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PREVIEW PREVIEW Previewstrictly on the Surface, ‘The Platters Rock’ Just Doesn’T Sound Right
PREVIEW PREVIEW PREVIEWStrictly on the surface, ‘The Platters Rock’ just doesn’t sound right. During the mid-to-late 1950s, the ultra- polished vocal group was the epitome of cool, velvet-smooth harmonizing as they cranked out an avalanche of smash ballads under the supervision of manager Buck Ram. Filmmakers cast them as the relatively safe and sedate antidote to the otherwise steamy sounds dished up in the memorable films ‘Rock Around the Clock,’ ‘The Girl Can’t Help It,’ ‘Rock All Night,’ ‘Carnival Rock,’ and ‘Girls Town,’ their segments allowing overheated teenagers a chance to to. They’d started out as an R&B vocal group cool down a bit in their sweaty theater seats. before magnificently crossing over to the pop realm, and that early training never deserted Yet a close examination of their mammoth them altogether. catalog for Chicago’s Mercury Records reveals a surprising number of up-tempo The quintet’s unusual four-guys-and-one- gems that entirely legitimize the concept of gal lineup was influential in itself, mirrored this collection. You may not recognize all by a number of African American vocal of the titles at first glance, but taken as a groups that followed in their wake (most whole they confirm that The Platters could notably Smokey Robinson’s Miracles). But indeed rock whenever Ram allowed them very few outfits could boast the presence of 5 a stratospheric lead tenor the equal of The Bass singer Herb Reed was the first Platters’ Tony Williams, whose powerful, member that we now revere as a Platter to PREVIEWgymnastic vocal flights approximated a ride come into the fold. -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
Cadet Gray : a Pictorial History of Life at West Point As Seen Through Its
C'.jMs * V. *$'.,. yft v5sp»hV -• sp:km■&■:: -. SlKfHWt:'Yr'^ if*## w ■W.» H'• mATAA imflmt,mWw- mm ■M fwi uwJuSuU;rt”i> i ifyffiiRt >11 OT»X; w^lssii' ^;fL--„i‘. • ■•'■&»> .‘ 44 V . ir'YVV. <iVv -\\#■ • - . < •? ■ .« *5 ^'*V • *’vJ* •"•''' i\ ' p,'ii*.^55?V'..'S *'•• • ■ ’■4v YU'r '• iii#>«;•.' >v . •" S/M .'.fi'i -ft' ,' 1« ■ wafts. | if ~*^kl \ l\ % . • — CADET * . CRAY ■ A cadet officer (with chevrons) and a Plebe in "50-50” Full Dress, on the Plain at West Point. The officer’s insignia denote that he is a Distinguished Cadet, a lieu¬ tenant, and a First Classman. msm \ PICTORIAL HISTORY OF LIFE AT WEST POINT AS SEEN THROUGH ITS UNIFORMS !Y FREDERICK P. TODD, COL,, U.S.A.R. ILLUSTRATED BY FREDERICK T. CHAPMAN I i ■ ••••:1 ^ ■—1 To My Wife By the Same Author SOLDIERS OF THE AMERICAN ARMY Copyright, 1955 by STERLING PUBLISHING CO., Inc. 215 East 37 St., New York 16, N. Y. All rights reserved under International and Pan-American Copyright Conventions Manufactured in the United States of America Library of Congress Catalog Card No. 55-12306 This edition is published by Bonanza Books, a division of Crown Publishers, Inc. by arrangement with the original publisher, Sterling Co., Inc. Contents The United States Military Academy . What Cadet Gray Means. 11 The First Uniform . 15 Republican Styles . 19 Partridge’s Gray Uniform. 22 Cadet Dress in Thayer’s Time . 25 The West Point Band . 32 Plumes, Swords and Other Distinctions. 38 Fatigue and Foul Weather Clothing. 44 In the 1850’s and ’60’s. -
Summer 2020.Indd
Summer 2020 at | cmu.edu/osher w CONSIDER A GIFT TO OSHER To make a contribution to the Osher Annual Fund, please call the office at 412.268.7489, go through the Osher website with a credit card, or mail a check to the office. Thank you in advance for your generosity. BOARD OF DIRECTORS CURRICULUM COMMITTEE OFFICE STAFF Jim Reitz, President Gary Bates Lyn Decker, Executive Director Allan Hribar, Vice-President Lester Berkowitz Olivia McCann, Administrator / Programs Jan Hawkins, Secretary John Brown Chelsea Prestia, Administrator / Publications Marcia Taylor, Treasurer Maureen Brown Kate Lehman, Administrator / General Office John Olmsted, Past President Flip Conti Ann Augustine Jan Davis Rosalie Barsotti Lyn Decker CATALOG EDITORS Gary Bates Mary Duquin Chelsea Prestia, Editor Jeffrey Holst Anna Estop Olivia McCann Ann Isaac Byron Gottfried Helen-Faye Rosenblum Raja Sooriamurthi Marilyn Maiello Rosalyn Treger Jeffrey Swoger Enid Miller Kate Lehman Randy Weinberg Helen-Faye Rosenblum Mark Winer Judy Rubinstein CONTACT INFORMATION Rochelle Steiner Osher Lifelong Learning Institute Jeffrey Swoger Carnegie Mellon University Rebecca Culyba, Randy Weinberg Associate Provost 4614 Wean Hall and University Liaison 5000 Forbes Avenue Pittsburgh, PA 15213-3815 Please include your return address on all mail sent to the Osher office. Phone: 412.268.7489 Email: [email protected] Website: cmu.edu/osher ON THE COVER The Randy Pausch Bridge connects The Purnell Center and Gates & Hillman Centers and features more than 7,000 programmable (and environmentally friendly) LED lights. The design of the Pausch Bridge pays tribute to all the "penguins" of the world with abstract penguin cut-outs. Randy reminded students that even in dangerous waters, one penguin had to be brave enough to take the first dive. -
The Chicago Massacre of 1812
The Chicago Massacre of 1812 With Illustrations and Historical Documents by Joseph Kirkland, 1830-1894 Published: 1893 The Dibble Publishing Company, Chicago J J J J J I I I I I Table of Contents Author’s Preface & ▓ PART I … Saturday, August Fifteenth, 1812 — Narratives of the Massacre. Scene at dawn—Mothers and children; Captain Wells and his Miamis; his niece, Rebekah Heald; why he blackened his face; the Dead March; the Fort cattle; Indian follies—Margaret Helm, the authority for Mrs. Kinzie's narrative in Wau-Bun —Ensign Ronan's insubordination; Rebekah Heald's version as reported by her son, Darius—Evacuation of the fort; Captain Heald's force; Kinzie family; they take boat—To-pee-nee-be's warning; line of march—Pottowatomie "escort"—Wau-Bun narrative begins; the attack—Surgeon Van Voorhees—Black Partridge rescues Mrs. Helm; scene portrayed in bronze group—John Kinzie reports safety of Lieutenant Helm; Captain Wells's scalp; Indians are kind to Mrs. Helm; she learns details of the struggle; a squaw tortures a wounded soldier—English blamed for Indian alliance; Mrs. Heald's narrative begins; similar to Mrs. Helm's; the sand-ridges—Captain Wells orders and leads the charges; the battle thus foolishly lost; signal for surrender—The twelve militia-men; Captain Heald's wound— Mrs. Heald's six wounds; particulars of Wells's death; Indians cut out his heart and eat it—"Epeconier!"; his noble self- sacrifice; relics in the Calumet Club—Mrs. Heald fights for her blanket—Stripped of her jewelry; what became of it; articles redeemed and still in existence—Chandonnais saves the Healds' lives; wounded prisoners tortured to death—Fatal blot on the Indian race; Mrs. -
The Chicago City Manual Was at the Time Regarded As an Experiment, but It Soon Came to Be Known As a Necessary Thing That Would Take Its Place As a Regular An
UNIVERSITY OF ILLINOIS LIBRARY Class Book Volume CENTRAL CIRCULATION BOOKSTACKS The person charging this material is re- sponsible for its renewal or its return to the library from which it was borrowed on or before the Latest Date stamped below. The Minimum Fee for each Lost Book is $50.00. Theft, mutilation, and underlining of boolcs ore reasons for disciplinary action and may result in dismissal from the University. TO RENEW CALL TELEPHONE CENTER, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN DEC 1 3 1994 ^ 2 2 1994 When renewing by phone, write new due date below previous due date. L162 CHICAGO CITY MANUAL 1909 CONTAINING The Names and Official Addresses of the Executive and All Other City Officers with Descriptions of Their Functions Lists of the Aldermen and of the Committees of the City Council and the Rules Governing That Body And Many Other Matters Relating to the City and Its Institutions Prepared by FRANCIS A.EASTMAN City Statistician CHICAGO: BUREAU OF STATISTICS AND MUNICIPAL LIBRARY 1909 nrir^ THE FRONTISPIECE. ^ The half-tone picture on the opposite page, gives a perfect view of the site of the City Hall as prepared by the contractors on the foundations and as turned over by them to the contractors for the super- structure. A few words of description will inform the reader of what has been placed below the surface of the site to support the enormous weight of the building when that is completed. From the records in the possession of Alderman Francis W. Taylor, Chairman of the City Hall building Committee, it appears that the wrecking of the old City Hall was commenced on August 11, 1908, and that work on the new foundations was begun on January 4, 1909. -
Chapter 2: Pop-Rock of the 50S and 60S
The Development of Rock & Roll by Dr. Daniel Jacobson © 2016 All Rights Reserved CHAPTER 2 POP-ROCK OF THE 50S AND 60S INTRODUCTION Softer “pop” music styles have played important roles in the development of rock, especially from c1953 to 1966 and in the early 70s. Various pop-related styles in the 50s and early 60s include: • Doo-Wop (1950s and early ‘60s; combined Pop, Gospel and soft R & B elements) • Teen Idol “Crooners” (late ‘50s/early ‘60s; Dick Clark early rock era; soft R & B) • Surf Music (late ‘50s/early ‘60s) • Brill Building/Aldon Music (‘60s pop; extension of “Tin Pan Alley” tradition) • Early Motown (early 1960s; “Soul-pop” music) I. THE CHANGING OF THE GUARD IN 50s ROCK During the years 1957 to 1961, Rock & Roll lost the impact of at least ten of its most prominent trendsetters. • March 1956: While on his way to perform for The Perry Como Show in New York City, Carl Perkins was involved in a car crash in which he suffered a fractured shoulder and skull. Perkins lost his chance for major fame, and was soon overshadowed by the rise of Elvis Presley. • October 1957: Little Richard renounced Rock and Roll for the ministry of the Seventh Day Adventist Church. • November 1957: Jerry Lee Lewis married his 13-year-old third cousin (while “forgetting” to divorce his first wife.) The scandal that followed destroyed his career. • March 1958: Elvis Presley was drafted into the army, serving in Germany until 1960. • February 1959: a small-plane crash near Fargo, North Dakota killed Buddy Holly, J.P. -
East Albany Park and Ravenswood Manor
East Albany Park and Ravenswood Manor The Walk: This walk takes you to the very eastern part of Albany Park and even spills slightly over the border into North Park and Ravenswood. The western part of Albany Park is home to North Mayfair, another historic district, and will be the focus of another walk. East Albany Park and Ravenswood Manor German and Swedish immigrants initially settled the Albany Park area. After 1912, the area became home to a large number of Russian Jews and remained predominately Jewish through the 1950s. After the Second World War, many Jewish families moved north to Lincolnwood and Skokie. The suburban exodus led Albany Park into economic and social decline. In the 1970s, 70% of the commercial property along Lawrence Avenue stood vacant. Empty buildings attracted illegal drug trade, prostitution and gangs. Relief came in 1978 when the city government, the North River Commission and the Lawrence Avenue Development Corporation cooperated to improve Albany Park’s appearance and business development. After the 1970s , Albany Park became a port of entry for immigrants from Asia and Latin America and today it is one of the most ethnically diverse zipcodes in the United States. Over 40 languages are spoken in its public schools. (from Encyclopedia of Chicago and Wikipedia) Main Walk (marked in red dots on the map) 1.River Park 5100 N. Francisco Ave. Chicago architect Clarence Hatzfeld designed the impressive brick fieldhouse with a three-story central section and a long wing on either end. It was constructed in 1929 to replace the original structure. -
VOL. 1873 Fourth Annual Reunion of the Association of the Graduates of the United States Military Academy, at West Point, New Yo
FOURTH ANNUAL REUNION OF THE OF THE UNITED STATES MILITARY ACADEMY, AT WEST SOIVT, JNEW YO(K, JUNE 1, 1873. NEW YORK: D. VAN NOSTRAND, PUBLISHER, 23 MURRAY AND 27 WARREN STREET. 1873. ANNUAL REUNION JUNE 12, 1873. MINUTES OF THE BUSINESS MEETING. WEST POINT, N. Y., June 12th, 1873. The Association met in the Chapel of the United States Military Academy, and was called to order by Judge R. P. Parrott, Class of 1824, Chairman of the Executive Committee. Prayer was offered by the Rev. C. C. Parsons, Class of 1861 (June). The roll of the Members of the Association was then called by the Secretary. ROLL OF MEMBERS. Those present are indicated by a *, and those deceased in italics. Class. Class. 1808 Sylvanus Thayer. (Dennis H. Mahan. 1824 \ *ROBERT P. PARROTT. *SIMON WILLARD. (JOHN M. FESSENDEN. James Munroe. 1815 THOMAS J. LESLIE. 1825 N. SAYRE HARRIS. CHARLES DAVIES. *WILLIAM H. C. BARTLETT. Horace Webster. *SAMUEL P. HEINTZELMAN. 1818 HARVEY BROWN. 1826 AUGUSTUS J. PLEASONTON. Hacrtman Bache. *NATHANIELX C. MACRAE. EDWIN B. BABBIT. EDWARD D. MANSFIELD. l *SILAS CASEY. HENRY BREWERTON. 1819 HENRY A. THOMPSON. ALEXANDER J. CENTER. *DANIEL TYLER. 1827 NATHANIEL J. EATON. WILLIAM H. SWIFT. Abraham Van Buren. 1820 RAWLINS LOWNDES. *ALBERT E. CHURCH. 1828 GUSTAVE S. ROUSSEAU. 1821 *SETH M. CAPRON. CRAFTS J. WRIGHT. *WILLIAM C. YOUNG. f CATH. P. BUCKINGHAM. David H. Vinton. SIDNEY BURBANK. 18 *BENJAMIN H. WRIGHT. WILLIAM HOFFMAN. DAVID HUNTER. THOMAS SWORDS. 1829 ALBEMARLE CADY. GEORGE S. GREENE. *THOMAS A. DAVIES. *HANNIBAL DAY. *CALEB C. SIBLEY. 8 GEORGE H. CROSMAN. JAMES CLARK. -
February 2017
AFM LOCAL 47 Vol. 3 No. 2 February 2017 online Black History Month How the roots of our past continue to shape us today Millions Celebrate Diversity at BlackMusic, BlackWork Historical Presidential Inauguration Rallies Exhibit Explores the Black Los Angeles Around the World Musicians Union Local 767 ISSN: 2379-1322 Publisher Editor AFM Local 47 Gary Lasley 817 Vine Street Managing Editor / Advertising Manager Hollywood, CA 90038-3779 Linda A. Rapka p 323.462.2161 f 323.993.3195 Graphic Designer / Asst. Layout Editor www.afm47.org Candace Evans AFM LOCAL 47 EXECUTIVE BOARD Election Board & COMMITTEES Mark Zimoski, chair Overture Online is the official monthly elec- Stephen Green, Scott Higgins, tronic magazine of the American Federa- Titled Officers Marie Matson, Kris Mettala, tion of Musicians Local 47, a labor union for President John Acosta Paul Sternhagen, Nick Stone Vice President Rick Baptist professional musicians located in Holly- Secretary/Treasurer Gary Lasley Fair Employment Practices wood. Committee Trustees Ray Brown, Beverly Dahlke-Smith Judy Chilnick, Dylan Hart, Formed by and for Los Angeles musicians Bonnie Janofsky Grievance Committee Ray Brown, Lesa Terry over a century ago, Local 47 promotes and Directors protects the concerns of musicians in all Pam Gates, John Lofton, Hearing Representative areas of the music business. Our jurisdic- Andy Malloy, Phil O’Connor, Vivian Wolf Bill Reichenbach, Vivian Wolf tion includes all counties of Los Angeles Legislative Committee (except the Long Beach area). With more Hearing Board Jason Poss, chair Allen Savedoff, chair Kenny Dennis, Greg Goodall, than 7,000 members, Local 47 negotiates Alan Estes, Jon Kurnick, Jeff Lass, Dan Greco, Lisa Haley, with employers to establish fair wages Norman Ludwin, Helen Nightengale, Ken Munday, Stephanie O’Keefe and working conditions for our members. -
Jukebox Oldies
JUKEBOX OLDIES – MOTOWN ANTHEMS Disc One - Title Artist Disc Two - Title Artist 01 Baby Love The Supremes 01 I Heard It Through the Grapevine Marvin Gaye 02 Dancing In The Street Martha Reeves & The Vandellas 02 Jimmy Mack Martha Reeves & The Vandellas 03 Reach Out, I’ll Be There Four Tops 03 You Keep Me Hangin’ On The Supremes 04 Uptight (Everything’s Alright) Stevie Wonder 04 The Onion Song Marvin Gaye & Tammi Terrell 05 Do You Love Me The Contours 05 Got To Be There Michael Jackson 06 Please Mr Postman The Marvelettes 06 What Becomes Of The Jimmy Ruffin 07 You Really Got A Hold On Me The Miracles 07 Reach Out And Touch Diana Ross 08 My Girl The Temptations 08 You’re All I Need To Get By Marvin Gaye & Tammi Terrell 09 Where Did Our Love Go The Supremes 09 Reflections Diana Ross & The Supremes 10 I Can’t Help Myself Four Tops 10 My Cherie Amour Stevie Wonder 11 The Tracks Of My Tears Smokey Robinson & The Miracles 11 There’s A Ghost In My House R. Dean Taylor 12 My Guy Mary Wells 12 Too Busy Thinking About My Marvin Gaye 13 (Love Is Like A) Heatwave Martha Reeves & The Vandellas 13 The Happening The Supremes 14 Needle In A Haystack The Velvelettes 14 It’s A Shame The Spinners 15 It’s The Same Old Song Four Tops 15 Ain’t No Mountain High Enough Diana Ross 16 Get Ready The Temptations 16 Ben Michael Jackson 17 Stop! (in the name of love) The Supremes 17 Someday We’ll Be Together Diana Ross & The Supremes 18 How Sweet It Is Marvin Gaye 18 Ain’t Too Proud To Beg The Temptations 19 Take Me In Your Arms Kim Weston 19 I’m Still Waiting Diana Ross 20 Nowhere To Run Martha Reeves & The Vandellas 20 I’ll Be There The Jackson 5 21 Shotgun Junior Walker & The All Stars 21 What’s Going On Marvin Gaye 22 It Takes Two Marvin Gaye & Kim Weston 22 For Once In My Life Stevie Wonder 23 This Old Heart Of Mine The Isley Brothers 23 Stoned Love The Supremes 24 You Can’t Hurry Love The Supremes 24 ABC The Jackson 5 25 (I’m a) Road Runner JR. -
The Top Ten Vocal Groups of the Golden '50S
THE Top Ten Vocal Groups of the Golden ‘50s The Great R&B Files (# 6 of 12) Updated December 27, 2018 THE Top Ten Vocal Groups of the Golden ‘50s Rhythm and Blues Harmony Presented by Claus Röhnisch The R&B Pioneers Series - Volume Six of twelve Also read page 1 (86) - Top Rhythm & Blues Records - The Top R&B Hits from 30 classic years of R&B - The John Lee Hooker Session Discography with Year-By-Year Recap - The Blues Giants of the 1950s - Twelve Great Legends - Ten Sepia Super Stars of Rock ‘n’ Roll – Idols making Music Histouy - Transitions from Rhythm to Soul – Twelve Original Soul Icons - The True R&B Pioneers – Twelve Hit-Makers from the Early Years - Predecessors of the Soul Excplosion in the 1960s – Twelve Famous Favorites - The R&B Pioneers Series – The Top 30 Favorites - Clyde McPhartter - the Original Soul Star - The Clown Princes of Rock and Roll: The Coasters - Those Hoodlum Friends – The Coasters The Great R&B-files Created by Claus Röhnisch Find them all at http://www.rhythm-and-blues.info The R&B Pioneers Series – Volume Six of twelve THE Top Ten Vocal Groups of the Golden ‘50s Two great ”reference” books on Doo-Wop: The Doo-Wop Decades, 1945-1965 by B. Lee Cooper and Frank W, Hoffman CSIPP, US 2017 The Top 1000 Doo-Wop Songs by Anthony Gribin and Matthew Schiff Ttgpress, 2014 2 The R&B Pioneers Series – Volume Six of twelve THE Top Ten Vocal Groups of the Golden ‘50s Introduction Of all the countless (and mostly black) vocal groups, who gave us that exciting and wonderful harmony singing in the 1950s, I have selected ten outstanding pioneer R&B groups.