A High School Tradition for 84 Years
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Smart Studios Story Screens at the Greenwich Odeum on November 11
The Smart Studios Story Screens at The Greenwich Odeum on November 11 When you delve into music history, you’ll find that a majority of the most important and influential music ever created was only recorded at a few places. Places like Sun Studio in Memphis, Electrical Audio in Chicago, Electric Lady Studios in New York City and FAME Studios in Muscle Shoals, Alabama, are sacred ground. It’s where landmark albums came to be, legendary musicians stepped foot and brilliance shined. Another place was Smart Studios in Madison, Wisconsin, owned by acclaimed producers Butch Vig and Steve Marker who are also part of the alternative rock act Garbage. At the Greenwich Odeum in East Greenwich on Friday, November 11, there will be a screening of the documentary on the recording studio titled The Smart Studios Story. Parts of Nirvana’s masterpiece Nevermind, The Smashing Pumpkins’ debut Gish, The Con by Teagan and Sara, L7’s Bricks Are Heavy and a plethora of spectacular albums were recorded and produced at Smart Studios. It was a place for independent and underground rock acts to get recordings made from the studio’s infancy in the ‘80s right up to its closing in 2010. The documentary, directed by Wendy Schneider, examines the studio’s existence and origin. The film also features interviews with Vig, Marker, Laura Jane Grace from Against Me!, Dave Grohl from Nirvana and the Foo Fighters, Garbage frontwoman Shirley Manson, Jimmy Chamberlin and Billy Corgan from The Smashing Pumpkins and many others. It promises to provide an in-depth look at an historic space located within a building mistaken for being a crack house in the place known as Mad City. -
Reeperbahn Festival Conference MAG / SEPT 2017
CONFERENCE 20 – 23 SEPT 2017 MAG Branded PartnershipsBranded Algorithms and on Hackney Camille Licensing and Sync Time for Diversity for Time Equality and Vanessa Reed on Keychange – Photo: Bonaparte © Musik Bewegt / Henning Heide Henning / Bewegt Musik © Bonaparte Photo: Raise Your Voice Voice Raise Your year´s This Conference Focus Music on and Politics mobile apps for your festival proudly presents the official app Available on the App Store and Google Play Meet us in Hamburg in September! Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] _ INDEX EDITORIAL 4 mobile apps for your festival RAISE YOUR VOICE The International Music World Is Turning Up 7 Its Political Volume SHIRLEY MANSON Early Days In Madison 15 DAVE ALLEN proudly presents Streaming and Music Culture 21 LIVE FOR (RE)SALE A Sort of Darknet for Tickets 25 VANESSA REED Closing the Gender Gap 31 TERRY MCBRIDE Understanding the Value of Music and 36 How to Effectively Monetize It UNSIGNED VS SIGNED Do Artists Benefit from Blockchain? 39 CAMILLE HACKNEY On Music, Brands, Data and Storytelling 45 MUSIC IN IRAN A Personal Experience 49 HARTWIG MASUCH 10 Songs that Helped Create the New BMG 55 PROGRAMME REGISTER SESSIONS 59 SHOWCASES 65 the AWARDS 68 official app MEETINGS 68 Available on the App Store and Google Play NETWORKING 69 IMPRINT 76 PARTNERS 78 Meet us in Hamburg in September! Coverphoto: Camille Hackney, speaker at „Sync Faster – Sync Different and board member of ANCHOR 2017. © Grayson Dansic Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] 3 _ EDITORIAL DEAR CONFERENCE ATTENDEES, DEAR FRIENDS, we‘re delighted you have made it back to Hamburg once again this year for what is now the 12th edition of the Reeperbahn Festival. -
Kauffman Center for the Performing Arts Announces Rock Show Double-Header to Kick Off Kauffman Center Presents 2017-2018 Season
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, February, 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES ROCK SHOW DOUBLE-HEADER TO KICK OFF KAUFFMAN CENTER PRESENTS 2017-2018 SEASON Blondie & Garbage: The Rage and Rapture Tour to stop at Muriel Kauffman Theatre on July 18 Kansas City, MO – The first announced show of its 2017-18 Kauffman Center Presents season will feature two quintessential rock ‘n’ roll acts. Blondie & Garbage: The Rage and Rapture Tour will perform for one night in Muriel Kauffman Theatre on Tuesday, July 18. Tickets for the show range from $79 to $149, and go on sale to the public at 10 a.m. Friday, February 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT BLONDIE Singer-songwriter Debbie Harry, guitarist and co-writer Chris Stein, powerhouse drummer Clem Burke and their band- mates in the punk/new wave band Blondie are undeniable pop icons, their sound and sensibility as fresh as when they first topped the charts in the late 1970s. Since their groundbreaking 1978 album Parallel Lines, the members of Blondie have always been a forward-thinking – and forward-moving – group. Their brand of cross-genre rock has spawned hits including “Call Me,” “Rapture,” and “Heart of Glass,” bringing underground sounds into the mainstream. Blondie’s 11th studio album, Po11inator, is out in May. ABOUT GARBAGE Hailing from Madison, WI, Garbage is guitarist Duke Erikson, drummer Butch Vig, guitarist Steve Marker and lead singer Shirley Manson. -
Anglophone Music As Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Croatian Digital Thesis Repository University of Rijeka Faculty of Humanities and Social Sciences in Rijeka Department of English Matea Lacmanović: Anglophone Music as Poetry Mentor: Lovorka Gruić Grmuša, PhD Rijeka, July 2015 1 Abstract Literature as a whole is usually divided into poetry, prose and drama (Solar 2006: 154) with fairly clear boundaries between them. When it comes to their subdivision and definition of specific literature and art type, the boundaries become unclear and many questions arise. One of the most difficult questions to answer is what poetry is and which criteria must be met in order for some work to be classified as poetry. It is known that authors such as Shakespeare, Byron, Cummings or Angelou are poets and their work is interpreted as poetry. However, can the circle of poetry and art be expanded to similar forms such as contemporary music? That is the topic of this thesis – analysis, explanation and specific examples of modern song lyrics which can be viewed as poetry and something more valuable in the art context than it actually is due to the commercialization of music. With songs performed by Tupac, Garbage, Leonard Cohen, Bill Withers and various artists who belong to different music genres and eras, poetry is broadened and upgraded to the 21st century level. Key words: Anglophone music, music, poetry, lyrics, analysis, literature, art, contemporary, modern, intermediation, authorship 2 Table of Contents Abstract -
WHY MADONNA HATED ME by Bill Lanphier I Used to Obsess Over
WHY MADONNA HATED ME By Bill Lanphier I used to obsess over whether Madonna liked me. Long after the Virgin Tour ended I'd have a recurring dream. I'd answer the telephone and it would be her. "Mousse?" (My nickname on the tour.) "Yes?" "It's Daisy Miller!" (The alias under which Madonna registered in hotels during the Virgin Tour). "Sorry for all that shit I put you through back then. Let's do another tour together. Make things right." I don't have that dream anymore. But now, 21 years after the Virgin Tour, this woman is still in the news. Several times a year I'm asked, "What was she like? Did you ever hang out with her? Did you guys get along?" Sometimes I think she might have liked me. Other times I think not." She liked me. At the group audition at Leeds rehearsal studios in North Hollywood, Madonna sang a few songs with the prospective band, including myself, that musical director Pat Leonard had assembled. With the exception of an excellent, balding guitarist, Madonna liked us. My hair's okay! I'm going on tour with Madonna! She hated me. On the first full day of rehearsals, in a misguided effort to connect with Madonna, with whom I had almost nothing in common, I asked her, "How's your buddy?" referring to Rosanna Arquette, star of the movie they'd just completed, "Desperately Seeking Susan," and who had accompanied Madonna to the audition. Madonna's incredulous, "WHAT?" made it clear I had made the monumental mistake of overstepping my boundaries. -
Episode 061: Jonathan 'Sugarfoot' Moffett Special If Using
The MJCast - Episode 061: Jonathan ‘Sugarfoot’ Moffett Special If using any of the below text, please reference The MJCast and display the following podcast URL. Thank-you. http://www.themjcast.com/episode-061-jonathan-sugarfoot-moffett-special/ The MJCast (Q): Hello, and welcome to the MJCast! I am Q, one of your hosts for today, and today we're interviewing one of Michael's most long-standing collaborators—potentially his most long-standing. The MJCast (Jamon): Jonathan 'Sugarfoot' Moffett worked with Michael Jackson and the Jacksons as their tour drummer starting in 1979 with the "Destiny Tour", and continued to work with them later for the "Triumph Tour", the "Victory Tour", Michael's 1988 Grammy Awards performance, the "HIStory World Tour", his "30th Anniversary" shows, and, eventually, "This is It". MJCast (Q): Not only did Jonathan Sugarfoot have the honor of collaborating closely with the Jacksons, but he has also toured with artists such as Madonna, George Michael, Prince, Elton John, and Lionel Richie. MJCast (Jamon): Jonathan, it's an honor to have you here on the MJCast how're you going? Jonathan Moffett: I'm doing pretty good—I've been doing pretty good. A little mistake in there—I'd never toured with Prince. I've worked in a studio [where] Madonna and Prince [were] on the same song "Keep it Together", so I've never toured. I don't want misinformation to get out there, so I've never toured with Prince, although he has asked me about touring with him, which never just came about because he was at a lot of the after parties at the Jackson shows, Elton shows, and cameo shows, and he'd speak to me and give me a combination of performance and he asked me about playing with him, but it just never happened. -
Anexo:Premios Y Nominaciones De Madonna 1 Anexo:Premios Y Nominaciones De Madonna
Anexo:Premios y nominaciones de Madonna 1 Anexo:Premios y nominaciones de Madonna Premios y nominaciones de Madonna interpretando «Ray of Light» durante la gira Sticky & Sweet en 2008. La canción ganó un MTV Video Music Awards por Video del año y un Grammy a mejor grabación dance. Premios y nominaciones Premio Ganados Nominaciones Total Premios 215 Nominaciones 407 Pendientes Las referencias y notas al pie Madonna es una cantante, compositora y actriz. Nació en Bay City, Michigan, el 16 de agosto de 1958, y creció en Rochester Hills, Michigan, se mudó a Nueva York en 1977 para lanzar su carrera en la danza moderna.[1] Después haber sido miembro de los grupos musicales pop Breakfast Club y Emmy, lanzó su auto-titulado álbum debut, Madonna en 1983 por Sire Records.[2] Recibió la nominación a Mejor artista nuevo en el MTV Video Music Awards (VMA) de 1984 por la canción «Borderline». Madonna fue seguido por una serie de éxitosos sencillos, de sus álbumes de estudio Like a Virgin de 1984 y True Blue en 1986, que le dieron reconocimiento mundial.[3] Madonna, se convirtió en un icono pop, empujando los límites de contenido lírico de la música popular y las imágenes de sus videos musicales, que se convirtió en un fijo en MTV.[4] En 1985, recibió una serie de nominaciones VMA por sus videos musicales y dos nominaciones en a la mejor interpretación vocal pop femenina de los premios Grammy. La revista Billboard la clasificó en lista Top Pop Artist para 1985, así como en el Top Pop Singles Artist en los próximos dos años. -
Cobo Renovations Erase Famed Concert Venue | the Detroit News | Detroitnews.Com 4/5/12 11:03 AM
Pieces of history: Cobo renovations erase famed concert venue | The Detroit News | detroitnews.com 4/5/12 11:03 AM ADVERTISEMENT eEdition Stay Connected Customer Service Shopping Homes Jobs Cars Classifieds Advertise Metro and State Wayne County TRENDING TOPICS CONSENT DEAL 2013 RAM 1500 LIVONIA DEATHS DETROIT TWITTER ANDREW ARENA TREY BURKE EASTER BRUNCH Home Metro Wayne County APRIL 5, 2012 AT 9:32 AM Pieces of history: Cobo renovations erase famed concert venue BY LOUIS AGUILAR AND SUSAN WHITALL THE DETROIT NEWS 16 COMMENTS ADVERTISEMENT Most Popular Dispute between teen, ex-boyfriend might have led to Livonia murder-suicide Everyone -- minus Jim Leyland -- revved up about Tigers' chances Split Detroit council OKs consent deal Wings rally from two-goal deficit to beat Blues in shootout Finley: Difficult vote puts Detroit on right path Dispute between teen, ex-boyfriend might have led to Livonia murder-suicide Pieces of history: Cobo renovations erase famed Purchase Image concert venue The outside structure of Cobo Arena will still stand but the interior has been gutted for a new ballroom. (Bryan Mitchell/Special to Youth movement yields plenty of Tigers talent The Detroit News) Michigan 'middle of the pack' in Big Ten without Trey Detroit— Along the downtown riverfront Thursday, a giant crane begins to Burke tear down the wall separating Cobo Center and the former Cobo Arena, thus 2013 Ram 1500 is ready to rumble smashing one of the last physical remains of the legendary concert venue. SwitchTweet back0 to Mary Klida to use this social plugin. The concert venue hasn't been used for a concert since Phish played there 1 in 2009. -
Sara Moreno Martínez Tutor
Facultat de Ciències de la Comunicació Treball de fi de grau Títol MARCA PERSONAL Els secrets de l'èxit i la fama en el sector musical Autor Sara Moreno Martínez Tutor Jordi Morató Bullido Departament de Publicitat, Relacions Públiques i Comunicació Audiovisual Periodisme Recerca Data 2 de juny de 2015 Universitat Autònoma de Barcelona Facultat de Ciències de la Comunicació Full esum del TFG Títol del Treball Fi de Grau: MARCA PERSONAL Català: Els secrets de l'èxit i la fama en el sector musical MARCA PERSONAL Castellà: Los secretos del éxito y la fama en el sector musical PERSONAL BRAND Anglès: The secrets of success and fame in the musical industry Autor/a: Sara Moreno Martínez Tutor/a: Jordi Morató Bullido : : 2014/2015 Periodisme Paraules clau (mínim 3) Català: marca personal, èxit, fama, canals de comunicació online Castellà: marca personal, éxito, fama, canales de comunicación online Anglès: personal brand, success, fame, online communication channels Resum del Treball Fi de Grau (extensió màxima 100 paraules) El propòsit d'aquesta recerca és dur a terme una exploració sobre la relació entre la marca personal i l'èxit i la Català: fama en el sector musical. Una recerca acadèmica sobre els conceptes principals ha permès crear un model de marca personal i canals de comunicació, especialment online, per a professionals del sector musical. A través d'un estudi qualitatiu basat en entrevistes en profunditat a quatre expertes en marca personal i a un músic, s'ha pogut contrastar el model i confirmar el grau d'importància de la marca personal en l'èxit dels músics. -
Tuesday, July 18, 2017 KAUFFMAN CENTER for the PERFORMING ARTS
THE RAGE AND RAPTURE TOUR! Tuesday, July 18, 2017 KAUFFMAN CENTER FOR THE PERFORMING ARTS PREMIER PARTNER BUILDING SPONSOR ST LUKE’S RUTH BURKE (IFC) CROSSROADS DENTISTRY UNIVERSITY OF KANSAS HOSPITAL &HOHEUDWLQJ.DQVDV&LW\ ǡPORTFOLIO Ƭ 3RUWIROLR . L W F K H Q KR P H )ODJVKLS6WRUH ͚͙͝Ǥ ͙͘͜͞͠ ͙͠͞Ǥ͛͛͞Ǥ͛͘͘͝ ȁȁ ǤǦǤ Ƭ ̿Ȁ ̿Ȁ Ƭ ͚͙̽͘͜ OYSTER PERPETUAL AIR-KING MEIEROTTO rolex oyster perpetual and air-king are ® trademarks. GREETINGS FROM JULIA IRENE KAUFFMAN, Chairman of the Board DEAR FRIENDS, Welcome to the Kauffman Center for the Performing Arts. We are honored to have you here to celebrate Kansas City’s commitment in bringing artistic and cultural excellence to all ages, interests and backgrounds. The Kauffman Center is an organization with one overriding goal – to bring artists and audiences together. The soul of the Kauffman Center is a living tradition of great artists and extraordinary performances. It is a setting maximized for the special and shared needs of our local artists and their organizations. The Kauffman Center provides affordable access to stages and other facilities for performances, education and other activities. A strong program of arts education is integral to our mission. Kansas City can and must nurture and educate its own artists, and the Center is solidly committed to participating in this vital endeavor. Each of you has taken advantage of the opportunity to become personally involved by being here. We hope you will continue through future performances, activities, volunteer work and donations. This is a building for generations to come. The Board of Directors of the Kauffman Center joins me in thanking you for your most generous support. -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
Garbage, Die Band Um Die Schottische Sängerin Shirley Manson, Duke Erikson, Steve Marker Und Butch Vig, Kommt Zurück Nach Deutschland!
Garbage, die Band um die schottische Sängerin Shirley Manson, Duke Erikson, Steve Marker und Butch Vig, kommt zurück nach Deutschland! Nachdem sich die Band in Madison im US-Bundesstaat Wisconsin formiert hatte, ist 1995 ihr selbstbetiteltes Debütalbum erschienen. Die Platte mit Hits wie “Stupid Girl”, “Only Happy When It Rains”, “Queer” und Anderen verkaufte sich mehr als vier Millionen Mal und machte die Band um den erfolgreichen Produzenten Butch Vig - der unter anderem für Nirvanas “Nevermind” verantwortlich war - zu einer der einflussreichsten Alternative-Rock-Bands der USA. Ihr einzigartiger Sound und die provokante visuelle Ästhetik sorgten für weltweite Aufmerksamkeit und Erfolg. Das folgende Album “Version 2.0” überstieg den Erfolg des Debüts noch einmal, erreichte 1998 in vielen Ländern die Charts und wurde gleich in mehreren Kategorien – inklusive “Album des Jahres” - für einen Grammy nominiert. “Version 2.0” bleibt bis heute Garbages kommerziell erfolgreichstes Album. Mit “Beautiful Garbage” (2001) und “Bleed Like Me” (2005) folgten zwei weitere erfolgreiche Platten des Quartetts. Nach einer siebenjährigen Auszeit veröffentlichten Garbage 2012 das Album “Not Your Kind Of People” auf dem bandeigenen Indie-Label Stunvolume. Das Werk wurde damals unter den 50 besten Platten des Jahres im Rolling Stone geführt und von Pichtfork als “the alternative to everything” bejubelt. 2016 folgte „Strange Little Birds“, das ebenfalls von Fans und Kritikern hochgeschätzt ist. Garbage haben bis dato weltweit mehr als 15 Millionen Alben verkauft und sind in 45 Ländern aufgetreten – Deutschland war dabei jedoch immer eine ihrer wichtigsten Anlaufstellen. Die erste Jahreshälfte von 2019 verbringt die amerikanische Band größtenteils im Studio, um an ihrem siebten Album zu arbeiten.