DOCSLIB.ORG

An Evening with Michael Nyman

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
An Evening with Michael Nyman 80 MUSIC AN EVENING WITH MICHAEL NYMAN College of Charleston Sottile Theatre May 26 at 8:00pm SPONSORED BY THE HIDDEN COUNTSHIP String Quartet no. 3 (1990) Michael Nyman (b 1944) Maria Semes, violin Lucia Nowik, violin Eve Tang, viola Meredith McCook, cello Piano selections to be announced from the stage Michael Nyman, piano INTERMISSION Something Connected With Energy (2008) Michael Nyman, piano Members of the Spoleto Festival USA Orchestra John Kennedy, conductor This performance is made possible in part through funds from the Spoleto Festival USA Endowment, generously supported by BlueCross BlueShield of South Carolina, Wells Fargo, and Bank of America. ARTISTS MICHAEL NYMAN (composer) is one of Britain’s most innovative and celebrated composers whose work encompasses operas and string quartets, film soundtracks, and orchestral concertos. In addition to his work as a composer, he is also a performer, conductor, bandleader, pianist, author, musicologist, photographer, and filmmaker. Nyman first made his mark on the musical world in the late 1960s when he invented the term ‘minimalism’ and, still in his mid-twenties, earned one of his earliest commissions to write the libretto for Birtwistle’s 1969 opera, Down By The Greenwood Side. In 1976, he formed his own ensemble, the Michael Nyman Band. For over three decades, the group has been the laboratory for much of his inventive and experimental compositional work. His most notable scores include a dozen Peter Greenaway films, such as The Draughtsman’s Contract and The Cook, The Thief, His Wife & Her Lover; Neil Jordan’s The End Of The Affair; several Michael Winterbottom features including Wonderland and A Cock and Bull Story; the Hollywood blockbuster Gattaca, and Jane Campion’s 1993 film The Piano, the soundtrack of which has sold more than three million copies. Most recently, his music was used in the 2009 BAFTA award-winning and Oscar-nominated film, Man on Wire. Nyman’s visual work has been exhibited in various public institutions, such as the Tate Modern in London, the Reina Sophia Museum in Madrid, and the Museum of Modern Art in New York. michaelnyman.com.
Load more

Recommended publications
  • Music at the Gardner Fall 2019
    ISABELLA STEWART GARDNER MUSEUM NON-PROFIT ORG. 25 EVANS WAY BOSTON MA 02115 U.S. POSTAGE PAID GARDNERMUSEUM.ORG PERMIT NO. 1 BOSTON MA JOHN SINGER SARGENT, EL JALEO (DETAIL), 1882 MUSIC AT THE GARDNER FALL 2019 COVER: PHOENIX ORCHESTRA FALL the Gardner at Music 2019 MEMBER CONCERT MUSIC AT THE GARDNER TICKET PRESALE: FALL 2019 JULY 24 – AUGUST 5 WEEKEND CONCERT SERIES / pg 2 The Gardner Museum’s signature series HELGA DAVIS GEORGE STEEL DANCE / pg 15 South Korean dance duo All Ready, 2019 Choreographers-in-Residence, FROM THE CURATOR OF MUSIC dazzles with a series of performances, including a world premiere The Gardner Museum is today much as it was in Isabella’s time — at once a collection of her treasures from around the world and a vibrant place where artists find inspiration and push forward in new creative directions. AT-A-GLANCE / pg 16 TICKET INFORMATION / inside back cover This fall’s programming embodies that spirit of inspiration and creative vitality. It’s a season of firsts — including the Calderwood Hall debut by Randall Goosby, a rising international star of the violin, and premieres of works by lesser-known composers Florence Price and José White Lafitte never before performed in Boston. 25 YEARS OF ARTISTS-IN-RESIDENCE This season also finds meaning through Isabella’s collection. Claremont Performances celebrating the Museum’s fall special Trio will help celebrate 25 years of our Artists-in-Residence program exhibition, which highlights our 25-year history with a selection of works distinctly connected to Isabella, and South of fostering relationships with contemporary artists Korean duo All Ready — 2019 Choreographers-in-Residence — will Monday, October 14, 10 am – 4 pm perform new works created especially for the Museum.
    [Show full text]
  • Michael Nyman
    Michael Nyman Michael Nyman es uno de los compositores británicos más innovadores y aclamados, cuyo trabajo abarca operas, cuartetos de cuerda, bandas sonoras y conciertos orquestales. Mucho más que un mero compositor, es además intérprete, director, pianista, escritor, musicólogo, fotógrafo y cineasta. Considerado como un “hombre del renacimiento”, su inquietud creativa y su polivalencia artística le han convertido en uno de los iconos culturales más fascinantes e influyentes de nuestro tiempo. Michael Nyman (nacido el 23 de marzo de 1944) es un pianista, musicólogo y compositor minimalista, conocido sobre todo por las obras escritas durante su larga colaboración con el cineasta británico Peter Greenaway . Nyman (que estudió con el académico Thurston Dart, experto en música barroca en el King's College de Londres) se ha inspirado frecuentemente en Música antigua en sus composiciones para los largometrajes de Greenaway: Henry Purcell en El contrato del dibujante y El cocinero, el Ladrón, su Esposa y su Amante, El piano , Heinrigh Ignaz Franz von Biber en Zoo (A Zed & Two Noughts), Mozart en Conspiración de mujeres (Drowning by Numbers) y John Dowland en Prospero's Books . Su popularidad se disparó después de componer la banda sonora de la galardonada película de Jane Campion El piano (1993). La película no fue nominada por la Academia a pesar de haberlo sido por la Academia Británica y para el Globo de Oro. Ha compuesto bandas sonoras para muchos otros filmes, la gran mayoría de ellos obras de autores independientes europeos. Sus pocas incursiones en la composición de bandas sonoras para Hollywood han sido Gattaca , Ravenous (con Damon Albarn) y The End of the Affair .
    [Show full text]
  • British and Commonwealth Concertos from the Nineteenth Century to the Present
    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec.
    [Show full text]
  • The Mexican Suitecase
    THE MEXICAN SUITECASE A film by Trisha Ziff Running Time: 86 Minutes Language: English, Spanish and Catalane dialogue with English and Spanish subtitles. Official website: www.TheMexicanSuitcase.com ABOUT THE FILM: THE MEXICAN SUITCASE tells the story of three lost boxes that were recovered by the film’s director, Trisha Ziff, from a closet in Mexico City in 2007. The boxes, misplaced in the chaos at the start of WWII, contained many of the Spanish Civil War negatives by the legendary photographer, Robert Capa. These boxes have become known as the Mexican Suitcase. Rumors had circulated for years of the survival of the negatives, which had disappeared from Capa's Paris studio at the start of the war. They held 126 rolls of film, not only by Capa, but also by Gerda Taro and David “Chim” Seymour, fellow photographers who were also acclaimed for their coverage Spanish Civil War. Capa, Taro and Seymour were Jewish immigrants from Hungary, Germany and Poland respectively, and they had found a home in the culturally open Paris of the early 1930s. They often traveled together in Spain. Their combined work constitutes some of the most important visual documentation of that war. It’s particularly poignant to note that Gerda Taro would die before her 27th birthday at the Battle of Brunette in Spain, killed when a Republican tank veered out of control. Her funeral bought thousands on to the streets of Paris. Exactly how the negatives reached Mexico City is not definitively known. However, given Mexico’s unique role in the war, and how it opened its doors unreservedly to the Republican exiles, it makes sense that the suitcase would find its way there.
    [Show full text]
  • Piano Trio Discography & Review Index
    An A to Z of the Piano Trio Repertoire Discography & Review Index: N, O, P & Q Composers Compiled by David Barker Project Index Eduard Nápravnik Dacapo 8226009 1839-1916, Czech/Russia (+ Wind quintet, Fantasy pieces, Moderen) Dacapo 8.226064 Trio 1 in G minor, op. 24 (1876) Spyros Piano Trio Unknown performers (+ Trio 2, Melancolie) (+ Character pieces, Duet, Fantasy pieces, MDG 90319966 [review][review] Polka, String quartet 1, Violin sonata 1) Kontrapunkt 32231 Trio 2 in D minor, op. 62 (1897) Spyros Piano Trio (+ Trio 1, Melancolie) Svend Hvidtfelt Nielsen MDG 90319966 [review][review] 1958-, Denmark Divertimento (1993) Paul Natorp Trio Ismena 1854-1924, Germany (+ Koch, Norholm 3, Gudmundsen-Holmgreen: Moments musicaux, Hegaard: Like a Cube of Trio in e Silence) Dacapo 8226583 [review] Yuri Favorin, Liudmila Frayonova, Nikolay Shugaev (+ Cello sonata, Violin sonata, Henry Cotter Nixon Phantasiestucke, Prelude & fugues) 1842-1907, UK Querstand VKJK1519 Trio 1 in C London Piano Trio Sergiu Natra (+ Mendelssohn 1) 1924-, Israel Guild GMCD7392 Trio in One Movement (1971) Anders Nordentoft Yuval Trio 1957-, Demark (+ Partos: Fantasia, Seter, Shalit: Divertimento & works for cello/piano) Doruntine (1994) Romeo 7231 Jalina Trio (+ Holmboe, A Koppel 1, Norgard: Spell, Carl Nielsen Nyvang: ...erosion) 1865-1931, Denmark Classico CLASSCD485 Trio in G, FS 3i (1883) Trio Ondine (+ Holmboe: Trio, Nuigen, Nielsen, Norgard: Trio Ondine Spell) (in “The Masterworks Vol. 2”) Dacapo 8226009 Dacapo 8206003 (+ Holmboe: Trio, Nuigen, Nielsen, Nordentoft: Doruntine, Norgard: Spell) MusicWeb International Updated: July 2019 Piano Trios: N, O, P & Q Composers Ib Norholm Smetana Trio 1931-, Denmark (+ Smetana, Suk) Supraphon SU38102 Trio No. 3 'Essai in memoriam' Op.
    [Show full text]
  • 2015 Hidden Disunities and Uncanny Resemblances
    Hidden Disunities and Uncanny Resemblances: Connections and ANGOR UNIVERSITY Disconnections in the Music of Lera Auerbach and Michael Nyman ap Sion, P.E. Contemporary Music Review DOI: 10.1080/07494467.2014.959275 PRIFYSGOL BANGOR / B Published: 27/10/2014 Peer reviewed version Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): ap Sion, P. E. (2014). Hidden Disunities and Uncanny Resemblances: Connections and Disconnections in the Music of Lera Auerbach and Michael Nyman. Contemporary Music Review, 33(2), 167-187. https://doi.org/10.1080/07494467.2014.959275 Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 30. Sep. 2021 Hidden Disunities and Uncanny Resemblances: Connections and Disconnections in the music of Lera
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • The Fidelio Trio Winter Chamber Music Festival at St Patrick's
    The Fidelio Trio ARTISTS-IN-RESIDENCE 2014/15 Music Department St Patrick’s College, Drumcondra The Fidelio Trio Darragh Morgan (violin) | Mary Dullea (piano) | Adi Tal (cello) Concert Schedule 2014/15 Wednesday 1 October 2014 Wednesday 25 February 2015 Lunchtime Concert Series Evening Concert St Patrick’s College, 1.15 pm Auditorium, St Patrick’s College, 7.30 pm Mozart – Piano Trio in B flat major K502 Fauré – Piano Trio Op. 120 Michael Nyman – Time Will Pronounce John Buckley – Piano Trio Judith Weir – Piano Trio Two (Irish premiere) Friday - Sunday 5 - 7 December 2014 Schoenberg (arr. Steuermann) – Verklärte Nacht Fidelio Trio Winter Chamber Music Festival at Belvedere House, St Patrick’s College Wednesday 15 April 2015 The Fidelio Trio with Nicholas Daniel (oboe) and Lunchtime Concert Series Meghan Cassidy (viola) (see inset for festival details) St Patrick’s College, 1.15 pm Dorothy Ker – Channel (World premiere) Wednesday 10 December 2014 Mozart – Piano Trio in E major K 542 Lunchtime Concert Series St Patrick’s College, 1.15 pm Wednesday 8 July 2015 Mendelssohn - Variations Concertantes Evening Concert Suk - Ballade & Serenade Auditorium, St Patrick’s College, 7.30 pm John Adams - Road Movies Martin O’Leary – Bluescape Liszt arr. Saint-Saens – Orphée (Poeme Symphonique) Wednesday 21 January 2015 Chausson – Piano Trio in G minor Op. 3 Lunchtime Concert Series St Patrick’s College, 1.15 pm Benedict Schlepper-Connolly – Ekstase II (Irish premiere) Mark Bowden – Airs No Oceans Keep (Irish premiere) Percy Grainger – Colonial Song Free Admission to all concerts The Fidelio Trio Winter Chamber Music Festival at St Patrick’s College 5-7 December 2014 Darragh Morgan (violin) Mary Dullea (piano) Adi Tal (cello) Nicholas Daniel (oboe) Meghan Cassidy (viola) We are delighted to announce our second Fidelio Trio Winter Chamber Music Festival at St Patrick’s College where we have continued to enjoy a wonderful artistic residency since 2012.
    [Show full text]
  • Atlanta Symphony Orchestra Vasily Petrenko, Conductor Stewart Goodyear, Piano
    KENNESAW STATE UNIVERSITY SCHOOL OF MUSIC Atlanta Symphony Orchestra Vasily Petrenko, Conductor Stewart Goodyear, Piano Friday, April 28, 2017 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall One-hundred Thirty-second Concert of the 2016-17 Concert Season program RICHARD STRAUSS (1864-1949) Don Juan, Tone Poem after Nikolaus Lenau, opus 20 (1888-1889) FELIX MENDELSSOHN (1809-1847) Concerto for Piano and Orchestra No. 1 in G minor, opus 25 (1831) I. Molto Allegro con fuoco II. Andante III. Presto; Molto Allegro e vivace Stewart Goodyear, piano INTERMISSION ANTONÍN DVOŘÁK (1841-1904) Symphony No. 8 in G Major, opus 88 (1889) I. Allegro con brio II. Adagio III. Allegretto grazioso IV. Allegro, ma non troppo program notes Notes on the Program by Ken Meltzer Don Juan, Tone Poem after Nikolaus Lenau, opus 20 (1888-1889) ichard Strauss was born in Munich, Germany, on June 11, 1864, and died in Garmisch-Partenkirchen, Germany, on September 8, 1949. The Rfirst performance of Don Juan took place in Weimar, Germany, on November 11, 1889, with the composer conducting the Court Orchestra in the Grand Ducal Theater of Weimar. Don Juan is scored for piccolo, three flutes, two oboes, English horn, two clarinets, two bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, orchestra bells, triangle, cymbals, suspended cymbals, harp, and strings. The legend of Don Juan seems to have originated in the 16th century. The tale of the libertine nobleman who is damned for his numerous seductions and unwillingness to repent has found expression in numerous works. The Austrian poet and philosopher Nikolaus Lenau (1802-50) offered his own, slightly different perspective in his 1844 poem Don Juan: My Don Juan is no hot-blooded man eternally pursuing women.
    [Show full text]
  • Programa De Mano
    HOMENAJE A MICHAEL NYMAN EN SU 70 ANIVERSARIO JAIME MARTÍN DIRECTOR IVÁN MARTÍN PIANO DURACIÓN TOTAL APROXImaDA: 95´ M. NyMaN: Concierto para piano nº 2 22´ M. NyMaN: Sinfonía nº 5 20´ M. NyMaN: El contrato del dibujante 16´ LA OSCYL Y LOS INTÉRPRETES ORQUESTA SINFÓNICA JaiMe MartíN dirigió a la OSCyl eN laS teMpOradaS 2008-09 y 2012-13 DE CASTILLA Y LEÓN iváN MartíN COlabOró JuNtO a la OSCyl eN laS teMpOradaS 2008-09 y 2010-11 JAIme maRTÍN DIRECTOR — IVÁN maRTÍN PIANO Editado por Junta de Castilla y León Consejería de Cultura y Turismo AUDITORIO MIGUEL DELIBES ORQUESTA SINFÓNICA DE CASTILLA Y LEÓN Av. Monasterio Ntra. Sra. de Prado, 2 VALLADOLID 47015 Valladolid · T 983 385 604 www.auditoriomigueldelibes.com / www.fecebook.com/auditoriomigueldelibes ABONO OSCYL 14 EDITA — © Junta de Castilla y León. Consejería de Cultura y Turismo JUEVes 2 Y VIerNes 3 de mayo de 2013 Fundación Siglo para el Turismo y las Artes de Castilla y León © De los textos: sus autores 20.00 H · sala SINFÓNIca La Orquesta Sinfónica de Castilla y León es miembro de la Asociación Española de Orquestas Sinfónicas (AEOS) AUDItorIO MIGUEL DELIBES La Orquesta Sinfónica de Castilla y León y el Auditorio Miguel Delibes son miembros de la Red de Organizadores de Conciertos Educativos (ROCE) Todos los datos de salas, programas, fechas e intérpretes que aparecen, son susceptibles de modificaciones. D.L.: VA-194/2013 Valladolid, España 2013 PROGRAMA HOMENAJE A MICHAEL NYMAN [Inglaterra, 1944] la Orquesta Sinfónica de Castilla león, desde el auditorio Miguel delibes, HOMENAJE A MICHAEL NYMAN se une a toda una serie de conciertos y eventos que diversas instituciones musi- EN SU 70 ANIVERSARIO cales de ámbito internacional llevarán a cabo durante las dos próximas tempo- radas para conmemorar el 70 aniversario del compositor Michael Nyman.
    [Show full text]
  • Interview with Toni Gibson
    Interview with Toni Gibson Interview with Toni Gibson By Natasha Barbieri What inspires you to make music? impressed because he asked me if I would want to sign to his Fanfare Record There isn’t any particular ‘thing’ that Label. Fanfare record Label is another inspired me to sing. I Just love to sing part of the Ambition Entertainment label. and always have ever since I was little. It just comes naturally to me, it is part of Once I was signed to the Label, Robert me. suggested some more songs for the album and possibly replacing the new Your debut album, “Echo in my Soul” songs with some previous ones. I really is out now. What was the song selection liked his suggestions and was happy to process like? scratch a few songs that didn’t quite work and flow alongside the rest of the We started working on my album over a songs on the album. couple of years ago. I had a big input with what songs I wanted to have on the I wanted to create something that hasn’t album because the album started out as really been done in the classical- our own project. I have been working crossover world before. I wanted to add with Gray Bartlett (he started Hayley not just light elements to the music, but Westenra’s career) over the last 3-4 also darker elements. To mix them years, and he also suggested some together in such a way and create a songs that would be suitable for the spiritual atmosphere within the music.
    [Show full text]
  • Uloga Glazbe U Filmu "The Piano" Redateljice Jane Campion
    ČLANCI ANA POPOVIĆ uloga glaZBe u filMu THE PIANO reDATELJICe jane CaMpion Izvorni znanstveni članak / Original Scholarly Paper UDK: 78:778.534. 791.43 naCRTAK U radu se analizira glazba koju je za film The Piano napisao Michael Nyman. Osim tehničke glazbene analize filma, glazba je proučavana s gledišta njezine funkcije u komunikaciji kad je riječ o osnovnim porukama filma: kao kritika patrijarhalnog sistema i kao kritika kolonijalnog sistema. Posebno je proučavana simbolička uloga klavira, kao katalizatora i pokretača fabule filma. Ključne riječi: filmska glazba, glazba kao komunikacija, klavir, emancipacija žena, kolonijalizam UVOD Pri pokušajima istraživanja filmske glazbe često dolazi do metodoloških nedoumica: je li moguće filmsku glazbu analizirati jednako kao i svu ostalu glazbu ili je potrebno posegnuti za nekim filmološkim analitičkim alatima i prilagoditi ih glazbi. Tom problematikom godinama se bavi Irena Paulus. U svojim radovima Paulus često istražuje neke partikularne pojave u filmskoj glazbi,1 a dokumentirala je i doprinos hrvatskih skladatelja ovom području.2 Njezina doktorska disertacija bavila se sintezom istraživanja filmske glazbe na hrvatskom govornom području i ponudila je rješenja otvorenih terminoloških pitanja i okvirne smjernice u metodologiji istraživanja filmske glazbe,3 a u knjizi Teorija filmske glazbe kroz teoriju filmskog zvuka donosi pregled mogućih metoda u istraživanju filmske glazbe.4 Upravo su ti radovi bili polazna točka ovog istraživanja. Film The Piano redateljice Jane Campion u muzikološkom je smislu zanimljiv: u njemu glazba ima vrlo izraženu, gotovo samostalnu ulogu. Zbog toga se riječ 1 Primjerice, upotrebu glazbe Claudea Debussyja u različitim filmovima (Paulus 2018) ili upotrebu lajtmotiva u glazbi Johna Williamsa u filmskoj trilogiji Star Wars (Paulus 2000), pa čak i funkciju glazbe u odjavnoj špici u filmskoj trilogiji o Jamesu Bourneu (Paulus 2016).
    [Show full text]