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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
General Knowledge ABBREVIATIONS a A.A.F
General Knowledge ABBREVIATIONS A A.A.F. Auxiliary Air Force A.A.S.U. All Asom Students Union A.C.D. Asian Co-operation Dialogue A.D.B. Asian Development Bank A.E.C. Atomic Energy Commission A.F.P.R.O. Action for Food Production A.I.C.C. All India Congress Committee A.I.D.W.A. All India Democratic Women’s Association A.I.D.S. Acquired Immune Deficiency Syndrome A.I.H.B. All India Handicrafts Board A.I.R. Annual Information Report A.J.T. Advanced Jet Trainer A.P.E.C. Asia-Pacific Economic Cooperation A.R.F. ASEAN Regional Forum A.S.E.A.N. Association of South-East Asian Nations A.S.L.V. Augmented Satellite Launch Vehicle A.U. African Union A.V.E.S. Acute Viral Encephalitic Syndrome A.W.A.N. Army Wide Area Network A.Y.U.S.H. Ayurveda, Yoga, Unani, Siddha and Homeopathy B B.A.R.C. Bhabha Atomic Research Centre B.C.C.I. Board of Control of Cricket in India/Bank of Credit and Commerce International B.C.G. Bacillus Calmette Guerin (Anti-T.B. vaccine) B.C.T.T. Bank Cash Transaction Tax B.O.A.C. British Overseas Airways Corporation B.P.O. Business Process Outsourcing BREAD Basic Research Education And Development (SOCIENTY) B.S.N.L. Bharat Sanchar Nigam Ltd. B.V.R.A.A.M. Beyond Visual Range Air-to-Air Missile C C.A. Chartered Accountant C.A.C. Capital Account Convertibility 4 | G.K. C.A.C.C.I. -
Annual Report 2017-18 Annual Report St St Inveso Mundus (2015), AES+F, at Anand Warehouse, Mattancheri 1 April 2017 to 31 March 2018 Contents
Annual Report 2017-18 Annual Report st st Inveso Mundus (2015), AES+F, at Anand Warehouse, Mattancheri 1 April 2017 to 31 March 2018 Contents 06 Introduction 08 Kochi Biennale Foundation 10 Board of Trustees 12 Kochi-Muziris Biennale 2018 Curator 14 Kochi Biennale Foundation Programmes 22 Fundraiser Auction 24 CSR Support and Kochi Biennale Foundation 24 Meeting of The Board of Trustees 24 Constitution of Internal Complaints Committee 26 Audit & Accountability 48 Kochi-Muziris Biennale 2016 Sponsors, Patrons & Supporters Front Cover: Parayi Petta Panthirukulam (2016), PK Sadanandan, at Aspinwall House, Fort Kochi 4 5 Introduction On behalf of the trustees of the Kochi replicated across India. Kochi Biennale The respected Indian artist Anita Dube Biennale Foundation, I’m pleased to Foundation is honoured by the trust was announced as curator for the 2018 present the annual report of the activities placed in us by the government of Kerala. edition of the Biennale. She has begun her of the organisation for the year 2017-18. research for the fourth iteration. Anita is This contains a summary of our activities We are an organisation founded by expected to travel to around 30 countries this year, as well as the audited balance artists, led by artists, and curated by outside of India for research and discussion sheet for the financial year. artists. Without support from the artists towards her exhibition. Given the nature community in India and outside, the of her art practice and her capacities as a I feel that the Kochi-Muziris Biennale Biennale would be impossible. They critical thinker in the art-world, I have no has raised the bar for public cultural have been with the Foundation from doubt that she will put together a strong and programmes in India. -
Yash Chopra the Legend
YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today. -
0F5401520b5aa0736889b067d9
The Location of Culture ‘The work being done in my field, African and African-American Studies, is unimaginably richer because of Homi Bhabha’s stunning contribution to literary, historical, and cultural studies. The breadth and depth of his analysis, and the razor precision of his writing, push us all to be better, more innovative scholars, and I thank him for it.’ Henry Louis Gates, JR ‘The Location of Culture has been extraordinarily fertile for work in a variety of fields: literature, geography, architecture, politics among them. Homi Bhabha is at once radical and subtle in his method of argument and his insights have been fundamental to the flourishing of post-colonial studies.’ Gillian Beer, University of Cambridge ‘The Location of Culture is an exuberantly intelligent voyage of dis- covery and disorientation. Supple, subtle, and unafraid, its power lies in its remarkable openness to all that is challenging and unsettling in the contemporary world.’ Stephen Greenblatt, Harvard University ‘Bhabha is that rare thing, a reader of enormous subtlety and wit, a theorist of uncommon power. His work is a landmark in the exchange between ages, genres and cultures; the colonial, post-colonial, mod- ernist and postmodern.’ Edward Said ‘Homi Bhabha is one of that small group occupying the front ranks of literary and cultural theoretical thought. Any serious discussion of post-colonial/postmodern scholarship is inconceivable without refer- encing Mr Bhabha.’ Toni Morrison '\ L £ ~ () ~~ ct:o S Qrn r- • m • () ~ CI) ( m V ..q S 5 \ Routledge Classics contains the very best of Routledge publishing over the past century or so, books that have, by popular consent, become established as classics in their field. -
Veer–Zaara Regie: Yash Chopra
Veer–Zaara Regie: Yash Chopra Land: Indien 2004. Produktion: Yash Raj Films (Mumbai). Regie: Yash Chopra. Buch: Aditya Chopra. Regie Actionszenen: Allan Amin. Kamera: Anil Mehta. Ton: Anuj Mathur. Musik: Madan Mohan. Neueinspielung: Sanjeev Kohli. Arrangements: R.S. Mani. Liedtexte: Javed Akhtar. Sänger: Lata Mangeshkar, Udit Narayan, Sonu Nigam, Roop Kumar Rathod, Gurdas Mann, Ahmed Hussain, Mohammed Hussain, Mohammed Vakil, Javed Hussain, Pritha Majumder. Ausstattung: Sharmishta Roy. Choreographie: Saroj Khan, Vaibhavi Merchant. Kostüme: Manish Malhotra. Beratung (Drehbuch & Ausstattung): Nasreen Rehman. Schnitt: Ritesh Soni. Produzenten: Yash Chopra, Aditya Chopra. Co-Produzenten: Pamela Chopra, Uday Chopra, Payal Chopra. Aufnahmeleitung: Sanjay Shivalkar, Padam Bhushan. Darsteller: Shahrukh Khan (Veer Pratap Singh), Rani Mukerji (Saamiya Siddiqui), Preity Zinta (Zaara), Kirron Kher, Divya Dutta, Boman Irani, Anupam Kher, Amitabh Bachchan, Hema Malini, Manoj Bajpai, Zohra Segal (Bebe), S.M. Zaheer (Justice Qureshi), Tom Alter (Dr. Yusuf), Gurdas Mann (als er selbst), Arun Bali (Abdul Mallik Shirazi, Razas Vater), Akhilendra Mishra (Gefängniswärter Majid Khan), Rushad Rana (Saahil), Vinod Negi (Ranjeet), Balwant Bansal (Qazi), Rajesh Jolly (Priester), Anup Kanwal Singh (Sänger), Kanwar Jagdish (Glatzkopf im Bus), Dev K. Kantawalla (Munir), Vicky Ahuja (Vernehmungsbeamtin), Ranjeev Verma (Vernehmungsbeamter), Jas Keerat (Junger Cricket-Spieler), Sanjay Singh Bhadli (Bauer), Kulbir Baderson (Töpferin), Shivaya Singh (Kamli), Huzeifa Gadiwalla -
Listed Exhibitions (PDF)
G A G O S I A N G A L L E R Y Anish Kapoor Biography Born in 1954, Mumbai, India. Lives and works in London, England. Education: 1973–1977 Hornsey College of Art, London, England. 1977–1978 Chelsea School of Art, London, England. Solo Exhibitions: 2016 Anish Kapoor. Gagosian Gallery, Hong Kong, China. Anish Kapoor: Today You Will Be In Paradise. Gladstone Gallery, New York, NY. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor. Lisson Gallery, Milan, Italy. Anish Kapoor. Museo Universitario Arte Contemporáneo, Mexico City, Mexico. 2015 Descension. Galleria Continua, San Gimignano, Italy. Anish Kapoor. Regen Projects, Los Angeles, CA. Kapoor Versailles. Gardens at the Palace of Versailles, Versailles, France. Anish Kapoor. Gladstone Gallery, Brussels, Belgium. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor: Prints from the Collection of Jordan D. Schnitzer. Portland Art Museum, Portland, OR. Anish Kapoor chez Le Corbusier. Couvent de La Tourette, Eveux, France. Anish Kapoor: My Red Homeland. Jewish Museum and Tolerance Centre, Moscow, Russia. 2013 Anish Kapoor in Instanbul. Sakıp Sabancı Museum, Istanbul, Turkey. Anish Kapoor Retrospective. Martin Gropius Bau, Berlin, Germany 2012 Anish Kapoor. Museum of Contemporary Art, Sydney, Australia. Anish Kapoor. Gladstone Gallery, New York, NY. Anish Kapoor. Leeum – Samsung Museum of Art, Seoul, Korea. Anish Kapoor, Solo Exhibition. PinchukArtCentre, Kiev, Ukraine. Anish Kapoor. Lisson Gallery, London, England. Flashback: Anish Kapoor. Longside Gallery, Yorkshire Sculpture Park, West Bretton, England. Anish Kapoor. De Pont Foundation for Contemporary Art, Tilburg, Netherlands. 2011 Anish Kapoor: Turning the Wold Upside Down. Kensington Gardens, London, England. Anish Kapoor: Flashback. Nottingham Castle Museum, Nottingham, England. -
Engineering the Art of Anish Kapoor
ENGINEERING THE ART OF ANISH KAPOOR ESSAY BY CHRISTOPHER HORNZEE‐ JONES (Published with permission by the Solomon Guggenheim Museum New York) Design and engineering firm Aerotrope’s work on Anish Kapoor’s Deutsche Guggenheim commission is the latest in a series of close collaborations with the artist that began almost ten years ago. Over this period, we have contributed our technical expertise to the realization of his increasingly ambitious artworks in both public spaces and galleries, working with a diversity of materials from steel and wax to water and air, each of which has presented specific possibilities and challenges. I have been drawn to working with artists due to my long‐standing passion for creativity that spans the arts, design, engineering, and science. In our work outside of the art world, our role is often to evolve new designs and technology in the fields of renewable energy and experimental low‐energy vehicles. We see our work with artists as an integrated and enriching part of our practice, not as an interesting sideline to “real” work. The process of critically reexamining our received assumptions of what is possible and then formulating bold new expressions of vision is as vital to making compelling artworks as it is to adapting our society to the challenges of climate change and the limits of global resources. During each project with Kapoor, we may go through periods of relatively independent parallel work, which are linked by sessions of closely interactive review. Our objective, especially during the initial phase of realizing a new work, is to keep the creative options as open as possible rather than to let premature decision making, often driven by technical or production concerns, constrain or deflect Kapoor’s artistic judgments. -
Here in the United Online Premieres Too
Image : Self- portrait by Chila Kumari Singh Burman Welcome back to the festival, which this Dive deep into our Extra-Ordinary Lives strand with amazing dramas and year has evolved into a hybrid festival. documentaries from across South Asia. Including the must-see Ahimsa: Gandhi, You can watch it in cinemas in London, The Power of The Powerless, a documentary on the incredible global impact of Birmingham, and Manchester, or on Gandhi’s non-violence ideas; Abhijaan, an inspiring biopic exploring the life of your own sofa at home, via our digital the late and great Bengali actor Soumitra Chatterjee; Black comedy Ashes On a site www.LoveLIFFatHome.com, that Road Trip; and Tiger Award winner at Rotterdam Pebbles. Look out for selected is accessible anywhere in the United online premieres too. Kingdom. Our talks and certain events We also introduce a new strand dedicated to ecology-related films, calledSave CARY RAJINDER SAWHNEY are also accessible worldwide. The Planet, with some stirring features about lives affected by deforestation and rising sea levels, and how people are meeting the challenge. A big personal thanks to all our audiences who stayed with the festival last We are expecting a host of special guests as usual and do check out our brilliant year and helped make it one of the few success stories in the film industry. This online In Conversations with Indian talent in June - where we will be joined year’s festival is dedicated to you with love. by Bollywood Director Karan Johar, and rapidly rising talented actors Shruti Highlights of this year’s festival include our inspiring Opening Night Gala Haasan and Janhvi Kapoor, as well as featuring some very informative online WOMB about one woman gender activist who incredibly walks the entire Q&As on all our films. -
World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 4-26-2017 8:00 PM World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "World Music Series, Zakir Hussain with Rahul Sharma, April 26, 2017" (2017). Conservatory of Music Concert Programs. Program 144. http://lux.lawrence.edu/concertprograms/144 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. WORLD MUSIC SERIES Zakir Hussain with Rahul Sharma award in India; National Heritage Fellowship; and Officier in France’s Order of Arts and Letters. In 2015, he was voted “Best Percussionist” by Zakir Hussain with Rahul Sharma both the DownBeat Critics’ Poll and Modern Drummer’s Reader’s Poll. As an educator, he conducts many workshops and lectures each year, has been in residence at Princeton University and Stanford University Wednesday, April 26, 2017 and, in 2015, was appointed Regents Lecturer at University of California, 8 p.m. Berkeley. He is the founder and president of Moment Records, an Lawrence Memorial Chapel independent record label presenting rare live concert recordings of Indian classical music and world music. Hussain was resident artistic director at SFJazz from 2013 until 2016. Program announced from stage Rahul Sharma learned music and the santoor from his father, Guru No intermission Pandit Shivkumar Sharma, who is a music legend in India and throughout the world. -
Anish Kapoor
ANISH KAPOOR Opening: Saturday, November 26th 2016, 6pm Open from Monday to Sunday, 10am-6pm. November 26, 2016 - March 26, 2017 ARTE CONTINUA is pleased to present A negative space for Kapoor does Anish Kapoor’s first solo exhibition not yield an absolute void. In in Cuba. Anish Kapoor is one of the fact, the artist states1: “The most significant artists of our void does not really exist because times. His work is distinguished by we are constantly filling it with its boundless capacity to reinvent our expectations and fears. artistic language, in its monumental My sculptures that are called dimension as in its more intimate one. empty objects therefore contain Likewise, from November 26, 2016, a possibility. They stimulate a to March 26, 2017, ARTE CONTINUA philosophical thought but are not will engage the public into a survey the answer to anything. They simply of suggestive polarities capable present a condition; you have to of affecting the way we perceive do the rest”. Kapoor’s research things. casts its fundaments in non-forms and auto-generated objects, man In May 2015, Anish Kapoor took and self-awareness, the mind and part in the XII Havana Biennial. In the experience of things, and the collaboration with Galleria Continua, universality of time and space. he submitted Wounds and absent objects, a site-specific installation The present exhibition project for the cinema-theater Payret. This was designed specifically for ARTE past November, at the exhibition CONTINUA Havana’s spaces. Its Follia Continua! 25 años de Galleria pace is set by five sculptures Continua, a collaboration between that investigate the relationship Galleria Continua and Centro de between fullness and the void. -
Sagar-XIX.Pdf
Editorial Board Ishan Chakrabarti – Co-Editor-in-Chief, The University of Texas at Austin Matthew D. Milligan – Co-Editor-in-Chief, The University of Texas at Austin Dan Rudmann – Co-Editor-in-Chief, The University of Texas at Austin Kaitlin Althen – Editor, The University of Texas at Austin Reed Burman – Editor, The University of Texas at Austin Christian Current – Editor, The University of Texas at Austin Cary Curtis – Editor, The University of Texas at Austin Christopher Holland – Editor, The University of Texas at Austin Priya Nelson – Editor, The University of Texas at Austin Natasha Raheja – Editor, The University of Texas at Austin Keely Sutton – Editor, The University of Texas at Austin Faculty Advisor Syed Akbar Hyder, Department of Asian Studies Editorial Advisory Board Richard Barnett, The University of Virginia Manu Bhagavan, Hunter College-CUNY Nandi Bhatia, The University of Western Ontario Purnima Bose, Indiana University Raza Mir, Monmouth University Gyan Prakash, Princeton University Paula Richman, Oberlin College Eleanor Zelliot, Carleton College The University of Texas Editorial Advisory Board Kamran Ali, Department of Anthropology James Brow, Department of Anthropology Barbara Harlow, Department of English Janice Leoshko, Department of Art and Art History W. Roger Louis, Department of History Gail Minault, Department of History Veena Naregal, Department of Radio-Television-Film Sharmila Rudrappa, Department of Sociology Martha Selby, Department of Asian Studies Kamala Visweswaran, Department of Anthropology SAGAR A SOUTH ASIA GRADUATE RESEARCH JOURNAL Sponsored by South Asia Institute Itty Abraham, Director The University of Texas at Austin Volume 19, Spring 2010 Sagar is published biannually in the fall and spring of each year.