DOCSLIB.ORG

Adopted Annual Budget FY 2015-16

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Adopted Annual Budget FY 2015-16 Eugene Montanez, Mayor Jason Scott, Vice Mayor Dick Haley, Council Member Randy Fox, Council Member Karen Spiegel, Council Member Darrell Talbert, City Manager Kerry D. Eden, Assistant City Manager / Administrative Services Director CITY OF CORONA City Organizational Chart ELECTORATE CITY COUNCIL CITY TREASURER CITY ATTORNEY CITY MANAGER Community Library & Recreation Management Services Administrative Services Development Services Maintenance Department of Fire Police Services Water & Power Information Public Works Technology The City of Corona received the Excellence in Operating Budgeting Award for Fiscal Year 2014-15 from the California Society of Municipal Finance Officers. Cities must submit their document each year for review. This represents the eleventh consecutive year the City has been awarded for Excellence in Operating Budget by the organization. To receive this award, cities must prepare an informative yet readable document which meets the criteria of the California Society of Municipal Finance Officers. The document must contain information that conveys to the reader the City’s direction in regards to policies, operations, and finances. Additionally, the document must present a jurisdictional profile containing information on the local economy and City demographics. The City of Corona will be submitting its Annual Budget for Fiscal Year 2015-16 to the California Society of Municipal Finance Officers organization for review. TABLE OF CONTENTS Table of Contents .................................................................................................................................. i Budget Message ................................................................................................................................ iii Budget Overview Budget Overview .................................................................................................................................... 1 Total Expenditures by Fund Type (Graph) ............................................................................................. 9 General Fund Sources (Graph) ........................................................................................................... 16 General Fund Uses (Graph) ................................................................................................................ 20 Schedule of Estimated Fund Balance Changes .................................................................................. 28 Schedule of Estimated Working Capital Changes .............................................................................. 32 Summary of Revenues by Fund Type ................................................................................................. 34 Summary of Expenditures by Fund Type ............................................................................................. 38 Schedule of Estimated Transfers ......................................................................................................... 42 Schedule of Estimated Interfund Charges ........................................................................................... 43 Summary of Revised Budget Items ..................................................................................................... 45 Additional Revised Budget Items ......................................................................................................... 46 Revenues Revenue Overview ............................................................................................................................... 49 General Fund by Revenue (Graph) ..................................................................................................... 54 General Fund Revenue By Type (Graph) ............................................................................................ 55 Schedule of Revenues ......................................................................................................................... 56 Department Budgets City Council ................................................................................................................................. 79 Management Services ................................................................................................................ 85 City Treasurer ............................................................................................................................. 91 General Government ................................................................................................................... 97 Information Technology ............................................................................................................. 101 Administrative Services ............................................................................................................. 107 Legal and Risk Management .................................................................................................... 115 Community Development .......................................................................................................... 123 Fire ............................................................................................................................................ 133 Police ........................................................................................................................................ 141 Public Works ............................................................................................................................. 151 Library and Recreation Services ............................................................................................... 159 Maintenance Services ............................................................................................................... 165 Department of Water and Power ............................................................................................... 175 City of Corona Fiscal Year 2015-16 Page i TABLE OF CONTENTS Capital Projects Capital Improvement Program Overview ........................................................................................... 187 Capital Improvement Program by Category and Funding Source (Graph) ........................................ 190 Schedule of New Appropriations by Fund .......................................................................................... 191 Schedule of Estimated Continuing Appropriations by Fund ............................................................... 195 Other Budgets Debt Service Summary by Fund ....................................................................................................... 205 Debt Service Summary by Fund Type ............................................................................................... 209 Corona Public Financing Authority ..................................................................................................... 211 Community Facilities Districts ............................................................................................................ 212 Assessment Districts .......................................................................................................................... 215 Successor Agency of the Former Redevelopment Agency ............................................................... 217 Corona Utility Authority ...................................................................................................................... 218 Miscellaneous .................................................................................................................................... 220 Personnel Schedule of Positions - Citywide ........................................................................................................ 223 General Information & Corona Profile General Information and Corona Profile ............................................................................................ 239 Corona – Past and Present ................................................................................................................ 247 Appendix Budget Resolutions ............................................................................................................................ 251 Resolution of the City Council Adopting Budget ................................................................................ 252 Resolution of the Corona Housing Authority Adopting Budget .......................................................... 258 Resolution of the Corona Utility Authority Adopting Budget ............................................................... 263 Resolution of the Corona Public Financing Authority Adopting Budget ............................................. 267 Resolution Adopting Annual Appropriations Limit .............................................................................. 271 Glossary ............................................................................................................................................. 273 City of Corona Fiscal Year 2015-16 Page ii FISCAL YEAR 2015‐16 BUDGET HIGHLIGHTS Total expenditure budget is decreasing by 3.38% as compared to Fiscal Year 2014‐15 adopted budget, primarily related to lower capital improvement project requests. Prepared with 631 full time and 232 part time positions. Capital improvement projects budget totals $36.3 million and includes $10.1 million for water reclamation, $6.8 million for water related projects, $6.4 million for buildings/facilities/maintenance,
Load more

Recommended publications
  • Selected Filmography of Digital Culture and New Media Art
    Dejan Grba SELECTED FILMOGRAPHY OF DIGITAL CULTURE AND NEW MEDIA ART This filmography comprises feature films, documentaries, TV shows, series and reports about digital culture and new media art. The selected feature films reflect the informatization of society, economy and politics in various ways, primarily on the conceptual and narrative plan. Feature films that directly thematize the digital paradigm can be found in the Film Lists section. Each entry is referenced with basic filmographic data: director’s name, title and production year, and production details are available online at IMDB, FilmWeb, FindAnyFilm, Metacritic etc. The coloured titles are links. Feature films Fritz Lang, Metropolis, 1926. Fritz Lang, M, 1931. William Cameron Menzies, Things to Come, 1936. Fritz Lang, The Thousand Eyes of Dr. Mabuse, 1960. Sidney Lumet, Fail-Safe, 1964. James B. Harris, The Bedford Incident, 1965. Jean-Luc Godard, Alphaville, 1965. Joseph Sargent, Colossus: The Forbin Project, 1970. Henri Verneuil, Le serpent, 1973. Alan J. Pakula, The Parallax View, 1974. Francis Ford Coppola, The Conversation, 1974. Sidney Pollack, The Three Days of Condor, 1975. George P. Cosmatos, The Cassandra Crossing, 1976. Sidney Lumet, Network, 1976. Robert Aldrich, Twilight's Last Gleaming, 1977. Michael Crichton, Coma, 1978. Brian De Palma, Blow Out, 1981. Steven Lisberger, Tron, 1982. Godfrey Reggio, Koyaanisqatsi, 1983. John Badham, WarGames, 1983. Roger Donaldson, No Way Out, 1987. F. Gary Gray, The Negotiator, 1988. John McTiernan, Die Hard, 1988. Phil Alden Robinson, Sneakers, 1992. Andrew Davis, The Fugitive, 1993. David Fincher, The Game, 1997. David Cronenberg, eXistenZ, 1999. Frank Oz, The Score, 2001. Tony Scott, Spy Game, 2001.
    [Show full text]
  • Program 2017 Mensa AG
    Mensa AG 2017 TUESDAY, JULY 4 5:00 P.M. - 9:00 P.M. Pre-registrant package pickup for AG and Colloquium incl badge and program book WEDNESDAY, JULY 5 7:00 A.M. - 9:00 P.M. Pre-registrant package pickup AG & Colloquium 10:00 A.M. - 9:00 P.M. Walk in package pickup and changes 8:00 A.M. (REGENCY BALLROOM 1 & 2) COLLOQUIUM 2017 — THE HEALTH CARE OF CATASTROPHES: INNOVATION DRIVEN BY DISASTER Catastrophes — from hurricanes to mass shootings to epidemics — present the medical community with care challenges as complex and traumatic as the disasters themselves. Sponsored by the Mensa Education & Research Foundation, this Colloquium will address these health care challenges from the perspective of emerging technology and innovation, as well as evolving policy questions. 12:00 P.M. (ATLANTIC BALLROOM 1) REVOLT OF THE DEPLORABLES: THE INSIDE STORY OF THE GREATEST POLITICAL UPSET IN U.S. HISTORY STEVEN ALLEN The 2016 presidential campaign pitted one of the best-credentialed candidates ever to seek the presidency against a shoot-from-the-lip billionaire whose followers considered themselves part of a worldwide populist movement. The outcome was the greatest upset in U.S. political history. What happened? In this presentation, based on his forthcoming book Revolt of the Deplorables, Dr. Steven J. Allen tells the inside story of a grassroots rebellion that changed the course of America and the world. Allen has been called a “digital revolutionary” (the National Journal) and “the Tea Party’s editor in chief” (The Daily Beast/Newsweek). He served as press secretary to Sen.
    [Show full text]
  • Selected Filmography in Digital Culture and Digital Art
    Dejan Grba | Selected Filmography in Digital Art and Culture Dejan Grba Selected Filmography in Digital Culture and Digital Art This filmography comprises feature films, documentaries, TV shows, series and reports about digital culture and digital art. The selected feature films reflect the informatization of society, economy and politics in various ways, primarily on the conceptual and narrative level. Feature films that directly thematize the digital paradigm can be found in the Film Lists section. Each entry is referenced with basic filmographic data: director’s name, title and production year, and production details are available online at IMDB, FilmWeb, FindAnyFilm, Allrovi, Metacritic etc. The coloured titles are links. Feature Films Fritz Lang, Metropolis, 1926. Fritz Lang, M, 1931. William Cameron Menzies, Things to Come, 1936. Fritz Lang, The Thousand Eyes of Dr. Mabuse, 1960. Sidney Lumet, Fail-Safe, 1964. James B. Harris, The Bedford Incident, 1965. Jean-Luc Godard, Alphaville, 1965. Henri Verneuil, Le serpent, 1973. Alan J. Pakula, The Parallax View, 1974. Francis Ford Coppola, The Conversation, 1974. Sidney Pollack, The Three Days of Condor, 1975. George P. Cosmatos, The Cassandra Crossing, 1976. Sidney Lumet, Network, 1976. Robert Aldrich, Twilight's Last Gleaming, 1977. Michael Crichton, Coma, 1978. Brian De Palma, Blow Out, 1981. Steven Lisberger, Tron, 1982. Godfrey Reggio, Koyaanisqatsi, 1983. John Badham, WarGames, 1983. Roger Donaldson, No Way Out, 1987. F. Gary Gray, The Negotiator, 1988. Dejan Grba | +381 62 207 749 | [email protected] | http://dejangrba.dyndns.org Dejan Grba | Selected Filmography in Digital Art and Culture John McTiernan, Die Hard, 1988. Phil Alden Robinson, Sneakers, 1992.
    [Show full text]
  • HOARDERS Master
    VA Foundation for the Humanities | HOARDERS_Master NATHAN: Major funding for BackStory is provided by an anonymous donor, the National Endowment for the Humanities, the Joseph and Robert Cornell Memorial Foundation, and the Arthur Vining Davis Foundations. [MUSIC PLAYING] ED: From the Virginia Foundation for the Humanities, this is BackStory. JOANNE: Welcome to BackStory, the show that explains the history behind today's headlines. I'm Joanne Freeman. NATHAN: I'm Nathan Connolly. ED: And I'm Ed Ayers. JOANNE: OK, so Nathan, Ed, I want to introduce you to a historical character who I'm particularly fond of. ED: I'll look forward to meeting him or her. JOANNE: He's a little quirky but really interesting. Picture this. It's Washington, DC. It's 1802. A man named William Plumer has just been elected to the Senate from New Hampshire, so the capitol is his base. Now imagine-- Plumer's a guy. He's kind of tall. He's kind of thin. He's not really a flashy dresser. In that sense, he's kind of New England-ish. So Plumer moves to the capitol at a time of pretty intense political divisions. His party, the Federalist, had just been booted out of power by Thomas Jefferson's Republican Party. ED: So I guess not everything has changed in Washington since 1802, huh? JOANNE: No, definitely not. So he arrives in Washington, and he's grouchy. He already feels like he's an outsider and everything that he loves might be crashing to ruin. [MUSIC PLAYING] So, early in his term, Plumer is wandering around the halls of the capitol, and he stumbles across a lumber room and peeks inside.
    [Show full text]
  • Game Developer
    ANNIVERSARY10 ISSUE >>PRODUCT REVIEWS TH 3DS MAX 6 IN TWO TAKES YEAR MAY 2004 THE LEADING GAME INDUSTRY MAGAZINE >>VISIONARIES’ VISIONS >>JASON RUBIN’S >>POSTMORTEM THE NEXT 10 YEARS CALL TO ACTION SURREAL’S THE SUFFERING THE BUSINESS OF EEVERVERQQUESTUEST REVEALEDREVEALED []CONTENTS MAY 2004 VOLUME 11, NUMBER 5 FEATURES 18 INSIDE EVERQUEST If you’re a fan of making money, you’ve got to be curious about how Sony Online Entertainment runs EVERQUEST. You’d think that the trick to running the world’s most successful subscription game 24/7 would be a closely guarded secret, but we discovered an affable SOE VP who’s happy to tell all. Read this quickly before SOE legal yanks it. By Rod Humble 28 THE NEXT 10 YEARS OF GAME DEVELOPMENT Given the sizable window of time between idea 18 and store shelf, you need to have some skill at predicting the future. We at Game Developer don’t pretend to have such skills, which is why we asked some of the leaders and veterans of our industry to give us a peek into what you’ll be doing—and what we’ll be covering—over the next 10 years. 36 28 By Jamil Moledina POSTMORTEM 32 THE ANTI-COMMUNIST MANIFESTO 36 THE GAME DESIGN OF SURREAL’S Jason Rubin doesn’t like to be treated like a nameless, faceless factory worker, and he THE SUFFERING doesn’t want you to be either. At the D.I.C.E. 32 Before you even get to the problems you typically see listed in our Summit, he called for lead developers to postmortems, you need to nail down your design.
    [Show full text]
  • 2020 Arizona Student Film Festival Program
    BECAUSE IF WE DON’T SHARE THEIR STORY, NO ONE WILL. FOR MORE THAN 100 YEARS, THE ARIZONA REPUBLIC HAS BEEN A WATCHDOG AND FRIEND. “They Have Names,” our documentary showcased at the Phoenix Film Festival, extends watchdog reporting to the big screen. The film details how children, families and case workers navigate an overloaded system. Through the power of journalism and film making, The Arizona Republics shares these powerful stories with the world. The Arizona Republic supports the Phoenix Film Festival. YOU CAN SUPPORT LOCAL JOURNALISM FOR LESS THAN $10 A MONTH. subscribe.azcentral.com 2020 PHOENIX FILM FESTIVAL PHOENIX FILM FOUNDATION CONTENTS BOARD OF DIRECTORS OFFICERS THE FESTIVAL Alison Frost - Board Chair 4 Partnership Recognition Lori Alderfer - President 6 Festival Staff Brent Stokes - Vice Chair Ira Wechter - Treasurer 8 Opening Night Film Susanna Kilby - Secretary 10 Closing Night Film 53 Film Index DIRECTORS Monica Apodaca 55 Reel Friends Leslie Benner James Christian Mario Romero SCREENING & PROGRAMS Jeff Sobotka 11 Feature-Length Film Competition Jennifer Stein 16 Short Films NATIONAL ADVISORY BOARD 19 World Cinema Film Programs Chris LaMont, President 23 Showcase Features Linda Herold - Jim Manley 37 Arizona Films Rick McCartney - Sentari Minor Slobodan Popovic 40 Unified by Film 44 Intl Horror and Sci-Fi Film Festival PHOENIX FILM FOUNDATION 45 IHSFF Showcase Features 7000 E Mayo Blvd, Suite 1059 Phoenix, AZ 85054 47 Horror Features www.PhxFilm.com 48 Sci-Fi Features 49 Horror Shorts PHOENIX FILM FESTIVAL 2020 OFFICIAL PROGRAM 50 Sci-Fi Shorts Jason Carney – Editorial Director 52 Arizona Student Film Festival Marty Freetage – Graphic Designer Welcome to the 20th Anniversary edition of the Phoenix Film Festival.
    [Show full text]
  • Frankenstein; Or, the Modern Prometheus
    A Place among the Stars Ordained December Servant 2018 Ordained Servant Online A Journal for Church Officers E-ISSN 1931-7115 CURRENT ISSUE: A PLACE AMONG THE STARS December 2018 From the Editor Harold Dorman was a kind of Shamgar among ministers—easy to overlook, not well known outside of his presbytery and local church. He was a quiet and unassuming man who served his Lord and his Lord’s church as a pastor for fifty-six years since his ordination in 1958. He is, thus, a sterling example to us all. “A Place among the Stars” is a presentation I prepared for New Hampshire Public Radio for Christmas in 1996. It is an example of a kind of Christian witness we may offer to a secular audience in our cynical age. Please play the Scarlatti music at the point designated in the article. It is a stunning cantata, worthy of the astonishing good news it heralds. David Noe translates the second in our series of Servant Classics with “Beza on the Trinity.” His translations are sui generis, and this uniqueness is a real treat for Ordained Servants readers. There is nothing more important than the doctrine of the Trinity. It may seem a strange thing to review a book about Mary Shelley’s famous horror story, or perhaps the first science fiction novel, in a journal for church officers; but if we are to minister in a world of extraordinary technological inventions we must be aware of the dangers, the unintended consequences, of our creations. The difference between friend and fiend is slight in print, but dramatic in reality.
    [Show full text]
  • 2014-07 EFF Gaming Exempiton Comment
    Before the U.S. COPYRIGHT OFFICE, LIBRARY OF CONGRESS In the Matter of Exemption to Prohibition on Circumvention of Copyright Protection Systems for Access Control Technologies Docket No. 2014-07 Comments of the Electronic Frontier Foundation 1. Commenter Information Electronic Frontier Foundation Kendra Albert Mitch Stoltz (203) 424-0382 Corynne McSherry [email protected] Kit Walsh 815 Eddy St San Francisco, CA 94109 (415) 436-9333 [email protected] The Electronic Frontier Foundation (EFF) is a member-supported, nonprofit public interest organization devoted to maintaining the traditional balance that copyright law strikes between the interests of copyright owners and the interests of the public. Founded in 1990, EFF represents over 25,000 dues-paying members, including consumers, hobbyists, artists, writers, computer programmers, entrepreneurs, students, teachers, and researchers, who are united in their reliance on a balanced copyright system that ensures adequate incentives for creative work while facilitating innovation and broad access to information in the digital age. In filing these comments, EFF represents the interests of gaming communities, archivists, and researchers who seek to preserve the functionality of video games abandoned by their manufacturer. 2. Proposed Class Addressed Proposed Class 23: Abandoned Software—video games requiring server communication Literary works in the form of computer programs, where circumvention is undertaken for the purpose of restoring access to single-player or multiplayer video gaming on consoles, personal computers or personal handheld gaming devices when the developer and its agents have ceased to support such gaming. We ask the Librarian to grant an exemption to the ban on circumventing access controls applied to copyrighted works, 17 U.S.C.
    [Show full text]
  • Cooke Dissertation
    COOKE, JASON SCOTT, PhD. Indian Fields: Historicizing Native Space and Sovereignty in the Era of Removal. (2017) Directed by Dr. Mark Rifkin. 326 pp. Familiar to most anyone with knowledge of U.S. history, antebellum Indian removal likely evokes a drama comprised of two roles: on one hand, Indian peoples as represented by elite Cherokee activists, and, on the other, their political antagonists in the nascent states' rights movement, among whom the infamous Andrew Jackson stands both as agent and symbol. What may be surprising, however, is that Americanist scholarship on Native removal similarly reduces it to an overarching Indian-Anglo binary. As against a two-worlds model that frames removal writ large in terms of a single political dualism, I argue that regionally specific forms of Native dispossession around the time of the Indian Removal Act (1830) yield different narrative assemblages of Indian identity. Further, these assemblages correspond with differences in the historical conditions of settler colonialism in different parts of the country, conditions irreducible to a single narrative premised on the territorial claims of the United States. Combining work in the field of Native studies by scholars such as Gerald Vizenor and Jodi Byrd with post- structuralist insights into the relationship between narrativity and historicism, this dissertation develops a geographic paradigm that emphasizes the ways in which both Native and settler actors use linear narratives of history to fashion claims to territory. Each chapter situates the work of an Indigenous activist of the period (the Cherokee spokesperson Elias Boudinot, the Pequot minister William Apess, and the Sauk warrior Black Hawk) in relation to non-Native political and literary texts that lay claim, whether implicitly or explicitly, to lands otherwise held by these activists' respective nations.
    [Show full text]
  • About the Author
    About the Author Stephen Lilley (PhD and MA, University of Massachusetts, Amherst; BA, College of the Holy Cross) teaches and conducts research on society and technology. He has written on genetic medicine, Moore’s Law, characterizations of human-machine networks, and technology fatalism. He has co-authored studies and papers on social networking, surveillance, and privacy. His writing on social movements began with a Master’s thesis on liberation theology in the Sandinista Revolution and a dissertation on Dr. King’s leadership within the Civil Rights Movement in America. More recently he has studied the ideology, rhetoric, and mobilization strategies of organizations that strive to advance controversial technologies. He is a Professor of Sociology at Sacred Heart University, Fairfield CT. S. Lilley, Transhumanism and Society, SpringerBriefs in Philosophy, 79 DOI: 10.1007/978-94-007-4981-8, Ó The Author(s) 2013 References Agar, N. (2004). Liberal eugenics: In defense of human enhancement. Malden, MA: Blackwell Publishing. Annas, G. (2006). Governing biotechnology. Global Agenda,1(4), 21. Bailey, R. (2005). Liberation biology: The scientific and moral case for the biotech revolution. Amherst, MA: Prometheus Books. Bainbridge, W. S. (2006). Cyberimmortality: Science, religion, and the battle to save our souls. Futurist,40(2), 25–29. Baylis, F., & Robert, J. S. (2004). The inevitability of genetic enhancement technologies. Bioethics,18(1), 1–26. Beck, U. (1992). Risk society: Towards a new modernity (M. Ritter, Trans.). London: Sage Publications. Beck, U. (1995). Ecological politics in an age of risk (A. Weisz, Trans.). Cambridge, UK: Polity Press. Becker, B. (2000). Cyborgs, agents, and transhumanists.
    [Show full text]
  • Dmo 5930 Documentary Project: the Oral History
    ORAL HISTORY OF VIDEO GAMES 2015 Project Number: DMO 5930 DOCUMENTARY PROJECT: THE ORAL HISTORY OF VIDEO GAMES Submitted by: John Guerra Jacob Hawes Charles Wentzell To: Professor Dean M. O’Donnell, Advisor Date: May 03, 2015 This report represents the work of WPI undergraduate students submitted to the faculty as evidence of completion of a degree requirement. WPI routinely publishes these reports on its website without editorial or peer review. For more information about the projects program at WPI, please see http://www.wpi.edu/academics/ugradstudies/project-learning.html ORAL HISTORY OF VIDEO GAMES 2015 2 Abstract This IQP was done to add to the ongoing WPI Oral History of Videogames project, which is added to each year with new interviews. We interviewed three individuals: Jon Palace, a former editor at Infocom, Jen Lesser, an artist who worked with both Harmonix and id Software, and R.A. Salvatore, an acclaimed fantasy author who has worked on multiple video games. We edited each interview into cohesive segments and uploaded these to the Alpheus website (http://alpheus.wpi.edu/imgd/oral-history/index.html). We also made the unedited version of each interview available for download. ORAL HISTORY OF VIDEO GAMES 2015 3 Acknowledgements We would like to thank the following individuals and organizations. Jen Lesser Jon Palace RA Salvatore Interviewees Dean O’Donnell Project advisor and instructor Michael Voorhis Provided access to Oral Histories webpage WPI Academic Media and Game Development Program Allowed use of camera and audio equipment WPI Interactive Media and Game Development Program Allowed access to lighting kits and also other help We greatly appreciate the help all of these individuals and organization provided in completing our project and acknowledge their contributions as significant.
    [Show full text]
  • The University of Bergen
    The University of Bergen Department of Linguistic, Literary and Aesthetic Studies DIKULT350 Master’s Thesis in Digital Culture Fall 2016 HERITAGE.exe The current state and future of Norwegian software preservation — mapping the challenges of preserving locally executable digital arti- facts and the strategies needed to overcome them. Thor Baukhol Madsen Abstract A digital culture is expressed through digital media. This means that a part of our cultural heritage is now embodied in digital artifacts — including software. Using this as a base premise, this thesis aims to disclose and discuss the current state and future of Norwegian software preservation. In order to bring about such a discus- sion, it maps the challenges related to software preservation and evaluates the cur- rently available strategies for ensuring long-term access to locally executable digi- tal artifacts. The challenges of preserving software are discussed on the basis of a broad theoretical framework and a case study of three U.S institutions which have all implemented different frameworks for ensuring executable artifacts — namely the Internet Archive, Stanford University Libraries and the Media Archaeology Lab. - - - - - - - - - - En digital kultur uttrykkes gjennom digital medier. Dette betyr at deler av vår kulturarv nå er innlemmet i digitale artefakter — også software. Med dette som grunnpremiss, har denne oppgaven som sin hensikt å avdekke og diskutere den nåværende situasjonen for norsk software-bevaring. For å kunne gjøre dette, kartlegger denne oppgaven utfordringene ved å bevare software og evaluerer de tilgjengelige strategiene for langtidsbevaring av lokalt kjørbare digitale artefakter. Utfordringene ved å bevare software diskuteres utfra et bredt teoretisk rammeverk samt en kasusstudie av tre ulike amerikanske institusjoner som har implementert tre ulike strategier for å bevare kjørbare digital artefakter — henholdsvis the Internet Archive, Stanford University Libraries og the Media Archaeology Lab.
    [Show full text]