Piano Trio Discography & Review Index
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Music at the Gardner Fall 2019
ISABELLA STEWART GARDNER MUSEUM NON-PROFIT ORG. 25 EVANS WAY BOSTON MA 02115 U.S. POSTAGE PAID GARDNERMUSEUM.ORG PERMIT NO. 1 BOSTON MA JOHN SINGER SARGENT, EL JALEO (DETAIL), 1882 MUSIC AT THE GARDNER FALL 2019 COVER: PHOENIX ORCHESTRA FALL the Gardner at Music 2019 MEMBER CONCERT MUSIC AT THE GARDNER TICKET PRESALE: FALL 2019 JULY 24 – AUGUST 5 WEEKEND CONCERT SERIES / pg 2 The Gardner Museum’s signature series HELGA DAVIS GEORGE STEEL DANCE / pg 15 South Korean dance duo All Ready, 2019 Choreographers-in-Residence, FROM THE CURATOR OF MUSIC dazzles with a series of performances, including a world premiere The Gardner Museum is today much as it was in Isabella’s time — at once a collection of her treasures from around the world and a vibrant place where artists find inspiration and push forward in new creative directions. AT-A-GLANCE / pg 16 TICKET INFORMATION / inside back cover This fall’s programming embodies that spirit of inspiration and creative vitality. It’s a season of firsts — including the Calderwood Hall debut by Randall Goosby, a rising international star of the violin, and premieres of works by lesser-known composers Florence Price and José White Lafitte never before performed in Boston. 25 YEARS OF ARTISTS-IN-RESIDENCE This season also finds meaning through Isabella’s collection. Claremont Performances celebrating the Museum’s fall special Trio will help celebrate 25 years of our Artists-in-Residence program exhibition, which highlights our 25-year history with a selection of works distinctly connected to Isabella, and South of fostering relationships with contemporary artists Korean duo All Ready — 2019 Choreographers-in-Residence — will Monday, October 14, 10 am – 4 pm perform new works created especially for the Museum. -
Concert Program
2019-2020 season of events André Mehmari: Chamber Music Roger D. Moore Distinguished Visitor in Composition Thursday, January 16, 2020 at 7:30 pm Walter Hall, 80 Queen’s Park André Mehmari, piano Peter Stoll, clarinet Emmanuele Baldini & Annalee Patipatanakoon, violins Matthias McIntire, viola Dobrochna Zubek, cello Adam Scime, double bass Presented by Norbert Palej PROGRAM Inútil Paisagem A.C. Jobim Sem Você A.C. Jobim Insensatez A.C. Jobim Di Menor Carlos Althier Escobar “Guinga” Suite Brasileira A. Mehmari Shostakovitchiana A. Mehmari Cheio de Dedos A. Mehmari Rosa Alfredo da Rocha Vianna Filho Milonga del Angel Astor Piazzola arr. A. Mehmari Oblivion Astor Piazzola arr. A. Mehmari Michelangelo 70‘ Astor Piazzola arr. A. Mehmari We wish to acknowledge this land on which the University of Toronto operates. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and most recently, the Mississaugas of the Credit First Nation. Today, this meeting place is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work on this land. BIOGRAPHIES André Mehmari is considered one of Brazil’s leading musicians. His activities as pianist, composer, and arranger are highly regarded in both popular and classical music. As his compositions have been performed by leading orchestras such as Orquestra Sinfônica do Estado de São Paulo and chamber ensembles such as the São Paulo String Quartet, his career in jazz and Brazilian popular music has attained wide attention with performances Brazil’s major jazz festivals and also abroad. -
Season 2017-2018
Season 2017-2018 Foy Concert Hall Priscilla PaYne Hurd Campus for Music and Art MoraVian College Bethlehem, PA 18018 Cathedral Church of the Nativity 321 WYandotte Street Bethlehem, PA 18015 Faith United Church of Christ 5992 Route 378 Center ValleY, PA 18034 Program information and single ticket sales at www.cmsob.org Season 2017-2018 About the concerts The Chamber Music Society of Bethlehem inVites You to eXperience the performances of World-class ensembles as it celebrates its 66th anniVersarY With the 2017-2018 Season. We are priVileged to present a series of seVen concerts, Which include the highlY anticipated return of seVeral audience faVorites and a Warm Welcome to others for their first introduction to our audience. Five Friday evening concerts – three at Foy Concert Hall and two at Cathedral Church of the Nativity - will begin Gryphon Trio at 7:30 p.m. Two Sunday afternoon concerts – both at FridaY, September 15, 2017, at 7:30 p.m. Foy Concert Hall Faith United Church of Christ - will begin at 3:00 p.m. Schumann String Quartet We’re very pleased to have a special relationship with the FridaY, NoVember 3, 2017, at 7:30 p.m. Young People’s Philharmonic. Look for announcements Cathedral Church of the Nativity of their string and brass ensemble performances as Wister Quartet with Jennifer Montone, horn, “curtain warmers” a half hour before selected concerts. and Marcantonio Barone, piano SundaY, December 3, 2017, at 3:00 p.m. Concertgoers can enjoY significant saVings bY purchasing Faith United Church of Christ a full subscription for 7 concerts or packages of 4, 5 or Bennewitz Quartet 6 tickets. -
Program Notes V2
CelebrateBEETHOVEN@250 th December 11 , 2020 7:30pm EST Live from the Isabel Bader Centre for the Performing Arts Queens University, Kingston, Ontario Program Notes Beethoven@250 concerts are produced by the Gryphon Trio and OurConcerts.live in partnership with the Isabel Bader Centre for the Performing Arts in Ontario. BEETHOVEN@250 This event is presented in collaboration with the following consortium partners: “Composer Debut” December 10, 2020 • 7:30pm EST Program Piano Trio in Eb Major, Op. 1, No. 1 L.V. Beethoven I. Allegro II. Adagio cantabile III. Scherzo: Allegro assai IV. Finale: Presto Piano Trio in G Major, Op. 1, No. 2 L.V. Beethoven I. Adagio - Allegro vivace II. Largo con espressione III. Scherzo: Allegro IV. Finale: Presto Intermission Featuring host Eric Friesen and guest commentator Rob Kapilow Piano Trio in C minor, Op. 1, No. 3 L.V. Beethoven I. Allegro con brio II. Andante cantabile con variazioni III. Menuetto: Quasi allegro IV. Finale: Prestissimo Gryphon Trio Beethoven@250 is supported by Sandra and Jim Pitblado BEETHOVEN@250 ANNALEE PATIPATANAKOON, violin ROMAN BORYS, cello JAMIE PARKER, piano Gryphon Trio is firmly established as one of the world’s preeminent piano trios. For more than 25 years, it has earned acclaim for and impressed international audiences with its highly refined, dynamic, and memorable performances. The Trio’s repertoire ranges from traditional to contemporary, and from European classicism to modern-day multimedia. It “The Master” is committed to redefining chamber music for the 21st century. Violinist Annalee Patipatanakoon, cellist Roman Borys, and pianist Jamie December 11, 2020 • 7:30pm EST Parker are creative innovators with an appetite for discovery and new ideas. -
Chicago Symphony Orchestra
BIG ARTS 2020-2021 Series Thursday, January 10, 2021 GRYPHON TRIO ANNALEE PATIPATANAKOON, violin ROMAN BORYS, viola JAMIE PARKER, cello with JAMES CAMPBELL, clarinet HAYDN Trio No. 32 for Piano, Violin and Cello in A major, H. XV:18 (14’) Allegro moderato Andante Allegro BRAHMS Trio for Clarinet, Cello and Piano in A minor, Op. 114 (25’) Allegro Adagio Andantino grazioso Allegro — INTERMISSION — MENDELSSOHN Trio for Piano, Violin and Cello in C minor, Op. 66 (31’) Allegro energico e con fuoco Andante espressivo Scherzo: Molto allegro quasi presto Finale: Allegro appassionato Notes on the Program by Dr. Richard E. Rodda Trio No. 32 for Piano, Violin and Cello in A major, H. XV:18 Joseph Haydn (1732-1809) Composed in 1794. The history of the piano is far more than the mere recounting of the mechanical and technical development of an instrument — it is a virtual microcosm of the progress of modern Western civilization. The first keyboard instrument capable of responding to the varying touch of the player was the gravicembalo col piano e forte (“harpsichord with soft and loud”), invented in Florence in 1709 by Bartolomeo Cristofori. Cristofori’s instrument, whose sound was activated by a hammer thrown against a string according to the force of the pressure applied at the keyboard, allowed for gradations of dynamics that were impossible on the plucked-string harpsichord and was well suited to the growing demand for music that would more intimately mirror the passionate expression of the performer. It took Cristofori more than a decade to perfect the mechanism and several more years for various manufacturers to establish their trade in the instruments, but by the time Johann Sebastian Bach played one of the new fortepianos on his visit to the court of Frederick the Great at Berlin in 1747, he was able to declare his enthusiasm for it. -
Michael Nyman
Michael Nyman Michael Nyman es uno de los compositores británicos más innovadores y aclamados, cuyo trabajo abarca operas, cuartetos de cuerda, bandas sonoras y conciertos orquestales. Mucho más que un mero compositor, es además intérprete, director, pianista, escritor, musicólogo, fotógrafo y cineasta. Considerado como un “hombre del renacimiento”, su inquietud creativa y su polivalencia artística le han convertido en uno de los iconos culturales más fascinantes e influyentes de nuestro tiempo. Michael Nyman (nacido el 23 de marzo de 1944) es un pianista, musicólogo y compositor minimalista, conocido sobre todo por las obras escritas durante su larga colaboración con el cineasta británico Peter Greenaway . Nyman (que estudió con el académico Thurston Dart, experto en música barroca en el King's College de Londres) se ha inspirado frecuentemente en Música antigua en sus composiciones para los largometrajes de Greenaway: Henry Purcell en El contrato del dibujante y El cocinero, el Ladrón, su Esposa y su Amante, El piano , Heinrigh Ignaz Franz von Biber en Zoo (A Zed & Two Noughts), Mozart en Conspiración de mujeres (Drowning by Numbers) y John Dowland en Prospero's Books . Su popularidad se disparó después de componer la banda sonora de la galardonada película de Jane Campion El piano (1993). La película no fue nominada por la Academia a pesar de haberlo sido por la Academia Británica y para el Globo de Oro. Ha compuesto bandas sonoras para muchos otros filmes, la gran mayoría de ellos obras de autores independientes europeos. Sus pocas incursiones en la composición de bandas sonoras para Hollywood han sido Gattaca , Ravenous (con Damon Albarn) y The End of the Affair . -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Thursday 18 May 2017 7.30pm Barbican Hall Vaughan Williams Five Variants of Dives and Lazarus Brahms Double Concerto INTERVAL Holst The Planets – Suite Sir Mark Elder conductor Roman Simovic violin Tim Hugh cello Ladies of the London Symphony Chorus London’s Symphony Orchestra Simon Halsey chorus director Concert finishes approx 9.45pm Supported by Baker McKenzie 2 Welcome 18 May 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican. BMW LSO OPEN AIR CLASSICS 2017 This evening we are joined by Sir Mark Elder for the second of two concerts this season, as he conducts The London Symphony Orchestra, in partnership with a programme of Vaughan Williams, Brahms and Holst. BMW and conducted by Valery Gergiev, performs an all-Rachmaninov programme in London’s Trafalgar It is always a great pleasure to see the musicians Square this Sunday 21 May, the sixth concert in of the LSO appear as soloists with the Orchestra. the Orchestra’s annual BMW LSO Open Air Classics Tonight, after Vaughan Williams’ Five Variants of series, free and open to all. Dives and Lazarus, the LSO’s Leader Roman Simovic and Principal Cello Tim Hugh take centre stage for lso.co.uk/openair Brahms’ Double Concerto. We conclude the concert with Holst’s much-loved LSO WIND ENSEMBLE ON LSO LIVE The Planets, for which we welcome the London Symphony Chorus and Choral Director Simon Halsey. The new recording of Mozart’s Serenade No 10 The LSO premiered the complete suite of The Planets for Wind Instruments (‘Gran Partita’) by the LSO Wind in 1920, and we are thrilled that the 2002 recording Ensemble is now available on LSO Live. -
The Mexican Suitecase
THE MEXICAN SUITECASE A film by Trisha Ziff Running Time: 86 Minutes Language: English, Spanish and Catalane dialogue with English and Spanish subtitles. Official website: www.TheMexicanSuitcase.com ABOUT THE FILM: THE MEXICAN SUITCASE tells the story of three lost boxes that were recovered by the film’s director, Trisha Ziff, from a closet in Mexico City in 2007. The boxes, misplaced in the chaos at the start of WWII, contained many of the Spanish Civil War negatives by the legendary photographer, Robert Capa. These boxes have become known as the Mexican Suitcase. Rumors had circulated for years of the survival of the negatives, which had disappeared from Capa's Paris studio at the start of the war. They held 126 rolls of film, not only by Capa, but also by Gerda Taro and David “Chim” Seymour, fellow photographers who were also acclaimed for their coverage Spanish Civil War. Capa, Taro and Seymour were Jewish immigrants from Hungary, Germany and Poland respectively, and they had found a home in the culturally open Paris of the early 1930s. They often traveled together in Spain. Their combined work constitutes some of the most important visual documentation of that war. It’s particularly poignant to note that Gerda Taro would die before her 27th birthday at the Battle of Brunette in Spain, killed when a Republican tank veered out of control. Her funeral bought thousands on to the streets of Paris. Exactly how the negatives reached Mexico City is not definitively known. However, given Mexico’s unique role in the war, and how it opened its doors unreservedly to the Republican exiles, it makes sense that the suitcase would find its way there. -
2015 Hidden Disunities and Uncanny Resemblances
Hidden Disunities and Uncanny Resemblances: Connections and ANGOR UNIVERSITY Disconnections in the Music of Lera Auerbach and Michael Nyman ap Sion, P.E. Contemporary Music Review DOI: 10.1080/07494467.2014.959275 PRIFYSGOL BANGOR / B Published: 27/10/2014 Peer reviewed version Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): ap Sion, P. E. (2014). Hidden Disunities and Uncanny Resemblances: Connections and Disconnections in the Music of Lera Auerbach and Michael Nyman. Contemporary Music Review, 33(2), 167-187. https://doi.org/10.1080/07494467.2014.959275 Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 30. Sep. 2021 Hidden Disunities and Uncanny Resemblances: Connections and Disconnections in the music of Lera -
Incarnation Episcopal Church 1750 29Th Avenue, San Francisco Sunsetarts.Wordpress.Com | 415-564-2324
Incarnation Episcopal Church 1750 29th Avenue, San Francisco sunsetarts.wordpress.com | 415-564-2324 1 Dear Friends, Welcome to the Sunset Music & Arts 2019 season. We are very excited to announce our fifth season with many new and returning artists. The season continues out tradition of strong offerings in solo instrumental performances, vocal recitals, choral music, opera, and jazz/world music concerts. Our season opener will feature a chamber concert on Friday January 11, 2019 with New York based cellist, Ben Capps, and Russian pianist, Vassily Primakov. The Holland Times hailed Ben Capps as a “young cello phenomenon from New York.” Ben Capps is the recipient of many awards, including the the Lillian Fuchs Award, the Francis Goelet Scholarship (Juilliard 2008-2009), the Irving Mulde Scholarship (Juilliard, 2009-10), and the Piatigorsky Scholarship (New England Conservatory 2012- 13). Gramophone wrote that “Primakov’s empathy with Chopin’s spirit could hardly be more complete.” Vassily Primakov is a prize winner at the Cleveland Piano Competition and was a semi-finalist at the Van Cliburn Competition. Solo piano artists include Laura Klein, Clare Longendyke, Robyn Carmichael, Amy Stephens, Mark Valenti, and Susan Ellinger, as well as concerts for piano 4-hands with the Duo Papillion and A&R Duo. Also featured are organ recitals with Angela Kraft Cross and David Jaronowski and a Grammy award guitarist Cristobal Selamé. Our chamber music concerts features return engagements with the Circadian String Quartet, Trio 180, as well as new artists, such as the Ensemble Illume, Trio Terme, Trio Foss, and Curium Piano Trio. Our choral music concerts features our artists-in-residence, the San Francisco Renaissance Voices, the San Francisco Boys Chorus, and the San Francisco Girls Chorus. -
The Piano Trio, the Duo Sonata, and the Sonatine As Seen by Brahms, Tchaikovsky, and Ravel
ABSTRACT Title of Dissertation: REVISITING OLD FORMS: THE PIANO TRIO, THE DUO SONATA, AND THE SONATINE AS SEEN BY BRAHMS, TCHAIKOVSKY, AND RAVEL Hsiang-Ling Hsiao, Doctor of Musical Arts, 2017 Dissertation directed by: Professor Rita Sloan School of Music This performance dissertation explored three significant piano trios, two major instrumental sonatas and a solo piano sonatine over the course of three recitals. Each recital featured the work of either Brahms, Tchaikovsky or Ravel. Each of these three composers had a special reverence for older musical forms and genres. The piano trio originated from various forms of trio ensemble in the Baroque period, which consisted of a dominating keyboard part, an accompanying violin, and an optional cello. By the time Brahms and Tchaikovsky wrote their landmark trios, the form had taken on symphonic effects and proportions. The Ravel Trio, another high point of the genre, written in the early twentieth century, went even further exploring new ways of using all possibilities of each instrument and combining them. The duo repertoire has come equally far: duos featuring a string instrument with piano grew from a humble Baroque form into a multifaceted, flexible classical form. Starting with Bach and continuing with Mozart and Beethoven, the form traveled into the Romantic era and beyond, taking on many new guises and personalities. In Brahms’ two cello sonatas, even though the cello was treated as a soloist, the piano still maintained its traditional prominence. In Ravel’s jazz-influenced violin sonata, he treated the two instruments with equal importance, but worked with their different natures and created an innovative sound combination. -
The Fidelio Trio Winter Chamber Music Festival at St Patrick's
The Fidelio Trio ARTISTS-IN-RESIDENCE 2014/15 Music Department St Patrick’s College, Drumcondra The Fidelio Trio Darragh Morgan (violin) | Mary Dullea (piano) | Adi Tal (cello) Concert Schedule 2014/15 Wednesday 1 October 2014 Wednesday 25 February 2015 Lunchtime Concert Series Evening Concert St Patrick’s College, 1.15 pm Auditorium, St Patrick’s College, 7.30 pm Mozart – Piano Trio in B flat major K502 Fauré – Piano Trio Op. 120 Michael Nyman – Time Will Pronounce John Buckley – Piano Trio Judith Weir – Piano Trio Two (Irish premiere) Friday - Sunday 5 - 7 December 2014 Schoenberg (arr. Steuermann) – Verklärte Nacht Fidelio Trio Winter Chamber Music Festival at Belvedere House, St Patrick’s College Wednesday 15 April 2015 The Fidelio Trio with Nicholas Daniel (oboe) and Lunchtime Concert Series Meghan Cassidy (viola) (see inset for festival details) St Patrick’s College, 1.15 pm Dorothy Ker – Channel (World premiere) Wednesday 10 December 2014 Mozart – Piano Trio in E major K 542 Lunchtime Concert Series St Patrick’s College, 1.15 pm Wednesday 8 July 2015 Mendelssohn - Variations Concertantes Evening Concert Suk - Ballade & Serenade Auditorium, St Patrick’s College, 7.30 pm John Adams - Road Movies Martin O’Leary – Bluescape Liszt arr. Saint-Saens – Orphée (Poeme Symphonique) Wednesday 21 January 2015 Chausson – Piano Trio in G minor Op. 3 Lunchtime Concert Series St Patrick’s College, 1.15 pm Benedict Schlepper-Connolly – Ekstase II (Irish premiere) Mark Bowden – Airs No Oceans Keep (Irish premiere) Percy Grainger – Colonial Song Free Admission to all concerts The Fidelio Trio Winter Chamber Music Festival at St Patrick’s College 5-7 December 2014 Darragh Morgan (violin) Mary Dullea (piano) Adi Tal (cello) Nicholas Daniel (oboe) Meghan Cassidy (viola) We are delighted to announce our second Fidelio Trio Winter Chamber Music Festival at St Patrick’s College where we have continued to enjoy a wonderful artistic residency since 2012.