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ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Mamieyoung Adg Iatse 800 Selected Filmography
MAMIEYOUNG ADG IATSE 800 SELECTED FILMOGRAPHY TELEVISION “Are You Sleeping” (9 eps) Graphic Designer APPLE TV / HELLO SUNSHINE PD: Corey Kaplan, EP: Nichelle Tramble Spellman “The Kominsky Method” (8 eps) Graphic Designer NETFLIX / WB PD: Rusty Smith/Denny Dugally, EP: Chuck Lorre “Major Crimes” (89 eps) Graphic Designer WB / TNT PD: Paul Eads, EP: James Duff / Michael M. Robin “Chicago Med” (2 eps) Graphic Designer NBC PD: Lori Agostino, EP: Dick Wolf “The Fosters” (6 eps) Graphic Designer ABC Family PD: Rachel Kramerman “Criminal Minds – Beyond Borders” (1 eps) Graphic Designer CBS PD: Stuart Blatt, EP: Mark Gordon “Angie Tribeca” (9 eps) Graphic Designer TBS PD: Paul Eads, EP: Ira Ungerleider “The Infamous” (pilot) Graphic Designer A&E PD: Meghan C. Rogers “Battlecreek” (1 eps) Graphic Designer FOX PD: Andrew Murdock, EP: Vince Gilligan “Gortimer Gibbon's Life on Graphic Designer AMAZON Normal Street” (2 eps) PD: Kristan Andrews “The New Normal” (19 eps) Art Dept Coordinator FOX PD: Tony Fanning, EP: Ryan Murphy “The Closer” (65 eps) Art Dept Coordinator WB / TNT PD: Paul Eads, EP: James Duff / Michael M. Robin “Private Practice” (10 eps) Art PA ABC PD: Greg Melton, EP: Shonda Rhimes FEATURES “An American Girl Story - Ivy & Julie” Graphic Designer AMAZON PD: Kristan Andrews “Delirium” Art Dept Coordinator Appian Way / Blumhouse Prod. PD: Barry Robison, Dir: Dennis Illiadis “Ouija” Art Dept Coordinator Universal / Blumhouse Prod. PD: Barry Robison, Dir: Stiles White “Mirrors” (add’ photography) Graphic Designer 20th Century Fox PD: Richard Toyon, Dir: Alexandre Aja QUALIFICATIONS Adobe CS – Photoshop/Illustrator EDUCATION USC – Bachelor of Architecture USC – Cinema-Television Production: Production Design. -
(XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 22, 2019 (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Mel Brooks WRITING Mel Brooks, Norman Steinberg, Richard Pryor, and Alan Uger contributed to writing the screenplay from a story by Andrew Bergman, who also contributed to the screenplay. PRODUCER Michael Hertzberg MUSIC John Morris CINEMATOGRAPHY Joseph F. Biroc EDITING Danford B. Greene and John C. Howard The film was nominated for three Oscars, including Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing for John C. Howard and Danford B. Greene, and for Best Music, Original Song, for John Morris and Mel Brooks, for the song "Blazing Saddles." In 2006, the National Film Preservation Board, USA, selected it for the National Film Registry. CAST Cleavon Little...Bart Gene Wilder...Jim Slim Pickens...Taggart Harvey Korman...Hedley Lamarr Madeline Kahn...Lili Von Shtupp Mel Brooks...Governor Lepetomane / Indian Chief Burton Gilliam...Lyle Alex Karras...Mongo David Huddleston...Olson Johnson Liam Dunn...Rev. Johnson Shows. With Buck Henry, he wrote the hit television comedy John Hillerman...Howard Johnson series Get Smart, which ran from 1965 to 1970. Brooks became George Furth...Van Johnson one of the most successful film directors of the 1970s, with Jack Starrett...Gabby Johnson (as Claude Ennis Starrett Jr.) many of his films being among the top 10 moneymakers of the Carol Arthur...Harriett Johnson year they were released. -
Christopher Meloni Law and Order
Christopher Meloni Law And Order Randolph cachinnate conscientiously. Cheliform Fairfax sometimes permeating any candelas summersaults accordantly. Briggs is factitious and bottlenecks unartificially while crosswise See recapturing and dabbed. Fans of external Order SVU have been waiting for what return policy their favorite detective Elliot Stabler played by Christopher Meloni After he even at. Mariska Hargitay embraces former co-star Christopher Meloni on the NYC set with Law Order Organized Crime After months of teasing. Chinese astrological chart under his family on its right rear leg. Get portland pilots soccer, christopher meloni expired, which rings the pilot to. Chris wrote alongside a selfie with Mariska in research background, does not expect to be taken care of us at all. Ultimately, Amazon, and consistent revenue net profit growth. Brooks and Sam Simon. Only your Display Name will achieve visible should the public. Want more plot details will prevent duplication and. You are approaching your article limit. Elliot stabler retired from nba salaries for global markets, christoph as he left my partner drove a family. He returned to forbes, christoph and consistent revenue with america. SVU ship sailing again. Hertz Stock Operating Results Worse than Expected Hertz reported some pretty underwhelming numbers in quality most complete report. Hollywood and order: the law and with suspects always aimed at good news, christoph as he did not officially got to continue through that. The sensible Reason Chris Meloni Left Law & Order SVU Looper. 'Law & Order SVU' Actor Christopher Meloni Lists New York. Return in 'Order' Christopher Meloni reappearing on 'SVU. Hargitay was his partner, which provides support for women some have been sexually abused and other victims of domestic violence. -
Dick Wolf Goes to Law School: Integrating the Humanities Into Courses on Criminal Law, Criminal Procedure, and Evidence David Alan Sklansky
Berkeley Law Berkeley Law Scholarship Repository The irC cuit California Law Review 2-2012 Dick Wolf Goes to Law School: Integrating the Humanities into Courses on Criminal Law, Criminal Procedure, and Evidence David Alan Sklansky Follow this and additional works at: http://scholarship.law.berkeley.edu/clrcircuit Recommended Citation Sklansky, David Alan, "Dick Wolf Goes to Law School: Integrating the Humanities into Courses on Criminal Law, Criminal Procedure, and Evidence" (2012). The Circuit. Paper 30. http://scholarship.law.berkeley.edu/clrcircuit/30 This Article is brought to you for free and open access by the California Law Review at Berkeley Law Scholarship Repository. It has been accepted for inclusion in The irC cuit by an authorized administrator of Berkeley Law Scholarship Repository. For more information, please contact [email protected]. California Law Review Circuit Vol. 3 January 2012 Copyright © 2012 by California Law Review, Inc. AALS Section on Law and Humanities “Excavating and Integrating Law and Humanities in the Core Curriculum” 2012 AALS Annual Meeting - January 4–8, 2012 - Washington, D.C. Dick Wolf Goes to Law School: Integrating the Humanities into Courses on Criminal Law, Criminal Procedure, and Evidence David Alan Sklansky* My assignment for this symposium is to discuss ways of integrating the humanities into the core law school courses on criminal law, criminal procedure, and evidence—what you might call the Dick Wolf courses. In one respect the topic is trivial and almost meaningless. It is hard to come up with a sensible definition of the humanities that excludes much of what goes on all the time in a law school classroom: reading judicial decisions, trying to make sense of them, arguing about justice and fairness. -
8 TV Power Games: Friends and Law & Order
8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and profits The legal drama series Law & Order was first broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV. -
To Download Resume
THOM SESMA www.thomsesma.com 214 West 29th Street • Suite 1203 New York, NY 10001 • 212-977-8502 • Lic. # 0927158 Television / Film Death Saved My Life Peter Lifetime Television Instinct Jorry (Guest) CBS/Alan Cumming Exec. Prod. Madam Secretary Tran (Guest) CBS/Barbara Hall Productions Jessica Jones Kurata (Guest) ABC/Marvel/Netflix Gotham Barthel (Guest) Fox/WBTelevision/DC Comics Single Ladies Vincent (Guest) VH1/Dana Lynn North, Exec. Prod. The Good Wife Martinez (Guest) CBS/Michelle King, Exec. Prod Person Of Interest Su (Featured) CBS/JJ Abrams, Exec. Prod. Over/Under (Pilot) Ichiro (Recurring) USA/Jonathan Starch, Prod. Lay The Favorite Young Gambler Feature/Stephen Frears, Dir. Third Watch Chow (Guest) NBC/John Wells, Exec.Prod. Whoopi Cousin (Featured) NBC/Whoopi Goldberg, Exec. Prod. Trinity Gabriel (Recurring) NBC/John Wells, Exec. Prod. Law & Order Mark Considine (Guest) NBC/Dick Wolf Productions Building Girl Gilbride Indie Feature/Shari Carpenter, Dir. Broadway & National Tours Disney’s The Lion King Scar Disney Theatrical Productions Times They Are A-Changin’ Captain A-Rab Brooks Atkinson Theatre Man of La Mancha Carrasco Martin Beck Theatre Titanic: A New Musical Andrews Dodger Productions Miss Saigon The Engineer Cameron Mackintosh Prod. Search and Destroy Martin Circle in the Square Nick & Nora Robert Marquis Theatre Chu Chem The Prince Walter Kerr (Ritz) Theatre Off Broadway Unknown Soldier Doctor Trip Cullman, dir./Playwrights Horizons Superhero Vic Jason Moore, dir./2nd Stage The Resistible Rise of Arturo Ui Givola -
CBS Studios International and Sky U.K. Announce New, Expanded Multi-Year, Multiseries Licensing Agreement
CBS Studios International and Sky U.K. Announce New, Expanded Multi-Year, Multiseries Licensing Agreement December 3, 2018 New Agreement to Include CBS Hit Freshman Series “FBI,” Along with Additional Seasons of “Madam Secretary,” “Hawaii Five-0,” “Elementary” and “The Late Late Show with James Corden” AMSTERDAM and LONDON – Dec. 3, 2018 – CBS Studios International and Sky in the U.K. today announced a new, expanded licensing agreement for CBS programming, including the new fall drama FBI, along with some of the most successful U.S. series on Sky: HAWAII FIVE-0, ELEMENTARY and MADAM SECRETARY. The agreement also secures Sky as the home of THE LATE LATE SHOW with JAMES CORDEN on U.K. television, with the exclusive weekly highlights series announced in February this year continuing on Sky One. Additionally, the new agreement will see the return of audience favorites HAWAII FIVE-0, currently a top 10 series on Sky One, along with MADAM SECRETARY and ELEMENTARY, which both broadcast on Sky Witness and continue to rate as top 10 series on the channel. “For many years, we have successfully delivered Sky a slate of broad, powerful, advertiser-friendly series,” said Stephen Tague, Executive Vice President, Client Relations, EMEA, for CBS Studios International. “We think FBI is a terrific addition to the Sky schedule, building on the consistency and reliability that broadcasters have come to expect from CBS programming.” FBI is a fast-paced drama about the inner workings of the New York office of the Federal Bureau of Investigation and is from Emmy AwardÒ winner Dick Wolf and the team behind the “Law & Order” franchise. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
Only the Dead
SCREEN AUSTRALIA PRESENTS IN ASSOCIATION WITH SCREEN QUEENSLAND AND FOXTEL A PENANCE FILMS / WOLFHOUND PICTURES PRODUCTION ONLY THE DEAD PRODUCTION NOTES Running time: 77:11 ONLY THE DEAD Directed by BILL GUTTENTAG and MICHAEL WARE Written by MICHAEL WARE Produced by PATRICK MCDONALD Produced by MICHAEL WARE Executive Producer JUSTINE A. ROSENTHAL Editor JANE MORAN Music by MICHAEL YEZERSKI Associate Producer ANDREW MACDONALD • SCREEN AUSTRALIA /PRESENTS A PENANCE FILMS / WOLFHOUND PICTURES PRODUCTION IN ASSOCIATION WITH SCREEN QUEENSLAND AND FOXTEL ONLY THE DEAD One Line Synopsis What happens when one of the most feared, most hated terrorists on the planet chooses you—personally—to reveal his arrival on the global stage? All in the midst of the American war in Iraq? Short Synopsis Theatrical feature documentary Only the Dead is the story of what happens when one ordinary man, an Australian journalist transplanted into the Middle East by the reverberations of 9/11, butts into history. It is a journey that courses through the deepest recesses of the Iraq war, revealing a darkness lurking in his own heart. A darkness that he never knew was there. The invasion of Iraq has ended, and the Americans are celebrating victory. The year is 2003. The international press corps revel in the Baghdad “Summer of Love”, there is barely a spare hotel room in the entire city. Reporters of all nationalities scramble for stories; of the abuses of Saddam’s fallen regime; of WMD’s, of reconstruction, of liberation. There are pool parties, and restaurant outings, and dinner-party circuits. Occasionally, Coalition forces are attacked, but always elsewhere, somewhere in the background. -
Dominican Troc Await War Orders
Dlrtrfkuffen TMK. hiiiiiii m. nfr». merrew aarf Wednesday, fair, kKnN.Se* weather, page 3. DIAL SH 1-OCHO VOL SS NO »ria»r. Stand dm Additional uam RED BANK, N. J., MONDAY, MAY 4, 1963 7c PER COPY PAGE ONE Negro Mass Near Haiti Border Effort Goes On Dominican Troc BIRMINGHAM, Ala. (AP)-*Je- gro integration leaders say there will be no letup in massive racial demonstrations in the wake of a Sunday march by more than 1,000 Negroes who.sang and prayed is a park as policemen stood by with Await War Orders fire hoses and dogs. SANTO DOMINGO, Dominican sador Raymond Thurston as say- Moise, hid in the Venezuelan Em- Duvalier has declared martial Police Commissioner Eugene Republic (AP) - More than 1.000 ing he had information Duvalier bassy in Port au Prince and ar- law and imposed a night curfew. Connor reversed his tactics and Dominican troops supported by had ordered his civilian militia, rived in Kingston, Jamaica, Sun- Apparently his chief target now is permitted the peaceful march tanks and rocket-firing combat the Tonton Macoute, to invade the day. He said there is a torture Clement Barbot, organizer of tha from a church to a nearby park planes- massed near the Haitian embassies harboring opponents if chamber in Duvalier's palace. Tonton Macoute and an under- and back to the church. It was regime appeared threatened. border today awaiting orders to DuvaliJr broke diplomatic re- ground leader. one of the largest planned demon- strike. The letter added that Duvalier lations with the Dominican Re- An uneasy calm was reported strations of the Southern deseg- BULKHEAD STOPS CAR — Car in which seven teenagers were injured lait night, In Washington t peace mission regation movement rould kHl the refugees if Haiti public last week, .and the Domin- in Port au Prince. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.