Madisonian Tectonics: How Form Follows Function in Constitutional and Architectural Interpretation
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Chicago from 1871-1893 Is the Focus of This Lecture
Chicago from 1871-1893 is the focus of this lecture. [19 Nov 2013 - abridged in part from the course Perspectives on the Evolution of Structures which introduces the principles of Structural Art and the lecture Root, Khan, and the Rise of the Skyscraper (Chicago). A lecture based in part on David Billington’s Princeton course and by scholarship from B. Schafer on Chicago. Carl Condit’s work on Chicago history and Daniel Hoffman’s books on Root provide the most important sources for this work. Also Leslie’s recent work on Chicago has become an important source. Significant new notes and themes have been added to this version after new reading in 2013] [24 Feb 2014, added Sullivan in for the Perspectives course version of this lecture, added more signposts etc. w.r.t to what the students need and some active exercises.] image: http://www.richard- seaman.com/USA/Cities/Chicago/Landmarks/index.ht ml Chicago today demonstrates the allure and power of the skyscraper, and here on these very same blocks is where the skyscraper was born. image: 7-33 chicago fire ruins_150dpi.jpg, replaced with same picture from wikimedia commons 2013 Here we see the result of the great Chicago fire of 1871, shown from corner of Dearborn and Monroe Streets. This is the most obvious social condition to give birth to the skyscraper, but other forces were at work too. Social conditions in Chicago were unique in 1871. Of course the fire destroyed the CBD. The CBD is unique being hemmed in by the Lakes and the railroads. -
Minutes of the January 25, 2010, Meeting of the Board of Regents
MINUTES OF THE JANUARY 25, 2010, MEETING OF THE BOARD OF REGENTS ATTENDANCE This scheduled meeting of the Board of Regents was held on Monday, January 25, 2010, in the Regents’ Room of the Smithsonian Institution Castle. The meeting included morning, afternoon, and executive sessions. Board Chair Patricia Q. Stonesifer called the meeting to order at 8:31 a.m. Also present were: The Chief Justice 1 Sam Johnson 4 John W. McCarter Jr. Christopher J. Dodd Shirley Ann Jackson David M. Rubenstein France Córdova 2 Robert P. Kogod Roger W. Sant Phillip Frost 3 Doris Matsui Alan G. Spoon 1 Paul Neely, Smithsonian National Board Chair David Silfen, Regents’ Investment Committee Chair 2 Vice President Joseph R. Biden, Senators Thad Cochran and Patrick J. Leahy, and Representative Xavier Becerra were unable to attend the meeting. Also present were: G. Wayne Clough, Secretary John Yahner, Speechwriter to the Secretary Patricia L. Bartlett, Chief of Staff to the Jeffrey P. Minear, Counselor to the Chief Justice Secretary T.A. Hawks, Assistant to Senator Cochran Amy Chen, Chief Investment Officer Colin McGinnis, Assistant to Senator Dodd Virginia B. Clark, Director of External Affairs Kevin McDonald, Assistant to Senator Leahy Barbara Feininger, Senior Writer‐Editor for the Melody Gonzales, Assistant to Congressman Office of the Regents Becerra Grace L. Jaeger, Program Officer for the Office David Heil, Assistant to Congressman Johnson of the Regents Julie Eddy, Assistant to Congresswoman Matsui Richard Kurin, Under Secretary for History, Francisco Dallmeier, Head of the National Art, and Culture Zoological Park’s Center for Conservation John K. -
Form Follows Function Model-Driven Engineering for Clinical Trials
Form Follows Function Model-Driven Engineering for Clinical Trials Jim Davies1, Jeremy Gibbons1, Radu Calinescu2, Charles Crichton1, Steve Harris1, and Andrew Tsui1 1 Department of Computer Science, University of Oxford Wolfson Building, Parks Road, Oxford OX1 3QD, UK http://www.cs.ox.ac.uk/firstname.lastname/ 2 Computer Science Research Group, Aston University Aston Triangle, Birmingham B4 7ET, UK http://www-users.aston.ac.uk/~calinerc/ Abstract. We argue that, for certain constrained domains, elaborate model transformation technologies|implemented from scratch in general- purpose programming languages|are unnecessary for model-driven en- gineering; instead, lightweight configuration of commercial off-the-shelf productivity tools suffices. In particular, in the CancerGrid project, we have been developing model-driven techniques for the generation of soft- ware tools to support clinical trials. A domain metamodel captures the community's best practice in trial design. A scientist authors a trial pro- tocol, modelling their trial by instantiating the metamodel; customized software artifacts to support trial execution are generated automati- cally from the scientist's model. The metamodel is expressed as an XML Schema, in such a way that it can be instantiated by completing a form to generate a conformant XML document. The same process works at a second level for trial execution: among the artifacts generated from the protocol are models of the data to be collected, and the clinician conduct- ing the trial instantiates such models in reporting observations|again by completing a form to create a conformant XML document, represent- ing the data gathered during that observation. Simple standard form management tools are all that is needed. -
Privacy When Form Doesn't Follow Function
Privacy When Form Doesn’t Follow Function Roger Allan Ford University of New Hampshire [email protected] Privacy When Form Doesn’t Follow Function—discussion draft—3.6.19 Privacy When Form Doesn’t Follow Function Scholars and policy makers have long recognized the key role that design plays in protecting privacy, but efforts to explain why design is important and how it affects privacy have been muddled and inconsistent. Tis article argues that this confusion arises because “design” has many different meanings, with different privacy implications, in a way that hasn’t been fully appreciated by scholars. Design exists along at least three dimensions: process versus result, plan versus creation, and form versus function. While the literature on privacy and design has recognized and grappled (sometimes implicitly) with the frst two dimensions, the third has been unappreciated. Yet this is where the most critical privacy problems arise. Design can refer both to how something looks and is experienced by a user—its form—or how it works and what it does under the surface—its function. In the physical world, though, these two conceptions of design are connected, since an object’s form is inherently limited by its function. Tat’s why a padlock is hard and chunky and made of metal: without that form, it could not accomplish its function of keeping things secure. So people have come, over the centuries, to associate form and function and to infer function from form. Software, however, decouples these two conceptions of design, since a computer can show one thing to a user while doing something else entirely. -
The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19Th-Century Washington, DC and Virginia
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2017 The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia Julianna Geralynn Jackson College of William and Mary, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Jackson, Julianna Geralynn, "The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia" (2017). Dissertations, Theses, and Masters Projects. Paper 1516639577. http://dx.doi.org/doi:10.21220/S2V95T This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia Julianna Geralynn Jackson Baldwin, Maryland Bachelor of Arts, St. Mary’s College of Maryland, 2012 A Thesis presented to the Graduate Faculty of The College of William & Mary in Candidacy for the Degree of Master of Arts Department of Anthropology College of William & Mary August, 2017 © Copyright by Julianna Geralynn Jackson 2017 ABSTRACT This project uses archaeology, architecture, and the documentary record to explore the ways in which one family, the Tayloes, used Georgian design principals as a way of exerting control over the 19th-century landscape. -
Upcoming Articles "Young George Comstock and Will It Was in the Connecticut River Valley, Cronk Went Away a Week Last Thursday That Joseph P
while a landmark may survive "Last Monday night Emma, Mary and I 1889, and Hattie was 29 when she married The House structurally, rarer are the circumstances went to hear Bishop Dubbs and ma went Lorenzo Porter on June 1, 1893. Both girls in which the life and times of those who with Mrs. Kingsley. were educated as school teachers, and However, the Octagon House letters, and dwelt in a future landmark have been so "George B. came home with me, and we both had attended the Washington Street the discovery of their existence, are but a well documented through letters, papers sat on Mrs. Dodge's steps and visited. School on the north side ( now the building surprise culmination to quite another and photographs, so that vital and "He keeps talking as if he wanted to at 320 E. Washington), which, from 1866 story, which is the long search to marvelous portraits emerge from a time come up and spend some evening here but when it was built until about 1884 when the authenticate the date that the house was and environment outside the memories of I don't take the hint at all, at all." four-wing frame Hough Street School was built, its architectural inheritance and most of us. These are some excerpts from that April completed, served as a "School of Higher integrity. The architectural inheritance, 21st letter which is eight pages long, and Learning" for Barrington. While the and flourishing of the octagon style is from The Family already includes one of Hattie's frequent sisters were 10 years apart, the lists of an earlier period than the 1880's, and the integrity of the representation of that More than 700 times, the letters from references to the status of her courtships. -
First Baptist Church Octagon House
First Baptist Church Documentary Study Prepared for First Baptist Church 2932 King Street Alexandria, Virginia 22302 Julia Claypool, Historian Edna Johnston, Principal HISTORYmatters Washington, DC www.historymatters.net Georeferenced Maps Provided by AECOM May 19, 2016 First Baptist Church Documentary Study History Matters, LLC May 19, 2016 P a g e | 1 Documentary Study – First Baptist Church Property Introduction Located at 2932 King Street in Alexandria, Virginia, the First Baptist Church stands on the southwestern side of King Street (Leesburg Pike) on just over 16 acres of land. The property is bisected by Taylor Run, a stream that runs northwest to southeast. The focus of this documentary study is the Octagon House that stood on the property from 1856 to 1866. For its short existence, the Octagon House played a remarkable role in a turbulent time in Alexandria’s history. Built by Sarah W. Hall in 1856, the house’s octagonal design and cement construction were unusual in the area. After the death of her husband, Charles Hall, a prominent clergyman involved in the American Mission movement, Sarah Hall moved her three daughters from New York to join her eldest son Charles Stuart, who lived in the Alexandria area. With the outbreak of the American Civil War in the spring of 1861, the house’s location along Leesburg Pike and in the vicinity of several Union Army fortifications led to its use as a headquarters by several Union regiments and as a regimental hospital. During the Civil War, the Octagon House was associated with U.S. Brigadier General John Sedgwick (1813-1864) and nurse Amy Morris Bradley (1823-1904). -
Ten Years in Washington. Life and Scenes in the National Capital, As a Woman Sees Them
Library of Congress Ten years in Washington. Life and scenes in the National Capital, as a woman sees them Mary Clemmer Ames TEN YEARS IN WASHINGTON. LIFE AND SCENES IN THE NATIONAL CAPITAL, AS A WOMAN SEES THEM. 486 642 BY MARY CLEMMER AMES, Author of “Eirene, or a Woman's Right,” “Memorials of Alice and Phœbe Cary,” “A Woman's Letters from Washington,” “Outlines of Men, Women and Things,” etc. FULLY ILLUSTRATED WITH THIRTY FINE ENGRAVINGS, AND A PORTRAIT OF THE AUTHOR ON STEEL. LIBRARY OF CONGRESS WASHINGTON COPYRIGHT 1873 No 57802 HARTFORD, CONN.: A. D. WORTHINGTON & CO. M. A. PARKER & CO., Chicago, Ills. F. DEWING & CO., San Francisco, Cal. 1873. no. 2 F1?8 ?51 Entered according to Act of Congress in the year 1873, by A. D. WORTHINGTON & CO., In the office of the Librarian of Congress, at Washington, D. C. Case Lockwood & Brainard, PRINTERS AND BINDERS, Cor. Pearl and Trumbull Sts., Hartford, Conn. Ten years in Washington. Life and scenes in the National Capital, as a woman sees them http://www.loc.gov/resource/lhbcb.28043 Library of Congress I wish to acknowledge my indebtedness, in gathering the materials of this book, to Mr. A. R. Spofford, Librarian of Congress; to Col. F. Howe; to the Chiefs of the several Government Bureaus herein described; to Mr. Colbert Lanston of the Bureau of Pensions; to Mr. Phillips, of the Bureau of Patents; and to Miss Austine Snead. M. C. A. TO Mrs. HAMILTON FISH, TO Mrs. ROSCOE CONKLING, OF NEW YORK, TWO LADIES, WHO, IN THE WORLD, ARE YET ABOVE IT,—WHO USE IT AS NOT ABUSING IT, WHO EMBELLISH LIFE WITH THE PURE GRACES OF CHRISTIAN WOMANHOOD, THESE SKETCHES OF OUR NATIONAL CAPITAL ARE SINCERELY Dedicated BY MARY CLEMMER AMES. -
National Register of Historic Places Inventory -- Nomination Form
Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMENT OF THH INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME HISTORIC Antour-Stiner House AND/OR COMMON Carmer Octagon House [LOCATION STREET & NUMBER 45 West Clinton Avenue _ NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT Irvinqton __ VICINITY OF 23 Peter A. Peyser STATE CODE COUNTY CODE New York 36 Westchester 119 QCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENTUSE _DISTRICT _ PUBLIC ^OCCUPIED —AGRICULTURE —MUSEUM .XBUILDINGIS) .^PRIVATE —UNOCCUPIED _ COMMERCIAL —PARK —STRUCTURE _BOTH —WORK IN PROGRESS —EDUCATIONAL ^PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT —IN PROCESS XYES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED __YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION —NO —MILITARY —OTHER: OWNER OF PROPERTY NAME Mrs. Elizabeth Black Carrner STREETS. NUMBER 45 West Clinton Avenue CITY, TOWN STATE Irvington VICINITY OF New York LOCATION OF LEGAL DESCRIPTION COURTHOUSE, REGISTRY OF DEEDS, ETC. Land Records Office STREETS NUMBER Westchester County Courthouse CITY, TOWN STATE White Plains Vnt-V REPRESENTATION IN EXISTING SURVEYS TITLE Historic American Buildings Survey DATE February, 1975 ^FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS Library of Congress CITY, TOWN STATE Washington, District of Columbia DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT ^DETERIORATED X_UNALTERED ^ORIGINAL SITE _GOOD _RUINS _ALTERED _MOVED DATE_ X.FAIR __UNEXPOSED X remodeled ———————————DESCRIBETHE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Surveyed by the Historic American Buildings Survey in February, 1975, the Armour-Stiner Octagon is situated on a three-acre wooded lot at the south west corner of W. -
The Challenges of Parametric Design in Architecture Today: Mapping the Design Practice
The Challenges of Parametric Design in Architecture Today: Mapping the Design Practice A thesis submitted to The University of Manchester for the degree of Master of Philosophy (MPhil) in the Faculty of Humanities 2012 Yasser Zarei School of Environment and Development Table ooofof Contents CHAPTER 1: INTRODUCTION Introduction to the Research ....................................................................................................................... 8 CHAPTER 2: THE POSITION OF PARAMETRICS 2.1. The State of Knowledge on Parametrics ............................................................................................. 12 2.2. The Ambivalent Nature of Parametric Design ..................................................................................... 17 2.3. Parametric Design and the Ambiguity of Taxonomy ........................................................................... 24 CHAPTER 3: THE RESEARCH METHODOLOGY 3.1. The Research Methodology ................................................................................................................ 29 3.2. The Strategies of Data Analysis ........................................................................................................... 35 CHAPTER 4: PARAMETRIC DESIGN AND THE STATUS OF PRIMARY DRIVERS The Question of Drivers (Outside to Inside) ............................................................................................... 39 CHAPTER 5: MAPPING THE ROLES IN THE PROCESS OF PARAMETRIC DESIGN 5.1. The Question Of Roles (Inside to Outside) -
Christie's to Auction Architectural Elements Of
For Immediate Release May 8, 2009 Contact: Milena Sales 212.636.2680 [email protected] CHRISTIE’S TO AUCTION ARCHITECTURAL ELEMENTS OF THE DANKMAR ADLER & LOUIS SULLIVAN’S CHICAGO STOCK EXCHANGE BUILDING IN EXCEPTIONAL SALE THIS JUNE 20th Century Decorative Art & Design June 2, 2009 New York – Christie’s New York’s Spring 20th Century Decorative Art & Design sale takes place June 2 and will provide an exciting array of engaging and appealing works from all the major movements of the 20th century, exemplifying the most creative and captivating designs that spanned the century. A separate release is available. A highlight of this sale is the superb group of 7 lots featuring architectural elements from Dankmar Adler and Louis Sullivan’s Chicago Stock Exchange Building. Jeni Sandberg, Christie's Specialist, 20th Century Decorative Art & Design says, “Christie’s prides itself on bringing works of historical importance and cultural relevance to the international art market. We are therefore delighted to offer these remarkable lots, which were designed by Louis Sullivan, one the great creative geniuses of American Architectural history, in our upcoming 20th Century Decorative Art and Design Sale June 2, 2009.” Louis Sullivan and the Chicago Stock Exchange Building Widely acknowledged as one of the 20th century’s most important and influential American architects, Louis Sullivan is considered by many as “the father of modern architecture.” Espousing the influential notion that “form ever follows function,’ Sullivan redefined the architectural mindset of subsequent generations. Despite this seemingly stark dictum, Sullivan is perhaps best known for his use of lush ornament. Natural forms were abstracted and multiplied into until recognizable only as swirling linear elements. -
The Pedagogy of Form Versus Function for Industrial Design
The Pedagogy of Form versus Function for Industrial Design David Domermuth, Ph.D. Abstract – Industrial Design is a combination of science and art. Determining the balance of the two is a preeminent challenge for teachers. The function is dominated by science/engineering principles while the form is an artistic/aesthetic expression. The teacher has a limited number of courses to present the foundational material while leaving enough courses to practice designing. This paper presents an objective summary of foundational courses, programs of study from various institutions, program evaluations by industrial experts, and a discussion about predetermining student success. A summary of accreditation requirements and how they affect the programs of study is also included. Keywords: Industrial Design, program of study, form versus function, accreditation, right/left brain. INTRODUCTION The concept of art is well accepted as shapes or drawings that are created to please sight or touch. Many times art is described as a pleasing design but the work of scientists and engineers is also referred to as a plan or design, such as the design of an engine or piping system. Scientists and engineers use the word design as noun to name a device or an adjective to describe the effectiveness of a system. The term design is also used to describe a number of professional fields such as Industrial, Interior, and Architectural Design. In this sense the word design blends both meanings of art and function. “Design is often viewed as a more rigorous form of art, or art with a clearly defined purpose” [Wikipedia, 1] “In the late 1910s, the two principles of “form follows function” and “ornament is a crime” were effectively adopted by the designers of the Bauhaus and applied to the production of everyday objects like chairs, bed frames, toothbrushes, tunics, and teapots.” (Wikipedia 2008) This paper concentrates on the university training of Industrial Designers/Product Designers with respect to form and function.