DOCSLIB.ORG

Annual Report 2009-2010

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

UC Santa BarBara P art n e rs i n i n n o v at i o n The Annual Report of Private Giving University of California, Santa Barbara for the year ending June 30, 2010 taBle of ContentS a Shared future 1 financial highlights 2 Philanthropy at Work 3 Making a difference 4 learning a new Way 5 Keeping uCSB affordable 6 Building an exceptional faculty 7 Scoring the College Cup 8 inspiring interns 9 recognizing distinction 10 Preparing the next generation of Scholars 12 honor roll of donors 14 the Campaign for uC Santa Barbara 24 officers and trustees of the uC Santa Barbara foundation inside Back Cover About the CoVer Elings Hall, home of the California NanoSystems Institute, with abstract mural by architect Robert Venturi Photo By tony MaStreS every effort has been made to provide a complete and accurate listing of donors and gifts of $1,000 or more received between July 1, 2009 and June 30, 2010. Please accept our sincere apology if a mistake or an omission has occurred. it is the policy of the university of California, Santa Barbara and the uC Santa Barbara foundation that a modest portion of gifts and/or the income from gifts may be used to defray the costs of raising and administering funds. as of July 1, 2010, the assessment is 2 percent on all new gifts. for more information contact: Melissa dase director of donor relations and Stewardship office of development university of California, Santa Barbara Santa Barbara, Ca 93106-2013 (805) 893-2600 visit: www.ia.ucsb.edu/campaign Produced by the office of Public affairs editor: eileen Conrad art director: adine Maron Photography: Michael Campbell p. 9 (top); nell Campbell p. 18, 24; Wes gibson p. 5 (bottom); elite henenson p. 5 (top); Kimberly Kavish p. 1, 4 (bottom left), 6, 7, 14, 20; Karen Ko p. 16; tony Mastres cover, p. 3, 15; hoang Xuan Pham p. 4 (right); VC tour group p. 17; elena Zhukova p. 19 A Shared Future s UC Santa Barbara grappled with huge reductions in state funding during 2009-2010, alumni, parents, Aand friends responded in record numbers and with overwhelming generosity, contributing $44.5 million for scholarships, research, and academic programs — an increase of nearly $4 million over the previous year. Thus far, the multi-year Campaign for UC Santa Barbara has generated almost $590 million for priority projects and initiatives that will help ensure the campus’s overall excellence for future generations. Chancellor Henry T. Yang and UCSB’s accomplishments in teaching, research, and Daniel P. Burnham public service are strengthened immeasurably by private philanthropy, and our donors can take special satisfaction in this. Your enthusiastic support also continues to play a pivotal role in enabling the campus to respond to economic challenges in ways that do not compromise our commitment to quality, access, and innovation. To counteract the rising cost of a UC education, donations for student scholarships and fellowships increased nearly 50 percent to more than $5 million last year. We are also delighted to report that endowment gifts for student internships and pioneering research surpassed $10 million. Three new endowed professorships were established, bringing the campaign total to 59. Creating a vital and vibrant future for UC Santa Barbara — a future that will reflect the needs of our changing world and of tomorrow’s students — is foremost on our minds as campus planning moves forward for the next phase of the campaign. Please accept our sincere gratitude for your partnership in this extraordinary endeavor. Your investment in UC Santa Barbara is an investment in our shared future, one that holds great promise and opportunity with tremendous benefits for us all. Daniel P. Burnham, Chair Henry T. Yang, Chancellor UC Santa Barbara Foundation $500 $600 Financial Highlights Campaign Cumulative Total in Millions $589 $544 $503.6 $500 Private Giving by Year $422.1 Year Total 2005-06 $55,391,318 $400 2006-07 $70,951,832 $351.1 2007-08 $81,456,812 2008-09 $40,629,193 $300 2009-10 $44,553,830* Private Funds 2009-10 Sources $200 individuals $16,248,141 Campus organizations $489,107 Corporations $13,814,565 $100 Foundations $12,680,003 other Sources $1,322,014 Total $44,553,830 * $0 2006 2007 2008 2009 2010 $55.3 $70.9 $81.4 $40.6 $44.5 Below each bar is the total raised for the fiscal year indicated; the number at the top is the progressive total for the entire campaign. Campus Recipients of Private Funds Bren School of environmental Science and Management $1,382,258 California nanoSystems institute $356,652 College of Creative Studies $177,060 Gevirtz Graduate School of education $1,767,655 College of engineering $11,327,355 College of Letters and Science $13,030,015 art Museum $200,954 Humanities and Fine arts $3,975,078 Mathematical, Life, and Physical Sciences $6,905,511 Social Sciences $1,855,159 other Letters and Science Support $93,313 institute for Collaborative Biotechnologies $423,250 intercollegiate athletics $1,128,928 Kavli institute for Theoretical Physics $2,765,392 Libraries $425,739 Marine Science institute and the natural reserve System $4,938,790 Materials research Laboratory $643,334 Programs and Services $819,693 academic affairs $73,915 academic Programs $140,431 General administrative Support $605,347 Student affairs $3,143,809 arts & Lectures $1,694,867 Financial aid and Scholarships $1,101,313 other Student Services and organizations $347,629 Technology Management Program $94,605 Unrestricted $2,129,295 Total $44,553,830* *Includes gifts, pledges, and private grants received by the UC Santa Barbara Foundation and the UC Regents. P a r T n e r S i n i n n o v a T i o n • 2 P a r T n e r S i n i n n o v a T i o n • 3 UC Santa Barbara’s landscape, including Storke Tower and the University Center, are reflected in the lagoon at sunset. UC Santa Barbara is proud to recognize the growing number of alumni, parents, Philanthropy and friends, as well as corporations, foundations, and organizations, who made at Work generous contributions to The Campaign for UC Santa Barbara in the year ending June 30, 2010. Their philanthropic gifts will enhance teaching and research, strengthen existing areas of excellence, and make it possible to develop new, innovative academic programs. To all of our supporters, especially those listed in the Honor Roll of Donors that begins on page 14, UCSB expresses its sincere gratitude and profound appreciation. On the pages that follow are just a few examples of the ways in which the generosity of UC Santa Barbara’s benefactors supports academic excellence and creates new opportunities for learning and discovery. P a r T n e r S i n i n n o v a T i o n • 2 P a r T n e r S i n i n n o v a T i o n • 3 Making a Difference their support for the campus was SaGe Publications, inc., which contributed $1.45 million for the SaGe Center for the Study of the Mind. The recent gift for the center’s distinguished visiting scholar program and lecture series will enable the SaGe Center to bring leading researchers to campus to explore the multidimensional nature of the human mind. The Simons Foundation awarded the Physics Department nearly $600,000 to extend the frontiers of research in theoretical physics. The postdoctoral research fellowships will enable UCSB to recruit outstanding recent Clinical trials are under way at 12 locations throughout the world on a new artificial pancreas developed in collaboration with UCSB researchers to help treat Type I diabetes. Ph.D. recipients to campus to pursue their individual research projects in C Santa Barbara received a collaboration with a faculty mentor. record 18,023 gifts during 2009-2010 to advance teaching and research and Uhelp improve people’s lives. Following are examples of a few outstanding gifts. The Juvenile Diabetes Foundation provided $264,000 for research on the design and clinical testing of algorithms for an artificial pancreas to help treat Type i diabetes. Contributions for alzheimer’s research and education included a major anonymous gift, as well as $160,000 from the alzheimer’s association and intel for the research and development of online software to Elizabeth Loftus, an expert on human help improve lifestyle habits and delay memory, is among the foremost scholars the onset of the disease. that present their work at the SAGE Center for the Study of the Mind. in addition, musician Jack Johnson and his wife, Kim, both alumni, donated $50,000 to assist students with serious Theoretical biologist Madhav Mani has medical conditions through the Disabled been named a Simons Postdoctoral Students Program. Research Fellow. among the donors who renewed P a r T n e r S i n i n n o v a T i o n • 4 P a r T n e r S i n i n n o v a T i o n • 5 Harding University Partnership School teacher Verity Allen helps one of her fourth-grade students work out a math concept in a class offered by UCSB’s Center for Mathematical Inquiry in collaboration with the Gevirtz Graduate School of Education. Learning a New Way arry Lucas, Jr., chair of the through guided exploration with the educational advancement help of experienced instructors. Foundation, contributed “The renewed support from more than $317,000 to the Mr. Lucas will ensure the continued HDepartment of Mathematics to renew his development of a research base that support for the Center for Mathematical examines teaching and learning through inquiry (CMi).
Recommended publications
  • ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1

    ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1

    ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations.
  • Mamieyoung Adg Iatse 800 Selected Filmography

    Mamieyoung Adg Iatse 800 Selected Filmography

    MAMIEYOUNG ADG IATSE 800 SELECTED FILMOGRAPHY TELEVISION “Are You Sleeping” (9 eps) Graphic Designer APPLE TV / HELLO SUNSHINE PD: Corey Kaplan, EP: Nichelle Tramble Spellman “The Kominsky Method” (8 eps) Graphic Designer NETFLIX / WB PD: Rusty Smith/Denny Dugally, EP: Chuck Lorre “Major Crimes” (89 eps) Graphic Designer WB / TNT PD: Paul Eads, EP: James Duff / Michael M. Robin “Chicago Med” (2 eps) Graphic Designer NBC PD: Lori Agostino, EP: Dick Wolf “The Fosters” (6 eps) Graphic Designer ABC Family PD: Rachel Kramerman “Criminal Minds – Beyond Borders” (1 eps) Graphic Designer CBS PD: Stuart Blatt, EP: Mark Gordon “Angie Tribeca” (9 eps) Graphic Designer TBS PD: Paul Eads, EP: Ira Ungerleider “The Infamous” (pilot) Graphic Designer A&E PD: Meghan C. Rogers “Battlecreek” (1 eps) Graphic Designer FOX PD: Andrew Murdock, EP: Vince Gilligan “Gortimer Gibbon's Life on Graphic Designer AMAZON Normal Street” (2 eps) PD: Kristan Andrews “The New Normal” (19 eps) Art Dept Coordinator FOX PD: Tony Fanning, EP: Ryan Murphy “The Closer” (65 eps) Art Dept Coordinator WB / TNT PD: Paul Eads, EP: James Duff / Michael M. Robin “Private Practice” (10 eps) Art PA ABC PD: Greg Melton, EP: Shonda Rhimes FEATURES “An American Girl Story - Ivy & Julie” Graphic Designer AMAZON PD: Kristan Andrews “Delirium” Art Dept Coordinator Appian Way / Blumhouse Prod. PD: Barry Robison, Dir: Dennis Illiadis “Ouija” Art Dept Coordinator Universal / Blumhouse Prod. PD: Barry Robison, Dir: Stiles White “Mirrors” (add’ photography) Graphic Designer 20th Century Fox PD: Richard Toyon, Dir: Alexandre Aja QUALIFICATIONS Adobe CS – Photoshop/Illustrator EDUCATION USC – Bachelor of Architecture USC – Cinema-Television Production: Production Design.
  • KATHERINE ESAU April 3, 1898–June 4, 1997

    KATHERINE ESAU April 3, 1898–June 4, 1997

    NATIONAL ACADEMY OF SCIENCES K AT H E R I N E E SAU 1898—1997 A Biographical Memoir by RA Y F . E VERT Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 1999 NATIONAL ACADEMIES PRESS WASHINGTON D.C. KATHERINE ESAU April 3, 1898–June 4, 1997 BY RAY F. EVERT ATHERINE ESAU, WORLD renowned botanist, recipient of Kthe National Medal of Science, author of six textbooks, and teacher par excellence, died June 4, 1997, at her home in Santa Barbara, California. She was ninety-nine years young. Her work on plant structure covered seven-plus decades and led to much of the current research on plant function. Throughout her career, Esau continued research on phlo- em both in relation to the effects of phloem-limited viruses on plant structure and development and to the unique struc- ture of the sieve tube as a conduit for food. She demon- strated an exceptional ability for attacking basic problems and she set new standards of excellence for the investiga- tion of anatomical problems in the plant sciences. Esau was born on April 3, 1898, in the city of Yekaterinoslav, now called Dnepropetrovsk, in the Ukraine. She lived there until the end of 1918, when she and her family fled to Germany during the Bolshevik Revolution. Her family was Mennonite, descendants of the German Mennonites that Catherine the Great invited to Russia to promote agricul- ture on the Ukrainian steppes. Naturally suspicious of any- one from the outside, the Ukrainians ostracized the Men- nonites, who lived in colonies, developed very successful 3 4 BIOGRAPHICAL MEMOIRS farms, schooled their children, and practiced their religion.
  • OF the UNIVERSITY of CALIFORNIA Editorial Board

    OF the UNIVERSITY of CALIFORNIA Editorial Board

    OF THE UNIVERSITY OF CALIFORNIA Editorial Board Rex W Adams Carroll Brentano Ray Cohig Steven Finacom J.R.K. Kantor Germaine LaBerge Ann Lage Kaarin Michaelsen Roberta J. Park William Roberts Janet Ruyle Volume 1 • Number 2 • Fall 1998 ^hfuj: The Chronicle of the University of California is published semiannually with the goal of present ing work on the history of the University to a scholarly and interested public. While the Chronicle welcomes unsolicited submissions, their acceptance is at the discretion of the editorial board. For further information or a copy of the Chronicle’s style sheet, please address: Chronicle c/o Carroll Brentano Center for Studies in Higher Education University of California, Berkeley, CA 94720-4650 E-mail [email protected] Subscriptions to the Chronicle are twenty-seven dollars per year for two issues. Single copies and back issues are fifteen dollars apiece (plus California state sales tax). Payment should be by check made to “UC Regents” and sent to the address above. The Chronicle of the University of California is published with the generous support of the Doreen B. Townsend Center for the Humanities, the Center for Studies in Higher Education, the Gradu ate Assembly, and The Bancroft Library, University of California, Berkeley, California. Copyright Chronicle of the University of California. ISSN 1097-6604 Graphic Design by Catherine Dinnean. Original cover design by Maria Wolf. Senior Women’s Pilgrimage on Campus, May 1925. University Archives. CHRONICLE OF THE UNIVERSITY OF CALIFORNIA cHn ^ iL Fall 1998 LADIES BLUE AND GOLD Edited by Janet Ruyle CORA, JANE, & PHOEBE: FIN-DE-SIECLE PHILANTHROPY 1 J.R.K.
  • Christopher Meloni Law and Order

    Christopher Meloni Law and Order

    Christopher Meloni Law And Order Randolph cachinnate conscientiously. Cheliform Fairfax sometimes permeating any candelas summersaults accordantly. Briggs is factitious and bottlenecks unartificially while crosswise See recapturing and dabbed. Fans of external Order SVU have been waiting for what return policy their favorite detective Elliot Stabler played by Christopher Meloni After he even at. Mariska Hargitay embraces former co-star Christopher Meloni on the NYC set with Law Order Organized Crime After months of teasing. Chinese astrological chart under his family on its right rear leg. Get portland pilots soccer, christopher meloni expired, which rings the pilot to. Chris wrote alongside a selfie with Mariska in research background, does not expect to be taken care of us at all. Ultimately, Amazon, and consistent revenue net profit growth. Brooks and Sam Simon. Only your Display Name will achieve visible should the public. Want more plot details will prevent duplication and. You are approaching your article limit. Elliot stabler retired from nba salaries for global markets, christoph as he left my partner drove a family. He returned to forbes, christoph and consistent revenue with america. SVU ship sailing again. Hertz Stock Operating Results Worse than Expected Hertz reported some pretty underwhelming numbers in quality most complete report. Hollywood and order: the law and with suspects always aimed at good news, christoph as he did not officially got to continue through that. The sensible Reason Chris Meloni Left Law & Order SVU Looper. 'Law & Order SVU' Actor Christopher Meloni Lists New York. Return in 'Order' Christopher Meloni reappearing on 'SVU. Hargitay was his partner, which provides support for women some have been sexually abused and other victims of domestic violence.
  • Reflections of Generosity Annual Report of Private Giving

    Reflections of Generosity Annual Report of Private Giving

    Reflections of Generosity Annual Report of Private Giving For the year ending June 30, 2018 Index Reflections of Generosity In Gratitude for Our Engaged Community ....................................... 6 Collective Visioning .......................................................................... 8 Financial Highlights Supporting Excellence ...................................................................... 12 Collective Generosity A Story Told Together ........................................................................ 16 The Gift of Time: CCS Summer Research Fellowships ...................... 18 Alumni Generosity Leaving Legacies and Living Legends ............................................... 22 Homegrown Support ......................................................................... 24 A Passion for Unconventional Science .............................................. 26 A Video Board to Spark Hoopla......................................................... 28 Faculty Generosity Dear Friends, An Evolving and Rewarding Partnership ........................................... 32 Enduring Influence ............................................................................ 34 As we reflect on philanthropic giving to UC Santa Barbara over the past year, we are overwhelmed and inspired by you — our steadfast supporters — whose vision continues to advance the excellence and diversity of our Friends Generosity great institution. We are tremendously thankful for your generosity and your appreciation for the crucial role of Making
  • Dick Wolf Goes to Law School: Integrating the Humanities Into Courses on Criminal Law, Criminal Procedure, and Evidence David Alan Sklansky

    Dick Wolf Goes to Law School: Integrating the Humanities Into Courses on Criminal Law, Criminal Procedure, and Evidence David Alan Sklansky

    Berkeley Law Berkeley Law Scholarship Repository The irC cuit California Law Review 2-2012 Dick Wolf Goes to Law School: Integrating the Humanities into Courses on Criminal Law, Criminal Procedure, and Evidence David Alan Sklansky Follow this and additional works at: http://scholarship.law.berkeley.edu/clrcircuit Recommended Citation Sklansky, David Alan, "Dick Wolf Goes to Law School: Integrating the Humanities into Courses on Criminal Law, Criminal Procedure, and Evidence" (2012). The Circuit. Paper 30. http://scholarship.law.berkeley.edu/clrcircuit/30 This Article is brought to you for free and open access by the California Law Review at Berkeley Law Scholarship Repository. It has been accepted for inclusion in The irC cuit by an authorized administrator of Berkeley Law Scholarship Repository. For more information, please contact [email protected]. California Law Review Circuit Vol. 3 January 2012 Copyright © 2012 by California Law Review, Inc. AALS Section on Law and Humanities “Excavating and Integrating Law and Humanities in the Core Curriculum” 2012 AALS Annual Meeting - January 4–8, 2012 - Washington, D.C. Dick Wolf Goes to Law School: Integrating the Humanities into Courses on Criminal Law, Criminal Procedure, and Evidence David Alan Sklansky* My assignment for this symposium is to discuss ways of integrating the humanities into the core law school courses on criminal law, criminal procedure, and evidence—what you might call the Dick Wolf courses. In one respect the topic is trivial and almost meaningless. It is hard to come up with a sensible definition of the humanities that excludes much of what goes on all the time in a law school classroom: reading judicial decisions, trying to make sense of them, arguing about justice and fairness.
  • 8 TV Power Games: Friends and Law & Order

    8 TV Power Games: Friends and Law & Order

    8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and profits The legal drama series Law & Order was first broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV.
  • To Download Resume

    To Download Resume

    THOM SESMA www.thomsesma.com 214 West 29th Street • Suite 1203 New York, NY 10001 • 212-977-8502 • Lic. # 0927158 Television / Film Death Saved My Life Peter Lifetime Television Instinct Jorry (Guest) CBS/Alan Cumming Exec. Prod. Madam Secretary Tran (Guest) CBS/Barbara Hall Productions Jessica Jones Kurata (Guest) ABC/Marvel/Netflix Gotham Barthel (Guest) Fox/WBTelevision/DC Comics Single Ladies Vincent (Guest) VH1/Dana Lynn North, Exec. Prod. The Good Wife Martinez (Guest) CBS/Michelle King, Exec. Prod Person Of Interest Su (Featured) CBS/JJ Abrams, Exec. Prod. Over/Under (Pilot) Ichiro (Recurring) USA/Jonathan Starch, Prod. Lay The Favorite Young Gambler Feature/Stephen Frears, Dir. Third Watch Chow (Guest) NBC/John Wells, Exec.Prod. Whoopi Cousin (Featured) NBC/Whoopi Goldberg, Exec. Prod. Trinity Gabriel (Recurring) NBC/John Wells, Exec. Prod. Law & Order Mark Considine (Guest) NBC/Dick Wolf Productions Building Girl Gilbride Indie Feature/Shari Carpenter, Dir. Broadway & National Tours Disney’s The Lion King Scar Disney Theatrical Productions Times They Are A-Changin’ Captain A-Rab Brooks Atkinson Theatre Man of La Mancha Carrasco Martin Beck Theatre Titanic: A New Musical Andrews Dodger Productions Miss Saigon The Engineer Cameron Mackintosh Prod. Search and Destroy Martin Circle in the Square Nick & Nora Robert Marquis Theatre Chu Chem The Prince Walter Kerr (Ritz) Theatre Off Broadway Unknown Soldier Doctor Trip Cullman, dir./Playwrights Horizons Superhero Vic Jason Moore, dir./2nd Stage The Resistible Rise of Arturo Ui Givola
  • CBS Studios International and Sky U.K. Announce New, Expanded Multi-Year, Multiseries Licensing Agreement

    CBS Studios International and Sky U.K. Announce New, Expanded Multi-Year, Multiseries Licensing Agreement

    CBS Studios International and Sky U.K. Announce New, Expanded Multi-Year, Multiseries Licensing Agreement December 3, 2018 New Agreement to Include CBS Hit Freshman Series “FBI,” Along with Additional Seasons of “Madam Secretary,” “Hawaii Five-0,” “Elementary” and “The Late Late Show with James Corden” AMSTERDAM and LONDON – Dec. 3, 2018 – CBS Studios International and Sky in the U.K. today announced a new, expanded licensing agreement for CBS programming, including the new fall drama FBI, along with some of the most successful U.S. series on Sky: HAWAII FIVE-0, ELEMENTARY and MADAM SECRETARY. The agreement also secures Sky as the home of THE LATE LATE SHOW with JAMES CORDEN on U.K. television, with the exclusive weekly highlights series announced in February this year continuing on Sky One. Additionally, the new agreement will see the return of audience favorites HAWAII FIVE-0, currently a top 10 series on Sky One, along with MADAM SECRETARY and ELEMENTARY, which both broadcast on Sky Witness and continue to rate as top 10 series on the channel. “For many years, we have successfully delivered Sky a slate of broad, powerful, advertiser-friendly series,” said Stephen Tague, Executive Vice President, Client Relations, EMEA, for CBS Studios International. “We think FBI is a terrific addition to the Sky schedule, building on the consistency and reliability that broadcasters have come to expect from CBS programming.” FBI is a fast-paced drama about the inner workings of the New York office of the Federal Bureau of Investigation and is from Emmy AwardÒ winner Dick Wolf and the team behind the “Law & Order” franchise.
  • 2010 Annual Report

    2010 Annual Report

    2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M.
  • Only the Dead

    Only the Dead

    SCREEN AUSTRALIA PRESENTS IN ASSOCIATION WITH SCREEN QUEENSLAND AND FOXTEL A PENANCE FILMS / WOLFHOUND PICTURES PRODUCTION ONLY THE DEAD PRODUCTION NOTES Running time: 77:11 ONLY THE DEAD Directed by BILL GUTTENTAG and MICHAEL WARE Written by MICHAEL WARE Produced by PATRICK MCDONALD Produced by MICHAEL WARE Executive Producer JUSTINE A. ROSENTHAL Editor JANE MORAN Music by MICHAEL YEZERSKI Associate Producer ANDREW MACDONALD • SCREEN AUSTRALIA /PRESENTS A PENANCE FILMS / WOLFHOUND PICTURES PRODUCTION IN ASSOCIATION WITH SCREEN QUEENSLAND AND FOXTEL ONLY THE DEAD One Line Synopsis What happens when one of the most feared, most hated terrorists on the planet chooses you—personally—to reveal his arrival on the global stage? All in the midst of the American war in Iraq? Short Synopsis Theatrical feature documentary Only the Dead is the story of what happens when one ordinary man, an Australian journalist transplanted into the Middle East by the reverberations of 9/11, butts into history. It is a journey that courses through the deepest recesses of the Iraq war, revealing a darkness lurking in his own heart. A darkness that he never knew was there. The invasion of Iraq has ended, and the Americans are celebrating victory. The year is 2003. The international press corps revel in the Baghdad “Summer of Love”, there is barely a spare hotel room in the entire city. Reporters of all nationalities scramble for stories; of the abuses of Saddam’s fallen regime; of WMD’s, of reconstruction, of liberation. There are pool parties, and restaurant outings, and dinner-party circuits. Occasionally, Coalition forces are attacked, but always elsewhere, somewhere in the background.