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237711934.Pdf ~ 0 C) u:i zw .....z ~ µ.. z 0 :>-< .....E--< u:i 0:::w C) .....> z ~ z ~ l9 V) w w 0 ci LL z 0 (\') ~ w 0 > l9 IX) w ~ ~ (11e.::1 :slO'Z') l'OU:El'I\ ......J ......J - 3 8'Z't,t, NW 0 w~ S/\0~ u im'1w EMERGING FROM THE DEAN FALL 2018 VOL. 13, NO. 1 EDITORS Amelia Narigon and Trevor Miller Dear Alumni and Friends DESIGNER of the College of Design, Calee Cecconi As each of us knows, design is everywhere. And designers are uniquely positioned to frame COPY EDITOR and orchestrate problem-solving as our society grapples with increasingly complex issues. Sharon Grimes Our faculty, students, and alumni demonstrate ways in which design and design thinking can COLLEGE LEADERSHIP generate much-needed solutions. Carol Strohecker, dean; Marilyn Delong, associate dean for academic affairs; Abimbola Asojo, associate dean This issue highlights a few of the research projects currently underway. They range from for research, creative scholarship, and engagement; Kate Maple, assistant dean for student services; creating more accessible websites (p. 9) to reimagining coastal landscapes in the era of Trevor Miller, assistant dean climate change (p. 15); from apparel design faculty creating safer equipment for female ACADEMIC UNIT HEADS firefighters (p. 9), to our School of Architecture's lead role in partnerships with the University Missy Bye, Department of Design, Housing, and Apparel; of Puerto Rico to rebuild post-Hurricane Maria (p. 9). To help showcase more of this work, I Joe Favour, Department of Landscape Architecture; am delighted that interior design Professor Abimbola Asojo has accepted the position of Marc Swackhamer, School of Architecture associate dean for research, creative scholarsh ip, and engagement. She is already diligently COLLEGE OF DESIGN ADVISORY BOARD working with college leaders to advance research-related coll aborations, support-systems, Stuart Ackerberg, Michael Alexin, Dan Avchen, Maurice Blanks, Roberta Bonoff, Mark Butler, and outcomes for our coll ege (p. 9). Emily Callaghan, Pat Cummens, John Cuningham, Jo Davison, Damon Farber, Kelly Gage, Mary McNellis, Our students are also hard at work with their own research and creative projects. For her Tom Meyer, Linda Mona, Sandy Morris, Dave Norback, capstone, Leslie Johnson (M .L.A '18) joined a team of researchers in Dhamori, India, to help Paul Reyelts, Susan Sokolowski, Mark Swenson, Gary Tushie, Burt Visnick local residents tackle water management issues (p. 6). Students in Professor James Boyd Brent's Color and Form in Surface Design course learned about the consu mer supply chain OUR MISSION and created marketing posters to help to promote heirloom bean production in Minnesota Through a unique commitment to creativity and advancing technologies, the College of Design at the (p. 14). Such experiences are formative in our students becoming proficient, community­ University of Minnesota leads, innovates, and educates engaged designers. Our 2018 commencement speakers, the internationally renowned in a full range of design fields by researching ongoing and emerging issues, exploring new knowledge, and graphic designers Nancy Skolos and Thomas Wedell, spoke to this wh il e elucidating tenets addressing and solving real-world problems, all while of good design through their duet-like address (p. 16). adhering to socially responsible, sustainable principles and collaborative design thinking. College of Design alumni also continue to make waves. I am proud that-for the second year Emerging is published fall and spring semesters by the in a row-a coll ege alumnus has received the Un iversity of Min nesota Alumni Association's University of Minnesota College of Design for alumni, faculty, staff, and friends of the college. This publication u40 Award. This year the recipient is Kaamil Haider (B.F.A. '17), an outstanding member is available in alternative formats upon request. Please of th e contemporary Somal i arts and design community (p. 12). In addition, four of our call 612-624-9751. architecture alumni were inducted into the American Institute of Architects' prestigious Send address changes to design~umn.edu. College of Fellows. Further updates appear in the Alumni Notes section (p. 13). Emerging is available online at deslgn.umn.edu/emerging. Every day, members of the College of Design community are contributing solutions to Th e University of Minnesota is an equal opportunity the problems of our time and equipping the next generation of designers to do the same. educator and employer. Through Coordinated Action Pl ann in g, we are identifying ways to focus our resources and strengthen our concentrated efforts. I look forward to seeing what we ca n build together in MIX I"'." 'lJ, Pape, r,om I A the next academic year. ~: responsible sources L-.) ~ \ .... Ci I FSC Bl,(?,~q :4s -- Fsc• c10352s Sincerely, -- COLLEGE OF DESIGN Carol Strohecker, Ph.D. Professor and Dean College of Design UNIVERSITY OF MINNESOTA On the cover: A close-up of student work from a graduate architecture capstone studio (top) and a peek at the aftermath of a semester's worth of screen printing in our graphic design print studios (bottom). 2 EME RGIN G FALL 2018 5 9 design.umn.edu l!◄ Pl•1 N•~ rct••~• ►'49it1411 11 tiffl~! BRINGING UNIVERSAL (~-- r,~ DESIGN to the Self-Checkout ~ ~,01"'9Vr ~ rr~ ~~ Counter The self-checkout counter is a common sight in grocery stores across the nation. But what impact does it have on the design of a store and on people who use it? Architecture student Ryan Hansen worked with Associate Professor Hye-Young Kim (Retail Merchandising) to answer this question in his honors thesis. Why did you decide to team up with the retail merchandising program for your thesis? L-1 ~•rr Working with retail merchandising helped me better understand how a retail space is viewed all the way from top designers to the actu al people that are shopping there. t-,.,r Where did the idea for your honors thesis originate? My honors thesis started with a question I had on Japanese retail design. Th is line of questioning evolved into researching what. the self-checkout line means for our cities and the people in our cities. Working with my advisor and my classmates, I focused on St. Paul and particularly Lund's and Byerly's. I decided to research what a self-checkout counter means for clerks, for space, and, even more specifically, what it means for individuals with disabilities. Why specifically individuals with disabilities? In the School of Architecture, they really emphasize recognizing our own biases. I've never particularly liked the self-checkout counter and when I talked to my thesis advisor, who is partially blind, I really started to recognize that there are a lot of people who don't fit into the mold that this machine tells us we should fit into. Read the full interview at z.umn.edu/emgf18a. 4 EMERGING FALL 2018 0 facebook.com/uofmdesign C) @uofmdesign @ instagram/umndesign EXPLORING UNIVERSAL DESIGN EXPLORING CULTURALLY SENSITIVE Interior Design Interior design juniors explored the ins and individuals who would be using the space outs of universal and cu lturally sensitive and how we would design for them. I took design when they were assigned to the approach of making all of my rooms research th e Hmong culture and design easy to separate or rearrange as needed." a house that combined Hmong and For his house, Ryan Welters based his American lifestyles. "We were asked to entire design on the lotus flower and the think about designing so that oth er water lily. "In Laos, where th e Hmong cultures could adapt the same space for people are originally from, they have the their own needs," explained Rachael lotus flower. Here in the U.S., we have the Springman. Through readings, th e water lily, and so I incorporated both students became familiar with Hmong flowers into my design." This is just one history and cultural practices, which they of the many overlaps that Welters was then incorporated into individual housing surprised to find between the two cultures. designs for a vacant plot of land in St. Paul. "I found it quite easy to design for multiple communities in one house without Th e students had four different hypothetical overthinking it or overcomplicating it. clients they could choose to design for. It's interesting to me that designers don't "Most of us picked the family with eight naturally include these universal design individuals: two parents, two ch ildren at elements when it's quite easy to do." college, three children at home, and an Read the full story at z.umn.edu/emgf18b. elderly relative," explained Abi Lundstrom. "We had to consider the number of design.umn.edu COLLEGE OF DESIGN FALL 2018 5 J~l \.A.A i' f &.-, ·f J. l•na,J- "\ ✓--, \. .,,,, - /,----~ rI~ ~ '';\i .. J..,...,;;,._.,., \ - ~.. "'-1, s......_ \ / 'I .(-~) ... ~ ---~ '- - - IP'- - ~ \ j -"1 , - (t- - Looking Back to MOVE FORWARD Around the world, governments and their University of Fl orida As sistant Professor prior to colonization, not only to hold practices al igned to what Dhamori citizens are grappling with issues of water Alpa Nawre at th e 2017 Landscape excess water, but also as gathering places residents wanted and become self­ availability, cleanliness, and management. Architecture Foundation Summit. Nawre for the village. My capstone work expands sustaining," sa id Johnson. invited Johnson to join her five-person upon these ideas, especially re lated to In her graduate capstone, landscape Upon its completion, the report was research team and help create a report traditional rainwater haNesting techniques." architecture alumna Leslie Johnson (M.L.A. given to a member of India's parliament, on how to improve the water management '18) addressed these issues in the village of Many farm ponds in the region surrounding which has sparked interest from other practices in Dhamori.
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