2020 Arizona Student Film Festival Program
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AC Issue49 March2011.Pdf
ac_issue#49.indd 1 22/03/11 2:14 PM Complete 35mm Package You thought you couldn’t afford film anymore... ...think again. Complete 35mm is the 35mm film and processing package from FUJIFILM / Awesome Support and Deluxe. Designed to offer the flexibility and logistical benefits of the film origination at a preferential price. The package includes: • 35mm FUJIFILM motion picture film stock • 35mm negative developing at Deluxe 400’ roll* 1000’ roll* $424 ex gst $1060 ex gst *This special package runs from 1st December 2010 to 31st January 2011 and it is open to TVC production companies for TVC / Rock clips / Web idents etc. Package applies to the complete range of FUJIFILM 35mm film in all speeds. No minimum or maximum order. Brought together by AUSTRALIA Contact: Ali Peck at Awesome Support 0411 871 521 [email protected] Jan Thornton at Deluxe Sydney (02) 9429 6500 [email protected] or Ebony Greaves at Deluxe Melbourne (03) 9528 6188 [email protected] ac_issue#49.indd 2 22/03/11 2:15 PM Not your average day at the supermarket. It’s Bait in 3D. Honestly, it would have been very difficult to make this movie without Panavision. Their investment and commitment to 3D technologies is a huge advantage to filmmakers. Without a company the size and stature of Panavision behind these projects they would be very difficult to achieve. Ross Emery ACS Shooting in 3D is a complex and challenging undertaking. It’s amazing how many people talk about being able to do it, but Panavision actually knows how to make it happen. -
Survey Report African American Struggle for Civil Rights in Rhode Island: the Twentieth Century Statewide Survey and National Register Evaluation
Survey Report African American Struggle for Civil Rights in Rhode Island: The Twentieth Century Statewide Survey and National Register Evaluation Printed in January 2020 This material was produced with assistance from the Historic Preservation Fund, administered by the National Park Service, Department of the Interior. Any opinions, findings, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior Survey Report African American Struggle for Civil Rights in Rhode Island: The Twentieth Century Phase 2: Statewide Survey and National Register Evaluation July 2, 2019 Submitted to: RI Historical Preservation and Heritage Commission 150 Benefit Street Providence, RI 02903 Background and Purpose The Rhode Island Historical Preservation and Heritage Commission (RIHPHC), in partnership with the Rhode Island Historical Society (RIHS) and the Rhode Island Black Heritage Society (RIBHS), engaged the Public Archaeology Laboratory, Inc. (PAL) to complete a Statewide Survey and National Register Evaluation of sites relating to the Twentieth-Century African American Civil Rights Movement in Rhode Island. This project was Phase 2 of a three-phase project funded by the National Park Service’s African American Civil Rights Grant Program; Phase 1 was completed by RIBHS researchers in July 2018. This Survey Report for Phase 2 includes a methodology statement, a historical context statement, a summary of surveyed sites, and a bibliography. A list of the surveyed resources and corresponding maps are provided in the attached appendix. Methodology Statement The purpose of this project was to complete an intensive-level survey of extant cultural and architectural resources associated with the African American Civil Rights Movement in twentieth- century Rhode Island. -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
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M V 7>DB4>540AC7)Get a chic blueprint with no carbon footprint | 8]bXST A PUBLICATION OF | P L A N Y O U R N I G H T A T W W W. E X P R E S S N I G H T O U T. C O M | OCTOBER 3-5, 2008 | -- 5A44++ Weekend C74A>03F0AA8>AB --;Pbc]XVWc½bSTQPcTT]STSPUcTa C74A43B:8=B4G?42C0C>D675867C8=?78;;Hk ! 4g_aTbb½STPS[X]T5X]SX]ST_cW R^eTaPVTPcfPbWX]Vc^]_^bcR^\ <R2PX] 2^]RTSTb CHRIS O’MEARA/AP Evan Longoria hit two home runs in the Rays’ win. <XRWXVP] APhbA^[[)Longoria powers Losing ground, Republican Tampa to first playoff win | # writes off battleground state F0B78=6C>=k Republican presidential can- ATbRdT4UU^ac) Push to get didate John McCain conceded battleground Michigan to the Democrats on Thursday, GOP bailout passed gains steam | " officials said, a major retreat as he struggles to regain his footing in a campaign increas- 5^bbTcc2[dTb) Wreckage of ingly dominated by economic issues. These officials said McCain was pulling adventurer’s plane found | # staff and advertising out of the economically distressed Midwestern state. With 17 elec- 4=C4AC08=<4=C toral votes, Michigan voted for Democrat John Kerry in 2004, but Republicans had poured money into an effort to try to place it in their column this year. ?[PhX]V=XRT) The decision allows McCain’s resources Michael Cera acts to be sent to Ohio, Wisconsin, Florida and other more competitive states. But it also sweetly awk- means Obama can shift money to other ward .. -
Selected Filmography of Digital Culture and New Media Art
Dejan Grba SELECTED FILMOGRAPHY OF DIGITAL CULTURE AND NEW MEDIA ART This filmography comprises feature films, documentaries, TV shows, series and reports about digital culture and new media art. The selected feature films reflect the informatization of society, economy and politics in various ways, primarily on the conceptual and narrative plan. Feature films that directly thematize the digital paradigm can be found in the Film Lists section. Each entry is referenced with basic filmographic data: director’s name, title and production year, and production details are available online at IMDB, FilmWeb, FindAnyFilm, Metacritic etc. The coloured titles are links. Feature films Fritz Lang, Metropolis, 1926. Fritz Lang, M, 1931. William Cameron Menzies, Things to Come, 1936. Fritz Lang, The Thousand Eyes of Dr. Mabuse, 1960. Sidney Lumet, Fail-Safe, 1964. James B. Harris, The Bedford Incident, 1965. Jean-Luc Godard, Alphaville, 1965. Joseph Sargent, Colossus: The Forbin Project, 1970. Henri Verneuil, Le serpent, 1973. Alan J. Pakula, The Parallax View, 1974. Francis Ford Coppola, The Conversation, 1974. Sidney Pollack, The Three Days of Condor, 1975. George P. Cosmatos, The Cassandra Crossing, 1976. Sidney Lumet, Network, 1976. Robert Aldrich, Twilight's Last Gleaming, 1977. Michael Crichton, Coma, 1978. Brian De Palma, Blow Out, 1981. Steven Lisberger, Tron, 1982. Godfrey Reggio, Koyaanisqatsi, 1983. John Badham, WarGames, 1983. Roger Donaldson, No Way Out, 1987. F. Gary Gray, The Negotiator, 1988. John McTiernan, Die Hard, 1988. Phil Alden Robinson, Sneakers, 1992. Andrew Davis, The Fugitive, 1993. David Fincher, The Game, 1997. David Cronenberg, eXistenZ, 1999. Frank Oz, The Score, 2001. Tony Scott, Spy Game, 2001. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
NYU Gives H1N1 Vaccine to Students Construction
the commentatorThe Student Newspaper of the New York University School of Law Volume XLIII, Number 5 November 11, 2009 Construction Continues at NYU Gives H1N1 Vaccine to Students BY MICHAEL MIX ’11 have already suffered the effects an allergic reaction, especially in EDITOR -IN -CHIEF of H1N1. those who are allergic to eggs. Fur- 133 MacDougal Street “Primarily, [swine] flu made my thermore, some have reported mild The line stretched up the whole body hurt, nonstop, for days,” problems including runny noses, na- stairs, through the vestibule, out said Nir Zicherman ’11. “I was very sal congestion, sore throats, a severe the doors of D’Agostino Hall physically drained, I had a painful cough, chills and headaches. Various and down 3rd Street. NYU stu- cough and I also had a high fever media outlets have expressed worry dents are used to long lines for for the first few days. I couldn’t at all about distributing a vaccine that is things like free food during finals, sleep unless I took NyQuil.” so new. However, these conerns but this line was a little different: The vaccine that was distrib- did not stop many NYU students Students were from heading to queuing up for D’Agostino to re- the swine-flu ceive the vaccine. vaccine. Last “I wasn’t re- Monday, NYU ally worried about School of Law the side effects be- Stavan Desai did its best to cause I think being mitigate the protected against spread of the the swine flu was BY ANDREW KLOSTER ’10 Federal Theater Project, which disease, oth- worth the risk of STAFF WRITER stimulated the local economy and created and retained many erwise known maybe experienc- “[It is in this] hallowed jobs. -
Portland Daily Press
DAILY PORTLAND ^ ^ ________ _____——I^^^■—————g—^——____________—_^___—_____PRESS. ESTABLISHED JUNE 23. 1862. VOL. 13. MONDAY MORNING, SEPTEMBER 21, 1874. PORTLAND, TERMS $8.00 PEHANNIMIN ADVANCt THE PORTLAND DAILY PRESS BUSINESS PI K TO LEI. I cultivate EDUCATIONAL. KCTORY. REAL ESTATE. __WANTS._ THE my beds mostly with the spading Published the PRESS. every day (Sundays excerted) by fork, a strong, tempered steel instrument PORTLAND Booksellers and Stationers. for bile,—An elegant Wanted. To Let* with four flat PORTLAND PUBLISHING CO., in MONDAY MORNING, SEPT. 21, 1874 prongs. Setting this fork mid- HOVT,ftFO<Cia ,N*.01 Middle Street. ResidenceBrick House, well drained, very desirable BOA RD. Pleasant, Front Chamber, suit location. Western end ot the and Se- An reliable man to sell the able lor way between the T. 054 Cngren St. sunny city, ga* active, two persons. AIt*o, Table Boarders rows, drive it to the full At 108 Excuisoe St., Portland. COLLEGE MeGOWAN, hot and cold in win- wanted at BUSINESS bago, water every room, bay 4!) PLEASANT, St. depth, lift and dows, large brick fuiuaee, splendid cellar, wash trays American Horse and Cattle Spice _«el6d2w» THE FARM AND HOUSEHOLD. throughly loosen the earth. Terms: Pc liars a Year in Eight advance. To admitted at any time when there are Book Binders, with bdt and cold water. to UPHAM & Between rows or Apply Portland and man To Leu Jwo two and a half feet mail subscribers Seven Dollars a Year it paid in ad- STUDENTSvacancies. All parties interested are invited to GARDINER, Real Estate No- 7 Exchange in vicinity. -
Program 2017 Mensa AG
Mensa AG 2017 TUESDAY, JULY 4 5:00 P.M. - 9:00 P.M. Pre-registrant package pickup for AG and Colloquium incl badge and program book WEDNESDAY, JULY 5 7:00 A.M. - 9:00 P.M. Pre-registrant package pickup AG & Colloquium 10:00 A.M. - 9:00 P.M. Walk in package pickup and changes 8:00 A.M. (REGENCY BALLROOM 1 & 2) COLLOQUIUM 2017 — THE HEALTH CARE OF CATASTROPHES: INNOVATION DRIVEN BY DISASTER Catastrophes — from hurricanes to mass shootings to epidemics — present the medical community with care challenges as complex and traumatic as the disasters themselves. Sponsored by the Mensa Education & Research Foundation, this Colloquium will address these health care challenges from the perspective of emerging technology and innovation, as well as evolving policy questions. 12:00 P.M. (ATLANTIC BALLROOM 1) REVOLT OF THE DEPLORABLES: THE INSIDE STORY OF THE GREATEST POLITICAL UPSET IN U.S. HISTORY STEVEN ALLEN The 2016 presidential campaign pitted one of the best-credentialed candidates ever to seek the presidency against a shoot-from-the-lip billionaire whose followers considered themselves part of a worldwide populist movement. The outcome was the greatest upset in U.S. political history. What happened? In this presentation, based on his forthcoming book Revolt of the Deplorables, Dr. Steven J. Allen tells the inside story of a grassroots rebellion that changed the course of America and the world. Allen has been called a “digital revolutionary” (the National Journal) and “the Tea Party’s editor in chief” (The Daily Beast/Newsweek). He served as press secretary to Sen. -
Selected Filmography in Digital Culture and Digital Art
Dejan Grba | Selected Filmography in Digital Art and Culture Dejan Grba Selected Filmography in Digital Culture and Digital Art This filmography comprises feature films, documentaries, TV shows, series and reports about digital culture and digital art. The selected feature films reflect the informatization of society, economy and politics in various ways, primarily on the conceptual and narrative level. Feature films that directly thematize the digital paradigm can be found in the Film Lists section. Each entry is referenced with basic filmographic data: director’s name, title and production year, and production details are available online at IMDB, FilmWeb, FindAnyFilm, Allrovi, Metacritic etc. The coloured titles are links. Feature Films Fritz Lang, Metropolis, 1926. Fritz Lang, M, 1931. William Cameron Menzies, Things to Come, 1936. Fritz Lang, The Thousand Eyes of Dr. Mabuse, 1960. Sidney Lumet, Fail-Safe, 1964. James B. Harris, The Bedford Incident, 1965. Jean-Luc Godard, Alphaville, 1965. Henri Verneuil, Le serpent, 1973. Alan J. Pakula, The Parallax View, 1974. Francis Ford Coppola, The Conversation, 1974. Sidney Pollack, The Three Days of Condor, 1975. George P. Cosmatos, The Cassandra Crossing, 1976. Sidney Lumet, Network, 1976. Robert Aldrich, Twilight's Last Gleaming, 1977. Michael Crichton, Coma, 1978. Brian De Palma, Blow Out, 1981. Steven Lisberger, Tron, 1982. Godfrey Reggio, Koyaanisqatsi, 1983. John Badham, WarGames, 1983. Roger Donaldson, No Way Out, 1987. F. Gary Gray, The Negotiator, 1988. Dejan Grba | +381 62 207 749 | [email protected] | http://dejangrba.dyndns.org Dejan Grba | Selected Filmography in Digital Art and Culture John McTiernan, Die Hard, 1988. Phil Alden Robinson, Sneakers, 1992. -
Almanaque-5.Pdf
Autoridades Universitarias Hernán Anzola Presidente del Consejo Superior Benjamín Scharifker Rector Mary Carmen Lombao Vicerrector Académico María Elena Cedeño Vicerrector Administrativo Mirian Rodríguez de Mezoa Secretario General Consejo Editorial Javier Ríos Roberto Réquiz Natalia Castañón María Magdalena Ziegler Beatriz Rodríguez Perazzo Laura Febres Gabriela Domingo María Eugenia Perfetti Rafael Acosta Sanabria Alfredo Rodríguez Iranzo (Editor) María Elena Del Valle (Coordinadora) Primera edición, enero de 2012. Diseño gráfico: Armonía Romero. Hecho el depósito legal de ley. Depósito Legal: PP201102DC3976. ISSN: 22448276. ALMANAQUE: UN AVIÓN PARA AVIADORES MARÍA ELENA DEL VALLE DE VILLALBA 4 CLAVES DE LA SERIE TELEVISIVA “LOST” BEATRIZ PEÑA ACUÑA MÓNICA RUBIO VEGA 7 LOS JUEGOS COMUNICATIVOS EN LAS ORGANIZACIONES SANITARIAS, SEGÚN LA FICCIÓN TELEVISIVA NORTEAMERICANA GRACIELA PADILLA CASTILLO 25 BIOGRAFÍA DEL EDUBLOG JOSÉ FRANCISCO DURÁN MEDINA 51 EXPERIENCIAS DE APRENDIZAJE MULTIMODAL Y COLABORATIVO PARA LA CONVIVENCIA JAVIER RODRÍGUEZ TORRES 76 LA EXPANSIÓN DEL UNIVERSO NARRATIVO EN LAS PRINCIPALES SERIES DE FICCIÓN ESPAÑOLAS.ANÁLISIS DE SUS ESTRATEGIAS TRANSMEDIA MARÍA TERESA PIÑEIRO OTERO CARMEN COSTA SÁNCHEZ 93 PRESENCIA DE LAS AGENCIAS INFORMATIVAS EN LOS CIBERMEDIOS ESPAÑOLES ROSARIO SACRISTÁN SALGADO MIGUEL ÁNGEL ORTIZ SOBRINO 125 CALENDARIO 148 ALMANAQUE: UN AVIÓN PARA AVIADORES “No se puede multiplicar el número de aviones y mantener una mentalidad de cocheros”. Louis Armand El almanaque nace en la historia como consecuencia de la necesidad de medir el tiempo. Los estudiosos de su origen etimológico señalan que su raíz árabe hispánica alude a “la parada en un viaje” en la cual un signo del zodíaco acompaña al Sol en su escalada. La función del almanaque se asocia entonces a la premura de contabilizar el tiempo, organizándolo, valorándolo, clasificándolo. -
The Automatic Hate a Film by Justin Lerner
presents The Automatic Hate A film by Justin Lerner “nothing short of brilliant” – Alexander Lowe, We Got This Covered “…arresting, skillfully directed...” – Dennis Harvey, Variety “Justin Lerner is a director worth keeping an eye on.” – David Lewis, San Francisco Chronicle United States / 2015 / Drama / English 97 min / 2.35:1 / Stereo and 5.1 Surround Sound Press Contacts: Emma Griffiths | Emma Griffiths PR | (415) 937-0599 | [email protected] Genevieve Villaflor | (212) 941-7744 x215 | [email protected] Film Movement Theatrical Contact: Clemence Taillandier | (212) 941-7744 x301 | [email protected] www.FilmMovement.com 1 FULL SYNOPSIS When Davis Green's alluring young cousin Alexis appears on his doorstep one night, he discovers that a side of his family has been kept secret from him. Against his father’s wishes, Davis travels to rural, upstate New York to meet his other cousins. While wrestling with a taboo attraction to one another, he and Alexis attempt to reunite their families, uncovering the reasons behind a long- standing rift and the shocking secret that tore their fathers apart. Together, their discoveries force them to confront the temptation to keep their familial grudge going rather than end it. SHORT SYNOPSIS When Davis Green's alluring young cousin Alexis shows up on his doorstep, he discovers a side of his family has been kept secret from him for his entire life. While wrestling with a taboo attraction to each other, the pair tries to uncover the grudge that tore their family apart. LOGLINE Davis and his newly-discovered cousin Alexis try to uncover the source of the grudge that tore their family apart, while wrestling with a taboo attraction to each other.