GIZ ILCA Public Space___Gen
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Songs by Artist
Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play -
Honour Killing in Sindh Men's and Women's Divergent Accounts
Honour Killing in Sindh Men's and Women's Divergent Accounts Shahnaz Begum Laghari PhD University of York Women’s Studies March 2016 Abstract The aim of this project is to investigate the phenomenon of honour-related violence, the most extreme form of which is honour killing. The research was conducted in Sindh (one of the four provinces of Pakistan). The main research question is, ‘Are these killings for honour?’ This study was inspired by a need to investigate whether the practice of honour killing in Sindh is still guided by the norm of honour or whether other elements have come to the fore. It is comprised of the experiences of those involved in honour killings through informal, semi- structured, open-ended, in-depth interviews, conducted under the framework of the qualitative method. The aim of my thesis is to apply a feminist perspective in interpreting the data to explore the tradition of honour killing and to let the versions of the affected people be heard. In my research, the women who are accused as karis, having very little redress, are uncertain about their lives; they speak and reveal the motives behind the allegations and killings in the name of honour. The male killers, whom I met inside and outside the jails, justify their act of killing in the name of honour, culture, tradition and religion. Drawing upon interviews with thirteen women and thirteen men, I explore and interpret the data to reveal their childhood, educational, financial and social conditions and the impacts of these on their lives, thoughts and actions. -
Downloadable (Ur 2014A)
oi.uchicago.edu i FROM SHERDS TO LANDSCAPES oi.uchicago.edu ii oi.uchicago.edu iii FROM SHERDS TO LANDSCAPES: STUDIES ON THE ANCIENT NEAR EAST IN HONOR OF McGUIRE GIBSON edited by MARK ALTAWEEL and CARRIE HRITZ with contributions by ABBAS ALIZADEH, BURHAN ABD ALRATHA ALRATHI, MARK ALTAWEEL, JAMES A. ARMSTRONG, ROBERT D. BIGGS, MIGUEL CIVIL†, JEAN M. EVANS, HUSSEIN ALI HAMZA, CARRIE HRITZ, ERICA C. D. HUNTER, MURTHADI HASHIM JAFAR, JAAFAR JOTHERI, SUHAM JUWAD KATHEM, LAMYA KHALIDI, KRISTA LEWIS, CARLOTTA MAHER†, AUGUSTA MCMAHON, JOHN C. SANDERS, JASON UR, T. J. WILKINSON†, KAREN L. WILSON, RICHARD L. ZETTLER, and PAUL C. ZIMMERMAN STUDIES IN ANCIENT ORIENTAL CIVILIZATION • VOLUME 71 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO CHICAGO • ILLINOIS oi.uchicago.edu iv ISBN (paperback): 978-1-61491-063-3 ISBN (eBook): 978-1-61491-064-0 Library of Congress Control Number: 2021936579 ISSN: 0081-7554 The Oriental Institute, Chicago © 2021 by the University of Chicago. All rights reserved. Published 2021. Printed in the United States of America Series Editors Charissa Johnson, Steven Townshend, Leslie Schramer, and Thomas G. Urban with the assistance of Rebecca Cain and Emily Smith and the production assistance of Jalissa A. Barnslater-Hauck and Le’Priya White Cover Illustration Drawing: McGuire Gibson, Üçtepe, 1978, by Peggy Sanders Design by Steven Townshend Leaflet Drawings by Peggy Sanders Printed by ENPOINTE, Brooklyn Park, Minnesota, USA This paper meets the requirements of ANSI Z39.48-1984 (Permanence of Paper) ∞ oi.uchicago.edu v TABLE OF CONTENTS List of Abbreviations ................................................................................. vii Editor’s Note ........................................................................................ ix Introduction. Richard L. -
A Queer Analysis of the James Bond Canon
MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2019 Copyright 2019 by Grant C. Hester ii MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Jane Caputi, Center for Women, Gender, and Sexuality Studies, Communication, and Multimedia and has been approved by the members of his supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Khaled Sobhan, Ph.D. Interim Dean, Graduate College iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Jane Caputi for guiding me through this process. She was truly there from this paper’s incubation as it was in her Sex, Violence, and Hollywood class where the idea that James Bond could be repressing his homosexuality first revealed itself to me. She encouraged the exploration and was an unbelievable sounding board every step to fruition. Stephen Charbonneau has also been an invaluable resource. Frankly, he changed the way I look at film. His door has always been open and he has given honest feedback and good advice. Oliver Buckton possesses a knowledge of James Bond that is unparalleled. I marvel at how he retains such information. -
Student Comments About Single Gender Social Organizations
2016 Harvard College Prepared by HCIR STUDENT COMMENTS ABOUT SINGLE GENDER SOCIAL ORGANIZATIONS Survey Comments from AY 2010-2011 through AY 2014-15 Survey Comments about Single Gender Social Organizations Please use the space below to elaborate on any of the questions on the survey and to comment on any other aspect of your undergraduate experience not covered in this questionnaire Socially, Harvard needs to address some social issues that they seem to neglect. I am deeply concerned about the house renovation projects, which, to my understanding, are essentially getting rid of private common rooms (replacing with "public" common rooms). In doing so, the university is naively and unrealistically not giving students ways to engage in social behaviors that college students will undeniably do. This also increases the demand and power of final clubs and other organizations that have great social spaces (pudding institute, lampoon, crimson, etc), which will exacerbate many of the negative social pressures that exist on campus (dynamics between final club students and others, gender-related issues - especially sexual assault, etc). The point is, Harvard needs to be mature about and accept the fact that college students engage in various social behaviors and thus do things to help students do these things in a safer and more accessible way. Pretending like they don't exist simply makes the situation worse and students have a much worse experience as a result. 2013-2014 Senior Male 1) I think there is a strong need for more final club/fraternity-type opportunities for undergraduate students. This experience is currently restricted to only a small percentage of the male student body, and could offer tremendous opportunities for growth. -
Recensie: Tina Turner****1/2
Recensie: Tina Turner****1/2 Sportpaleis Merksem donderdag 22 januari 2009 foto © Concertnieuws Recensie: Vernieuwend en indrukwekkend is de ganse show van Tina Turner. 5 Keer doet ze het Sportpaleis in Merksem aan. Ondertussen heeft de kranige 60er al 4 van haar Belgische concerten erop zitten. Op 30 april komt ze nog eens. De ticketverkoop ging ontzettend had vorig jaar. 5 Uitverkochte concerten zijn een knap resultaat en dat terwijl Turner de laatste jaren nauwelijks nieuwe nummers heeft uitgebracht. Hoeveel lokale kopieën van Turner moeten er niet op deze wereldbol rondlopen vraag ik me soms af. Onze eigenste Natalia wordt wel eens de Vlaamse Turner genoemd. Wel, we hebben haar al heel wat soloconcerten zien geven. Conclusie: in vergelijking met Turner is ze klein bier. De promoboys en-girls samen met enkele collega journalisten verzoeken we dan ook vriendelijk elke vergelijking vanaf nu te staken. Hoge veiligheidsvoorschriften in het Sportpaleis. Een zittend middenplein, voor de eerste rijen werd een rood lint gespannen. Het soort lint dat je op luchthavens vindt. Daarachter stond of zat en leger veiligheidsmensen. Ook in de zaal zelf zaten er een aantal of wandelden die rond. Zelfs rond de volgspotters op het balkon stond steevast veiligheidspersoneel. Op de tram hoorde ik enkele West-Vlamingen mopperen en zich vragen stellen waarom de dopjes van de flesjes water werden gedaan. Ook dat was een veiligheidsmaatregel. Bij Livenation die Rock Werchter organiseren, zijn ze de editie van 1991 nog lang niet vergeten. Toen vroeg Iggy Pop aan het publiek om met de plastiek flessen te smijten. Tijdens het concert van The Police en hun nummer "Message in a bottle“ vlogen de flesjes in de lucht. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
An Anarchist Journal of Living Dangerously Rolling Thunder Issue Number Eleven / Spring 2014 Revolutionary Strategy
An Anarchist Journal of Living Dangerously Rolling Thunder Issue Number Eleven / Spring 2014 revolutionary strategy . the life cycles of movements . prisoner revolt . beyond ally politics the rise and fall of the Oakland Commune . uprising in Istanbul . student strike in Montréal anarchism in Israel . fighting gentrification . deserting the digital utopia . eternity by the stars In Seattle, we wrote the legal number on our arms in marker To call a lawyer if we were arrested. In Istanbul, people wrote their blood types on their arms. I hear in Egypt, They just write their names. Table of Contents “You must have chaos within you to give birth to a dancing star.” – Friedrich Nietzsche Kicking It Off 2 Introduction: This One Goes to 11 4 Glossary of Terms, Featuring Victor Hugo and Charles Baudelaire Letters from the Other Side 8 Days of Teargas, Blood, and Vomit— A Dispatch from Prisoner Sean Swain After the Crest: The Life Cycles of Movements 13 What to Do when the Dust Is Settling 19 The Rise and Fall of the Oakland Commune 34 Montréal: Peaks and Precipices— Student Strike and Social Revolt in Québec Eyewitness Report 52 Addicted to Tear Gas: The Gezi Resistance, June 2013 Critique 69 Ain’t No PC Gonna Fix It, Baby: A Critique of Ally Politics Investigation 78 How Do We Fight Gentrification? Analysis 98 Deserting the Digital Utopia: Computers against Computing Interviews 104 Israeli Anarchism: A Recent History Reviews 121 EtErnity by thE StarS, Louis-Auguste Blanqui 125 Interview with Frank Chouraqui, translator of EtErnity by thE StarS The End 128 Prognosis Going all the way means defending parks and neighborhoods, bankrupting developers, bringing capitalism to a halt with a general strike. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Regional Oral History Office University of California the Bancroft Library Berkeley, California
Regional Oral History Office University of California The Bancroft Library Berkeley, California Judith Smith Artistic Director, AXIS Dance Company Interviews conducted by Esther Ehrlich in 2005 Copyright © 2006 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Judith Smith, dated January 14, 2005. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
Brother G's Cyclopedia
Brother G’s Cyclopedia Of Comparative Mythology 210 building blocks for the aspiring mythopoet B c d e f g h k l m t u Dedicated To Messrs. Mircea Eliade and Hugh Nibley, who introduced a young boy to comparative mythology. To Lord Dunsany and Mr. H. P. Lovecraft, who pioneered the art of literary mythopoeia. And To Messrs. M. A. R. Barker and J. R. R. Tolkien, who taught us that master worldbuilders must be referred to by three initials and a last name. Table of Contents Introduction…………………………………………………………………...................................1 From Acosmism to Writing ………………………………………………………………….....x Appendix A: Non-Standard Portfolios………………………………………………………...x Appendix B: Epithets and Fusions……………………………………………………………..x Appendix C: Meta-Theory…………………………………………………………………......... x Appendix D: Story-starting Phrases…………………………………………………………… x Appendix E: Bringing It Together……………………………………………………………… x Appendix F: Random Tables…………………………………………………………………... x 1 Introduction Appendix A: Appendix B: Appendix C: If the main entry concerns itself chiefly with ideas of religion and mythology, then Appendix C concerns itself chiefly with ideas about religion and mythology. Appendix D: Appendix E: Appendix F: Include reading list 2 A solar vehicle is a mode of transportation used by the sun to make its journey across the sky and anywhere else that it goes (such as the underworld). It is most commonly a barge or chariot. Depictions of solar barges date to the Neolithic and are older than the sun chariot. Examples include the solar barge of Ra (Egyptian) and the chariots of Apollo (Greek) and Surya (Hindu). A world tree is an AXIS MUNDI. Typically its roots reach the UNDERWORLD (represented as either earth or water) and its branches (inhabited by birds) the OVERWORLD in order to connect them to each other and to the phenomenal world.