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Lute Revival in Pinsk
CULTURE The Minsk Times Thursday, August 29, 2013 9 Film events developed Lute revival in Pinsk near Smorgon Unique Pinsk master restores ancient musical instruments while Brest actress Yanina Malinchik to play a leading role in Russian performing medieval music all over Brest Region filmDeath Battalion Igor Ugolnikov, the screenwriter and producer, tells us, “The fact that an actress from Brest was chosen for this role shows the special connec- tion with our last film:Brest Fortress. She proved her talent and character during film tests.” Death Battalion will be the larg- est Russian film project devoted to the First World War, being filmed with support from the Russian Min- istry of Culture. It is to provide 50 million Russian Roubles of the 250 million total budget. The film tells of a women’s de- tachment, created in St. Petersburg at the order of the 1917 provisional government, to raise the fighting spirit of the army. Events are being filmed near Smorgon, where this fe- male battalion fought heroically. Shooting begins on 31st August, with the premiere scheduled for 1st August, 2014, coinciding with the Me- morial Day for all those soldiers who died during the First World War. Experimental theatre scene BELTA By Lyudmila Ivanova Yury Dubnovitsky shares his love of ancient instrument with pupils Play by daughter of Charlie By Yuri Chernyakevich lute was made and, since then, Yuri lute as a promising instrument.” Mr. familiar with music will understand Chaplin being staged in Minsk has been producing new instruments. Dubnovitsky teaches pupils at the lo- that it’s a true challenge to learn to from 28th September to 21st Pinsk’s residents are now able to His work has made him well-known cal musical school, making them tune play the lute,” explains Mr. -
African American Radio, WVON, and the Struggle for Civil Rights in Chicago Jennifer Searcy Loyola University Chicago, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loyola eCommons Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2012 The oiceV of the Negro: African American Radio, WVON, and the Struggle for Civil Rights in Chicago Jennifer Searcy Loyola University Chicago, [email protected] Recommended Citation Searcy, Jennifer, "The oV ice of the Negro: African American Radio, WVON, and the Struggle for Civil Rights in Chicago" (2012). Dissertations. Paper 688. http://ecommons.luc.edu/luc_diss/688 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Jennifer Searcy LOYOLA UNIVERSITY CHICAGO THE VOICE OF THE NEGRO: AFRICAN AMERICAN RADIO, WVON, AND THE STRUGGLE FOR CIVIL RIGHTS IN CHICAGO A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN AMERICAN HISTORY/PUBLIC HISTORY BY JENNIFER SEARCY CHICAGO, ILLINOIS AUGUST 2013 Copyright by Jennifer Searcy, 2013 All rights reserved. ACKNOWLEDGEMENTS First and foremost, I would like to thank my dissertation committee for their feedback throughout the research and writing of this dissertation. As the chair, Dr. Christopher Manning provided critical insights and commentary which I hope has not only made me a better historian, but a better writer as well. -
The New Cambridge Medieval History, Volume IV - C
Cambridge University Press 0521414113 - The New Cambridge Medieval History, Volume IV - c. 1024-c. 1198 Edited by David Luscombe and Jonathan Riley-Smith Index More information INDEX Aachen, 77, 396, 401, 402, 404, 405 Abul-Barakat al-Jarjara, 695, 700 Aaron, bishop of Cologne, 280 Acerra, counts of, 473 ‘Abbadids, kingdom of Seville, 157 Acre ‘Abbas ibn Tamim, 718 11th century, 702, 704, 705 ‘Abbasids 12th century Baghdad, 675, 685, 686, 687, 689, 702 1104 Latin conquest, 647 break-up of empire, 678, 680 1191 siege, 522, 663 and Byzantium, 696 and Ayyubids, 749 caliphate, before First Crusade, 1 fall to crusaders, 708 dynasty, 675, 677 fall to Saladin, 662, 663 response to Fatimid empire, 685–9 Fatimids, 728 abbeys, see monasteries and kingdom of Jerusalem, 654, 662, 664, abbots, 13, 530 667, 668, 669 ‘Abd Allah al-Ziri, king of Granada, 156, 169–70, Pisans, 664 180, 181, 183 trade, 727 ‘Abd al-Majid, 715 13th century, 749 ‘Abd al-Malik al-Muzaffar, 155, 158, 160, 163, 165 Adalasia of Sicily, 648 ‘Abd al-Mu’min, 487 Adalbero, bishop of Wurzburg,¨ 57 ‘Abd al-Rahman (Shanjul), 155, 156 Adalbero of Laon, 146, 151 ‘Abd al-Rahman III, 156, 159 Adalbert, archbishop of Mainz, 70, 71, 384–5, ‘Abd al-Rahman ibn Ilyas, 682 388, 400, 413, 414 Abelard of Conversano, 109, 110, 111, 115 Adalbert, bishop of Prague, 277, 279, 284, 288, Aberconwy, 599 312 Aberdeen, 590 Adalbert, bishop of Wolin, 283 Abergavenny, 205 Adalbert, king of Italy, 135 Abernethy agreement, 205 Adalgar, chancellor, 77 Aberteifi, 600 Adam of Bremen, 295 Abingdon, 201, 558 Adam of -
Piastowie I Ekkehardynowie*
HERBERT LUDAT Piastowie i Ekkehardynowie* Aby głębiej wejrzeć w polityczne stosunki między Łabą, Soławą i Odrą w X w. zwrócić trzeba najpierw uwagę na powiązania genealogiczne między Piastami a Ekkehardynami. Wypada tedy przypomnieć epokowe znaczenie, jakie polska i niemiecka historiografia przypisują wydarzeniom lat 1002-1003 dla ukształtowania stosunków politycznych w Eu ropie Środkowej, a także między Polską a Niemcami1. Uwieńczony sukcesem najazd Bolesława Chrobrego na południowy obszar marchii połabskich wczesnym latem 1002 r., który zmusił Henryka II na zjeździe w Merseburgu do nadania w lenno księciu piastow skiemu obu Łużyc, a więc z Łużycami Dolnymi i Milskiem, a bratu zamordowanego Ek- keharda — marchii miśnieńskiej, oraz następnie zagarnięcie przez Bolesława władzy w Czechach stanowiły, j ak wiadomo, wstęp do woj en między królem niemieckim a władcą polskim2. O ile jednak przebieg wydarzeń, przynajmniej na obszarze marchii, rysuje się * Publikowany w jubileuszowym roku artykuł nieżyjącego już mediewisty niemieckiego Herberta L u d a t a (wspomnienie o nim: KH t. CI, 1994, s. 118-121) to rozdział trzeci jego szkiców An Elbe und Oder um das Jahr 1000, Köln-W ien 1971, repr. 1995, s. 18-32,109-131, ze skróconym, za zgodą p. Mechtildy Ludatowej, aparatem przypisów. Ukazując układy rodzinne i polityczne Mieszka I i Bolesława Chrobrego z saskim rodem możnowład- czym Ekkehardynów, autor rzuca nowe światło na wydarzenia poprzedzające i towarzyszące spotkaniu Ot tona III z władcą polskim w Gnieźnie w marcu 1000 r., oraz na wojny Henryka II z Bolesławem Chrobrym. Rewizja utrwalonego w historiografii rozumienia tych wydarzeń jako konfliktu narodowego pozwala inaczej spojrzeć na rolę, jaką polski książę odegrał na ziemiach między Łabą a Odrą. -
'Don't Sign It Just Yet Mr Balfour!'
ACTIVITY 1 ‘Don’t sign it just yet Mr Balfour!’ (Simulation Game on the Subject of the Balfour Declaration) An Informal Educational Session for Students (by Joel Meyer for UJIA) Time: 2 hours 30 minutes Aims: To explore and deepen understanding of arguments for and against the Balfour Declaration. To examine the positions of Zionist and anti-Zionist Jews on the subject of the creation of a Jewish national home in Palestine, along with those of the British Government and Arab Nationalists. To understand the content and context of the Balfour Declaration To encourage participants to consider their own views on the Declaration and on its long-term impact. Simulation Games encourage participants to step into role and creatively engage with the material. It also requires the leaders to create a dynamic atmosphere ensure that the participants are involved. Trigger (10 mins): Begin with a ‘skit' presenting an important meeting of British politicians: Actors dressed as stereotypical English gentlemen from the early 20th Century (black suits, top hats etc.) should face the participants whilst sitting around a conference table: Actor 1: “I call this meeting to order. Gentlemen, we sit here, at the beginning of 1917 with the task of considering the continued glory of the British Empire in the post-war era. Whilst we are keen to work on a strategy for Britain in peace time, we are required, nonetheless, to receive an update on the on-going war. I have asked our colleagues at the War Office to prepare a report.” Actor 2: “Thank you Sir. The war is taking much longer than anticipated. -
Byelorussian Chronicle 1967 I. the International Scene *
370 THE JOURNAL OF BYELORUSSIAN STUDIES Byelorussian Chronicle 1967 I. The International Scene I. GENERAL In May the Byelorussian delegate * to the United Nations L. Klackoŭ A Byelorussian delegation also took spoke at the General Assembly of the part in the sessions of the European need to grant immediate indepen Economic Commission of the United dence to South-West Africa. * Nations in Geneva. * In June a delegation, headed by A. Šeldaŭ, took part in the 51st session of On the 24th June the head of the the International Labour Organisation delegation to the United Nations A. in Geneva. Later in the year the Perm Hurynovič spoke at the General Assem anent Parliamentary Commission for bly in support of the Arab states in the Foreign Affairs (chairman L. Klackoŭ) Arab-Israeli armed conflict. He spoke recommended the Byelorussian Parl again in October in defence of the iament to ratify the ILO convention's economic interests of the nations resolution concerning the leisure time which had recently attained indepen of industrial workers. dence. II. INTERNATIONAL CULTURAL EXCHANGES T h e U n i t e d N a t i o n s Soviet pavillion. The highlight of the day was a concert given by the famous From November to the end of Byelorussian State Folk Instruments December an exhibition of Byelorus Orchestra under the direction of sian books was held in the United professor I. Žynovič, the Female Folk Nations Library in New York. Song Quartet, the singers Tamara * Šymko, Tamara Nižnikava, Arkadź Saŭčanka, Viktar Vujacič, the ballet A r m e n i a dancers L. -
Biography of Chaim Weizmann
BIOGRAPHY OF CHAIM WEIZMANN Chaim Weizmann was born in the small village of Motol (Motyli, now Motal') near Pinsk in Belarus (at that time part of the Russian Empire). After Cheder and Gymnasium, Weizmann started to study chemistry in Darmstadt at the Technischen Hochschule in 1892, and from 1894 on at the Royal Technical Hochschule in Berlin. In 1897, Weizmann moved to Fribourg in Switzerland where he received his PhD in chemistry in 1899 with summa cum laude. He then lectured in chemistry at the University of Geneva between 1901 and 1903. He became a British subject in 1910, and, while a lecturer at Manchester, he became famous for discovering how to use bacterial fermentation to produce large quantities of relevant substances. He is considered to be the father of industrial fermentation. He used the bacterium Clostridium acetobutylicum (the Weizmann organism) to produce acetone. Acetone was used in the manufacture of cordite explosive propellants critical to the Allied war effort. Weizmann transferred the rights to the manufacture of acetone to the Commercial Solvents Corporation in exchange for royalties. After the Shell Crisis of 1915 during World War I, he was director of the British Admiralty laboratories from 1916 until 1919. During World War II, he was an honorary adviser to the British Ministry of Supply and did research on synthetic rubber and high-octane gasoline. Already since 1918, Weizmann was engaged, together with Albert Einstein and Hugo Bergman in the foundation of the Hebrew University of Jerusalem, the president of which he became from 1932 until 1952. Living in Rechowot, he founded a research institution, which became famous as today’s Weizmann- Institute. -
Aristocrat/Chess Records by Frank Daniels
Aristocrat/Chess Records by Frank Daniels When Aristocrat Records began in early April, 1947, the firm had several partners. The label was going to feature all sorts of musicians – not just pop, or country, or jazz. By September they hired Leonard Chess to help sell their singles, and by the end of the year several of the partners had gone away. The musicians’ union strike in 1948 probably drove some of the others away, so that by 1949 Evelyn Aron and Leonard Chess were basically running the show by themselves. Aron joined Art Spiegel that year in forming American Distributing, and Phil Chess wound up joining Leonard. By spring, 1950, they were preparing for a name change to Chess Records. As if they were foretelling the future, some of the greatest artists on the label were in their blues stable – including the always- noteworthy Muddy Waters, the father of (modern) Chicago blues. Muddy had recorded unreleased material for Columbia and had just released one record for Ballen’s 20th Century label, the B-side of a single. That had been a primitive version of his song, “Mean Red Spider,” a record that would be rerecorded for Aristocrat. As soon as his first Aristocrat single hit (in February, 1948), Muddy was a blues legend. When Aristocrat morphed into Chess, right away he released the song that gave the Rolling Stones their name (7/15/50). Aristocrat Records had plenty of talent on the label, but their blues artists piqued the most interest, and these were the artists that Chess was most interested in promoting. -
How Does Religion Matter Today in Poland? Secularization in Europe and the 'Causa Polonia Semper Fidelis' Arnold, Maik
www.ssoar.info How Does Religion Matter Today in Poland? Secularization in Europe and the 'Causa Polonia Semper Fidelis' Arnold, Maik Veröffentlichungsversion / Published Version Sammelwerksbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Arnold, M. (2012). How Does Religion Matter Today in Poland? Secularization in Europe and the 'Causa Polonia Semper Fidelis'. In M. Arnold, & P. Łukasik (Eds.), Europe and America in the Mirror: Culture, Economy, and History (pp. 199-238). Krakau: Nomos. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-337806 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under Deposit Licence (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, non- Gewährt wird ein nicht exklusives, nicht übertragbares, transferable, individual and limited right to using this document. persönliches und beschränktes Recht auf Nutzung dieses This document is solely intended for your personal, non- Dokuments. Dieses Dokument ist ausschließlich für commercial use. All of the copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the above-stated vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder conditions of use. -
“Bo Diddley” and “I'm a Man” (1955)
“Bo Diddley” and “I’m a Man” (1955) Added to the National Registry: 2011 Essay by Ed Komara (guest post)* Bo Diddley While waiting in Bo Diddley’s house to conduct an interview for the February 12, 1987 issue of “Rolling Stone,” journalist Kurt Loder noticed a poster. “If You Think Rock and Roll Started With Elvis,” it proclaimed, “You Don’t Know Diddley.” This statement seems exaggerated, but upon listening to Diddley’s April 1955 debut 78 on Checker 814, “Bo Diddley” backed with “I’m A Man,” it becomes apt, perhaps even understated. Bo Diddley (1928-2008) described his own place in music history to Loder. “People wouldn’t even bother with no stuff like ‘Bo Diddley’ and ‘I’m A Man’ and stuff like that ten years earlier [circa 1945] or even a year earlier [1954]. Then Leonard and Phil Chess decided to take a chance, and suddenly a whole different scene, a different kind of music, came in. And that was the beginning of rock and roll.” The composer credit for Checker 814 reads “E. McDaniels,” and there begins the tale. Bo Diddley was born Ellas Otha Bates in McComb, Mississippi on December 30, 1928 to a teenage mother and her local boyfriend. He was raised, however, by his maternal first cousin, Gussie McDaniel, to whom he was taken to Chicago, and given her surname McDaniel. He grew up on the South Side of the city, where he learned violin, trombone and, at age 12, the guitar. Before long, he was playing for change on the local streets. -
Pre-Lesson Reading Chess Set Still Sings the Blues
! ! Pre-Lesson Activity - “Chess Set Still Sings The Blues: Marshall Chess and Chess Records” JUST OVER 50 YEARS AGO, brothers Phil and Leonard Chess, two industrious Polish immigrants in Chicago, tentatively established what would become the most famous blues label in the USA. The impact of the music they released radically shaped the musical landscape of the next two decades. The Chess Story: 1947-1975, a new 15-CD box-set, is a hefty testament to their huge legacy. Marshall Chess, Leonard's son, is a passionate advocate of the label. Describing the box- set today, he admits, "It makes me so proud to be a Chess!" This pride is the result of two intrepid trips made in the first half of the 20th century. Indeed, the very foundations of Chicago's Chess Records were built by two, seemingly quite distinct, groups of people, both of whom were raised in impoverished rural areas far from this dynamic industrial city. In the 1930s and '40s, hundreds of thousands of African-Americans in the Southern states caught the Illinois Central Railway up to Chicago, desperate to escape the "southern hospitality" of the Deep South. Today, Marshall Chess recalls, "A certain kind of temperament came up to Chicago from Mississippi. Mississippi was deep slavery roots. They were living on old plantations. Those places didn't have electricity." Marshall Chess's family in Poland might not have suffered from racism, but they shared similar penniless circumstances to these black Americans. In their Polish village, Leonard Chess and his family had no electricity, heating or running water. -
Pedigree of the Wilson Family N O P
Pedigree of the Wilson Family N O P Namur** . NOP-1 Pegonitissa . NOP-203 Namur** . NOP-6 Pelaez** . NOP-205 Nantes** . NOP-10 Pembridge . NOP-208 Naples** . NOP-13 Peninton . NOP-210 Naples*** . NOP-16 Penthievre**. NOP-212 Narbonne** . NOP-27 Peplesham . NOP-217 Navarre*** . NOP-30 Perche** . NOP-220 Navarre*** . NOP-40 Percy** . NOP-224 Neuchatel** . NOP-51 Percy** . NOP-236 Neufmarche** . NOP-55 Periton . NOP-244 Nevers**. NOP-66 Pershale . NOP-246 Nevil . NOP-68 Pettendorf* . NOP-248 Neville** . NOP-70 Peverel . NOP-251 Neville** . NOP-78 Peverel . NOP-253 Noel* . NOP-84 Peverel . NOP-255 Nordmark . NOP-89 Pichard . NOP-257 Normandy** . NOP-92 Picot . NOP-259 Northeim**. NOP-96 Picquigny . NOP-261 Northumberland/Northumbria** . NOP-100 Pierrepont . NOP-263 Norton . NOP-103 Pigot . NOP-266 Norwood** . NOP-105 Plaiz . NOP-268 Nottingham . NOP-112 Plantagenet*** . NOP-270 Noyers** . NOP-114 Plantagenet** . NOP-288 Nullenburg . NOP-117 Plessis . NOP-295 Nunwicke . NOP-119 Poland*** . NOP-297 Olafsdotter*** . NOP-121 Pole*** . NOP-356 Olofsdottir*** . NOP-142 Pollington . NOP-360 O’Neill*** . NOP-148 Polotsk** . NOP-363 Orleans*** . NOP-153 Ponthieu . NOP-366 Orreby . NOP-157 Porhoet** . NOP-368 Osborn . NOP-160 Port . NOP-372 Ostmark** . NOP-163 Port* . NOP-374 O’Toole*** . NOP-166 Portugal*** . NOP-376 Ovequiz . NOP-173 Poynings . NOP-387 Oviedo* . NOP-175 Prendergast** . NOP-390 Oxton . NOP-178 Prescott . NOP-394 Pamplona . NOP-180 Preuilly . NOP-396 Pantolph . NOP-183 Provence*** . NOP-398 Paris*** . NOP-185 Provence** . NOP-400 Paris** . NOP-187 Provence** . NOP-406 Pateshull . NOP-189 Purefoy/Purifoy . NOP-410 Paunton . NOP-191 Pusterthal .