Anna Sinebrychoff
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Valkoposkihanhi Pääkaupunkiseudulla
SUOMEN YMPÄRISTÖ 29 | 2007 Valkoposkihanhi LUONTO pääkaupunkiseudulla Milla Niemi, Visa Eronen, Ari Koivisto, Pirjo Koskinen, Petri Nummi ja Veli-Matti Väänänen YMPÄRISTÖMINISTERIÖ SUOMEN YMPÄRISTÖ 29 | 2007 Valkoposkihanhi pääkaupunkiseudulla Milla Niemi, Visa Eronen, Ari Koivisto, Pirjo Koskinen, Petri Nummi ja Veli-Matti Väänänen Helsinki 2007 YMPÄRISTÖMINISTERIÖ SUOMEN YMPÄRISTÖ 29 | 2007 Ympäristöministeriö Alueidenkäytön osasto Taitto: Ainoliisa Miettinen Kansikuva: © Veli-Matti Väänänen Sisäsivujen kuvat: © Veli-Matti Väänänen Julkaisu on saatavana myös internetistä: www.ymparisto.fi/julkaisut Edita Prima Oy, Helsinki 2007 ISBN 978-952-11-2776-2 (nid.) ISBN 978-952-11-2777-9 (PDF) ISSN 1238-7312 (pain.) ISSN 1796-1637 (verkkoj.) ESIPUHE Valkoposkihanhet ovat kuuluneet Helsingin ja Espoon puistonurmikoiden näkyviin lajeihin 1990- luvun alusta lähtien. Kanta on kasvanut voimakkaasti ja hanhet liik- kuvat loppukesällä ja syksyllä suurina parvina puistojen, muiden ruokailualueiden ja yöpymispaikkojen välillä. Ihmisen ajatteluun näkyy kuuluvan epäluuloinen suhtautuminen kaikkeen uuteen ja uusiin tilanteisiin. Näiden edessä ollaan neuvottomia ja ne koetaan ongelmana. Siksi haetaan syitä toimenpiteisiin, joilla niihin saadaan etäisyyttä tai jopa torjuttua muutos. Tässä tilanteessa muokkaantuu usein myös yleinen mielipide, joka suuressa määrin voi perustua ennakkoluuloihin ja suoranaiseen erheelliseen tietoon asiasta. Tämän perusteella ollaan vaatimassa toimenpiteitä, eikä päätöksen tekijä juurikaan saa ymmärrystä, kun ratkaisut eivät -
Travel Summary
Travel Summary – All Trips and Day Trips Retirement 2016-2020 Trips (28) • Relatives 2016-A (R16A), September 30-October 20, 2016, 21 days, 441 photos • Anza-Borrego Desert 2016-A (A16A), November 13-18, 2016, 6 days, 711 photos • Arizona 2017-A (A17A), March 19-24, 2017, 6 days, 692 photos • Utah 2017-A (U17A), April 8-23, 2017, 16 days, 2214 photos • Tonopah 2017-A (T17A), May 14-19, 2017, 6 days, 820 photos • Nevada 2017-A (N17A), June 25-28, 2017, 4 days, 515 photos • New Mexico 2017-A (M17A), July 13-26, 2017, 14 days, 1834 photos • Great Basin 2017-A (B17A), August 13-21, 2017, 9 days, 974 photos • Kanab 2017-A (K17A), August 27-29, 2017, 3 days, 172 photos • Fort Worth 2017-A (F17A), September 16-29, 2017, 14 days, 977 photos • Relatives 2017-A (R17A), October 7-27, 2017, 21 days, 861 photos • Arizona 2018-A (A18A), February 12-17, 2018, 6 days, 403 photos • Mojave Desert 2018-A (M18A), March 14-19, 2018, 6 days, 682 photos • Utah 2018-A (U18A), April 11-27, 2018, 17 days, 1684 photos • Europe 2018-A (E18A), June 27-July 25, 2018, 29 days, 3800 photos • Kanab 2018-A (K18A), August 6-8, 2018, 3 days, 28 photos • California 2018-A (C18A), September 5-15, 2018, 11 days, 913 photos • Relatives 2018-A (R18A), October 1-19, 2018, 19 days, 698 photos • Arizona 2019-A (A19A), February 18-20, 2019, 3 days, 127 photos • Texas 2019-A (T19A), March 18-April 1, 2019, 15 days, 973 photos • Death Valley 2019-A (D19A), April 4-5, 2019, 2 days, 177 photos • Utah 2019-A (U19A), April 19-May 3, 2019, 15 days, 1482 photos • Europe 2019-A (E19A), July -
A Show of Emotion
Issue No. 3/2018 A Show of Emotion Interview by Gill Crabbe, FNG Research As the Sinebrychoff Art Museum prepares to stage an exhibition on painting and the theatre, Gill Crabbe meets the show’s curator Laura Gutman, to discuss the research she carried out in order to bring this topic to life Meeting the independent curator Laura Gutman is like meeting a detective. As curator of several shows in Finland, where she moved from Paris 17 years ago, including the recent acclaimed ‘Air de Paris’ exhibition at Helsinki Art Museum (HAM), she has used her research skills and background studying art history under Guy Cogeval at the Ecole du Louvre in Paris in the 1990s to impressive effect in Finland. Not only has she been making intriguing connections between Finnish artists and their European counterparts, but also deepening understanding of European artworks in Finnish collections. It is a busy year for Gutman as she is now in the final stages of preparing a show on theatre and painting from the 17th to early 20th centuries titled ‘Moved to Tears: Staging Emotions’ at the Sinebrychoff Art Museum in Helsinki. The museum is an appropriate setting for such a subject as it is the house of the collector Paul Sinebrychoff, whose wife Fanny Grahn was herself an actress, and their rooms on the first floor are laid out almost as a series of theatrical sets, each reflecting a period from his collection. The theme of the Sinebrychoff exhibition which is held in the galleries on the ground floor, is also a subject close to Gutman’s heart, since at the Ecole du Louvre she studied the theoretical and philosophical background to painting and theatre ‘from David to Degas’. -
Here Are No Cultural Misunderstandings When You Arrive
At Exeter International we have been creating memories and crafting our trademark extraordinary journeys to Central Europe, Russia, Scandinavia, and Central Asia for over 25 years. Our specialty is to distill the best of the best in iconic places that are on so many people’s travel must-do list. We are not a call center of nameless, faceless people. We do not try to be everything to everyone. We are a small team of specialists. We are all committed to providing the best travel experiences to our destinations. Each member of our team has travelled extensively throughout our destinations, giving them insider knowledge lacking in many other tour operators. Our Extraordinary Experiences are different, unusual, and often closed to the general public. We can offer special insider access that takes you beyond the typical tourist sites. We know how important it is to remain authentic and increasingly going beyond the well-known sites is what is important to our guests—discovering the little-known museum or street market that adds to their experience. We do this through our local knowledge, cultivating our extensive contacts and regularly visiting each destination to enable us to share the most up-to-date insider information with you, our valued partner. The most important part of your trip will be your guides. Guides come in many quality levels, especially in our part of the world. We have worked with a core group of the best of the best for over 20 years. We know them like family and if they weren't the best, they wouldn't work for us. -
International Evaluation of the Finnish National Gallery
International evaluation of the Finnish National Gallery Publications of the Ministry on Education and Culture, Finland 2011:18 International evaluation of the Finnish National Gallery Publications of the Ministry on Education and Culture, Finland 2011:18 Opetus- ja kulttuuriministeriö • Kulttuuri-, liikunta- ja nuorisopolitiikan osasto • 2011 Ministry of Education and Culture• Department for Cultural, Sport and Youth Policy • 2011 Ministry of Education and Culture Department for Cultural, Sport and Youth Policy Meritullinkatu 10, Helsinki P.O. Box 29, FIN-00023 Government Finland www.minedu.fi/minedu/publications/index.html Layout: Timo Jaakola ISBN 978-952-263--045-2 (PDF) ISSN-L 1799-0327 ISSN 1799-0335 (Online) Reports of the Ministry of Education and Culture 2011:18 Kuvailulehti Julkaisija Julkaisun päivämäärä Opetus- ja kulttuuriministeriö 15.4.2011 Tekijät (toimielimestä: toimielimen nimi, puheenjohtaja, sihteeri) Julkaisun laji Opetus- ja kulttuuriministeriön Kansainvälinen arviointipaneeli: projektipäällikkö Sune Nordgren työryhmämuistioita ja selvityksiä (pj.) Dr. Prof. Günther Schauerte, johtaja Lene Floris, ja Toimeksiantaja Opetus- ja kulttuuriministeriö oikeustieteen tohtori Timo Viherkenttä. Sihteeri: erikoissuunnittelija Teijamari Jyrkkiö Toimielimen asettamispvm Dnro 23.6.2010 66/040/2010 Julkaisun nimi (myös ruotsinkielinen) International evaluation of the Finnish National Gallery Julkaisun osat Muistio ja liitteet Tiivistelmä Opetus- ja kulttuuriministeriö päätti arvioida Valtion taidemuseon toiminnan vuonna 2010. Valtion taidemuseo on ollut valtion virasto vuodesta 1990 lähtien ja sen muodostavat Ateneumin taidemuseo, Nykytaiteen museo Kiasma, Sinebrychoffin taidemuseo ja Kuvataiteen keskusarkisto. Tulosohjattavan laitoksen tukitoimintoja hoitavat konservointilaitos, koko maan taidemuseoalan kehittämisyksikkö sekä hallinto- ja palveluyksikkö. Organisaatiorakenne on pysynyt suurinpiirtein samanlaisena sen koko olemassaolon ajan. Taidemuseon vuosittainen toimintamääräraha valtion budjetissa on n. 19 miljoonaa euroa ja henkilötyövuosia on n. -
Helsinki in Early Twentieth-Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940
lieven ameel Helsinki in Early Twentieth-Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940 Studia Fennica Litteraria The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, Lecturer, University of Helsinki, Finland Taru Nordlund, Title of Docent, Lecturer, University of Helsinki, Finland Riikka Rossi, Title of Docent, Researcher, University of Helsinki, Finland Katriina Siivonen, Substitute Professor, University of Helsinki, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Tero Norkola, Publishing Director, Finnish Literature Society Maija Hakala, Secretary of the Board, Finnish Literature Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Lieven Ameel Helsinki in Early Twentieth- Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940 Finnish Literature Society · SKS · Helsinki Studia Fennica Litteraria 8 The publication has undergone a peer review. The open access publication of this volume has received part funding via a Jane and Aatos Erkko Foundation grant. -
Loan Terms of Finnish National Gallery (Outgoing Loans)
LOAN TERMS OF FINNISH NATIONAL GALLERY (OUTGOING LOANS) Borrowing works from the collections of the Finnish National Gallery (“FNG”) – Ateneum Art Museum, Museum of Contemporary Art Kiasma and Sinebrychoff Art Museum. General terms These terms concern short-term or temporary loans. FNG lends only to museums and exhibition organizers with professional museum staff or a similar level of expertise, as well as appropriately secure and climate-controlled facilities. Loan requests must specify the works to be lent and the loan period, as well as provide an account of the environmental conditions, security and surveillance arrangements in the exhibition galleries. Loan requests must be made in writing to the director of the museum in question – Ateneum Art Museum, Museum of Contemporary Art Kiasma or Sinebrychoff Art Museum – at least eight months prior to the loan period for international loans. Each loan request is assessed separately. When deciding on a loan, the things considered include the condition of the work, display conditions particularly in the case of sensitive works, the status of the work in the FNG collections, and other relevant matters such as possible reservations for other exhibitions. Any deviation from these loan terms must be agreed in writing. There is always a loan agreement signed also for media art, whether original works or copies. Insurance Borrowed works of art must be insured against all risks for values determined by FNG. The insurance must run nail to nail, from the moment FNG gives the works over to the Borrower or their representative, up until the moment the works are returned to FNG. -
Global Innovations for Children and Youth Summit
GLOBAL INNOVATIONS FOR CHILDREN AND YOUTH SUMMIT 9-10 November 2015, Helsinki, Finland Dear Participant of the Global Innovations for Children and Youth Summit! Below you’ll find important information about the Summit and your stay in Helsinki. Location of the Venue The Summit is held on 9-10 November 2015, in Finlandia Hall, Helsinki. The Finlandia Hall is a 10 minutes’ walk from downtown Helsinki, the main Railway Station and Central Bus Station as well as Kamppi Bus Station. The Hall can also be easily accessed by public transport. Trams number 4, 7A, 7B and 10 stop right in front of the Hall (National Museum stop). The main entrances are at doors M4 and K4. The address of Finlandia Hall is Mannerheimintie 13. Detailed information about how to get to the Finlandia Hall can be found here: https://finlandiatalo.fi/en/are-you-a-visitor/how-to-get-here On Site Registration Registration opens at 8 AM on Monday 9 November at the Finlandia Hall. Please take your ID document with you. Summit Agenda Monday 9 November Tuesday 10 November 8:00 – 9:00 Registration and Coffee 9:00 – 10:30 Keynote 9:00 – 11:00 Opening, Welcoming remarks and Keynote 10:30 – 11:00 Keynote 11:30 – 12:45 Midi-Plenaries 11:30 – 13:00 Midi-Plenaries 12:45 – 13.45 Lunch 13:00 – 14:00 Lunch 13:45 – 15:00 Midi-Plenaries 14:00 – 15:30 Midi-Plenaries 15:30 – 17:00 Mini-Plenaries 16:00 – 16:30 Closing Keynote 17:30 – 19:30 Evening Reception at the Government Banquet Hall Evening reception Monday 9 November 17:30 – 19:30 The Ministry for Foreign Affairs of Finland will welcome all Summit participants to the evening reception at the Government Banquet Hall “Smolna”. -
Christmas and New Year.2019
OPENING HOURS Mon Tue Wed Thurs Tue Wed Mon CHRISTMAS & NEW YEAR 2019 23.12. 24.12. 25.12. 26.12. 31.12. 1.1. 6.1. ART MUSEUMS Amos Rex - - - 11-17 - - 11-18 Ateneum Art Museum - - - 10-17 10-17 - - Didrichsen Art Museum - - - 11-18 11-18 11-18 - Free entry 26.-29.12. Gallen-Kallela museum - - 11-17 11-17 11-16 11-17 11-17 HAM – Helsinki Art Museum (Tennispalace) - - - 11-19 11-17 - - Kunsthalle Helsinki - - - 11-17 - - - Kiasma, Contemporary Art Museum - - - 10-17 10-17 - - WeeGee building + EMMA – Espoo museum of - - - 11-17 - - - modern art Sinebrychoff Art Museum - - - 10-17 10-17 10-17 - HISTORICAL MUSEUMS Helsinki City Museums: -Helsinki City Museum - - - - 11-15 - - -Hakasalmi Villa - - - - 11-15 - - -Tram Museum - - - - 11-15 - - -Burgher’s House - - - - - - 11-17 Mannerheim museum - - - - - - - National Museum of Finland - - - 11-18 11-18 - - Urho Kekkonen Museum, Tamminiemi - - - - - - - CABLE FACTORY Hotel and Restaurant Museum - - - - - - - Theatre Museum - - - - - - - Finnish Museum of Photography - - - - - - - OTHER MUSEUMS Alvar Aalto Studio (Riihitie 20), only open for guided tours - - - 11.30 11.30 11.30 - House (Tiilimäki 20), only open for guided tours - - - 13 13 13, 14, 15 13, 14, 15 Design Museum - - - - 11-15 - - Lab & Design Museum Arabia - - - - - - - Iittala & Arabia Design Centre Store 10-20 10-13 - - 10-18 - 10-16 Helsinki University Museum - - - - - - - Closed 23.12.2019-6.1.2020 Natural History Museum - - - - - - - Helsinki Observatory - - - - - - - Päivälehti-press museum 11-17 - - - 11-17 - 11-17 Seurasaari Open Air Museum opens - - - - - - 15.5.2019 Museum of Finnish Architecture - - - - 11-16 - - Sports Museum of Finland opens in - - - - - - 2020 Museum of Technology - - - - - - - Helsinki Tourist Information, Helsinki Marketing 12/2019 Helsinki Marketing is not responsible for any changes OPENING HOURS Mon Tue Wed Thurs Tue Wed Mon CHRISTMAS & NEW YEAR 2019 23.12. -
See Helsinki on Foot 7 Walking Routes Around Town
Get to know the city on foot! Clear maps with description of the attraction See Helsinki on foot 7 walking routes around town 1 See Helsinki on foot 7 walking routes around town 6 Throughout its 450-year history, Helsinki has that allow you to discover historical and contemporary Helsinki with plenty to see along the way: architecture 3 swung between the currents of Eastern and Western influences. The colourful layers of the old and new, museums and exhibitions, large depart- past and the impact of different periods can be ment stores and tiny specialist boutiques, monuments seen in the city’s architecture, culinary culture and sculptures, and much more. The routes pass through and event offerings. Today Helsinki is a modern leafy parks to vantage points for taking in the city’s European city of culture that is famous especial- street life or admiring the beautiful seascape. Helsinki’s ly for its design and high technology. Music and historical sights serve as reminders of events that have fashion have also put Finland’s capital city on the influenced the entire course of Finnish history. world map. Traffic in Helsinki is still relatively uncongested, allow- Helsinki has witnessed many changes since it was found- ing you to stroll peacefully even through the city cen- ed by Swedish King Gustavus Vasa at the mouth of the tre. Walk leisurely through the park around Töölönlahti Vantaa River in 1550. The centre of Helsinki was moved Bay, or travel back in time to the former working class to its current location by the sea around a hundred years district of Kallio. -
CV-Axel Straschnoy-IPERCUBO
Axel Straschnoy Born in Buenos Aires, 1978. Lives and works in Helsinki. Education 2008-2009 Le Pavillon, Palais de Tokyo. 2005 Visual Art Seminar. Centro Cultural Rojas/UBA. 2005 Kuvataideakatemia, Helsinki. 2001-2003 Contemporary Art Seminar by Mónica Girón. 2002-2003 Sculpture Workshop by Miguel Harte. 2000-2005 BA in Art History, Universidad de Buenos Aires. Public collections Kiasma, Helsinki. Museo de Arte Moderno de Buenos Aires, Buenos Aires. Rauma Art Museum, Rauma. Fundación arteBA, Buenos Aires. National Art Archive, Helsinki. Solo exhibitions 2019 The Finnish Astronautical Society, Forum Box, Helsinki. Float, Andrée Polarcenter Grenna Museum, Gränna 2016 Hoy, / ¡gran mañana!, / en los pinos soplan vientos / del pasado, Del Infinito Arte, Buenos Aires. Le rappel à l’ordre, Forum Box, Helsinki. Neomylodon Listai Ameghino, Inter Arts Center, Malmö 2015 Neomylodon Listai Ameghino, Galleria Augusta, Helsinki. Neomylodon Listai Ameghino, Evolutionsmuseet, Uppsala. La Figure de la Terre, Museo del Cine, Buenos Aires 2014 La Figure de la Terre, Del Infinito Arte, Buenos Aires. 2013 Kilpisjärvellä, Mirta Demare Gallery, Rotterdam. Opening Archive, Ateneum Museum Library, Helsinki. 2012 Kilpisjärvellä, Museo de Arte Moderno de Buenos Aires, Buenos Aires. 2011 How to Build a Dishwasher, Kunstnernes Hus, Oslo. Boxes, Muu, Helsinki. 2010 How to Build a Dishwasher, Kerava Art Museum, Kerava. Opening / Prints, Koh-i-noor, Copenhagen How to Build a Dishwasher, Kaiku Galleria, Helsinki. 2009 Axel Straschnoy, Galerie Xippas, Paris Opening, Finnish Museum of Photography, Helsinki. Opening, Salon Light/SP, Galeria Vermelho, São Paulo. 2007 Camera, MAA-TILA, Helsinki. 2006 Los Proyectos Medley Taller Boceto, Galería Dabbah Torrejón, Buenos Aires. Group exhibitions 2015 Del Infinito Arte, arteBA, Buenos Aires. -
Finnish Studies Volume 18 Number 2 July 2015 ISSN 1206-6516 ISBN 978-1-937875-95-4
JOURNAL OF INNISH TUDIES F S International Influences in Finnish Working-Class Literature and Its Research Guest Editors Kirsti Salmi-Niklander and Kati Launis Theme Issue of the Journal of Finnish Studies Volume 18 Number 2 July 2015 ISSN 1206-6516 ISBN 978-1-937875-95-4 JOURNAL OF FINNISH STUDIES EDITORIAL AND BUSINESS OFFICE Journal of Finnish Studies, Department of English, 1901 University Avenue, Evans 458 (P.O. Box 2146), Sam Houston State University, Huntsville, TX 77341-2146, USA Tel. 1.936.294.1420; Fax 1.936.294.1408 SUBSCRIPTIONS, ADVERTISING, AND INQUIRIES Contact Business Office (see above & below). EDITORIAL STAFF Helena Halmari, Editor-in-Chief, Sam Houston State University; [email protected] Hanna Snellman, Co-Editor, University of Helsinki; [email protected] Scott Kaukonen, Assoc. Editor, Sam Houston State University; [email protected] Hilary Joy Virtanen, Asst. Editor, Finlandia University; hilary.virtanen@finlandia. edu Sheila Embleton, Book Review Editor, York University; [email protected] EDITORIAL BOARD Börje Vähämäki, Founding Editor, JoFS, Professor Emeritus, University of Toronto Raimo Anttila, Professor Emeritus, University of California, Los Angeles Michael Branch, Professor Emeritus, University of London Thomas DuBois, Professor, University of Wisconsin Sheila Embleton, Distinguished Research Professor, York University Aili Flint, Emerita Senior Lecturer, Associate Research Scholar, Columbia University Titus Hjelm, Lecturer, University College London Richard Impola, Professor Emeritus, New Paltz, New York Daniel Karvonen, Senior Lecturer, University of Minnesota, Minneapolis Andrew Nestingen, Associate Professor, University of Washington, Seattle Jyrki Nummi, Professor, Department of Finnish Literature, University of Helsinki Juha Pentikäinen, Professor, Institute for Northern Culture, University of Lapland Oiva Saarinen, Professor Emeritus, Laurentian University, Sudbury George Schoolfield, Professor Emeritus, Yale University Beth L.