Narrative of the Massacre at Chicago
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Grade 7 Mini-Assessment Boston Massacre Set
Grade 7 Mini-Assessment Boston Massacre Set This grade 7 mini-assessment is based two passages: “The Boston Massacre” and “Excerpt from The Boston Massacre.” These texts are considered to be worthy of students’ time to read and also meet the expectations for text complexity at grade 7. Assessments aligned to the Common Core State Standards (CCSS) will employ quality, complex texts such as these. Questions aligned to the CCSS should be worthy of students’ time to answer and therefore do not focus on minor points of the text. Questions also may address several standards within the same question because complex texts tend to yield rich assessment questions that call for deep analysis. In this mini-assessment there are nine selected-response questions and two paper/pencil equivalents of a technology enhanced item that address the Reading Standards listed below, and one optional constructed-response question that addresses the Reading, Writing, and Language Standards listed below. We encourage educators to give students the time that they need to read closely and write to the source. While we know that it is helpful to have students complete the mini-assessment in one class period, we encourage educators to allow additional time as necessary. Note for teachers of English Language Learners (ELLs): This assessment is designed to measure students’ ability to read and write in English. Therefore, educators will not see the level of scaffolding typically used in instructional materials to support ELLs—these would interfere with the ability to understand their mastery of these skills. If ELL students are receiving instruction in grade-level ELA content, they should be given access to unaltered practice assessment items to gauge their progress. -
50 Cent to Join Eminem Shade 45 Channel Shade 45 Channel
50 Cent To Join Eminem Shade 45 Channel Shade 45 Channel "G Unit Radio" to Air All Day Saturdays With a Lineup of DJs and Shows NEW YORK – February 24, 2005 – SIRIUS Satellite Radio (NASDAQ: SIRI) announced today that multi-platinum artist 50 Cent will create and host exclusive programming on Shade 45, the new uncensored hip-hop radio channel co-produced by SIRIUS and Eminem. 50 Cent will oversee G Unit Radio, which will take over Shade 45 all day on Saturdays with an innovative mix of shows and DJs produced by his own DJ, Whoo Kid. “I’m bringing my A-game to SIRIUS,”said 50 Cent. “G Unit Radio is gonna blow up on Shade 45.” “Eminem and 50 Cent are two of the biggest names in hip-hop today" said SIRIUS President of Sports and Entertainment Scott Greenstein. “On Shade 45, 50 Cent will bring G Unit’s world to SIRIUS listeners.” SIRIUS launched Shade 45, the uncensored, commercial-free hip-hop music channel created by Eminem, Shady Records, Interscope Records and SIRIUS in October 2004. The channel also features other high profile figures in the world of hip-hop, including Eminem’s own DJ Green Lantern and Radio/Mixshow DJ of the Year Clinton Sparks. The channel also regularly features celebrity guests. 50 Cent, one of the most notorious figures in rap music, is also one of its most successful. His 2003 debut album, Get Rich or Die Tryin’, has sold more than 11 million copies. He has launched a successful G Unit clothing and footwear line, and can also be seen in an upcoming Jim Sheridan film, which is reported to be a semi-autobiographical film based on his ascension from drug dealer to superstar. -
Cadet Gray : a Pictorial History of Life at West Point As Seen Through Its
C'.jMs * V. *$'.,. yft v5sp»hV -• sp:km■&■:: -. SlKfHWt:'Yr'^ if*## w ■W.» H'• mATAA imflmt,mWw- mm ■M fwi uwJuSuU;rt”i> i ifyffiiRt >11 OT»X; w^lssii' ^;fL--„i‘. • ■•'■&»> .‘ 44 V . ir'YVV. <iVv -\\#■ • - . < •? ■ .« *5 ^'*V • *’vJ* •"•''' i\ ' p,'ii*.^55?V'..'S *'•• • ■ ’■4v YU'r '• iii#>«;•.' >v . •" S/M .'.fi'i -ft' ,' 1« ■ wafts. | if ~*^kl \ l\ % . • — CADET * . CRAY ■ A cadet officer (with chevrons) and a Plebe in "50-50” Full Dress, on the Plain at West Point. The officer’s insignia denote that he is a Distinguished Cadet, a lieu¬ tenant, and a First Classman. msm \ PICTORIAL HISTORY OF LIFE AT WEST POINT AS SEEN THROUGH ITS UNIFORMS !Y FREDERICK P. TODD, COL,, U.S.A.R. ILLUSTRATED BY FREDERICK T. CHAPMAN I i ■ ••••:1 ^ ■—1 To My Wife By the Same Author SOLDIERS OF THE AMERICAN ARMY Copyright, 1955 by STERLING PUBLISHING CO., Inc. 215 East 37 St., New York 16, N. Y. All rights reserved under International and Pan-American Copyright Conventions Manufactured in the United States of America Library of Congress Catalog Card No. 55-12306 This edition is published by Bonanza Books, a division of Crown Publishers, Inc. by arrangement with the original publisher, Sterling Co., Inc. Contents The United States Military Academy . What Cadet Gray Means. 11 The First Uniform . 15 Republican Styles . 19 Partridge’s Gray Uniform. 22 Cadet Dress in Thayer’s Time . 25 The West Point Band . 32 Plumes, Swords and Other Distinctions. 38 Fatigue and Foul Weather Clothing. 44 In the 1850’s and ’60’s. -
The Chicago Massacre of 1812
The Chicago Massacre of 1812 With Illustrations and Historical Documents by Joseph Kirkland, 1830-1894 Published: 1893 The Dibble Publishing Company, Chicago J J J J J I I I I I Table of Contents Author’s Preface & ▓ PART I … Saturday, August Fifteenth, 1812 — Narratives of the Massacre. Scene at dawn—Mothers and children; Captain Wells and his Miamis; his niece, Rebekah Heald; why he blackened his face; the Dead March; the Fort cattle; Indian follies—Margaret Helm, the authority for Mrs. Kinzie's narrative in Wau-Bun —Ensign Ronan's insubordination; Rebekah Heald's version as reported by her son, Darius—Evacuation of the fort; Captain Heald's force; Kinzie family; they take boat—To-pee-nee-be's warning; line of march—Pottowatomie "escort"—Wau-Bun narrative begins; the attack—Surgeon Van Voorhees—Black Partridge rescues Mrs. Helm; scene portrayed in bronze group—John Kinzie reports safety of Lieutenant Helm; Captain Wells's scalp; Indians are kind to Mrs. Helm; she learns details of the struggle; a squaw tortures a wounded soldier—English blamed for Indian alliance; Mrs. Heald's narrative begins; similar to Mrs. Helm's; the sand-ridges—Captain Wells orders and leads the charges; the battle thus foolishly lost; signal for surrender—The twelve militia-men; Captain Heald's wound— Mrs. Heald's six wounds; particulars of Wells's death; Indians cut out his heart and eat it—"Epeconier!"; his noble self- sacrifice; relics in the Calumet Club—Mrs. Heald fights for her blanket—Stripped of her jewelry; what became of it; articles redeemed and still in existence—Chandonnais saves the Healds' lives; wounded prisoners tortured to death—Fatal blot on the Indian race; Mrs. -
Fort Dearborn—Conflict, Commemoration, Reconciliation
Fort Dearborn—Conict, Commemoration, Reconciliation, and the Struggle over “Battle” vs. “Massacre” JOHN N. LOW Ohio State University, Newark The 200th anniversary of the Battle of Fort Dearborn in the city of Chicago was celebrated in August, 2012. There have, in fact, been four “battles” over the razing of the fort. The rst was the actual battle itself; the second was over how the settlers of Chicago collectively memorialized the event; and more recently there were struggles in 2009 and 2012 over how the encounter should be commemorated. The resulting conict over how the battle would be remembered reects the powerful and often contentious nature of memorialization. The details surrounding the circumstances and nature of the so-called “Fort Dearborn Massacre,” as it came to be known, appear to have been sub- stantially supported by the literature and histories being written in the late nineteenth century, including Mrs. John Kinzie’s Narrative of the Massacre at Chicago, August 15, 1812 and of preceding Events (1844), Wau-Bun, the Early Days in the Northwest (1873), Joseph Kirkland’s The Chicago Massacre of 1812 (1893), and Heroes and Heroines of the Fort Dearborn Massacre, A romantic and tragic history of Corporal John Simmons and his heroic wife, by N. Simmons (1896). The idea that the battle was a “mas- sacre” was effectively written in stone (okay, bronze) with a monument commissioned in 1893 by industrialist George Pullman. The (in)famous statue of Black Partridge saving a settler, which originally sat across from Pullman’s home, eventually ended up in a Chicago Park District warehouse. -
Inside & Online
October 3, 2013 1 Pointer View The OCTOBER 3, 2013 Vol. 70, No. 37 ® Duty, Honor, Country PointerServing the U.S. Military Academy and the community View of West Point ® INSIDE & ONLINE www.pointerview.com www.usma.edu GovernmentCadets head to class Wednesday in spite of the government Shutdown shutdown, which has furloughed the majority of the civillian faculty and workforce at the U.S. Military Academy. “While we will continue our education Resources during the shutdown and training mission, our ability to deliver at a Tier 1 education level of quality is significantly degraded www.usma.edu/furlough without our valued civilian employees.” said the Brig. Gen. Timothy Trainor, the Dean of the Academic Board. For a message from the Superintendent and more information on how the government shutdown is affecting the Academy and West Point see pages 2 and 3. PHOTO BY SGT. 1ST CLAss CHRISTOPHER FINCHAM/USMA PAO NCOIC 2 October 3, 2013 News & Features Pointer View Shutdown message from the Superintendent West Point Community Members, diminish the importance of your work to the Army or firefighters, security guards, medical personnel, our mission. We recognize the tremendous hardship utilities and other excepted personnel. As you know, the Department of Defense received on you and your families, and we are doing all we can We respect and admire your patience and instruction to begin an orderly shutdown due to the to both support you personally through this impasse, perseverance through all of this, especially after the government budgetary impasse and the Academy is and to secure salary funding as expeditiously as furloughs over the summer. -
Better Mus' Come
BETTER MUS’ COME PUBLICITY CONTACTS Tilane Jones [email protected] 818.995.0050 Rating: NR TRT: 104 minutes CREDITS Written & Directed by Storm Producer Paul Bucknor Executive Produced by Joshua Bratter Samantha Bratter Paul Bucknor Director of Photography Storm Editors Storm Paul Bucknor Cast Sheldon Shepherd - Ricky Nicole Grey - Kemala Ricardo Orgill - Flames Everaldo Creary - Short Man Roger Guenveur Smith - Prime Minister SYNOPSIS Better Mus’ Come is a coming of age drama set in Jamaica’s turbulent 1970s, against the backdrop of the Cold War, a national water crisis, an energy crisis, corruption, and numerous murder scandals that gave birth to the polarized violence gripping the streets of Kingston both then and now. After months of incarceration as a suspected political agitator, Ricky is released. Haunted by the tragic death of his devoted young wife and paralyzed by conflicting feelings of guilt and loyalty to his political tribe, he tries to navigate his way through the minefields created by the constant social upheaval that seems to be ubiquitous in his community, while providing a better life for his 5- year old son. At his home coming party Ricky meets Kemala, a book smart country girl, who lives in the opposing neighborhood, enemy territory. In many ways they are opposites, but what starts as antagonism quickly turns into burning passion. Kemala encourages Ricky to convince his old friends in the community to adopt a more passive approach. To defy the status quo of confrontation, this leads to the inevitable cycle of violence. The big question is, can Ricky and his crew beat the odds and ensure that Better Mus’ Come? Director’s Statement I’ve always been a bit of a cold war junkie, and there was a point in my life where I would watch, read, and research everything I could on geopolitics and espionage in the 20th century. -
The Performative Politicization of Public Space: Mexico 1968-2008-2012 Robin Adèle Greeley
thresholds 41 Spring 2013, 18-31 THE PERFORMATIVE POLITICIZATION OF PUBLIC SPACE: MEXICO 1968-2008-2012 ROBIN ADÈLE GREELEY Peña Nieto: the TV is yours; Mexico is ours! #YoSoy132 banner, June 2012 In May 2012, just weeks before the recent presidential elections in Mexico, a group of students at the Universidad Iberoamericana challenged the presidential candidate for the Institutional Revolutionary Party (PRI), Enrique Peña Nieto, during his cam- paign stop at the university.1 Peremptorily dismissed as being mob infiltrators hired by Peña Nieto’s political opponents, 131 Ibero students posted a video on YouTube displaying their university IDs and reiterating their outrage at the PRI’s persistent autocratic spurning of everyday citizens.2 The video sparked a spontaneous new grassroots political movement, “#YoSoy132” (“I am 132,” following up on the origi- nal 131 students) that rejected the PRI’s authoritarian neoliberalist platform and, in particular, its long history of collusion with powerful news media corporations.3 In the following weeks, hundreds of thousands of #YoSoy132 protestors repeatedly took to the streets across the country, to demand the democratization of the news media and the liberalization of the political system in Mexico. #YoSoy132 has regularly been compared to Mexico’s 1968 student movement which, as many have argued, “undermined forever the foundations of authoritarian- ism in Mexico.”4 Like their 1968 counterparts, #YoSoy132 has mounted a powerful anti-systemic call for a renewed politics “from below” to counteract the longstand- ing autocratic cronyism and corruption of the nation’s political leadership. Yet the comparison of #YoSoy132 with 1968 raises profound questions concerning the development of the public sphere in Mexico and its ability to foment a functional de- mocracy. -
The Chicago City Manual Was at the Time Regarded As an Experiment, but It Soon Came to Be Known As a Necessary Thing That Would Take Its Place As a Regular An
UNIVERSITY OF ILLINOIS LIBRARY Class Book Volume CENTRAL CIRCULATION BOOKSTACKS The person charging this material is re- sponsible for its renewal or its return to the library from which it was borrowed on or before the Latest Date stamped below. The Minimum Fee for each Lost Book is $50.00. Theft, mutilation, and underlining of boolcs ore reasons for disciplinary action and may result in dismissal from the University. TO RENEW CALL TELEPHONE CENTER, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN DEC 1 3 1994 ^ 2 2 1994 When renewing by phone, write new due date below previous due date. L162 CHICAGO CITY MANUAL 1909 CONTAINING The Names and Official Addresses of the Executive and All Other City Officers with Descriptions of Their Functions Lists of the Aldermen and of the Committees of the City Council and the Rules Governing That Body And Many Other Matters Relating to the City and Its Institutions Prepared by FRANCIS A.EASTMAN City Statistician CHICAGO: BUREAU OF STATISTICS AND MUNICIPAL LIBRARY 1909 nrir^ THE FRONTISPIECE. ^ The half-tone picture on the opposite page, gives a perfect view of the site of the City Hall as prepared by the contractors on the foundations and as turned over by them to the contractors for the super- structure. A few words of description will inform the reader of what has been placed below the surface of the site to support the enormous weight of the building when that is completed. From the records in the possession of Alderman Francis W. Taylor, Chairman of the City Hall building Committee, it appears that the wrecking of the old City Hall was commenced on August 11, 1908, and that work on the new foundations was begun on January 4, 1909. -
The Massacre at El Mozote
March 4, 1992 Volume No. IV, Issue No. 2 EL SALVADOR THE MASSACRE AT EL MOZOTE: THE NEED TO REMEMBER Introduction With the negotiated cease-fire agreement signed on January 16, 1992, in Introduction ..................................................1 Mexico City, the twelve-year-old conflict in The Massacre of El Mozote ........................3 El Salvador has formally come to an end. The Massacre Becomes Known .................5 The agreements under United Nations The Lack of Press Coverage in supervision between the Salvadoran El Salvador........................................5 government and the Farabundo Martí U.S. Press Accounts of the Massacre..6 National Liberation Front (FMLN) envision The Reagan Administration Response.....7 unprecedented reforms: to reduce the Congressional Hearings .......................9 military, dissolve the elite, immediate- The Atlacatl Battalion and U.S. Policy ...11 U.S. Government Response reaction battalions, eliminate two of the to Massacres ...................................15 security forces, create a new National Civil The "Official Story"..............................16 Police, and demobilize the FMLN and fully The Current Status of the Case................16 integrate ex-guerrillas into civilian life. These transformations hold forth the greatest possibility yet for the respect for human rights and the achievement of social justice in El Salvador. Two provisions of the peace agreement touch more directly on the question of human rights. In April 1991, the negotiating parties agreed to the formation of a Commission on Truth, which would review "grave acts of violence which have occurred since 1980 and whose mark on society demands with great urgency public knowledge of the truth." In September 1991, the Salvadoran government and the FMLN agreed to a process of "purification" of the armed forces, to be carried out by an ad hoc Commission, which would review the records of military officers with a special focus on their human rights records. -
Yes, Taylor. Stop Pretending to Be Surprised: You're the Only Musician
52 53 Yes, Taylor. Stop pretending ME?to be surprised: You’re the only musician who matters PHOTOGRAPH ILLUSTRATION BY CREDIT TK CREDIT BY ILLUSTRATION PHOTOGRAPH TK CREDIT BY ILLUSTRATION PHOTOGRAPH By Devin Leonard Scott Borchetta, founder of Big Spotify, but he can’t because of a deal with Universal Music record labels. Two of them, Big Machine and Valory Music, are Group’s Republic Records. “That’s a side conversation we’re controlled entirely by Borchetta and his partners. (Borchetta having,” says Borchetta. (Spotify pays 70 percent of its revenue owns 60 percent of Big Machine; other reported equity holders Machine Records, Taylor Swift’s to record labels and music publishers, a large part of which goes include the Swift family and country singer Toby Keith.) Two to three major companies, Sony Music Entertainment, Warner other labels, Republic Nashville and Dot Records, are joint ven- Music Group, and Universal.) tures with Republic Records, a division of Universal, the world’s The impact of pulling the catalog isn’t yet clear—though it largest record company. In 2012, Borchetta struck a deal to Nashville-based label, picks up a may have helped move some physical CDs—but other artists market and distribute the original music from Nashville, ABC’s and managers are paying close attention. Clarence Spaulding, a hit prime-time soap opera. “He started as a Valley boy and now prominent Nashville manager, says his client Jason Aldean, one is running all of Nashville,” says Dawn Soler, senior vice presi- of the biggest-selling country music acts, is one of them. -
Indian Agency Blacksmiths of the American Frontier
Bound Away: The Liberty Journal of History Volume 3 Issue 1 Article 3 January 2020 Forging Insights: Indian Agency Blacksmiths of the American Frontier Adam G. Novey Liberty University Alumni, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/ljh Part of the Cultural History Commons, Diplomatic History Commons, Political History Commons, Social History Commons, and the United States History Commons Recommended Citation Novey, Adam G. (2020) "Forging Insights: Indian Agency Blacksmiths of the American Frontier," Bound Away: The Liberty Journal of History: Vol. 3 : Iss. 1 , Article 3. Available at: https://digitalcommons.liberty.edu/ljh/vol3/iss1/3 This Article is brought to you for free and open access by Scholars Crossing. It has been accepted for inclusion in Bound Away: The Liberty Journal of History by an authorized editor of Scholars Crossing. For more information, please contact [email protected]. Forging Insights: Indian Agency Blacksmiths of the American Frontier Abstract Following the War of 1812, the United States government sought to more directly deal with the Native tribes in the American interior. The establishment of Indian agency blacksmith shops was one significant component of this endeavor. While it remains a virtually untouched topic in scholarship, the analysis of agency blacksmith services may reveal significant historical insights within topics as diverse as ethnic perception, material culture, frontier government practices, and language dynamics during a time of great upheaval. This case study of the blacksmith shop at the Fort Winnebago sub-agency in pre-state Wisconsin seeks to demonstrate the manner in which these institutions provide new opportunities for a better understanding of the cultural and political dynamics of the American frontier.