To Show What You Felt Children's Understanding of Relations Eetween !Motional Experience and Expressive Behavior
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Passing in American Culture
Rollins College Rollins Scholarship Online English Honors in the Major Theses Spring 2016 Passing in American Culture Joy E. Sandon Rollins College, [email protected] Follow this and additional works at: https://scholarship.rollins.edu/honors-in-the-major-english Part of the Feminist, Gender, and Sexuality Studies Commons, and the Race, Ethnicity and Post- Colonial Studies Commons Recommended Citation Sandon, Joy E., "Passing in American Culture" (2016). English. 1. https://scholarship.rollins.edu/honors-in-the-major-english/1 This Thesis is brought to you for free and open access by the Honors in the Major Theses at Rollins Scholarship Online. It has been accepted for inclusion in English by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. Passing in American Culture: Biracial, Queer, and Disabled Bodies Joy Sandon Submitted to faculty of the Rollins College English Department in partial fulfillment of the requirement for honors in the English major in the Hamilton Holt School Rollins College May 2016 To mom and dad, Thanks for always believing in me even when I was crying at 3am because I thought I couldn’t do it. Without you, I truly couldn’t have. Table of Contents Introduction 1 Chapter One 14 Chapter Two 35 Chapter Three 55 Conclusion 76 Bibliography 80 Sandon 1 Introduction When we think of passing, race is usually the first thing that comes to mind. Whether it’s James Weldon Johnson’s The Autobiography of an Ex-Colored Man, Mark Twain’s Pudd’nhead Wilson, or general thoughts of the Harlem Renaissance, The Civil Rights Era, and contemporary struggles that people of color face, race is typically at the center of perceptions of passing. -
Becoming Autistic: How Do Late Diagnosed Autistic People
Becoming Autistic: How do Late Diagnosed Autistic People Assigned Female at Birth Understand, Discuss and Create their Gender Identity through the Discourses of Autism? Emily Violet Maddox Submitted in accordance with the requirements for the degree of Master of Philosophy The University of Leeds School of Sociology and Social Policy September 2019 1 Table of Contents ACKNOWLEDGEMENTS ................................................................................................................................... 5 ABSTRACT ....................................................................................................................................................... 6 ABBREVIATIONS ............................................................................................................................................. 7 CHAPTER ONE ................................................................................................................................................. 8 INTRODUCTION .............................................................................................................................................. 8 1.1 RESEARCH OBJECTIVES ........................................................................................................................................ 8 1.2 TERMINOLOGY ................................................................................................................................................ 14 1.3 OUTLINE OF CHAPTERS .................................................................................................................................... -
Masks and Roles in Daily Life Young People and the Management of Emotions1
Masks and Roles in Daily Life Young People and the Management of Emotions1 Massimo Ceruloa a Department of Political Sciences, University of Perugia (IT) Summary. In this paper, I will analyse the outcome of the research I undertook in four Italian cities on young people between 18 and 20 years old. The general hypothesis of this research is that there is a difference between private emotions and the emotions manifested in daily interaction. Young people perform emotional work in order to select the emotions to be manifested according to the social context around them and the people inhabiting it. In this article, I will focus on two main points: a description of the main emotions experienced by young people in their daily life; the influence of places and subjects in the manifestation of emotions. Keywords: emotions, young people, daily life, masks, public places. Correspondence concerning this article should be addressed to Massimo Cerulo, Department of Political Sciences, University of Perugia (IT), Via Elce di sotto, 06123 Perugia (Italy), e-mail: [email protected]. Received: 23.11.2015 – Revision: 10.12.2015 – Accepted: 28.12.2015 Introduction In contemporary society, we are immersed in emotional interaction: we enter in contact with, and relate to, the others through a kaleidoscope of both positive and negative emotions (Nussbaum, 2001). The emotions conveyed by an encounter, entering or staying within a group, associating with a social place rather than another, provide us with insight on our ‘being in the world’, our level of appreciation of that person, of that group, of that context (Turner & Stets, 2005). -
The Visual Analysis of Emotional Actions
SOCIAL NEUROSCIENCE, 2006, 1(1) 63Á/74 The visual analysis of emotional actions Arieta Chouchourelou Rutgers University Á/ Newark Campus, Newark, NJ, USA Toshihiko Matsuka Stevens Institute of Technology, W.J. Howe School of Technology Management, Hoboken, NJ, USA Kent Harber and Maggie Shiffrar Rutgers University Á/ Newark Campus, Newark, NJ, USA Is the visual analysis of human actions modulated by the emotional content of those actions? This question is motivated by a consideration of the neuroanatomical connections between visual and emotional areas. Specifically, the superior temporal sulcus (STS), known to play a critical role in the visual detection of action, is extensively interconnected with the amygdala, a center for emotion processing. To the extent that amygdala activity influences STS activity, one would expect to find systematic differences in the visual detection of emotional actions. A series of psychophysical studies tested this prediction. Experiment 1 identified point-light walker movies that convincingly depicted five different emotional states: happiness, sadness, neutral, anger, and fear. In Experiment 2, participants performed a walker detection task with these movies. Detection performance was systematically modulated by the emotional content of the gaits. Participants demonstrated the greatest visual sensitivity to angry walkers. The results of Experiment 3 suggest that local velocity cues to anger may account for high false alarm rates to the presence of angry gaits. These results support the hypothesis that the visual analysis of human action depends upon emotion processes. Human observers demonstrate impressive visual 1988), emotional state (Atkinson, Dittrich, Gem- sensitivity to the actions of other people. This was mell, & Young, 2004) and gender (Troje, 2002). -
Prompted Imitation of the Duchenne Smile, Mood and Empathy
Prompted Imitation of the Duchenne Smile, Mood and Empathy A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Matthew Willis Bachelor of Science James Madison University, 2002 Director: Timothy Curby, Professor Department of Psychology Summer Semester 2013 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION With love and gratitude, to my parents, Thomas and Nancy Willis. iii ACKNOWLEDGEMENTS I would like to thank Dr. Timothy Curby, Dr. Johannes Rojahn, and Dr. James Thompson for their expertise, insight, and kind support throughout this project. I would also like to thank Xiaozhu An, Evelyn Blaemire, Jarrett Creasy, Emily Doll, Lalo Gil, Robin Hull, Jordan Thibodeaux, Beth Warsof, and Mike Widerman for generously donating their time and photos to the study. iv TABLE OF CONTENTS Page List of Tables ..................................................................................................................... vi Abstract ............................................................................................................................. vii Introduction ......................................................................................................................... 1 Method .............................................................................................................................. 15 Results .............................................................................................................................. -
Affectivity in Conversational Storytelling: an Analysis of Displays of Anger Or Indignation in Complaint Stories1
Pragmatics 20:2.229-277 (2010) International Pragmatics Association DOI: 10.1075/prag.20.2.06sel AFFECTIVITY IN CONVERSATIONAL STORYTELLING: AN ANALYSIS OF DISPLAYS OF ANGER OR INDIGNATION IN COMPLAINT STORIES1 Margret Selting Abstract This paper reports on some recent work on affectivity, or emotive involvement, in conversational storytelling. After presenting the approach, some case studies of the display and management of affectivity in storytelling in telephone and face-to-face conversations are presented. The analysis reconstructs the display and handling of affectivity by both storyteller and story recipient. In particular, I describe the following kinds of resources: - the verbal and segmental display: Rhetorical, lexico-semantic, syntactic, phonetic-phonological resources; - the prosodic and suprasegmental vocal display: Resources from the realms of prosody and voice quality; - visual or "multimodal" resources from the realms of body posture and its changes, head movements, gaze, and hand movements and gestures. It is shown that the display of affectivity is organized in orderly ways in sequences of storytelling in conversation. I reconstruct (a) how verbal, vocal and visual cues are deployed in co-occurrence in order to make affectivity in general and specific affects in particular interpretable for the recipient and (b) how in turn the recipient responds and takes up the displayed affect. As a result, affectivity is shown to be managed by teller and recipient in storytelling sequences in conversation, involving both the reporting of affects from the story world as well as the negotiation of in-situ affects in the here-and-now of the storytelling situation. Keywords: Affectivity in conversation; Interactional linguistics; Multimodality of interaction; Storytelling; Complaint stories. -
Observer Annotation of Affective Display and Evaluation of Expressivity: Face Vs
Observer Annotation of Affective Display and Evaluation of Expressivity: Face vs. Face-and-Body Hatice Gunes and Massimo Piccardi Faculty of Information Technology, University of Technology, Sydney (UTS) P.O. Box 123, Broadway 2007, NSW, Australia {haticeg, massimo} @ it.uts.edu.au Abstract al., 2005). Relatively few works have focused on implementing emotion recognition systems using A first step in developing and testing a robust affective affective multimodal data (i.e. affective data from multimodal system is to obtain or access data multiple channels/sensors/modalities). While it is true representing human multimodal expressive behaviour. that the face is the main display of a human's affective Collected affect data has to be further annotated in order state, other sources can improve the recognition to become usable for the automated systems. Most of the accuracy. Emotion recognition via body movements and existing studies of emotion or affect annotation are gestures has recently started attracting the attention of monomodal. Instead, in this paper, we explore how computer science and human-computer interaction (HCI) independent human observers annotate affect display communities (Hudlicka, 2003). The interest is growing from monomodal face data compared to bimodal face- with works similar to these presented in (Balomenos et and-body data. To this aim we collected visual affect al., 2003), (Burgoon et al., 2005), (Gunes and Piccardi, data by recording the face and face-and-body 2005), (Kapoor and Picard, 2005) and (Martin et al., simultaneously. We then conducted a survey by asking 2005). human observers to view and label the face and face-and- A first step in developing and testing a robust body recordings separately. -
Emotion Work in Family Business
Page 1 of 18 ANZAM 2010 Emotion Work in Family Business Dr Sanjeewa Perera School of Management, University of South Australia, Adelaide Email: [email protected] Dr Shruti Sardeshmukh School of Management, University of South Australia, Adelaide Email: [email protected] Dr Christina Scott-Young School of Management, University of South Australia, Adelaide Email: [email protected] ANZAM 2010 Page 2 of 18 Emotion Work in Family Business ABSTRACT Working in a family business places individuals in a unique position where family and work domains overlap. Relationships and interactions among family members have a critical impact on functioning of family businesses. In this paper we draw on literature in the area of family business and emotion work to explore the nature of emotion work performed by family members who work together (family employees). We highlight how familiarity, presence of others, role and status, length and frequency of interactions, family functionality and the overlap between work and family domains create unique emotion work demands within a family business context. We conclude by the underlining the need to conduct further study in order to enhance our understanding of this distinct emotion work demand. By any definition, family businesses are ubiquitous in the economic landscape. In Australia, family businesses constitute 70% of all enterprises (KPMG, 2009), while in the United States, 80%-90% of businesses are family dominated and provide almost half the nation’s employment (Shepherd and Zacharakis, 2000). Worldwide, the numbers indicate an equally strong presence of family firms - 75% of businesses in the UK, 80% of businesses in Spain, more than 90% of those in Sweden and 99% of those in Italy, and 85% of businesses in the European Union can be classified as family controlled (Upton and Petty, 2000). -
Using Affective Characters in Creating an Emotionally Dynamic Interactive
Factors of Emotion and Affect in Designing Interactive Virtual Characters Proceedings of the 2013 Edward F. Hayes Graduate Research Forum Kellen Maicher Department of Design, The Ohio State University Introduction: The term affective may be defined as anything that expresses or elicits emotion, which itself is the complex psychophysiological state of mind involving physiological arousal, expressive behaviors, and conscious experience (Myers, 2004). Affect (the experience of feeling emotion) is one of the three components of modern psychology that includes the cognitive (processing) and conative (instinctive) (“Affect”, 2011). Emotions themselves are components of a larger categorical subset that includes affective concepts such as mood, attitude, personality, and the motive (Norman, 2004. pg 43). Cognitive scientist Marvin Lee Minsky suggests in his book The Emotion Machine that emotions are simply different ways of thinking and serve as unique problem-solving paradigms that allow us to learn more effectively (“The Emotion Machine”, 2010). There are many theories regarding the specific mechanisms and functions of affect and emotion, with research dating back at least as far as the philosophers of ancient Greece (William, 1884). Notable historical contributors include Rene Descartes (1641), Charles Darwin (1872), and more recently William James and Paul Ekman. Modern theories of emotion include a number of somatic, neurobiological, cognitive, and evolutionary models; most of which are fairly complex and overlapping. Although relevant and intriguing concepts, a comprehensive overview of these theories is beyond the scope and purpose of this paper. Instead, a focus on the implications and processes of emotion and affect as they relate to interactive character design will be explored. -
The Role of Facial Expression in Intra-Individual and Inter-Individual Emotion Regulation
From: AAAI Technical Report FS-01-02. Compilation copyright © 2001, AAAI (www.aaai.org). All rights reserved. The Role of Facial Expression in Intra-individual and Inter-individual Emotion Regulation Susanne Kaiser and Thomas Wehrle University of Geneva, Faculty of Psychology and Education 40 Bd. du Pont d'Arve, CH-1205 Geneva, Switzerland [email protected] [email protected] Abstract Ellsworth (1991) has argued, facial expressions have been This article describes the role and functions of facial discrete emotion theorists’ major ‘evidence’ for holistic expressions in human-human and human-computer emotion programs that could not be broken down into interactions from a psychological point of view. We smaller units. However, even though universal prototypical introduce our theoretical framework, which is based on patterns have been found for the emotions of happiness, componential appraisal theory and describe the sadness, surprise, disgust, anger, and fear, these findings methodological and theoretical challenges to studying the have not enabled researchers to interpret facial expressions role of facial expression in intra-individual and inter- as unambiguous indicators of emotions in spontaneous individual emotion regulation. This is illustrated by some interactions. results of empirical studies. Finally we discuss the potential significance of componential appraisal theory for There are a variety of problems. First, the mechanisms diagnosing and treating affect disturbances and sketch linking facial expressions to emotions are not known. possible implications for emotion synthesis and affective Second, the task of analyzing the ongoing facial behavior user modeling. in dynamically changing emotional episodes is obviously more complex than linking a static emotional expression to a verbal label. -
Healing the Stigma of Depression
Healing the Stigma of Depression A Guide for Helping Professionals A resource for helping professionals of all disciplines serving people who may be affected by depression—and by its stigma. Written by Pamela Woll, MA, CADP for the Midwest AIDS Training and Education Center and the Great Lakes Addiction Technology Transfer Center Healing the Stigma of Depression: A Guide for Helping Professionals Published by: Midwest AIDS Training and Education Center Nathan Linsk, PhD, Principal Investigator Barbara Schechtman, MPH, Executive Director Great Lakes Addiction Technology Transfer Center Larry Bennett, PhD, Principal Investigator Nathan Linsk, PhD, Co-Principal Investigator Lonnetta Albright, Director Project Leader: Barbara Schechtman, MPH Co-Leader: Lonnetta Albright Author: Pamela Woll, MA, CADP Research Assistant: Charles M. Bright, LCSW, ACSW Midwest AIDS Training and Education Center Great Lakes Addiction Technology Transfer Center Jane Addams College of Social Work University of Illinois at Chicago 1640 W. Roosevelt Road, Suite 511 (M/C 779) Chicago, Illinois 60608 November, 2007 This publication was produced by the Midwest AIDS Training and Education Center (partially supported by a grant from the Health Resources and Services Administration and through funds raised independently), and the Great Lakes Addiction Technology Transfer Center (under a cooperative agreement from the Substance Abuse and Mental Health Services Administration, Center for Substance Abuse Treatment. This was produced by the Midwest AIDS Training and Education Center, funded in part by HRSA Grant # H4A HA00062. For more information on obtaining copies of this publication, please call (312) 996-1373. Developed in part under a grant funded by the Center for Substance Abuse Treatment, Substance Abuse and Mental Health Services Administration, U.S. -
Fronting, Masking and Emotion Release: an Exploration of Prisoners' Emotional Management Strategies
Fronting, masking and emotion release: An exploration of prisoners’ emotional management strategies Ben Laws His John Sunley Prize winning masters dissertation Fronting, masking and emotion release: Ben Laws Contents 1. Introduction 2. Literature review 3. Methods 4. Calculation and fronting: Generating emotions in prison 5. Masking and releasing emotions 6. Positive emotions in prison 7. Conclusions and policy References Appendix 1 : Interview schedule Appendix 2: Plutchik’s emotion wheel Appendix 3: Consent form Appendix 4 : Information sheet Acknowledgments 2 The Howard League John Sunley Prize winner 1. Introduction You feel emotions, of course you do. It’s part of life, it’s part of being a human, you feel happy, you feel sad, you feel angry. (Alan)1 What forms of emotion are felt (or generated) in prison? How important is it for prisoners to manage such expressions of emotion? Men’s prisons have been described as emotionally volatile places (James, 2003) that are often saturated with violence and aggression (Edgar et al., 2003). In this environment - perhaps as a way of anticipating/avoiding danger - prisoners display intense masculinity, emotional stoicism, and largely reject ‘softer’ emotions (Scraton et al., 1991; Sim, 1994; Toch, 1998). However, this may not be the whole story. Indeed, Crewe et al. (2013) contend that previous accounts have revealed only a partial picture, focusing mainly on the ‘hard-end’ of prison life and overlooking the way that emotion is spatially differentiated in prison. This is to say, one may find diverse forms of emotion expression depending upon where one looks for it (for example, in classrooms, workshops, association areas, segregation units, visiting halls or personal cells).