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Translating Mimesis of Orality
Translating mimesis of orality: Robert Frost’s poetry in Catalan and Italian Marcello Giugliano TESI DOCTORAL UPF / ANY 2012 DIRECTORS DE LA TESI Dra. Victòria Alsina Dr. Dídac Pujol DEPARTAMENT DE TRADUCCIÓ I CIÈNCIES DEL LLENGUATGE Ai miei genitori Acknowledgements My first thank you goes to my supervisors, Dr. Victòria Alsina and Dr. Dídac Pujol. Their critical guidance, their insightful comments, their constant support and human understanding have provided me with the tools necessary to take on the numerous challenges of my research with enthusiasm. I would also like to thank Dr. Jenny Brumme for helping me to solve my many doubts on some theoretical issues during our long conversations, in which a smile and a humorous comment never failed. My special thanks are also for Dr. Luis Pegenaute, Dr. José Francisco Ruiz Casanova, and Dr. Patrick Zabalbeascoa for never hiding when they met me in the corridors of the faculty or never diverting their eyes in despair. Thank you for always being ready to give me recommendations and for patiently listening to my only subject of conversation during the last four years. During the project, I have had the privilege to make two research stays abroad. The first, in 2009, in Leuven, Belgium, at the Center for Translation Studies (CETRA), and the second in 2010 at the Translation Center of the University of Massachusetts at Amherst, USA. I would like to give a heartfelt thank you to my tutors there, Dr. Reine Meylaerts and Dr. Maria Tymoczko respectively, for their tutoring and for offering me the chance to attend classes and seminars during my stay there, converting that period into a fruitful and exciting experience. -
Freedom and Association in the Poetry of Robert Frost
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1991 Freedom and Association in the Poetry of Robert Frost Adrian Marcus Thirkell College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Thirkell, Adrian Marcus, "Freedom and Association in the Poetry of Robert Frost" (1991). Dissertations, Theses, and Masters Projects. Paper 1539625678. https://dx.doi.org/doi:10.21220/s2-157x-e946 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. FREEDOM AND ASSOCIATION IN THE POETRY OF ROBERT FROST A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Adrian Marcus Thirkell 1991 APPROVAL SHEET This thesis is submitted in partial fulfillment the requirements for the degree of MASTER OF ARTS Adrian M. Thirkell Approved, April 1991 Scott Donaldson, Chair [/(J William F. Davis Henry Hart ABSTRACT In a letter from England to Sydney Cox (2nd May 1913), Frost expressed admiration for the virtue of having leisure enough to "dig in the ground for the unutilitarian flower." Frost liked his flowers "wild," and distinguished himself in his search for them: " [f]ar as I have walked in pursuit of the Cypripedium, I have never met another in the woods on the same quest. -
Theme in Robert Frost Poems
Seminar Nasional Sains & Teknologi Informasi (SENSASI) ISBN: 978-602-52720-2-8 SENSASI 2019 Juli 2019 Hal: 702 – 709 Theme In Robert Frost Poems Muhammad Sayuthi Prodi Teknik Informatika, STMIK Budi Darma, Medan, Indonesia Email: [email protected] Abstrak This study was conducted to describe Theme structures in Robert Frost Poems. The objectives of this study are 1) to find out various patterns of Theme used in Robert Frost Poems, 2) to identify Nature realization through Theme in Robert Frost Poems, and 3) to find out the reason of the structures of Theme used Robert Frost Poems due to aesthetic perspective of poems. The data were obtained from Complete Poems of Robert Frost and were analyzed by using some steps as normally applied in descriptive qualitative method. The instruments of data collection were the clauses in selected poems in Complete Poems of Robert Frost. Moreover, the analysis was descriptive analysis which was conducted by describing the data. There were ten poems chosen; Stars, Now Close The Windows, Good Hours, The Road Not Taken, The Oven Bird, Stopping by Woods on a Snowy Evening, Blue-Butterfly Day, Acquainted with the Night, Neither Out Far Nor in Deep, and The Silken Tent. The data analysis revealed that Unmarked Multiple Theme (UMT) was dominantly used. As the result, Unmarked Multiple Theme (UMT) was 44.44%, Unmarked Simple Theme (UST) was 40.48%, Marked Multiple Theme (MMT) was 13.49% and Marked Simple Theme (MST) was 1.59%. The data analysis also revealed that nature was realized through the theme in the poems since the poems used nature terms to represent the untold message to the readers. -
March April Newsletter 2014
Vol. 28 No. 2 LAKEVIEW PUBLIC LIBRARY NEWS MARCH * APRIL 2014 Mission Statement: Preserving Yesterday. Informing Today. Inspiring Tomorrow. Request Newsletter Calendar at Circulation Desk Homework Help & Learning Center Knitting Winter 2014 at the Library Senator Hannon Thursday, March 20 ~ 7:00 PM - 9:00 PM “Aging in place” A seminar to educate seniors and their families on what options are available for staying in your own home as long as possible. Speakers will include a lawyer regarding elder law, a senior advocate and speaker covering managed long term home health care programs with Medicaid. ADULT PROGRAMS JUST FOR FUN.. Registration, is required for all programs, by phone or in person. Insufficient registration means no program. Scrabble with friends… Knitting with Dana Mondays Tuesdays ~ 6:00 PM - 7:00PM FITNESS CLASSES & HEALTHY LIVING March 10 & April 14 March 4, 11, 18, 25, 6:00 PM to 7:00 PM April 1, 8, 15, 22, 29 You love playing scrabble. Join Patron should bring knitting Belly Dancing us and show us what you’ve needles and yarn. Saturdays got. Must register in advance. Please register. March 1, 15, 29, April 12, 26 10:00 AM - 11:00 AM Movie Time Wear comfortable clothing. Advance registration Saturdays ~ 1:00 PM - 3:00 PM required. Out of district patrons will be charged a $5 fee . Popcorn served March 1 Big Mama Yoga Wednesdays March 22 Violet Men Wednesdays March 5, 12, 19, 26, April 2, 9, 16, 23, 30 April 12 Ricochet 6:00 PM - 7:00 PM April 26 Blind Fury Wear comfortable clothing. -
Robert Frost
Robert Frost (1874-1963) Stopping by Woods on a Snowy Evening (1916,1923)) Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake. The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. ANALYSIS “We know from the poet that he had just written the long poem, ‘New Hampshire,’ in one all-night unbroken stretch of composition, and that he then turned a page of his workbook and wrote this short poem without stopping. This fact has interesting implications. ‘New Hampshire’ is a discourse in the idiomatic blank verse that is so peculiarly Frost’s own style—the rhythms of natural speech matched to the strict but inconspicuous iambic pentameter, the beat always discernible but never formal. It is reasonable to suppose that after the hours spent in writing the long poem, in its loosened but never loose manner, he was ready, unconsciously, for a poem in a strict pattern. He had also obviously had in his head for some time the incident on which the short poem was to be based, as well as the use he wished to make of it. -
Native and Poetic Conceptions of the Forest Among the Wichí and in Robert Frost's Poems
IAFOR Journal of Cultural Studies Volume 4 – Issue 2 – Autumn 2019 Swaying Nature – Native and Poetic Conceptions of the Forest among the Wichí and in Robert Frost’s Poems Guadalupe Barúa CONICET, University of Buenos Aires, Argentina Abstract Usually, analogies about nature exist in the native and poetic conceptions that stem from a type of reasoning where sensitive perceptions and intuitions, linked with certain natural elements, give rise to world views which foster human empathy. This article will focus on the concept of “nature”, from the perspective of the Wichí bazaneros of Northwestern Argentina. They are traditional foragers, like their neighbours, the Qom, Chorote, Mocoví or Nivaclé of the Gran Chaco lowlands that live on the northern border of Argentina and the southern borders of Bolivia and Paraguay. Their thoughts will be put into correlation with poems by Robert Frost, concentrating mainly on the swaying tree metaphor. Trees, among the Wichí, are associated with longevity, vitality and fertility. Human and arboreal families are connected through trees and, as in Frost’s poem Birches, this allows them to swing between the forest and the stars through reveries. However, in both nature is conceived as two-faced: her lovely face tends to change into a cruel one, which disappoints the poet as well as the Wichí people who cherish it so much. For this reason, in both the cases, its swaying character may suddenly lead to a change from a friendly nature to an ominous and suffocating presence predicating human decline and death. Fortunately, reverie and imagination sustain them during these temporary spaces of negativity and afford them periods of joy. -
26 Frost of Pessimism
Frost of Pessimism Binoy Barman, PhD* Abstract Four-time Pulitzer winner Robert Frost (1874-1963) was arguably the most popular poet in the United States during the twentieth century, and still he retains his popularity not only in US but among the international audience, as a nature or pastoral poet with modern philosophical vision. His universal appeal is due to his sublime art, an act of clarification of life, which, without even simplifying the truth, makes him accessible to everyone. He drew his images in poetry from the New England countryside and his language from New England speech. Although his images and voice often seem familiar and old, his observations have a tinge of skepticism, which may not be evident in the first reading but need several attempts for discovery. In being both traditional and skeptical, Frost’s poetry provides a link between the English poetry of the 19th century and the American poetry of the 20th century. In the present article I have tried to establish Robert Frost as a pessimistic poet. I have examined a wide range of poetry composed by him and garnered instances for my thesis. I have argued that Frost’s poems appear simple at first glance, but reveal themselves to be subtle and enigmatic upon further scrutiny. His poetry harbors pessimism at the core. As I have observed, Frost’s pessimism has been expressed through the themes of death, decay, destruction, frustration, anxiety, loneliness and agony. Existentialist theme like absurdity of life also features prominently in his poetry. 1. Introduction Pessimism denotes a tendency to expect bad happenings, i.e. -
Robert Frost's World and Words
Welcome to Robert Frost's World and Words Professor Gary Bouchard A few years ago I developed a 100 level on-line summer course on Robert Frost for Saint Anselm students. To do so I teamed-up with talented videographer David Hjelm and traveled around New Hampshire to a few treasured locations from the poet’s life. Together we created a couple of dozen mini-lectures on Frost’s life and poems. In this peculiar time when we find ourselves in forced hibernation away from so many of the people and places we love, I wanted to do what I could to help lift you beyond your four walls into the world and imagination of one of New England and America’s most beloved poets. A unique figure in American poetry, Robert Frost is as complex as he is revered and mythologized. His voice and vision are inseparable from the New England landscape he inhabited, and his diction is as New Hampshire as granite ledge, birch trees, maple syrup, stone walls and accumulating snow. Most casual readers of poetry are acquainted with some of the more famous poems of Frost that are accessible to young readers. Beyond those dozen or so poems, Frost created a large body of work, including eight volumes of some of the most provocatively complex, metaphysical poems in American literature. Many of those poems are intricately connected to the landscapes, voices and imagination of New Hampshire. Together in this course we will travel on the road less taken. The lectures will bring you to his homes in Plymouth, Derry and Franconia, New Hampshire. -
Agustin Evin Wulandari 11320121 ENGLISH LETTERS and LANG
FIGURATIVE LANGUAGES USED IN ROBERT FROST’S SELECTED POEMS THESIS By: Agustin Evin Wulandari 11320121 ENGLISH LETTERS AND LANGUAGE DEPARTMENT FACULTY OF HUMANITIES MAULANA MALIK IBRAHIM STATE ISLAMIC UNIVERSITY OF MALANG 2015 FIGURATIVE LANGUAGES USED IN ROBERT FROST’S SELECTED POEMS THESIS Presented to Maulana Malik Ibrahim State Islamic University of Malang in partial fulfillment of the requirement for the Degree of SarjanaSastra (S.S.) By: Agustin Evin Wulandari NIM. 11320121 Advisor: Dra. Andarwati, M.A ENGLISH LETTERS AND LANGUAGE DEPARTMENT FACULTY OF HUMANITIES MAULANA MALIK IBRAHIM STATE ISLAMIC UNIVERSITY OF MALANG 2015 i ii STATEMENT OF AUTHENTICITY Herewith, I Name : Agustin Evin Wulandari ID : 11320121 Faculty : Humanities Department : English Letters and Language Certify that the thesis written to fulfill the requirement for the degree of Sarjana Sastra (S1) entitled FIGURATIVE LANGUAGES USED IN ROBERT FROST’S SELECTED POEMS is truly my original work. It does not incorporate any materials previously written or publis by another person, except those indicates in questions and bibliography. Due to the fact, I am the only person responsible for the thesis if there is any objection or claim from others. Malang, 23 November 2015 The Writer, Agustin Evin Wulandari iii MOTTO “The dream is not to be spoken but to be proven” -Agustin Evin Wulandari- iv DEDICATION This thesis is proudly dedicated to my beloved parents, my late father Susilo Prayitno and my mother Kusmini, my lovely sibling Ketut Agni Susilo, Erna Indri Astutik, Ratna Idha Indrastiwi, Ivan Adi Supranjani, my sister in law Titin, my cute cousins Saylendra Agni Setia Bayu and Syahyudi Agni Bathara, my uncle Kardjito and family for their support, pray, love and everything. -
Robert Frost’S Poems
Edgar Stillman To his Grandson Eli: Robert Frost's Poems Copyright 1996 Edgar Stillman 125 East 74th Street New York, New York 10021 Table of C˘ont´ents Page 1 Frost in his own Prose Words Page 2 \He made a few connections." A few? Page 3 \Door Into The Dark" Page 4 Frost could never be \Anonymous" Pages 5{7 \Out, Out, {" and where he got his plot Page 8 The poet tells All to the editor of Poetry Page 9 The quoted conversation seems tit for tat Pages 10{12 Practice learning how to read a beautiful poem Pages 13{20 \Stopping By Woods On a Snowy Evening." Memorize this poem and you'll be proud. I am. Page 21 \Nothing Gold Can Stay," and first scansion Page 22 Samuel T. Coleridge's jingle on rhythmic beat Page 23 \Dust of Snow," a Schenectady, cf. page 2 Page 24 \Fire and Ice," Understatement is more scary Page 25 \What Fifty Said" | \Do what you will, this life's a fiction. It is made up of contradiction" |William Blake Pages 26{28 \The Oven Bird" consoles all cottonheads who can still read. But all life does end. And \The Secret Sits," and is full of ˘an˘ap´ests. Pages 29{34 \Design," a marvel sonnet, if difficult, and at least I feel it induced my best efforts Page 35 \Beyond Words," with the Poet's tale of marriage Page 36 \It Bids Pretty Fair" | grrr. More scansion. Page 37 \A Mood Apart," grrrrrr, grrrrr Pages 38{39 Thomas Hardy and Frost. -
Robert Frost Periodicals Collection
Amherst College Archives and Special Collections Robert Frost Periodicals Collection Quantity: 25 linear feet (collection grows regularly) Listed: 2003-2007 Access: There is no restriction on access to the Robert Frost Periodicals Collection for research use. Particularly fragile items may be restricted for preservation purposes. Copyright: It is the responsibility of the researcher to identify and satisfy the holders of all copyrights represented in the collection. Note: The order of items within a given title is not always chronological 2 Periodical title Box Date Author & title of article (pp.) Notes (vol,+no., if any) No. Unknown 23 n.d. Matthews, T.S. T.S. Eliot Turns to Comedy. (56-65) Unknown 23 n.d. To Poets Title page missing Unknown 23 1961 Oct-Nov Next-door Neighbor to People of the World-Robert Frost. (11-13) Unknown 23 ca.1959 Prescott, Edith. On Reading a Poem of Frost’s in Anticipation of the Bicentennial. Accent (v.10, no.1) 1 1949 Fall Cook, Reginald L. Frost as a parablist. (33-41) Age 1 1974 Mar 12 Afterman, Allen. How ordinary was Robert Frost? Newspaper clipping (22) Agnes Scott College OS1 1955 Aug Calendar of Events Given. Robert Frost lecture Bulletin announcement Agnes Scott alumnae 1 1957 Summer Frost. [Letter to Pres. Alston about retiring teacher Facsimile quarterly (v. 35, no. 1) Emma May Laney] (2) Agnes Scott alumnae 1 1960 Winter Poet Robert Frost made his nineteenth annual visit to Photograph only quarterly (v. 38, no. 2) Agnes Scott in January. (1) Agnes Scott News (v. 46, NP1 1961 Feb 08 Frost Adds Original Copy of ‘Peril of Hope’ to ASC. -
A Critical Review on Robert Frost Poetry
Research Journal of English Language and Literature (RJELAL) Vol.1.Issue 1. 2013 A Peer Reviewed (Refereed) International Journal (Jan-Mar.) RESEARCH ARTICLE NATURE POETRY AND MODERNITY: A CRITICAL REVIEW ON ROBERT FROST POETRY S. SRINIVASARAO Lecturer in English NBT & NVC College Narasaraopet ABSTRACT Robert Frost is an awesome modern poet. He is the contemporary of T.S. Eliot, WB Yeats, W.H. Auden, Ezra pound, and so on. There is a Controversy among a progression of critics who decipher or misjudge Frost. A few critics like Granville Hicks, Article Info: William van O gun imagine that Frost isn't a modern day poet yet a customary poet Article Received:08/3/2013 since his poetry shows his conventional legacy of American Civilization. One thing Revised on:19/03/2013 which additionally demonstrates modernity of his poetry is his psycho-explanatory Accepted for Publication:21/3/2013 approach towards the portrayal of characters in his poetry psycho – Analysis is one of the elements of modernity. His ballad 'His Burial', the over created mother who is laughing out loud under a weight of melancholy finished her youngster's demise. Along these lines his poetry is the genuine portrayal of modernity. Therefore, his poetry reveals the part of modernity as it were. The frightening idea of a portion of his sonnet is one of the parts of modernity. Lionel Trilling calls him 'A frightening Poet' and says that "The Universe that Frost considers is a startling universe". Introduction custom of modern poetry." one might say, Frost The modern elements of his poetry are remains at the intersection of nineteenth century those of private enterprise, the conceit of the American poetry and modernism, for in his verse mordents man, the exhausted presence, might be discovered the zenith of numerous segregation, quandary, and imagery.