CULTURAL INSTITUTIONS 0 41 ASSETS 1990-91 0 74 LIBRARY AND LISTENING Appendix X : PROVIDENT FUND ROOMD41 BALANCE SHEET 1990-91 078 BUDGET AND ACCOUNTS 0 41 Appendix Xl : CONSOLIDATED INCOME & EXPENDITURE IN MEMORIAM 0 42 ACCOUNT 1990-91 KA THAK KENDRA: DELHI 0 44 (NON-PLAN & PLAN) 0 80 JA WAHARLAL NEHRU MANIPUR Appendix XII : CONSOLIDATED DANCE ACADEMY: IMPHAL 0 50 INCOME & EXPENDITURE ACCOUNT 1990-91 (NON-PLAN) 0 86 Appendix Xlll : CONSOLIDATED INCOME & EXPENDITURE ACCOUNT 1990-91 (PLAN) 0 88 Appendix XIV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN & PLAN) 0 94 Appendix XV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN) 0 104 Appendix XVI : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (PLAN) 0 110 Introduction Apart from the ongoing schemes and programmes, the Sangeet Natak Akademi-the period was marked by two major National Academy of Music, international festivals presented Dance, and Drama-was founded by the Akademi in association in 1953 for the furtherance of with the Indian Council for the performing arts of India, a Cultural Relations.