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In the Same Breath
IN THE SAME BREATH A film by Nanfu Wang #InTheSameBreathHBO DEBUTS 2021 ON HBO SUNDANCE FILM FESTIVAL SCREENING SCHEDULE Thursday, January 28 at 5:00 PM PT / 6:00 PM MT – Online (WORLD PREMIERE) For press materials, please visit: ftp://ftp.homeboxoffice.com username: documr password: qq3DjpQ4 Running Time: 95 min Press Contact Press Contact HBO Documentary Films Cinetic Marketing Asheba Edghill / Hayley Hanson Rachel Allen / Ryan Werner Asheba cell: 347-721-1539 Rachel cell: 937-241-9737 Hayley cell: 201-207-7853 Ryan cell: 917-254-7653 [email protected] [email protected] [email protected] [email protected] LOGLINE Nanfu Wang's deeply personal IN THE SAME BREATH recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. SHORT SYNOPSIS IN THE SAME BREATH, directed by Nanfu Wang (“One Child Nation”), recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. In a deeply personal approach, Wang, who was born in China and now lives in the United States, explores the parallel campaigns of misinformation waged by leadership and the devastating impact on citizens of both countries. Emotional first-hand accounts and startling, on-the-ground footage weave a revelatory picture of cover-ups and misinformation while also highlighting the strength and resilience of the healthcare workers, activists and family members who risked everything to communicate the truth. DIRECTOR’S STATEMENT I spent a lot of my childhood in hospitals taking care of my father, who had rheumatic heart disease. -
OIFF2013 Programavis.Pdf
facebook.com/NordiskFilmNorge BASERT PÅ JUSSI ADLER OLSENS BESTSELGER PÅ KINO I JANUAR! facebook.com/NordiskFilmNorge 23. OSLO INTERNASJONALE FILMFESTIVAL 20.↗24. NOVEMBER 2013 3 FILMER FILMER/FILMS LAND/COUNTRY SIDE/PAGE TOM AT THE FARM Canada, France 4 FINSTERWORLD Germany 7 TEENAGE Germany, USA 7 COMPUTER CHESS USA 8 UPSTREAM COLOR USA 8 KVINNEN I BURET Germany, Denmark, Sweden 9 PRISONERS USA 9 THE DIRTIES Canada 11 IRENES TO LIV France, Italy 11 MANAKAMANA USA, Nepal 12 FREMMED VED SJØEN France 12 IL FUTURO Chile, Germany, Italy, Spain 13 GERONTOPHILIA Canada 13 I USED TO BE DARKER USA 14 WHY DON’T YOU PLAY IN HELL? Japan 14 PROLOGUE TO THE GREAT DESAPARECIDO Philippines 15 REDEMPTION France, Germany, Italy, Portugal 15 UNG LØS GRIS Norway 16 KOPFKINO Norway 16 THE FORESTER Norway 17 DET ER IKKE SÅ LETT Norway 17 EGRESS Norway 17 Velkommen til 23. Oslo filmfestival Velkommen til en ny runde med sterke Den unge canadiske regissøren Xavier Dolan får Super dansk krim med Kvinnen i buret. Chilensk filmopplevelser, humor, spenning, filmkunst og det åpne årets festival med sin fjerde spillefilm, den film basert på roman av Roberto Bolaño. Italiensk unike fellesskapet i kinomørket. Filmen står i fokus psykologiske thrilleren Tom at the Farm, som fikk kvalitetsdrama om alternativ dødshjelp i Valeria i noen hektiske dager, og vi kan stolt presentere kritikerprisen for beste film i hovedkonkurransen Golino sikre regidebut. Bruce LaBruce med en fantastisk filmmeny. i Venezia i år. Nå midt i innspillingen av sin femte film, romantisk komedie. En Zenpreget reise i moderne og bare 24 år gammel. -
Themenportal Europäische Geschichte
Themenportal Europäische Geschichte www.europa.clio-online.de Essay 1 EUROPA, „DIE GROßE ILLUSION“ Von Luisa Passerini Sprechen wir von „Europa“, dann sprechen wir von einer Idee, die durchaus ambivalen- te Züge aufweist. Um diese Ambivalenz der Idee „Europa“ näher zu charakterisieren, wähle ich hier den Ausdruck „Die große Illusion“. Das Wort „Illusion“ steht zuallererst für „Täuschung“, doch auf den zweiten Blick erschließen sich weitere Bedeutungen, wie diejenige, die sich aus der etymologischen Herkunft vom lateinischen Verb ludere = spielen und illudere = zum Spielen anregen, ergibt. Fragt man sich, womit denn über- haupt gespielt werden soll, so findet sich etwa im Oxford English Dictionary unter dem Begriff „Illusion“ der Verweis auf unsere Phantasie und unsere Vorstellungskraft. Die Verwendung des Ausdrucks „Illusion“ ist daher in diesem Sinne auch eine Einladung, unserer Phantasie freien Lauf zu lassen, um uns ein anderes, ein mögliches Europa vor- zustellen, ohne gleichzeitig dabei die Schwierigkeiten zu übersehen, denen Europa ge- genübersteht. Der Ausdruck „Große Illusion“ findet sich im Titel des 1910 zuerst erschienenen Bestsellers The great illusion von Sir Norman Angell (1872-1967).2 Angell, Friedens- nobelpreisträger des Jahres 1933, vertrat in diesem Buch die Position, Krieg sei wirt- schaftlich sinnlos und politischer Selbstmord. Bereits sein Buch von 1909, Europe’s optical illusion, hatte argumentiert, dass Kriegsrüstung und militärische Eroberung dem Aggressor keinen Nutzen bringe.3 The great illusion wurde durchaus zwiespältig aufge- nommen, da Angell auch dem Pazifismus, den er als „old pacifism“ bezeichnete, Senti- mentalität und Humanitätsduselei vorwarf. Nichtsdestotrotz trug das Buch, das bis in die 1930er Jahre mehrfach neu aufgelegt wurde, viel dazu bei, Kritik an Krieg und Mili- tarismus zu verbreiten. -
Economic Report on the Screen-Based
PROFILE ECONOMIC REPORT ON THE SCREEN-BASED MEDIA PRODUCTION INDUSTRY IN CANADA 2019 PROFILE ECONOMIC REPORT ON THE SCREEN-BASED MEDIA PRODUCTION INDUSTRY IN CANADA 2019 Prepared for the Canadian Media Producers Association, Department of Canadian Heritage, Telefilm Canada and Association québécoise de la production médiatique Production facts and figures prepared by Nordicity Group Ltd. Profile 2019 is published by the Canadian Media Producers Association (CMPA) in collaboration with the Department of Canadian Heritage, Telefilm Canada, the Association québécoise de la production médiatique (AQPM) and Nordicity. Profile 2019 marks the 23rd edition of the annual economic report prepared by CMPA and its project partners over the years. The report provides an analysis of economic activity in Canada’s screen-based production sector during the period April 1, 2018 to March 31, 2019. It also provides comprehensive reviews of the historical trends in production activity between fiscal years 2009/10 to 2018/19. André Adams-Robenhymer Policy Analyst, Film and Video Policy and Programs Ottawa Susanne Vaas Department of Canadian Mohamad Ibrahim Ahmad 251 Laurier Avenue West, 11th Floor Vice-President, Heritage Statistics and Data Analytics Ottawa, ON K1P 5J6 Corporate & International Affairs 25 Eddy Street Supervisor, CAVCO Gatineau, QC K1A 0M5 Tel: 1-800-656-7440 / 613-233-1444 Nicholas Mills Marwan Badran Email: [email protected] Director, Research Tel: 1-866-811-0055 / 819-997-0055 Statistics and Data Analytics cmpa.ca TTY/TDD: 819-997-3123 Officer, CAVCO Email: [email protected] Vincent Fecteau Toronto https://www.canada.ca/en/canadian- Senior Policy Analyst, 1 Toronto Street, Suite 702 heritage.html Film and Video Policy and Programs Toronto, ON M5C 2V6 Mounir Khoury Tel: 1-800-267-8208 / 416-304-0280 The Department of Canadian Senior Policy Analyst, Email: [email protected] Heritage contributed to the Film and Video Policy and Programs funding of this report. -
O La Gran Ilusión
UNA VERSIÓN CABALLERESCA: LA «GUERRA DE GUANTE BLANCO» O LA GRAN ILUSIÓN Gloria Camarero Gómez-Arteaga Universidad Carlos III de Madrid 1. Génesis e historia Corría el año de 1937 cuando Jean Renoir (1894-1979) realizó La gran ilusión, que sería la película que más fama le reportaría y también la preferida por el gran público. En esa fecha, este director francés era ya una fi gura muy re- conocida en el mundo del celuloide y se le consideraba un integrante destacado del cine frentepopulista1. 1 Sobre Jean Renoir puede consultarse: AA.VV. Jean Renoir. Ci- nemateca Portuguesa. Lisboa, 1994. BAZIN, A. Jean Renoir. Periodos, Filmes y documentos. Paidós. Barcelona, 1999. BERTIN, C. Jean Renoir, cineaste. Gallimard. París, 1944. BESSY, M. y BEYLIE, C. Jean Renoir. Pygmalion. París, 1989. BRAUDY, L. Jean Renoir. The world of his films. Doubleday. Nueva York, 1972. CAULIEZ, A. J. Jean Renoir. Editions Uni- versitaires. París, 1962. CUROT, F (dir.). «Renoir en France». Cahiers, 1, 1999. Centre d’Etude du XXe siècle. Publications de l’Université Paul Va- léry Montpellier III. Montpellier, 1999. DE VINCENTI, G. Jean Renoir. La vita i film. Marsilio Editori. Venecia, 1996. DURGNAT, R. Jean Renoir. University of California Press. Berkeley, 1974. FAULKNER, CH. The so- cial cinema of Jean Renoir. Princeton University Press. Princeton, 1986. FERNANDEZ CUENCA, C. Jean Renoir. Filmoteca Nacional de España. Madrid, 1966. HAFFNER, P. Jean Renoir. Editions Rivages. París, 1988. LEPHOHON, P. Jean Renoir. Editions Segners. París, 1967. PELAYO, A 15 Fue entonces cuando se interesó por el alcance de la I Guerra Mundial y decidió situar la acción de La gran ilusión en dicha contienda, que conocía de primera mano porque había servido en el ejercito francés como piloto en las tareas de reconocimiento de las líneas alemanas e in- cluso había estado preso en un campo alemán, entre 1916 y 1918. -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
Clickscapes Trends 2021 Weekly Variables
ClickScapes Trends 2021 Weekly VariableS Connection Type Variable Type Tier 1 Interest Category Variable Home Internet Website Arts & Entertainment 1075koolfm.com Home Internet Website Arts & Entertainment 8tracks.com Home Internet Website Arts & Entertainment 9gag.com Home Internet Website Arts & Entertainment abs-cbn.com Home Internet Website Arts & Entertainment aetv.com Home Internet Website Arts & Entertainment ago.ca Home Internet Website Arts & Entertainment allmusic.com Home Internet Website Arts & Entertainment amazonvideo.com Home Internet Website Arts & Entertainment amphitheatrecogeco.com Home Internet Website Arts & Entertainment ancestry.ca Home Internet Website Arts & Entertainment ancestry.com Home Internet Website Arts & Entertainment applemusic.com Home Internet Website Arts & Entertainment archambault.ca Home Internet Website Arts & Entertainment archive.org Home Internet Website Arts & Entertainment artnet.com Home Internet Website Arts & Entertainment atomtickets.com Home Internet Website Arts & Entertainment audible.ca Home Internet Website Arts & Entertainment audible.com Home Internet Website Arts & Entertainment audiobooks.com Home Internet Website Arts & Entertainment audioboom.com Home Internet Website Arts & Entertainment bandcamp.com Home Internet Website Arts & Entertainment bandsintown.com Home Internet Website Arts & Entertainment barnesandnoble.com Home Internet Website Arts & Entertainment bellmedia.ca Home Internet Website Arts & Entertainment bgr.com Home Internet Website Arts & Entertainment bibliocommons.com -
Falls Around Her
Baswewe Films and The Film Farm Present FALLS AROUND HER Starring Tantoo Cardinal Written and Directed by Darlene Naponse PRESS KIT SYNOPSIS Falls Around Her follows Mary Birchbark (Tantoo Cardinal), a legendary singer who returns to the vast wilderness of her reserve to reconnect with the land and her community. Mary begins to sense that someone might be watching her. Unsure of what is real and what is imagined, Mary embraces isolation as she explores the psychological impact of her past and present. PRODUCTION NOTES Work and Walk in a Good Way Honour the Seven Grandfathers teachings: Honesty – Wisdom – Respect – Bravery – Humility – Truth – Love Those words and several others would accompany Falls Around Her’s first callsheet and would be included in every callsheet during the shoot. For the Anishinaabe people, the Teachings of the Seven Grandfathers is a set of teachings on human conduct toward others. As film crews employ many people from several different backgrounds, it’s a daily reminder to treat all creation with respect. And cast and crew took those words to heart every day and it contributed to a joyful set. Even more amazing given that there was a mix of crew of indigenous and non-indigenous people. The crew for Falls Around Her became an amalgamation of Toronto and Atikameksheng Anishnawbek/Sudbury/North Bay crews along with many indigenous locals. For the locals, it was the biggest production to ever have its home base on the reservation, and they were prepared for the challenge and the collective hard work of all is reflected on-screen. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Kingcanfilmfest.Com FEB 26 to MAR 1
presented by FEB 26 to MAR1 2O15 kingcanfilmfest kingcanfilmfest.com TiVo Service¹ lets you record up to 6 shows at once, access Netflix² and watch your recordings on the go. Get it only from Cogeco. 1-877-449-4474 • Cogeco.ca/TiVo How can we help you? TABLE OF CONTENTS Sponsors 2 tickets and Venues 5 Schedule 6 festival greetings 8 FILMS SHORT FILM PROGRAMS Big neWS from grand roCk 10 Canadian ShortS Program 24 after the BaLL 11 LoCaL ShortS Program 25 aLL the time in the WorLd 11 Youth ShortS Program 25 BerkShire CountY 12 C iS for Canada 26 dirtY SingLeS 13 muSiC Video ShortS Program 26 the father of hoCkeY 13 fauLt 14 feLix and meira 14 Workshops 28 in her PLaCe 15 music 30 La Petite reine 15 receptions 31 LuCk’S hard 17 maPS to the StarS 17 mommY 18 monSoon 18 PorCh StorieS 19 the PriCe We PaY 19 retroSPeCtiVe: manY kingStonS 20 SoL 21 the StronghoLd 21 tu dorS niCoLe 22 VioLent 22 PRESENTING SPONSORS PRIMETIME/PROGRAM SPONSORS SUPPORTERS FEATURE FILM SPONSORS 2 MEDIA SPONSORS the Queen’s University FILM SPONSORS FESTIVAL FRIENDS HOSPITALITY FRIENDS MEDIA FRIENDS Le Centre culturel Frontenac Amadeus Fusix Kamik AquaTerra by Clark Kingstonist Kingston Community Olivea Point of View Magazine Credit Union Pan Chancho Queen’s TV Petrie Ford Tango Nuevo Rogers K-Rock Centre SGPS Tir Nan Og Snapd Staples Station 14 Wellington Foreign Exchange FESTIVAL PARTNERS Film Circuit (TIFF), George Taylor Richardson Memorial Fund, National Film Board of Canada, Original Hockey Hall of Fame, Queen’s University AMS, Ubisoft, The Screening Room COMMUNITY SPONSORS Brew Pub, Brian’s Record Option, Campus One Stop, Card’s Bakery, Classic Video, David’s Tea, Five Guys Burger and Fries, Genene Maurice RMT, LSP Designs, Novel Idea, Pasta Genova, The Pita Pit, QFLIC, Rankin Productions, Secret Garden Inn, Sima Sushi, Ta-Ke Sushi, Tommy’s, The Works 3 For 15 years KCFF has been dedicated to exhibiting Canadian ƓOPDQGLVGHHSO\FRPPLWWHGWR ensuring its continued development & growth. -
Liff-2020-Catalogue.Pdf
Welcome Introduction from the LIFF 2020 Team While we greatly miss not presenting LIFF 2020 in venues, we’re delighted to share the line-up on our new streaming platform Leeds Film Player. We return with our regular programme sections for new films – Official Selection, Cinema Versa, Fanomenon, and Leeds Short Film Awards – all curated with the same dedication to diverse filmmaking from the UK and around the world. A huge thank you to everyone who made this transformation to streaming possible and to everyone who helped us plan and prepare for LIFF 2020 being in venues. We hope you enjoy the LIFF 2020 programme from home and we can’t wait to welcome you back to venues for LIFF 2021! Presented by Leading Funders Contents Official Selection 6 Cinema Versa 26 Fanomenon 42 Leeds Short Film Awards 64 Leeds Young Film Festival 138 Indexes 152 Sun Children 2– LIFF 2020 Opening film 3 Team LIFF 2020 LYFF 2020 Team Team Director Director Chris Fell Debbie Maturi Programme Manager Producer Alex King Martin Grund Production Manager Youth Engagement Coordinator Jamie Cross Gage Oxley Film Development Coordinator Youth Programme Coordinator Nick Jones Eleanor Hodson Senior Programmer LYFF Programmers Molly Cowderoy Martin Grund, Eleanor Hodson, Sam Judd Programme Coordinator Alice Duggan Production Coordinator Anna Stopford Programme & Production Assistant Ilkyaz Yagmur Ozkoroglu Virtual Volunteers Lee Bentham, Hannah Booth, Tabitha Burnett, Paul Douglass, Owen Herman, Alice Lassey, Ryan Ninesling, Eleanor Storey, Andrew Young Volunteer Officer Sarah