Annual Report 1975-76
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Buddha to Krishna
BUDDHA TO KRISHNA This book traces the emergence of modernism in art in South Asia by exploring the work of the iconic artist George Keyt. Closely interwoven with his life, Keyt’s art reflects the struggle and triumph of an artist with very little support or infrastructure. He painted as he lived: full of colour, turmoil and intensity. In this compelling account, the author examines the eventful course of Keyt’s journey, bringing to light unknown and star- tling facts: the personal ferment that Keyt went through because of his tumultuous relationships with women; his close involvement with social events in India and Sri Lanka on the threshold of Independence; and his somewhat angular engagement with artists of the ’43 Group. A collector’s delight, including colour plates and black and white pho- tographs, reminiscences and intimate correspondences, this book reveals the portrait of an artist among the most charismatic figures of our time. This book will be of interest to scholars and researchers of art and art history, modern South Asian studies, sociology, cultural studies as well as art aficionados. Yashodhara Dalmia is an art historian and independent curator based in New Delhi, India. She has written several books including Amrita Sher- Gil: A Life (2006) that have received widespread international acclaim. She is also the author of The Making of Modern Indian Art: The Progressives (2001) and Journeys: Four Generations of Indian Artists (2011). She has curated many art shows, with the most recent being the centenary show ‘Amrita Sher-Gil: The Passionate Quest’ at the National Gallery of Mod- ern Art in New Delhi, Mumbai and Bengaluru in 2014. -
Bestguru.Comcarnatic Music ‐ Vocal 1978 Maharajapuram V
Name of the Artist Name of the Art / Field Awarded in Amba Sanyal (Costume Designing) Allied Theatre Arts 2008 Anant Gopal Shinde (Make‐up) Allied Theatre Arts 2003 Ashok Sagar Bhagat (Lighting) Allied Theatre Arts 2002 Ashok Srivastava (Make‐up) Allied Theatre Arts 1981 D. G. Godse (Scenic Design) Allied Theatre Arts 1988 Dolly Ahluwalia (Costume Design) Allied Theatre Arts 2001 G.N. Dasgupta (Lighting) Allied Theatre Arts 1989 Gautam Bhattacharya (Lighting) Allied Theatre Arts 2006 Goverdhan Panchal (Scenic Design) Allied Theatre Arts 1985 H. V. Sharma (Stagecraft) Allied Theatre Arts 2005 Kajal Ghosh (Theatre Music) ‐ Allied Theatre Arts 2000 Kamal Arora (Make‐up) Allied Theatre Arts 2009 Kamal Jain (Lighting) Allied Theatre Arts 2011 Kamal Tewari (Theatre Music) ‐ Allied Theatre Arts 2000 Kanishka Sen (Lighting) Allied Theatre Arts 1994 Khaled Choudhury (Scenic Design) Allied Theatre Arts 1986 Kuldeep Singh (Music for Theatre) Allied Theatre Arts 2009 M. S. Sathyu (Stagecraft) Allied Theatre Arts 1993 Mahendra Kumar (Scenic Design) Allied Theatre Arts 2007 Mansukh Joshi (Scenic & Light Design) Allied Theatre Arts 1997 N. Krishnamoorthy (Stagecraft) Allied Theatre Arts 1995 Nissar Allana (Stagecraft) Allied Theatre Arts 2002 R. K. Dhingra (Lighting) ‐ Allied Theatre Arts 2000 R. Paramashivan (Theatre Music) Allied Theatre Arts 2005 Robin Das (Scenic Design) ‐ Allied Theatre Arts 2000 Roshen Alkazi (Costume Design) Allied Theatre Arts 1990 Shakti Sen (Make‐up) ‐ Allied Theatre Arts 2000 Sreenivas G. Kappanna (Lighting & Stage Design) Allied Theatre Arts 2003 Suresh Bhardwaj (Lighting) Allied Theatre Arts 2005 Tapas Sen (Lighting) Allied Theatre Arts 1974 V. Ramamurthy (Lighting) Allied Theatre Arts 1977 Alathur S. Srinivasa Iyer Carnatic Music ‐ Vocal 1968 Ariyakudi Ramanuja Iyengar Carnatic Music ‐ Vocal 1952 B. -
“Majuli Is a Gift to Any Festival” – Tim Cornwell, Scotsman, 14Th August, 2017 Background
“Majuli is a gift to any Festival” – Tim Cornwell, Scotsman, 14th August, 2017 background The Brahmaputra takes birth in China, in western Tibet, and courses through three densely populated, energy-hungry, rapidly modernizing countries — China, India, Bangladesh — before emptying itself into the Bay of Bengal in the massive Ganges-Brahmaputra mangrove delta, the Sundarbans. The Brahmaputra basin is a part of the largest and most populated basin in the world, supporting over 80 million people and rich, rare and endangered biodiversity. What China and India do to this river will directly affect this eco- system. ‘Katha Yatra,’ is our ongoing project, which translates to “a journey of stories”. It explore this river as it enters India until it finds home in the Bay of Bengal, uncovering stories of tradition and change, of wins and losses, of old and new. Through this ‘Yatra,’ we aim to create a research-based body of knowledge of the changing Brahmaputra, encapsulating impressions and understandings of the biodiversity, art, culture, identity, development, the hopes and aspirations of the people inhabiting the banks of the Brahmaputra in the project. The project Katha Yatra is much more than our own artistic ambitions. It aims to bring together the local communities in the region practicing various art forms. Katha Yatra facilitates cultural dialogue with the people from other parts of world. Under this project we also aim to curate workshops, exhibitions, installations and live art that will stimulate people from all over the world. By hosting and curating such artistic activities/events will provide spin-off into other industries that will eventually contribute to the economy of the region. -
LCSH Section H
H (The sound) H.P. 15 (Bomber) Giha (African people) [P235.5] USE Handley Page V/1500 (Bomber) Ikiha (African people) BT Consonants H.P. 42 (Transport plane) Kiha (African people) Phonetics USE Handley Page H.P. 42 (Transport plane) Waha (African people) H-2 locus H.P. 80 (Jet bomber) BT Ethnology—Tanzania UF H-2 system USE Victor (Jet bomber) Hāʾ (The Arabic letter) BT Immunogenetics H.P. 115 (Supersonic plane) BT Arabic alphabet H 2 regions (Astrophysics) USE Handley Page 115 (Supersonic plane) HA 132 Site (Niederzier, Germany) USE H II regions (Astrophysics) H.P.11 (Bomber) USE Hambach 132 Site (Niederzier, Germany) H-2 system USE Handley Page Type O (Bomber) HA 500 Site (Niederzier, Germany) USE H-2 locus H.P.12 (Bomber) USE Hambach 500 Site (Niederzier, Germany) H-8 (Computer) USE Handley Page Type O (Bomber) HA 512 Site (Niederzier, Germany) USE Heathkit H-8 (Computer) H.P.50 (Bomber) USE Hambach 512 Site (Niederzier, Germany) H-19 (Military transport helicopter) USE Handley Page Heyford (Bomber) HA 516 Site (Niederzier, Germany) USE Chickasaw (Military transport helicopter) H.P. Sutton House (McCook, Neb.) USE Hambach 516 Site (Niederzier, Germany) H-34 Choctaw (Military transport helicopter) USE Sutton House (McCook, Neb.) Ha-erh-pin chih Tʻung-chiang kung lu (China) USE Choctaw (Military transport helicopter) H.R. 10 plans USE Ha Tʻung kung lu (China) H-43 (Military transport helicopter) (Not Subd Geog) USE Keogh plans Ha family (Not Subd Geog) UF Huskie (Military transport helicopter) H.R.D. motorcycle Here are entered works on families with the Kaman H-43 Huskie (Military transport USE Vincent H.R.D. -
Annual Report 1990 .. 91
SANGEET NAT~AKADEMI . ANNUAL REPORT 1990 ..91 Emblem; Akademi A wards 1990. Contents Appendices INTRODUCTION 0 2 Appendix I : MEMORANDUM OF ASSOCIATION (EXCERPTS) 0 53 ORGANIZATIONAL SET-UP 05 AKADEMI FELLOWSHIPS/ AWARDS Appendix II : CALENDAR OF 19900 6 EVENTS 0 54 Appendix III : GENERAL COUNCIL, FESTIVALS 0 10 EXECUTIVE BOARD, AND THE ASSISTANCE TO YOUNG THEATRE COMMITTEES OF THE WORKERS 0 28 AKADEMID 55 PROMOTION AND PRESERVATION Appendix IV: NEW AUDIO/ VIDEO OF RARE FORMS OF TRADITIONAL RECORDINGS 0 57 PERFORMING ARTS 0 32 Appendix V : BOOKS IN PRINT 0 63 CULTURAL EXCHANGE Appendix VI : GRANTS TO PROGRAMMES 0 33 INSTITUTIONS 1990-91 064 PUBLICATIONS 0 37 Appendix VII: DISCRETIONARY DOCUMENTATION / GRANTS 1990-91 071 DISSEMINATION 0 38 Appendix VIll : CONSOLIDATED MUSEUM OF MUSICAL BALANCE SHEET 1990-91 0 72 INSTRUMENTS 0 39 Appendix IX : CONSOLIDATED FINANCIAL ASSISTANCE TO SCHEDULE OF FIXED CULTURAL INSTITUTIONS 0 41 ASSETS 1990-91 0 74 LIBRARY AND LISTENING Appendix X : PROVIDENT FUND ROOMD41 BALANCE SHEET 1990-91 078 BUDGET AND ACCOUNTS 0 41 Appendix Xl : CONSOLIDATED INCOME & EXPENDITURE IN MEMORIAM 0 42 ACCOUNT 1990-91 KA THAK KENDRA: DELHI 0 44 (NON-PLAN & PLAN) 0 80 JA WAHARLAL NEHRU MANIPUR Appendix XII : CONSOLIDATED DANCE ACADEMY: IMPHAL 0 50 INCOME & EXPENDITURE ACCOUNT 1990-91 (NON-PLAN) 0 86 Appendix Xlll : CONSOLIDATED INCOME & EXPENDITURE ACCOUNT 1990-91 (PLAN) 0 88 Appendix XIV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN & PLAN) 0 94 Appendix XV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN) 0 104 Appendix XVI : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (PLAN) 0 110 Introduction Apart from the ongoing schemes and programmes, the Sangeet Natak Akademi-the period was marked by two major National Academy of Music, international festivals presented Dance, and Drama-was founded by the Akademi in association in 1953 for the furtherance of with the Indian Council for the performing arts of India, a Cultural Relations. -
November 2019.Pmd
2 | The Dance India Contents Volume 4 | Issue 5 | November 2019 04 EDITORIAL TEAM 05 EDITOR’S NOTE 06 CULTURAL BULLETIN 12 COVER STORY (Dis) Honorary Doctorates 24 BEACONS OF LIGHT Sovanabrata and Nutan Sircar: Dynamic dancing duo 30 REVIEWS 40 ARANGETRAM 43 DANCE INDIA 3rd ANNIVERSARY CELEBRATIONS 3 | The Dance India "IF THE ART EDITORIAL IS POOR, ‘The Dance India’- a monthly cultural magazine in English is our humble attempt to capture the spirit and culture THE NATION of art in all its diversity. IS SICK." Articles may be submitted for possible publication in the magazine in the following manner. Editor • Send in your articles to BR Vikram Kumar [email protected] Please include your full name, contact information (address and telephone Executive Editor number) and a short bio data. Paul Spurgeon Nicodemus • Articles are published in the magazine only on the condition that Feature Writers the author agrees to the terms of the Rajahamsa Copyright Statement and Policy RMK Sharma Regd. Office: Trivikram Publications, Cover Photograph D.No. 50-01-50/1, ASR Nagar, Seethammadhara, Visakhapatnam - 530 Contributors bishusdesignbank 013, A.P. Tel: +91 8897987445 Dr Sunil Kothari The opinions, beliefs and viewpoints New Delhi expressed by the various writers in the Coordinators articles and reviews do not necessarily reflect the opinions, beliefs and Avinash Pasricha (News, Advertisements & viewpoints of the editorial team or official New Delhi Subscriptions) policies of The Dance India. All rights reserved. © November - 2019 Nita Vidyarthi Sai Venkatesh Karnataka The contents published in The Dance India magazine are an exclusive Kolkata Dr Smruthi Vaghela Gujarat copyright of Trivikram Publications. -
LCSH Section I
I(f) inhibitors I-270 (Ill. and Mo. : Proposed) I Ho Yüan (Peking, China) USE If inhibitors USE Interstate 255 (Ill. and Mo.) USE Yihe Yuan (Beijing, China) I & M Canal National Heritage Corridor (Ill.) I-270 (Md.) I-hsing ware USE Illinois and Michigan Canal National Heritage USE Interstate 270 (Md.) USE Yixing ware Corridor (Ill.) I-278 (N.J. and N.Y.) I-Kiribati (May Subd Geog) I & M Canal State Trail (Ill.) USE Interstate 278 (N.J. and N.Y.) UF Gilbertese USE Illinois and Michigan Canal State Trail (Ill.) I-394 (Minn.) BT Ethnology—Kiribati I-5 USE Interstate 394 (Minn.) I-Kiribati language USE Interstate 5 I-395 (Baltimore, Md.) USE Gilbertese language I-10 USE Interstate 395 (Baltimore, Md.) I kuan tao (Cult) USE Interstate 10 I-405 (Wash.) USE Yi guan dao (Cult) I-15 USE Interstate 405 (Wash.) I language USE Interstate 15 I-470 (Ohio and W. Va.) USE Yi language I-15 (Fighter plane) USE Interstate 470 (Ohio and W. Va.) I-li Ho (China and Kazakhstan) USE Polikarpov I-15 (Fighter plane) I-476 (Pa.) USE Ili River (China and Kazakhstan) I-16 (Fighter plane) USE Blue Route (Pa.) I-li-mi (China) USE Polikarpov I-16 (Fighter plane) I-478 (New York, N.Y.) USE Taipa Island (China) I-17 USE Westway (New York, N.Y.) I-liu District (China) USE Interstate 17 I-495 (Mass.) USE Yiliu (Guangdong Sheng, China : Region) I-19 (Ariz.) USE Interstate 495 (Mass.) I-liu Region (China) USE Interstate 19 (Ariz.) I-495 (Md. -
Sankeet Natak Akademy Awards from 1952 to 2016
All Sankeet Natak Akademy Awards from 1952 to 2016 Yea Sub Artist Name Field Category r Category Prabhakar Karekar - 201 Music Hindustani Vocal Akademi 6 Awardee Padma Talwalkar - 201 Music Hindustani Vocal Akademi 6 Awardee Koushik Aithal - 201 Music Hindustani Vocal Yuva Puraskar 6 Yashasvi 201 Sirpotkar - Yuva Music Hindustani Vocal 6 Puraskar Arvind Mulgaonkar - 201 Music Hindustani Tabla Akademi 6 Awardee Yashwant 201 Vaishnav - Yuva Music Hindustani Tabla 6 Puraskar Arvind Parikh - 201 Music Hindustani Sitar Akademi Fellow 6 Abir hussain - 201 Music Hindustani Sarod Yuva Puraskar 6 Kala Ramnath - 201 Akademi Music Hindustani Violin 6 Awardee R. Vedavalli - 201 Music Carnatic Vocal Akademi Fellow 6 K. Omanakutty - 201 Akademi Music Carnatic Vocal 6 Awardee Neela Ramgopal - 201 Akademi Music Carnatic Vocal 6 Awardee Srikrishna Mohan & Ram Mohan 201 (Joint Award) Music Carnatic Vocal 6 (Trichur Brothers) - Yuva Puraskar Ashwin Anand - 201 Music Carnatic Veena Yuva Puraskar 6 Mysore M Manjunath - 201 Music Carnatic Violin Akademi 6 Awardee J. Vaidyanathan - 201 Akademi Music Carnatic Mridangam 6 Awardee Sai Giridhar - 201 Akademi Music Carnatic Mridangam 6 Awardee B Shree Sundar 201 Kumar - Yuva Music Carnatic Kanjeera 6 Puraskar Ningthoujam Nata Shyamchand 201 Other Major Music Sankirtana Singh - Akademi 6 Traditions of Music of Manipur Awardee Ahmed Hussain & Mohd. Hussain (Joint Award) 201 Other Major Sugam (Hussain Music 6 Traditions of Music Sangeet Brothers) - Akademi Awardee Ratnamala Prakash - 201 Other Major Sugam Music Akademi -
Indian Council for Cultural Relations Empanelment Artists
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Sponsored by Occasion Social Media Presence Birth Empanel Category/ ICCR including Level Travel Grants 1 Ananda Shankar Jayant Telangana 9/27/1961 Bharatanatyam C-52, Road No.10, 2007 Outstanding 1997-South Korea To give cultural https://www.youtube.com/watch?v=vwH8YJH4iVY Film Nagar, Jubilee Hills Myanmar Vietnam Laos performances to https://www.youtube.com/watch?v=Vrts4yX0NOQ Hyderabad-500096 Combodia, coincide with the https://www.youtube.com/watch?v=YDwKHb4F4tk Cell: +91-9848016039 2002-South Africa, Establishment of an https://www.youtube.com/watch?v=SIh4lOqFa7o +91-40-23548384 Mauritius, Zambia & India – Central https://www.youtube.com/watch?v=MiOhl5brqYc [email protected] Kenya American Business https://www.youtube.com/watch?v=COv7medCkW8 [email protected] 2004-San Jose, Forum in Panana https://www.youtube.com/watch?v=kSr8A4H7VLc Panama, Tegucigalpa, and to give cultural https://www.ted.com/talks/ananda_shankar_jayant_fighti Guatemala City, Quito & performances in ng_cancer_with_dance Argentina other countries https://www.youtube.com/user/anandajayant https://www.youtube.com/user/anandasj 2 Bali Vyjayantimala Tamilnadu 8/13/1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ -
Voluptuous Maidens and Cubist Demons: the "War of Mara" Panel of George Keyt's
VOLUPTUOUS MAIDENS AND CUBIST DEMONS: THE "WAR OF MARA" PANEL OF GEORGE KEYT'S MURALS AT GOTAMI VIHARA, BORELLA, SRI LANKA I 2 Sometime before 1937 , George Keyt wrote the following lines of verse: The desired image continues to subsist on absence, Continues to subsist in me, And presents a masquerade of itself, An assumption of itself, Many moods and sources of its face and voice in things not visible, The breath of feelings which hasten across my path, The contemplation of a shadow. But is it no cause for alarm that returning That shape will find itself a stranger among the emanations') I shall spare the work of absence, The hidden images, the twisted longings ecstatic in entanglement, Desires fading into foliage, The hidden images, the happiness in everlasting retreat from the fear of revelation.3 Prior to the 1930s Keyt had long abandoned his Christian up-bringing and enjoyed his own Buddhist revival." During the 1930s he had begun the process of divorce I This essay is the result of work begun for Professors Jane Daggett Dillenberger and Doug Adams (1947-2007) as part of 'The Devil and Soul in Art and Theology" at the Graduate Theological Union, Berkeley, California. The author wishes to acknowledge their support, enthusiasm and pioneering life work in the field of art and religion with deepest admiration and gratitude. The author also thanks Mr. LSD. Pieris of the Sapumal Foundation for readily allowing "Still Life with Mangoes" which is part of the holdings of the Foundation to be reproduced in the journal; Mr. -
DOTTORATO DI RICERCA in Scienze Della Terra, Della Vita E Dell'ambiente
Alma Mater Studiorum – Università di Bologna DOTTORATO DI RICERCA IN Scienze della terra, della vita e dell’ambiente Ciclo XXX Settore Concorsuale: 05/B1 - Zoologia e Antropologia Settore Scientifico Disciplinare: BIO/08 - Antropologia Unraveling the combined effects of demography and natural selection in shaping the genomic background of Southern Himalayan populations Presentata da Guido Alberto Gnecchi Ruscone Coordinatore Dottorato Supervisore Prof. Giulio Viola Dott. Marco Sazzini Esame finale anno 2018 Table of contents Abstract 1 1. Introduction 3 1.1 Molecular Anthropology and the study of the genetic bases of human biodiversity 3 1.1.1 Studies based on uniparental genetic markers 3 1.1.2 Studies based on autosomal genome-wide markers 5 1.2 The Southern route hypothesis and the first peopling of the Asian continent 7 1.3 The genetic history of South Asian populations 8 1.4 The peopling of East Asia: southern and northern routes 11 1.5 Historical migrations in East Asia 13 1.6 The spread of Tibeto-Burman populations 15 1.7 The peopling of the Tibetan Plateau and its adaptive implications 19 1.7.1 Archeological evidence for the peopling of the Tibetan Plateau 19 1.7.2 Genetic evidence for the peopling of the Tibetan Plateau 21 1.7.3 Adaptive implications related to the peopling of the Tibetan Plateau 22 1.8 The Nepalese Tibeto-Burman populations 23 1.9 High altitude adaptation: the Himalayan case study 24 2. Aim of the study 29 3. Materials and Methods 31 3.1 Sampling campaigns and populations studied 31 3.2 Molecular analyses 35 -
Report on the 19 Himalayan Languages Symposium
Linguistics of the Tibeto-Burman Area Volume 36.2 — October 2013 REPORT ON THE 19TH HIMALAYAN LANGUAGES SYMPOSIUM AUSTRALIAN NATIONAL UNIVERSITY, CANBERRA, AUSTRALIA 6 SEPTEMBER - 8 SEPTEMBER, 2013 André Bosch Australian National University Peter Appleby Christopher Weedall Australian National University Australian National University In what was a highly successful series of intellectual discussions, smoothly organized by the team from the School of Culture, History and Languages at the Australian National University, Canberra, this year’s Himalayan Languages Symposium was the nineteenth since its inception in 1995. A small but energized group of linguists came from every corner of the globe to meet in Canberra, Australia, including many from the nations that play host to these diverse and fascinating languages, including Nepal and India. This was thanks to grants provided by the ANU to assist academics from developing nations in making the long journey to Canberra. Following a warm welcome to the Australian National University in the opening remarks, the first plenary talk was given by Toni Huber, discussing an ethnographic perspective on the linguistic work being done in eastern Bhutan and far west Arunachal Pradesh. In this talk Huber presented case studies of ritual and kinship in the area, particularly amongst the East Bodish area, showing how linguistic evidence can be used in ethnographic study and how, in turn, ethno- graphic work can inform linguistic study. Sessions bifurcated after the first plenary. In one session, a group discussed the sub-groupings of the Tibeto-Burman languages of Nepal. Isao Honda gave a thorough new perspective on the position of Kaike, having rejected its grouping among the Tamangic languages, while Kwang-Ju Cho gave an explanation for the current dialectal differences of Bantawa through diachronic analysis and contact with Nepali.