ELEMENTS of ART in a 3Rd Grade Art FLEX Curriculum, This Sample Scope and Sequence Shows How All of the Elements of Art Can Be Covered and Explored

Total Page:16

File Type:pdf, Size:1020Kb

ELEMENTS of ART in a 3Rd Grade Art FLEX Curriculum, This Sample Scope and Sequence Shows How All of the Elements of Art Can Be Covered and Explored BEGINNER: ELEMENTS OF ART In a 3rd grade art FLEX curriculum, this sample scope and sequence shows how all of the elements of art can be covered and explored. Starting with line and ending with form, students can practice their creativity and gain knowledge of the elements of art through a variety of media. FLEX resources can also be paired to support learning. ELEMENT LINE SHAPE COLOR VALUE TEXTURE SPACE FORM Lessons Shape Collaborative Sculpting a Wire Face Relief Printed Line Castles Leaf Prints Moonlit Midnight Texture Dot Prints Mural Community Sculpture BASIC SHAPES COLOR WHEEL ALL ABOUT VALUE WHAT IS SPACE: TEXTURE? CREATING THE ILLUSION OF DEPTH PRIMARY Value describes the lightness CIRCLE or darkness of a surface. Y ELLOW VALUE CIRCLE SQUARE Texture describes the surface quality of an object. Y GE EL N LO Artists use both actual texture (how things feel) and A W OR - - GR W E LO E S L N VALUE SCALE SQUARE E E implied texture (how things look like they feel). Y Y C R O Forms are three-dimensional (length, width, { } A N OVERLAPPING SIZE G D E R D N Objects that are closer to the viewer overlap Objects that are far away appear smaller. G E A height) and can be viewed from many angles. O N E objects that are behind them. Objects that are close up appear larger. N R A C Y E R O Forms have volume and take up space. S GRADIENT OVAL PRIMARY OVAL B E L G U N E - A G R R A line is a path made by a moving point O E - E D N E R through space. It is one-dimensional and can Resources vary in width, direction, and length. TRIANGLE FOCUS PLACEMENT RECTANGLE TINT SECONDARY Objects that are far away appear lighter in Objects closer to the horizon line appear B color and less clear than objects that are close. farther away. P L R U Y D I E E M R R A A R B M SHADE L I U Y T Vanishing Point E E R - L V I O O I P V L - E D T E R V I O T L TRIANGLE E TONE RECTANGLE S E C Y O R N A D VALUE PERSPECTIVE Adding shading to two-dimensional shapes Depth can be created through the use of one can make them appear three-dimensional. vanishing point. Copyright © The Art of Education University, LLC theartofeducation.edu Copyright © The Art of Education University, LLC theartofeducation.edu Copyright © The Art of Education University, LLC theartofeducation.edu Copyright © The Art of Education University, LLC theartofeducation.edu Copyright © The Art of Education University, LLC theartofeducation.edu Copyright © The Art of Education University, LLC theartofeducation.edu Copyright © The Art of Education University, LLC theartofeducation.edu Videos Piet Sarah Helen Rembrandt Vincent van Gogh Barbara Leonardo Mondrian Morris Frankenthaler van Rijn 1853-1890 Hepworth Da Vinci Dutch Painter HISTORY Famous for use of dense, HISTORY HISTORY visible brushstrokes and Raised by his grandfather in Achiano, Italy, da Vinci left home at HISTORY Rembrandt van Rijn was born in 1606 in Leiden, Netherlands. He HISTORY HISTORY fourteen to serve as an artist’s apprentice in Florence. There, da Vinci Piet Mondrian was born in Amersfoort in the Netherlands in Helen Frankenthaler was the daughter of New York State Supreme began training as an artist in 1620 at age 14. In 1625 he began symbolic colors Sarah Morris was born in Sevenoaks, southeast of London, England. Barbara Hepworth was born in Yorkshire, England. As a girl she worked for Andrea del Verrocchio, an artist trained by Donatello, 1872. He attended the Academy for Fine Art in Amsterdam Court Justice Alfred Frankenthaler and his wife, Martha. She creating small works full of rich detail. He also began making She studied at Cambridge University and then Brown University, traveled the countryside with her civil engineer father, who worked who worked for a powerful family credited with the success of the and worked as a teacher and painter. In the early 20th century, attended Dalton School and Bennington College, graduating in 1949. etchings showing a unique mastery of light and shadow. After where she earned a degree in philosophy and semiotics (the study of for the West Riding County Council. Hepworth attended Wakefield Renaissance movement. While working for Verrocchio, da Vinci he decided to move to Paris--the place where all the newest Frankenthaler was part of the second generation of the postwar moving to Amsterdam, he began creating large-scale, dramatic how signs and symbols create meaning). After that, she was part of Girls’ High School and the Leeds School of Art before moving to studied the humanities, molding his imagination while understanding ideas in art were being explored. He left behind his home in American abstract painters. She was a major influence in taking paintings of biblical and mythological scenes. Despite his artistic FAMOUS WORKS the Whitney Museum of American Art Independent Study Program Café Terrace At Night, 1888 London to study sculpture at the Royal College of Art. A year after relationships between individuals and the world as a whole. the Netherlands in 1911, as well as the woman he loved, to painting from Abstract Expressionism to Color Field painting. success, his family life was marked by tragedy. Three of his while working as an assistant for American artist Jeff Koons. graduating, she was awarded a West Riding Scholarship for a one- pursue his career in art. He became a success, and his work children died within five years, and his wife died shortly after; The Starry Night, 1889 1903-1975 year opportunity to travel abroad. She went to Italy, where a master- went on to influence artists, fashion designers, and even however, he continued creating magnificent works until his death KNOWN FOR carver taught her how to carve marble. furniture designers! KNOWN FOR 1872-1944 KNOWN FOR in 1669. English sculptor Da Vinci is famous for a painting technique called sfumato, which Morris is known for her abstract paintings, which feature bright color Frankenthaler is best known for her “soak-stain technique” that KNOWN FOR Born 1967 blends colors and lines to create a soft effect. He famously used fields, sharp lines, and repeating shapes. She is also a filmmaker impacted abstract painting in unique ways. Frankenthaler would pour KNOWN FOR Dutch Painter KNOWN FOR 1928-2011 1606-1669 KNOWN FOR Van Gogh is best known for his use HISTORY Famous for her simple this technique on The Last Supper, a fresco painted on wet plaster. who focuses attention on the power and control behind places and thinned oil paint onto an unprimed canvas to create loose fields with Hepworth is known for her simple, beautiful works made out of Mondrian is best known for his abstract paintings. His of visible, often curling brushstrokes. Da Vinci is also known for painting realistic facial expressions, such clear color. The thinned paint combined with an unprimed canvas Rembrandt, through his drawings, paintings, and etchings, is Vincent van Gogh began his career as an art dealer in Paris. Upon Modernist forms 1452-1519 British-born American events. For both her painting and her films, she finds inspiration in a wide range of materials. She believed in letting the physical as the Mona Lisa’s famous smirk. Beyond his artistic achievements, paintings did not depict recognizable things such as people widely considered one of the greatest artists who ever lived. His use of color often symbolizes Famous for abstract the architecture and energy of the world’s major cities. American Painter allowed the paint to immediately soak into the canvas, creating an Dutch Painter being fired after ten years of service, van Gogh pursued a career as characteristics of those materials guide her work rather than forcing or objects; instead, his abstractions use colors, shapes, and painter and filmmaker emotion, conveying more than just however, da Vinci is widely recognized for his genius in the world of Artist Bios effect that was similar to watercolor. He was incredibly prolific and innovative, but the works that a preacher. He was also dismissed from this position, as he was seen Italian Painter, Sculptor, work with simple shapes the materials into a shape. Her work is renowned for its brilliant use engineering and science. textures throughout. Mondrian’s style is instantly recognizable receive the most recognition are his portraits, self-portraits, and a subject. In addition to his unique FAMOUS WORKS Famous for abstract Famous for drawing, as being too enthusiastic in his faith. His solution was to become an of form and negative space. She wanted to create pieces that had and Inventor and primary colors for its geometry and simplicity, and his writing about art Famous for her brightly- CAREER illustrations of Bible scenes. He turned etching from a novelty painting style, van Gogh is known for Mother and Child, 1927 artist, as he figured he could spread God’s word through art. a calming effect. To achieve that, she let the landscape and nature influenced a plethora of artists throughout the years. painting using her CAREER his erratic behavior, most famously colored geometric Morris started out making large-scale text paintings that included painting, and into a new form of art, and his mastery of light and shadow is Pierced Form, 1932 CAREER The soak-stain technique was first used in Frankenthaler’s Mountains cutting off his own ear. He created inspire her. Famous for painting The abstract painting wording from sensationalized news stories. She then moved to single- “soak-stain technique” printmaking second to none.
Recommended publications
  • SALE RESULTS: PRINTS and MULTIPLES 26-27 April
    RESULTS | NEW YORK | 27 APRIL 2016 | FOR IMMEDIATE RELEASE SALE RESULTS: PRINTS AND MULTIPLES 26-27 April 2016 SALE TOTAL: $11,592,500 JASPER JOHNS (B. 1930), Flags I, screenprint in colors, on J.B. Green paper, 1973 Estimate: $800,0000-1,200,000 Price Realized: $1,685,000 NEW WORLD AUCTION RECORD FOR A PRINT BY THE ARTIST New York—Christie’s announces strong results for the two-day and three session sale of Prints and Multiples which took place from April 26-27 at Christie’s New York. The sale beat the initial estimate totaling $11,592,500 with 86% sold by lot and 91% sold by value. Record prices were set for artists Jasper Johns, Keith Haring, Frank Stella, Andy Warhol, and Ellsworth Kelly. There was active bidding through all three channels—live, online, and phone—with global representation across buyers. Richard Lloyd, International Head of Prints and Multiples, comments, “Strong prices were achieved for works across the 20th-century, led by Jasper Johns, Flags I, setting a new world auction record for a print by the artist. Significant results were also realized for Roy Lichtenstein, Keith Haring, and a notable 100% sell-through of works by Andy Warhol.” The top lot of the sale was Jasper Johns (B. 1930), Flags I, screenprint in colors, 1973, realizing $1,685,000, setting a new world auction record for his Flags I series and for any printed work by the artist. Previous artist record for a printed work: Jasper Johns (B. 1930), Untitled, which sold for $1,565,000 at Christie’s New York, November 2015.
    [Show full text]
  • Matisse Dance with Joy Ebook
    MATISSE DANCE WITH JOY PDF, EPUB, EBOOK Susan Goldman Rubin | 26 pages | 03 Jun 2008 | CHRONICLE BOOKS | 9780811862882 | English | San Francisco, United States Matisse Dance with Joy PDF Book Sell your art. Indeed, Matisse, with its use of strong colors and long, curved lines will initially influenced his acolytes Derain and Vlaminck, then expressionist and surrealist painters same. Jun 13, Mir rated it liked it Shelves: art. He starts using this practice since the title, 'Tonight at Noon' as it is impossible because noon can't ever be at night as it is during midday. Tags: h mastisse, matisse henri, matisse joy of life, matisse goldfish, matisse for kids, matisse drawing, drawings, artsy, matisse painting, henri matisse paintings, masterpiece, artist, abstract, matisse, famous, popular, vintage, expensive, henri matisse, womens, matisse artwork. Welcome back. Master's or higher degree. Matisse had a daughter with his model Caroline Joblau in and in he married Amelie Noelie Parayre with whom he raised Marguerite and their own two sons. Henri Matisse — La joie de vivre Essay. Tags: matisse, matisse henri, matisse art, matisse paintings, picasso, picasso matisse, matisse painting, henri matisse art, artist matisse, henri matisse, la danse, matisse blue, monet, mattise, matisse cut outs, matisse woman, van gogh, matisse moma, moma, henry matisse, matisse artwork, mattisse, henri matisse painting, matisse nude, matisse goldfish, dance, the dance, le bonheur de vivre, joy of life, the joy of life, matisse joy of life, bonheur de vivre, the joy of life matisse. When political protest is read as epidemic madness, religious ecstasy as nervous disease, and angular dance moves as dark and uncouth, the 'disorder' being described is choreomania.
    [Show full text]
  • Southern Comfort
    FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience.
    [Show full text]
  • Albert Marquet and the Fauve Movement, 1898-1908
    Digitized by the Internet Archive in 2010 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/albertmarquetfauOOjudd ALBERT MARQUET AND THE FAirVE MOVEMENT 1898 -1908 by Norrls Judd A thesis submitted to the Faculty of the Department of Art History in partial fulfillment of the requirements for Senior Honors in Art History. ^5ay 1, 1976 /JP 1^1 Iff TABLE OF CONTENTS Page Introduction ...............< 1 I The Fauve Movement Definition of Fauvism, • 3 The Origins of the Fauve Movement 5 The Leaders of the Fauve Group 11 1905: The Crucial Year, Salon Exhibitions and Critical Reactions 26 Fauve Paintings of 1905 34 Critical Reaction to Fauvism.. 41 Denouement 45 II Albert Marquet Bordeaux: Origins 49 Paris: 1890 - 1898 50 Years of Activity with the Fauve Group: 1899-1908 Marquet and Matisse, 1898 - 1905 54 Marquet and Dufy, 1906. 78 Marquet, 1907-1908 83 Marquet: 1903-1910 87 III Summary 89 IV Footnotes 93 V Appendix Marquet Speaks on His Art 116 List of Reproductions 117 Photocopies of Selected Reproductions i 123 VI Bibl iography 142 Note: An asterisk will appear by a plate reference if the reproduction also appears in photocopy in the appendix. il ALBERT MARQUET AND THE FAUVE MOVEMENT 1898 - 1908 INTRODUCTION In 1905, when a group of violently coloured paintings was displayed at the Salon d'Automne, there were varying reactions from the critics. Some were outraged, others merely amused. At that time only a few of the critics were aware of the importance of the event. Even fewer critics realized that the special characteristics of these paintings would have a decisive influence on the future development of Gortain futur e twentieth century art.
    [Show full text]
  • C#13 Modern & Contemporary Art Magazine 2013
    2013 C#13 Modern & Contemporary Art Magazine C#13 O $PWFSJNBHF"MGSFEP+BBS 7FOF[JB 7FOF[JB EFUBJM Acknowledgements Contributors Project Managers Misha Michael Regina Lazarenko Editors Amy Bower Natasha Cheung Shmoyel Siddiqui Valerie Genty Yvonne Kook Weskott Designers Carrie Engerrand Kali McMillan Shahrzad Ghorban Zoie Yung Illustrator Zoie Yung C# 13 Advisory Board Alexandra Schoolman Cassie Edlefsen Lasch Diane Vivona Emily Labarge John Slyce Michele Robecchi Rachel Farquharson Christie's Education Staff Advisory Board John Slyce Kiri Cragin Thea Philips Freelance C#13 App Developer Pietro Romanelli JJ INDEX I Editor’s Note i British Art 29 Acknowledgements ii Kali McMillan Index iii Index iv Venice C#13 Emerging Artists 58 Robert Mapplethorpe's Au Debut (works form 1970 to 1979) Artist feature on Stephanie Roland at Xavier Hufkens Gallery Artist feature on De Monseignat The Fondation Beyeler Review Artist feature on Ron Muek LITE Art Fair Basel Review Beirut Art Center Review HK Art Basel review Interview with Vito Acconci More than Ink and Brush Interview with Pak Sheun Chuen Selling Out to Big Oil? Steve McQueen's Retrospective at Schaulager, Basel The Frozen Beginnings of Art Contemporary Arts as Alternative Culture Interview with Lee Kit (in traditional Chinese) A Failure to Communicate Are You Alright? Exhibition Review A Failure to Communicate Notes on Oreet Ashrey Keith Haring at Musee D’Art
    [Show full text]
  • MAY 2018 by LOT NUMBER.Pages
    SANTA MONICA AUCTIONS Live Public Art Auction Sunday May 6 @ 1pm ! Lot 1 ! Ay-O Lot 3 (Born 1931) John Altoon Untitled, 1976 (1925-1969) Silkscreen Untitled, 1967 From the edition of 25 Lithograph Signed, dated and numbered in pencil on recto From the numbered edition of 100 Sheet: 35 x 26 inches; Framed: 47 x 37.5 inches Signed, numbered and dated in pencil on recto $600/$800 Image: 14.5 x 18.5 inches; Sheet: 18 x 20.5 inches; Framed: 27 x 30.5 inches Estimate: $800/$1,200 ! ! Lot 2 Lot 4 John Altoon John Altoon (1925-1969) (1925-1969) Untitled, 1968 Untitled, 1966 Lithograph From About Women series B.A.T. aside from a likely edition of 100 From the numbered edition of 100 Signed, dated and annotated “B.A.T.” in pencil on Signed and numbered in pencil on recto verso Sheet: 19 x 38 inches; Framed: 23.5 x 42.5 inches Published by Tamarind Institute, stamp on verso Published by Gemini G.E.L. Sheet: 22 x 30 inches; Framed: 35.5 x 28 inches Estimate: $500/$700 Estimate: $400/$600 [email protected] | WWW.SMAUCTIONS.COM | 310.315.1937 SANTA MONICA AUCTIONS Live Public Art Auction Sunday May 6 @ 1pm ! ! Lot 5 Lot 7 Charles Arnoldi Kyoko Asano (Born 1946) (Born 1933) Threshold, 2001 Rocks & Marbles, 1992 Woodblock print Oil on linen Trial proof aside from the numbered edition of 30 Signed, titled and dated on verso Signed, dated and annotated “T.P.” in pencil on recto 30 x 24 inches Image: 16 x 16 inches; Sheet: 22 x 22 inches; Framed: Estimate: $600/$800 28 x 28 inches Published by Angeles Press, Los Angeles, CA Estimate: $800/$1,000 ! Lot
    [Show full text]
  • Artist Stores: an Evolution in Art and Commerce
    City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2011 Artist Stores: An Evolution in Art and Commerce Naomi Huth CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/15 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Artist Stores: An Evolution in Art and Commerce Naomi Huth Advisor: Professor Lise Kjaer May 2011 Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York Table of Contents Introduction 1 Chapter 1: The Store Is My Art 11 Chapter 2: Pop 'til You Drop 44 Chapter 3: From the Art of Business to 84 the Business of Art Conclusion 115 Image Pages 137 Bibliography 180 Introduction “Power is in the hands of those that control the means of production.” – Craig Owens1 “It's a lady's handbag...No, it's an iron. No, a typewriter. No, a toaster. No, a piece of pie.” These words were exclaimed by a visitor to Claes Oldenburg's 1961 East Village storefront, trying to figure out what product she had just been examining.2 As the viewer encountered a series of handmade objects representing mass-produced goods, she found herself in a storefront oddly mimicking a retail space, creating an ambiguous space where common distinctions between “art” and “commerce” had seemingly collapsed.
    [Show full text]
  • Henri Matisse French, 1869–1954
    Matisse/Diebenkorn (Drawings Gallery, Large Extended label, 12 x 9 in) Henri Matisse French, 1869–1954 Sarah Stein 1916 Oil on canvas San Francisco Museum of Modern Art, Sarah and Michael Stein Memorial Collection, gift of Elise S. Haas Diebenkorn saw this portrait and many more paintings by Matisse at Sarah Stein’s Palo Alto home in 1943. Stein, a native San Franciscan, had moved to Paris with her husband, Michael, and their young son in 1904. They began to acquire Matisse’s work the following year and quickly became his most passionate early supporters, as well as close personal friends. When they returned from France to the Bay Area in 1935—the year this museum was founded—they brought their substantial collection of modern art with them. Extended Label @ 80% of VEL size 9 inches wide 150 words 21/26 pt SFMOMA Matisse/Diebenkorn (Drawings Gallery, Large Extended label, 12 x 9 in) Richard Diebenkorn American, 1922–1993 Urbana #4 1953 Oil on canvas Colorado Springs Fine Arts Center, gift of Julianne Kemper Gilliam After taking a teaching position at the University of Illinois at Urbana-Champaign, Diebenkorn began to use color more expressively than ever before. In part, the palettes he explored in works such as Urbana #4 may have been reactions against the gray light of his new home. But they were also clearly inspired by his growing experience of Matisse’s paintings and his developing sense of how to apply what he saw in them to his own canvases. Extended Label @ 80% of VEL size 9 inches wide 150 words 21/26 pt SFMOMA Matisse/Diebenkorn (Drawings Gallery, Large Extended label, 12 x 9 in) Henri Matisse French, 1869–1954 Studio, Quai Saint-Michel 1916 Oil on canvas The Phillips Collection, Washington, D.C.
    [Show full text]
  • St. Petersburg Downtown Newsletter
    sp july09 #6.qxp 7/30/2009 1:27 PM Page 1 JULY / 2009 ISSUE 6 Photos provided by Wayne Ayers SUNKEN GARDENS WAS A PLUMBER'S DREAM By Wayne Ayers, Admirers of the ever-beautiful Sunken Gardens treated to a display that included 600 gardenias, Historian and have plumber George Turner, Sr. to thank. The 700 azaleas and 35 species of palms along with Author of attraction began as a sinkhole in Turner's backyard. hundreds of exotic tropical specimens. St. Petersburg: Turner acquired the land that would become Sunken Three generations of Turners would guide the The Sunshine City Gardens in 1903 as a home and garden site for his gardens' fortunes for the next 65 years. From the family. Using knowledge of hydraulics gained in his 1950s to the late 1970s, Sunken Gardens grew to plumbing profession, Turner drained a lake in a become one of Florida's top ten attractions. large sinkhole 15 feet below sea level, creating a A major expansion of the Gardens' scope came in rich muck for the garden he planned. Turner then 1967 when the Turner family purchased the Coca designed an elaborate drainage system which kept Cola Bottling Company next door. The 1926 the area from flooding and maintained ideal Mediterranean Revival structure with its Moorish conditions for his planned fruits and vegetables. towers became home to the King of Kings Wax The garden flourished in its rich, nourishing Museum and the World's Largest Gift Shop. environment. Papayas and other exotic plants were The Gardens' allure, however, would decline over added by Turner to the vegetables and citrus.
    [Show full text]
  • Pop Comes from the Outside: Warhol and Queer Childhood 78
    c... o VI m. m '"...m »~ Z c:== ZI o N o U K E UN I V E R SIT Y PRE S S Durham and London 1996 Second printing, 1996 © 1996 Duke University Press All rights reserved ''I'll Be Your Mirror Stage: Andy Warhol and the Cultural Imaginary," © 1996 David E. James Printed in the United States of America on acid-free paper 00 Typeset in Berkeley Medium by Keystone Typesetting, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. CONTENTS Acknowledgments vii JENNIFER DOYLE, JONATHAN FLATLEY, JOSE ESTEBAN MUNOZ Introduction 1 SIMON WATNEY Queer Andy 20 DAVID E. JAMES I'll Be Your Mirror Stage: Andy Warhol in the Cultural Imaginary 31 THOMAS WAUGH Cock teaser 51 MICHAEL MOON Screen Memories, or, Pop Comes from the Outside: Warhol and Queer Childhood 78 JONATHAN FLATLEY Warhol Gives Good Face: Publicity and the Politics of Prosopopoeia 101 EVE KOSOFSKY SEDGWICK Queer Performativity: Warhol's Shyness/Warhol's Whiteness 134 JOSE ESTEBAN MUNOZ Famous and Dandy Like B. 'n' Andy: Race, Pop, and Basquiat 144 vi Contents BRIAN SELSKY "I Dream of Genius, ,," 180 JENNIFER DOYLE Tricks of the Trade: Pop Art/Pop Sex 191 MARCIE FRANK Popping Off Warhol: From the Gutter to the Underground and Beyond 210 MANDY MERCK Figuring Out Andy Warhol 224 SASHA TORRES The Caped Crusader of Camp: Pop, Camp, and the Batman Television Series 238 Bibliography 257 Contributors 267 Index 269 ACKNOWLEDGMENTS his book was put together with the energy and excitement gener­ ated by a conference we organized at Duke University in January 1993 called "Re-Reading Warhol: The Politics of Pop." Our first thanks, then, go to the people who were instrumental in making that event happen, and especially to the people who participated in and attended the conference but did not contribute to this collection of essays.
    [Show full text]
  • Keith Haring - the Journey of a Steve Chua Graffiti Artist 38 Information the Legend of Lichtenstein 44 out in the Streets
    ISSUE 16 | FEB 2011 FEBRUARY 2011 / 1 Yisulang-Confabu Mar 2011 1/15/11 9:37 AM Page 1 C M Y CM MY CY CMY K 2 / THE POCKET ARTS GUIDE Composite C M Y CM MY CY CMY K FEBRUARY 2011 / 3 CONTENTS 12 34 17 13 C M Y 24 26 44 CM MY 12 COMING UP 17 SPOTLIGHT 50 INTERVIEW CY LAND-TA-MORPHOSIS — Artist in Focus - Farhad Hussain An Interview — What the CMY Second of the Trilogy: Castle :Phunk? Beyond a Mountain 12 K Dorit Feldman: A Solo Exhibition by Art Facet Glimpses: A Solo Exhibition by 26 COVER STORY 61 SINGAPORE BenCab ART MAP The Window Project 13 Pop! Back into the Future with Burton Morris Will Siber: Sculpture, Wall Object & Painting Solo Exhibition By Seah Kang Chui 不变 50 年 Unchanged For 50 64 DIRECTORIES Years 14 34 FEATURES Singapore Art Galleries Other Listings ‘No si hijomiono’o jabesi soré Gurerro Habulan – jajivo’ The Warrior of pop! 34 Tourist Spots Malaysia Art Guide Limelight Blossoms by Keith Haring - The Journey of a Steve Chua Graffiti artist 38 InFORMATION The Legend of Lichtenstein 44 Out in the Streets 4 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 5 CONTENTS SPOTLIGHT INTERVIEW SINGAPORE ART MAP 6 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 7 Issue #16 (February 2011) ISSN 1793-9739 / MICA (P) 252/09/2010 www.thepocketartsguide.com On the Cover Burton Morris Poparazzi Acrylic on canvas 91.4 x 91.4cm Editor-in-Chief Remo Notarianni / [email protected] Guest Editor Saskia Joosse / [email protected] Art Director Amalina MN / [email protected] Contributors Bharti Lalwani Advertising Sales [email protected] General enquiries and feedback [email protected] Submission of press releases [email protected] THE POCKET ARTS GUIDE PTE LTD (TPAG) 215 Henderson Road, #03-03, Henderson Industrial Park Singapore 048545 For advertising enquiries, please email [email protected].
    [Show full text]
  • Stanford Auctioneers Pop Art, Fine Art, Photographs: 3 Day Sale Friday – October 14Th, 2016
    Stanford Auctioneers Pop Art, Fine Art, Photographs: 3 Day Sale Friday – October 14th, 2016 www.stanfordauctioneers.com | [email protected] 1: ANDY WARHOL - 100 Cans USD 600 - 800 Andy Warhol (American, 1928 - 1987). "100 Cans [museum card]". Color offset lithograph. Printed 1984. Signed in black marker, center right. Edition unknown. Very light cream wove paper. The full sheet. Fine impression. Fine condition. No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. Overall size: 6 x 4 in. (152 x 102 mm). [28785] |400| {R100} (TL1) nzz~rzz 2: ANDY WARHOL - 16 Jackies USD 800 - 900 Andy Warhol (American, 1928 - 1987). "16 Jackies [museum card]". Color offset lithograph. c1980. Signed in black marker, lower center. Edition unknown, presumed small. Light cream wove paper. Full margins. Very good impression. Very good condition. The original acrylic and silkscreen enamel on canvas was composed by Warhol in 1964 and is in the collection of the Walker Art Center, Minneapolis. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. Overall size: 7 x 5 in. (178 x 127 mm). [28347] |600| {R100} (TL1) rzz~izz 3: ANDY WARHOL & KEITH HARING - 20th Montreux Jazz Festival USD 1,500 - 1,800 Andy Warhol & Keith Haring (Americans, 20th Century). "20th Montreux Jazz Festival". Original color silkscreen. 1986. Signed in black marker by both Haring and Warhol, center left and right; signed in the plate by both Haring and Warhol. Edition unknown. White wove paper. Full margins. Fine impression with vibrant colors. Overall very good to fine condition.
    [Show full text]