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Slovenské Divadlo Dagmar Podmaková: (The Slovak) National Theatre – Myths and Reality

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Slovenské Divadlo Dagmar Podmaková: (The Slovak) National Theatre – Myths and Reality Revue dramatických umení Vydáva Ústav divadelnej a filmovej vedy Slovenskej akadémie vied 3 Ročník 58 – 2010 – Číslo 3 OBSAH Perspektívy národných divadiel ...................................................................................... 189 Andrej Maťašík: Idea v dobe konzumu? ................................................................... 191 Andrej Maťašík: Idea at the Time of Consumerism? ................................................ 197 Mária Bátorová: Divadlo ako diagnostik svojho času ............................................ 203 Mária Bátorová: The Theatre as a Diagnostician of Its Time ................................. 207 Dagmar InštItorIsová: O zmysle divadla (esej mnohými otázkami) ................... 211 Dagmar InštItorIsová: On the Sense of Theatre (A Many Question Essay) ...... 217 Jan vedral: Národní divadlo HansWurstů ............................................................... 223 Jan vedral: The Hanswurst National Theatre .......................................................... 230 Zuzana Bakošová – Hlavenková: Národné divadlá – koncept a model? ....... 238 Zuzana Bakošová – Hlavenková: National Theatres – Concept and Model? ................................................................................................ 244 Judit CsákI: Primus Inter Pares – The National Theatre in the 21st Century ............ 250 Bohumil nekolnÝ: Idea národních divadel v Evropě v úhlu pohledu od Lipan ...... 253 Bohumil nekolnÝ: The Idea of National Theatres in Europe From the Point of View from Lipany ................................................................................................ 266 Ján sládeček: Je idea ND v 21. storočí na Slovensku mŕtva? ................................. 280 Ján sládeček: Is the idea of a National Theatre in 21st Century Slovakia dead? ..... 285 Anna kulIgowska-korzenIewska: Teatr Narodowy w służbie publicznej – ciężar tradycji i wyzwania współczesności ..................................... 290 Anna kulIgowska-korzenIewska: National Theatre in public service – the burden of tradition and contemporary challenges ............................................. 295 Dagmar PodMaková: (Slovenské) Národné divadlo – Mýty a skutočnosti (forma, obsah, názov) .............................................................................................. 300 Slovenské divadlo Dagmar PodMaková: (The Slovak) National Theatre – Myths and Reality (form, contents, name) ............................................................................................ 306 Peter kováč: Dišputa o národnom divadle ................................................................ 313 Peter kováč: Disputation on the National Theatre ................................................... 322 Peter HIMIč: Môže byť idea národného iba v Národnom? .......................................... 332 Peter HIMIč: Can we find the idea of the national in the national theatre only? ........ 336 Josef vInař: Idea Národního divadla v 21. století a Hanah Arendtová ...................... 339 Josef vInař: The idea of the National theatre in 21st century and Hanah Arendt ..... 345 Anton kret: Národ a divadlo ...................................................................................... 351 Anton kret: Nation and Theatre ................................................................................ 354 Miloš MIstrík: Moderné národné divadlo .................................................................. 357 Miloš MIstrík: Modern National Theatre .................................................................. 361 Ladislav čavojskÝ: Je idea Národného divadla dedičná? ......................................... 365 Ladislav čavojskÝ: Is the idea of the National Theatre intheritable? ...................... 372 zdenka PašutHOVÁ: Národné divadlo ako manifest národnej identity .................. 380 Zdenka PašutHová: The National Theatre as a Manifest of National Identity ..... 389 nadežda lIndovská: Idea národného divadla a ruské divadlo ............................... 399 nadežda lIndovská: The Idea of National Theatre in Russian Theatre ................ 404 Magdalena raszewska: 245 lat Teatru Narodowego wobec trzeciego tysiąclecia ................................................................................................. 409 Magdalena raszewska: 245 years of the National Theatre versus the third Millennium ............................................................................................... 415 THE SLOVAK THEATRE Journal of Theatre, Film, Radio and Television Art 3 Volume 58 – 2010 – Number 3 andrej Ferko: Virtuálny čas vo virtuálnom múzeu, sebakolonizácia namiesto „prvej scény“ a slovenská dráma v disidentskom postavení ................................... 421 andrej Ferko: Virtual time in a virtual museum, self-colonisation instead of “first stage”, and Slovak drama in dissident position ......................................... 431 snježana BanovIĆ: National Theatre and Cultural Policy in Croatia ..................... 440 Oliver Bakoš: Národné v spojení s divadlom v dielach nemeckej klasickej filozofie ... 444 Oliver Bakoš: The National in Connection with Theatre in the Works of the Classical German Philosophy ........................................................................ 448 Miloslav BlaHynka: Idea národného divadla a slovenská operná dramaturgia ..... 452 Miloslav BlaHynka: Idea of the National Theatre and Slovak Opera Dramaturgy ............................................................................................................. 456 Iryna antoňuková: „Mojžiš“ M. Skoryka ako výraz moderných kultúrno-spoločenských procesov na Ukrajine ........................................................ 460 Ирина Антонюк: «Моисей» М. Скорика как отражение современных культурно-общественных процессов в Украине ............................................... 466 Milan Polák: Nerozhoduje názov divadla ................................................................. 472 Milan Polák: The Name of the Theatre does not Matter ........................................... 480 Tibor Ferko: Idea verzus ideál .................................................................................... 488 Tibor Ferko: Idea versus Ideal .................................................................................... 492 oľga BerkIová: Tendencie rozvoja súčasného ukrajinského operného divadla na prelome tisícročí .................................................................................................. 497 ольга БеркИй: Тенденции развития современного украинского оперного театра на рубеже тысячелетий ......................................................................... 504 eva KYSELOVÁ: Národné divadlo ako priestor pre formovanie modernej Slovenské divadlo divadelnej réžie ........................................................................................................ 512 eva KYSELOVÁ: National Theatre as Scope for Forming Modern Theatre Stage Direction ........................................................................................................ 517 Matúš oĽHa: Narušenie kontinuity v činohre Slovenského národného divadla ......... 523 Matúš oĽHa: Interruption of Continuity in the Drama of the Slovak National Theatre ...................................................................................................... 527 Martin tIMko: Nové milénium, slovenská národná klasika v Slovenskom národnom divadle .................................................................................................... 532 Martin tIMko: New millennium, Slovak national classics in the Slovak National Theatre ...................................................................................................... 535 Anna A. Hlaváčová: Národné divadlo – paradoxy vteľovania idey ...................... 538 katarína duCÁROVÁ: Z výmeny názorov ................................................................ 540 3 Hlavný redaktor andrej Maťašík redakčná rada: Miloslav Blahynka, ladislav čavojský, Ida Hledíko- vá, georgij kovalenko (Moskva), nadežda lindovská, Miloš Mistrík, daniéle Montmarteová (Paríž), dagmar Podmaková (predsedníčka), ján sládeček, jan vedral (Praha), ján zavarský. Fotografie © ladislav lesay a Ferdinand tisovič Preklady do anglického jazyka Mária švecová, dana gálová, daniel uhe- rek a tomáš Pocai. Preklad z ruštiny anton kret. supervízia textov zahraničných účastníkov anna a. Hlaváčová. toto číslo vychádza ako zborník príspevkov z medzinárodnej vedeckej konferencie Idea národného divadla v 21. storočí technická redaktorka jana janíková adresa redakcie: Kabinet divadla a filmu SAV Slovenské divadlo Dúbravská cesta 9 841 04 Bratislava Slovenská republika telefón: **4212/ 54 777 193 Fax: **4212/ 54 773 567 e-mail: [email protected] nevyžiadané rukopisy sa nevracajú. všetky texty sú publikované so súhlasom autora a vydavateľa. toto číslo bolo redakčne uzatvorené v septembri 2010. 189 PERSPEKTÍVY NÁRODNÝCH DIVADIEL 3. až 5. júna 2010 sa v Budmerickom kaštieli z iniciatívy združenia slovenských divadelných kritikov a teoretikov a Ústavu divadelnej a filmovej vedy SAV (v čase konania konferencie ešte kabinetu divadla a filmu SAV) stretli slovenskí a zahranič- ní odborníci na medzinárodnej vedeckej konferencii Idea národného divadla v 21. storočí. Inštitúcia národného divadla hrala neobyčajne vážnu úlohu pri formovaní moder- ných európskych národov. Práve preto je známa najmä z krajín, v ktorých sa emanci- pácia národných spoločenstiev z multietnických feudálnych konglomerátov
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