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												Habemus Papam
Fandango Portobello presents a Sacher Films, Fandango and le Pacte production in collaboration with Rai and France 3 Cinema HABEMUS PAPAM a film by Nanni Moretti Running Time: 104 minutes International Fandango Portobello sales: London office +44 20 7605 1396 [email protected] !"!1!"! ! SHORT SYNOPSIS The newly elected Pope suffers a panic attack just as he is due to appear on St Peter’s balcony to greet the faithful, who have been patiently awaiting the conclave’s decision. His advisors, unable to convince him he is the right man for the job, seek help from a renowned psychoanalyst (and atheist). But his fear of the responsibility suddenly thrust upon him is one that he must face on his own. ! ! ! ! ! ! ! ! ! ! ! ! !"!2!"! CAST THE POPE MICHEL PICCOLI SPOKESPERSON JERZY STUHR CARDINAL GREGORI RENATO SCARPA CARDINAL BOLLATI FRANCO GRAZIOSI CARDINAL PESCARDONA CAMILLO MILLI CARDINAL CEVASCO ROBERTO NOBILE CARDINAL BRUMMER ULRICH VON DOBSCHÜTZ SWISS GUARD GIANLUCA GOBBI MALE PSYCHOTHERAPIST NANNI MORETTI FEMALE PSYCHOTHERAPIST MARGHERITA BUY CHILDREN CAMILLA RIDOLFI LEONARDO DELLA BIANCA THEATER COMPANY DARIO CANTARELLI MANUELA MANDRACCHIA ROSSANA MORTARA TECO CELIO ROBERTO DE FRANCESCO CHIARA CAUSA MASTER OF CEREMONIES MARIO SANTELLA CHIEF OF POLICE TONY LAUDADIO JOURNALIST ENRICO IANNIELLO A MOTHER CECILIA DAZZI SHOP ASSISTANT LUCIA MASCINO TV JOURNALIST MAURIZIO MANNONI HALL PORTER GIOVANNI LUDENO GIRL AT THE BAR GIULIA GIORDANO BARTENDER FRANCESCO BRANDI BOY AT THE BUS LEONARDO MADDALENA PRIEST SALVATORE MISCIO DOCTOR SALVATORE - 
												
												1 Gateway 100 – Section 26 – Jewish Humor Instructor Irv Epstein
Gateway 100 – section 26 – Jewish Humor Instructor Irv Epstein Office Hours:Tuesday, Thursday: 1:00 – 3:30 pm and by appointment. Office Telephone: 556-3098 Home Telephone: 454-7937 e-mail: [email protected] Course Rationale All instructors who teach gateway seminars are committed to the teaching of critical thinking through the writing process. We will attempt to accomplish that goal in this course through learning about Jewish humor. Our explorations will focus upon the nature and social functions of humor, the ways in which humor can be used to express religious and cultural values, and how in analyzing humor, we can gain a better understanding of issues of identity, assimilation and acceptance, issues that confront many immigrant groups. Course Goals 1. Students will develop those critical thinking skills involved in the process of argumentation that include: constructing thesis statements, analyzing premises and conclusions, evaluating evidence, and weighing completing claims. 2. Students will react to different forms of writing that represent different fields of study including oral history, social theory, the social sciences, and literature. 3. Students will through the processes of peer review and large group interaction, evaluate each other’s writing for the purposes of expediting self-improvement in the writing process. 4. Students will analyze, compare, and contrast visual images as represented in various films. 5. Students will examine the nature of laughter, definitions of the “comedic,” and will evaluate the cultural and universal characteristics of Jewish humor. 6. Students will gain an appreciation for the nature of the Jewish immigrant experience in North America, and will be able to identify values that are relevant to that experience in comedic situations. - 
												
												The Art of Adaptation
Ritgerð til M.A.-prófs Bókmenntir, Menning og Miðlun The Art of Adaptation The move from page to stage/screen, as seen through three films Margrét Ann Thors 301287-3139 Leiðbeinandi: Guðrún Björk Guðsteinsdóttir Janúar 2020 2 Big TAKK to ÓBS, “Óskar Helps,” for being IMDB and the (very) best 3 Abstract This paper looks at the art of adaptation, specifically the move from page to screen/stage, through the lens of three films from the early aughts: Spike Jonze’s Adaptation, Alejandro González Iñárritu’s Birdman, or The Unexpected Virtue of Ignorance, and Joel and Ethan Coen’s O Brother, Where Art Thou? The analysis identifies three main adaptation-related themes woven throughout each of these films, namely, duality/the double, artistic madness/genius, and meta- commentary on the art of adaptation. Ultimately, the paper seeks to argue that contrary to common opinion, adaptations need not be viewed as derivatives of or secondary to their source text; rather, just as in nature species shift, change, and evolve over time to better suit their environment, so too do (and should) narratives change to suit new media, cultural mores, and modes of storytelling. The analysis begins with a theoretical framing that draws on T.S. Eliot’s, Linda Hutcheon’s, Kamilla Elliott’s, and Julie Sanders’s thoughts about the art of adaptation. The framing then extends to notions of duality/the double and artistic madness/genius, both of which feature prominently in the films discussed herein. Finally, the framing concludes with a discussion of postmodernism, and the basis on which these films can be situated within the postmodern artistic landscape. - 
												
												CV FIU Aug 2017
Patel, Alpesh Kantilal 2-Sep-17 CURRICULUM VITAE ALPESH KANTILAL PATEL DEPARTMENT OF ART AND ART HISTORY EDUCATION PhD University of Manchester Art History and Visual Studies Apr 2009 Manchester, England BA Yale University History of Art (with distinction) Sep 1997 New Haven, Connecticut FULL-TIME ACADEMIC EXPERIENCE Florida International University Associate Professor (with tenure), Aug 2017− Miami, Florida Contemporary Art and Theory Assistant Professor, Aug 2011− Contemporary Art and Theory Jul 2017 Affiliate Faculty, Jun 2013− Center for Women’s and Gender Studies present Affiliate Faculty, Aug 2014− African and African Diaspora Program present Other academic affiliations Cranbrook Academy of Art Critical Studies Fellow Sep−Dec Bloomfield Hills, Michigan 2016 University of Fine Arts Fulbright Scholar Jun−Aug Poznań, Poland 2016 Adam Mickiewicz University Fulbright Scholar, Fall 2015 Poznań, Poland Art History Department New York University Visiting Scholar, Sep 2010− New York City Center for Gender and Sexuality May 2011 NONACADEMIC EXPERIENCE New Museum of Executive Assistant, Director’s Office Jan 2002− Contemporary Art May 2005 Clinica Estetico and Assistant to Film Producer Ed Saxon Sep 2000− Magnet Entertainment Dec 2001 Patel, Alpesh Kantilal 2-Sep-17 Whitney Museum Special Projects Coordinator, Jan−Aug of American Art Director’s Office 2000 Whitney Museum Catalog Coordinator Jun 1999− of American Art (Film/Video Section), Jan 2000 2000 Biennial Exhibition Whitney Museum Curatorial Research Assistant, Dec 1998− of American Art “The American Century: Art and Culture, May 1999 1950−2000” Exhibition/Catalog RoseLee Goldberg Research Assistant for Author’s Sep 1998− Books: Laurie Anderson (Abrams, Mar 1999 2000) and Performance Art: Live (part-time Art since 1960 (Abrams, 1998) from Jan) Jack Tilton Gallery Codirector Jun-Aug 1998 From Sep 1997 to Sep 1998: Winter 1998 (part-time): Photography Traffic Coordinator, Photonica Winter 1998 (part-time): Curatorial Intern, Solomon R. - 
												
												Museums & Art Galleries Survival Strategies
museums & art galleries survival strategies A guide for reducing operating costs and improving sustainability museums & art galleries Survival Strategies sur vival Contents strategies A guide for reducing operating costs and improving sustainability including Foreword 2 A five-step plan for institutions plus 205 initiatives to help get you Introduction 3 started Museums, Galleries and Energy Benefits of Change Survival strategies for museums & art galleries 4 Legislation Environmental Control and Collections Care Standards Five simple steps – A survival strategy for your institution 9 Step #1 Determine your baseline and appropriate level of refurbishment 10 Step #2 Review your building maintenance, housekeeping and energy purchasing 14 Sustainability makes good sense for museums. Step #3 Establish your targets and goals 18 A sustainable business is one that will survive and Step #4 Select your optimal upgrade initiatives 22 continue to benefit society. Vanessa Trevelyan, 2010 President of Museums Association Head of Norfolk Museums & Archaeology Service Step #5 Make your survival strategy happen 50 Further information 54 Renaissance in the Regions Environmental Sustainability Initiatives 58 Acknowledgements and Contacts 60 Cover © Scott Frances 1 Foreword Introduction The UK sustainable development strategy The Green Museums programme in the Our Green Museums programme has Museums, Galleries and Benefits of Change “aims to enable all people throughout the North West is part of a nationwide fabric focussed on empowering members of staff world to satisfy their basic needs and enjoy of initiatives and projects developed and at all levels to bring about organisational Energy Improving energy efficiency and acting Meet the needs a better quality of life without compromising supported through Renaissance in the change. - 
												
												October 18 - November 28, 2019 Your Movie! Now Serving!
Grab a Brew with October 18 - November 28, 2019 your Movie! Now Serving! 905-545-8888 • 177 SHERMAN AVE. N., HAMILTON ,ON • WWW.PLAYHOUSECINEMA.CA WINNER Highest Award! Atwood is Back at the Playhouse! Cannes Film Festival 2019! - Palme D’or New documentary gets up close & personal Tiff -3rd Runner - Up Audience Award! with Canada’ international literary star! This black comedy thriller is rated 100% on Rotten Tomatoes. Greed and class discrimination threaten the newly formed symbiotic re- MARGARET lationship between the wealthy Park family and the destitute Kim clan. ATWOOD: A Word After a Word “HHHH, “Parasite” is unquestionably one of the best films of the year.” After a Word is Power. - Brian Tellerico Rogerebert.com ONE WEEK! Nov 8-14 Playhouse hosting AGH Screenings! ‘Scorcese’s EPIC MOB PICTURE is HEADED to a Best Picture Win at Oscars!” - Peter Travers , Rolling Stone SE LAYHOU 2! AGH at P 27! Starts Nov 2 Oct 23- OPENS Nov 29th Scarlett Johansson Laura Dern Adam Driver Descriptions below are for films playing at BEETLEJUICE THE CABINET OF DR. CALIGARI Dir.Tim Burton • USA • 1988 • 91min • Rated PG. FEAT. THE VOC HARMONIC ORCHESTRA the Playhouse Cinema from October 18 2019, Dir. Paul Downs Colaizzo • USA • 2019 • 103min • Rated STC. through to and including November 28, 2019. TIM BURTON’S HAUNTED CLASSIC “Beetlejuice, directed by Tim Burton, is a ghost story from the LIVE MUSICAL ACCOMPANIMENT • CO-PRESENTED BY AGH haunters' perspective.The drearily happy Maitlands (Alec Baldwin and Iconic German Expressionist silent horror - routinely cited as one of Geena Davis) drive into the river, come up dead, and return to their the greatest films ever made - presented with live music accompani- Admission Prices beloved, quaint house as spooks intent on despatching the hideous ment by the VOC Silent Film Harmonic, from Kitchener-Waterloo. - 
												
												Susannah Buxton - Costume Designer
SUSANNAH BUXTON - COSTUME DESIGNER THE TIME OF THEIR LIVES Director: Roger Goldby. Producer: Sarah Sulick. Starring: Joan Collins and Pauline Collins. Bright Pictures. POLDARK (Series 2) Directors: Charles Palmer and Will Sinclair. Producer: Margaret Mitchell. Starring: Aiden Turner and Eleanor Tomlinson. Mammoth Screen. LA TRAVIATA AND THE WOMEN OF LONDON Director: Tim Kirby. Producer: Tim Kirby. Starring: Gabriela Istoc, Edgaras Montvidas and Stephen Gadd. Reef Television. GALAVANT Directors: Chris Koch, John Fortenberry and James Griffiths. Producers: Chris Koch and Helen Flint. Executive Producer: Dan Fogelman. Starring: Timothy Omundson, Joshua Sasse, Mallory Jansen, Karen David Hugh Bonneville, Ricky Gervais, Rutger Hauer and Vinnie Jones. ABC Studios. LORD LUCAN Director: Adrian Shergold. Producer: Chris Clough. Starring: Christopher Ecclestone, Michael Gambon, Anna Walton and Rory Kinnear. ITV. BURTON & TAYLOR Director: Richard Laxton. Producer: Lachlan MacKinnon. Starring: Helena Bonham-Carter and Dominic West. BBC. RTS CRAFT AND DESIGN AWARD 2013 – Best Costume Design. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DOWNTON ABBEY (Series I, Series II, Christmas Special) Directors: Brian Percival, Brian Kelly and Ben Bolt. Series Producer: Liz Trubridge. Executive Producer: Gareth Neame. Starring Hugh Bonneville, Jim Carter, Brendan Coyle, Michelle Dockery, Joanne Froggatt, Phyllis Logan, Maggie Smith and Elizabeth McGovern. Carnival Film & Television. EMMY Nomination 2012 – Outstanding Costumes for a Series. BAFTA Nomination 2012 – Best Costume Design. COSTUME DESIGNERS GUILD (USA) AWARD 2012 – Outstanding Made for TV Movie or MiniSeries. EMMY AWARD 2011 – Outstanding Costume Design. (Series 1). Emmy Award 2011 – Outstanding Mini-Series. Golden Globe Award 2012 – Best Mini Series or Motion Picture made for TV. - 
												
												The French New Wave and the New Hollywood: Le Samourai and Its American Legacy
ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 3 (2010) 109–120 The French New Wave and the New Hollywood: Le Samourai and its American legacy Jacqui Miller Liverpool Hope University (United Kingdom) E-mail: [email protected] Abstract. The French New Wave was an essentially pan-continental cinema. It was influenced both by American gangster films and French noirs, and in turn was one of the principal influences on the New Hollywood, or Hollywood renaissance, the uniquely creative period of American filmmaking running approximately from 1967–1980. This article will examine this cultural exchange and enduring cinematic legacy taking as its central intertext Jean-Pierre Melville’s Le Samourai (1967). Some consideration will be made of its precursors such as This Gun for Hire (Frank Tuttle, 1942) and Pickpocket (Robert Bresson, 1959) but the main emphasis will be the references made to Le Samourai throughout the New Hollywood in films such as The French Connection (William Friedkin, 1971), The Conversation (Francis Ford Coppola, 1974) and American Gigolo (Paul Schrader, 1980). The article will suggest that these films should not be analyzed as isolated texts but rather as composite elements within a super-text and that cross-referential study reveals the incremental layers of resonance each film’s reciprocity brings. This thesis will be explored through recurring themes such as surveillance and alienation expressed in parallel scenes, for example the subway chases in Le Samourai and The French Connection, and the protagonist’s apartment in Le Samourai, The Conversation and American Gigolo. A recent review of a Michael Moorcock novel described his work as “so rich, each work he produces forms part of a complex echo chamber, singing beautifully into both the past and future of his own mythologies” (Warner 2009). - 
												
												Cineforumfest – 2015 2016
CineforumFEST – 2015 2016 mar 3/11 La famiglia Belier di Eric Lartigau con Evgueni Galperine, Sacha Galperine Brillante commedia francese supportata da una sceneggiatura solida, che mescola con perfetta misura umorismo, lacrime, disfunzioni, pregiudizi e canzoni mar 10/11 Youth - La giovinezza di Paolo Sorrentino con Michael Caine, Harvey Keitel, Rachel Weisz, Paul Dano, Jane Fonda Festival di Cannes 2015 - Due grandi attori per una riflessione giocosa sull’arte, la creazione, la bellezza (più seccature annesse, tipo la celebrità e i suoi obblighi) mar 17/11 Mia Madre di Nanni Moretti con Margherita Buy, John Turturro, Giulia Lazzarini, Nanni Moretti Un film profondo e sincero, un film sul cinema e sul rapporto tra realtà e finzione, un film che s'appresta ad essere un manifesto del nostro tempo complesso e problematico mar 24/11 Vizio di forma di Paul Thomas Anderson con Joaquin Phoenix, Josh Brolin, Benicio Del Toro Sotto le vesti lacere del noir si nasconde una complessa e stratificata riflessione sul trauma della fine di un'epoca mar 1/12 Roger Waters – The wall di Roger Waters, Sean Evans Un nuovo capitolo più che valido nella straordinaria storia cinematografica dei Pink Floyd mer 9/12 Forza maggiore di Ruben Östlund con Johannes Kuhnke, Lisa Loven Kongsli, Clara Wettergren Una conferma del talento dello svedese, entomologo dell'assurdo mar 15/12 Taxi Teheran di Jafar Panahi con Jafar Panahi, Hana Saeidi Un taxi attraversa le strade di Teheran in un giorno qualsiasi. Passeggeri di diversa estrazione sociale salgono e scendono dalla vettura. Alla guida non c'è un conducente qualsiasi ma Jafar Panahi stesso impegnato a girare un altro film 'proibito'. - 
												
												Volunteering for Wellbeing Final Report 2013 – 2016 Social Return
Inspiring Futures: Volunteering for Wellbeing Final Report 2013 – 2016 Social Return on Investment A Heritage Lottery Fund Project delivered by IWM North and Manchester Museum 2013 - 2016 In partnership with Museum of Science and Industry, People’s History Museum, National Trust: Dunham Massey, Manchester City Galleries, Ordsall Hall, Manchester Jewish Museum, Whitworth Art Gallery, National Football Museum If | Volunteering for Wellbeing | About IWM North and Manchester Museum IWM North IWM North has established itself as a key cultural player in the North. The museum is a learning experience where imaginative exhibitions, programmes and projects are combined to promote public understanding of the causes, course and consequence of war and conflict involving the UK and Commonwealth since 1900. Manchester Museum Manchester Museum is dedicated to inspiring visitors of all ages to learn about the natural world and human cultures, past and present. Tracing its roots as far back as 1821, the museum has grown to become one of the UK’s great regional museums and its largest university museum. Inspiring Futures: Volunteering for Wellbeing Final Report 2013 – 2016 Social Return on Investment If | Volunteering for Wellbeing | Final Report 2013 – 2016 | Social Return on Investment CONTENTSContents About IWM North and Manchester Museum 03 Introduction by lead partners 05 Executive Summary 06 The Report Section 1 | Evaluation, aims and objectives 11 Section 2 | How if works - process inputs 16 Section 3 | What was achieved - Longitudinal outcomes 23 - 
												
												CV—Alpesh K. Patel/ Page 1 of 6
ALPESH KANTILAL PATEL CURRICULUM VITAE EDUCATION UNIVERSITY OF MANCHESTER, Manchester, England PhD in ART HISTORY AND VISUAL STUDIES, April 2009 Dissertation: “Queer Desi Visual Culture across the Brown Atlantic (US/UK)” MPHIL in DRAMA/SCREEN STUDIES (upgraded to PHD in 2006) YALE UNIVERSITY, New Haven, Connecticut BA in HISTORY OF ART with distinction in major, September 1997 ACADEMIC POSITIONS FLORIDA INTERNATIONAL UNIVERSITY, Miami, FL Assistant Professor of Contemporary Art and Theory, August 2011-present Director, Master in Fine Arts in Visual Arts, July 2012-present NEW YORK UNIVERSITY, New York, NY, Fall 2010-Spring 2011 Visiting Scholar, Center for Study of Gender and Sexuality FELLOWSHIPS, SCHOLARSHIPS, BURSARIES, STUDENTSHIPS, GRANTS, AND OTHER HONORS NATIONAL ENDOWMENT OF ARTS SUMMER INSTITUTE: Re-envisioning American Art History: Asian American Art, Research, and Teaching at Asian/Pacific/American Institute at New York University, July 2012 CITY OF MIAMI BEACH CULTURAL ARTS COUNCIL, Junior Anchor Grant to develop year-round programming for Miami Beach Urban Studios (MBUS), October 2012. $30,000 with matching grant FLORIDA INTERNATIONAL UNIVERSITY, Office of Engaged Creativity Grant, 2011-12 COLLEGE ART ASSOCIATION (CAA), Professional Development Fellowship, finalist, 2008 HIGHER EDUCATION FUNDING COUNCIL FOR ENGLAND (HEFCE), Overseas Research Studentship, 2006-8 UNIVERSITY OF MANCHESTER SCHOOL OF ARTS, HISTORIES AND CULTURES Skills Awareness for Graduate Education (SAGE) grant, to fund organization of postgraduate conference, - 
												
												News Release Embargoed Until 5Pm on Wednesday 11 October 2017
News release Embargoed until 5pm on Wednesday 11 October 2017 Alistair Hudson appointed as new Director for Manchester Art Gallery and The University of Manchester’s Whitworth The University of Manchester and Manchester City Council have today announced that Alistair Hudson, currently Director of the Middlesbrough Institute of Modern Art (mima), will be the new Director of Manchester Art Gallery and the Whitworth. Alistair will take up his role in the New Year. He succeeds Maria Balshaw at the Whitworth and Manchester Art Gallery following her appointment as Director of Tate earlier this year. He brings with him a wealth of experience at the forefront of the culture sector and a strong record of championing art as a tool for social change and education. During the last three years as Director at mima, he set out the institution’s vision as a ‘Useful Museum’, successfully engaging its local communities and responding to the town’s industrial heritage, as well as placing it amongst the most prestigious galleries in the UK. Alistair began his career at the Anthony d’Offay Gallery, London (1994-2000), before joining The Government Art Collection (2000-04) where, as Projects Curator, he devised a public art strategy for the new Home Office building with Liam Gillick. As Deputy Director of Grizedale Arts (2004-14) in the Lake District, he helped the institution gain critical acclaim for its radical approaches to working with artists and communities, based on the idea that art should be useful and not just an object of contemplation. Outside of these roles he is also Chair of Culture Forum North, an open network of partnerships between Higher Education and the cultural sector across the North and co-director of the Asociación de Arte Útil with Tania Bruguera.