Reference Sources in Photography
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The Perceived Credibility of Professional Photojournalism Compared to User-Generated Content Among American News Media Audiences
Syracuse University SURFACE Dissertations - ALL SURFACE August 2020 THE PERCEIVED CREDIBILITY OF PROFESSIONAL PHOTOJOURNALISM COMPARED TO USER-GENERATED CONTENT AMONG AMERICAN NEWS MEDIA AUDIENCES Gina Gayle Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Gayle, Gina, "THE PERCEIVED CREDIBILITY OF PROFESSIONAL PHOTOJOURNALISM COMPARED TO USER-GENERATED CONTENT AMONG AMERICAN NEWS MEDIA AUDIENCES" (2020). Dissertations - ALL. 1212. https://surface.syr.edu/etd/1212 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT This study examines the perceived credibility of professional photojournalism in context to the usage of User-Generated Content (UGC) when compared across digital news and social media platforms, by individual news consumers in the United States employing a Q methodology experiment. The literature review studies source credibility as the theoretical framework through which to begin; however, using an inductive design, the data may indicate additional patterns and themes. Credibility as a news concept has been studied in terms of print media, broadcast and cable television, social media, and inline news, both individually and between genres. Very few studies involve audience perceptions of credibility, and even fewer are concerned with visual images. Using online Q methodology software, this experiment was given to 100 random participants who sorted a total of 40 images labeled with photographer and platform information. The data revealed that audiences do discern the source of the image, in both the platform and the photographer, but also take into consideration the category of news image in their perception of the credibility of an image. -
Beyond Objectivity and Relativism: a View Of
BEYOND OBJECTIVITY AND RELATIVISM: A VIEW OF JOURNALISM FROM A RHETORICAL PERSPECTIVE A Dissertation Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of The Ohio State University by Catherine Meienberg Gynn, B.A., M.A. The Ohio State University 1995 Dissertation Committee Approved by Josina M. Makau Susan L. Kline Adviser Paul V. Peterson Department of Communication Joseph M. Foley UMI Number: 9533982 UMI Microform 9533982 Copyright 1995, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 DEDICATION To my husband, Jack D. Gynn, and my son, Matthew M. Gynn. With thanks to my parents, Alyce W. Meienberg and the late John T. Meienberg. This dissertation is in respectful memory of Lauren Rudolph Michael James Nole Celina Shribbs Riley Detwiler young victims of the events described herein. ACKNOWLEDGMENTS I express sincere appreciation to Professor Josina M. Makau, Academic Planner, California State University at Monterey Bay, whose faith in this project was unwavering and who continually inspired me throughout my graduate studies, and to Professor Susan Kline, Department of Communication, The Ohio State University, whose guidance, friendship and encouragement made the final steps of this particular journey enjoyable. I wish to thank Professor Emeritus Paul V. Peterson, School of Journalism, The Ohio State University, for guidance that I have relied on since my undergraduate and master's programs, and whose distinguished participation in this project is meaningful to me beyond its significant academic merit. -
Subsidizing the News? Organizational Press Releases' Influence on News Media's Agenda and Content Boumans, J
UvA-DARE (Digital Academic Repository) Subsidizing the news? Organizational press releases' influence on news media's agenda and content Boumans, J. DOI 10.1080/1461670X.2017.1338154 Publication date 2018 Document Version Final published version Published in Journalism Studies License CC BY-NC-ND Link to publication Citation for published version (APA): Boumans, J. (2018). Subsidizing the news? Organizational press releases' influence on news media's agenda and content. Journalism Studies, 19(15), 2264-2282. https://doi.org/10.1080/1461670X.2017.1338154 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 SUBSIDIZING THE NEWS? Organizational press releases’ influence on news media’s agenda and content Jelle Boumans The relation between organizational press releases and newspaper content has generated consider- able attention. -
The Protection of Journalistic Sources, a Cornerstone of the Freedom of the Press
Thematic factsheet1 Last update: June 2018 THE PROTECTION OF JOURNALISTIC SOURCES, A CORNERSTONE OF THE FREEDOM OF THE PRESS According to the case-law of the European Court of Human Rights, the right of journalists not to disclose their sources is not a mere privilege to be granted or taken away depending on the lawfulness or unlawfulness of their sources, but is part and parcel of the right to information, to be treated with the utmost caution. Without an effective protection, sources may be deterred from assisting the press in informing the public on matters of public interest. As a result, the vital “public watchdog” role of the press may be undermined. Any interference with the right to protection of journalistic sources (searches at journalists’ workplace or home, seizure of journalistic material, disclosure orders etc) that could lead to their identification must be backed up by effective legal procedural safeguards commensurate with the importance of the principle at stake. First and foremost among these safeguards is the guarantee of a review by an independent and impartial body to prevent unnecessary access to information capable of disclosing the sources’ identity. Such a review is preventive in nature. The review body has to be in a position to weigh up the potential risks and respective interests prior to any disclosure. Its decision should be governed by clear criteria, including as to whether less intrusive measures would suffice. The disclosure orders placed on journalists have a detrimental impact not only on their sources, whose identity may be revealed, but also on the newspaper against which the order is directed, whose reputation may be negatively affected in the eyes of future potential sources by the disclosure, and on the members of the public, who have an interest in receiving information imparted through anonymous sources and who are also potential sources themselves. -
A Photojournalist's Field Guide: in the Trenches with Combat Photographer
A PHOTOJOURNALISt’S FIELD GUIDE IN THE TRENCHES WITH COMBAT PHOTOGRAPHER STACY PEARSALL A Photojournalist’s Field Guide: In the trenches with combat photographer Stacy Pearsall Stacy Pearsall Peachpit Press www.peachpit.com To report errors, please send a note to [email protected] Peachpit Press is a division of Pearson Education. Copyright © 2013 by Stacy Pearsall Project Editor: Valerie Witte Production Editor: Katerina Malone Copyeditor: Liz Welch Proofreader: Erin Heath Composition: WolfsonDesign Indexer: Valerie Haynes Perry Cover Photo: Stacy Pearsall Cover and Interior Design: Mimi Heft Notice of Rights All rights reserved. No part of this book may be reproduced or trans- mitted in any form by any means, electronic, mechanical, photocopy- ing, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact [email protected]. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Peachpit was aware of a trade- mark claim, the designations appear as requested by the owner of the trademark. -
Photography: a Survey of New Reference Sources
RSR: Reference Services Review. 1987, v.15, p. 47 -54. ISSN: 0090-7324 Weblink to journal. ©1987 Pierian Press Current Surveys Sara K. Weissman, Column Editor Photography: A Survey of New Reference Sources Eleanor S. Block What a difference a few years make! In the fall 1982 issue of Reference Services Review I described forty reference monographs and serial publications on photography. That article concluded with these words, "a careful reader will be aware that not one single encyclopedia or solely biographical source was included... this reviewer could find none in print... A biographical source proved equally elusive" (p.28). Thankfully this statement is no longer valid. Photography reference is greatly advanced and benefited by a number of fine biographical works and a good encyclopedia published in the past two or three years. Most of the materials chosen for this update, as well as those cited in the initial survey article, emphasize the aesthetic nature of photography rather than its scientific or technological facets. A great number of the forty titles in the original article are still in print; others have been updated. Most are as valuable now as they were then for good photography reference selection. However, only those sources published since 1982 or those that were not cited in the original survey have been included. This survey is divided into six sections: Biographies, Dictionaries (Encyclopedias), Bibliographies, Directories, Catalogs, and Indexes. BIOGRAPHIES Three of the reference works cited in this survey have filled such a lamented void in photography reference literature that they stand above the rest in their importance and value. -
Download the Free Pdf of Volume I
9 volume 1 200 DiffusionUnconventional Photography Articles: Profiles: Group Showcase: I’m Often Asked... An Ironic Manifesto Jeffrey Baker Pamela Petro Formerly & Hereafter by Zeb Andrews by Dr. Mike Ware Tina Maas Sika Stanton Plates to Pixels Juried Show Praise for Diffusion, Volume I “Avant-garde, breakthrough and innovative are just three adjectives that describe editor Blue Mitchell’s first foray into the world of fine art photography magazines. Diffusion magazine, tagged as unconventional photography delivers on just that. Volume 1 features the work of Jeffrey Baker, Pamela Petro, Tina Maas and Sika Stanton. With each artist giving you a glimpse into how photography forms an integral part of each of their creative journey. The first issue’s content is rounded out by Zeb Andrews’ and Dr. Mike Ware. Zeb Andrews’ peak through his pin-hole world is complimented by an array of his creations along with the 900 second exposure “Fun Center” as the show piece. And Dr. Mike unscrambles the history of iron-based photographic processes and the importance of the printmaker in the development of a fine art image. At a time when we are seeing a mass migration to on-line publishing and on-line magazine hosting, the editorial team at Diffusion proves you can still deliver an outstanding hard-copy fine art photography magazine. I consumed my copy immediately with delight; now when is the next issue coming out?” - Michael Van der Tol “Regardless of the retrospective approach to the medium of photography, which could be perceived by many as a conservative drive towards nostalgia and sentimentality. -
The Legal Consequences for Journalists Who Break Promises of Confidentiality to Sources Kathryn M
Hastings Communications and Entertainment Law Journal Volume 12 | Number 4 Article 3 1-1-1990 When a Promise Is Not a Promise: The Legal Consequences for Journalists Who Break Promises of Confidentiality to Sources Kathryn M. Kase Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Kathryn M. Kase, When a Promise Is Not a Promise: The Legal Consequences for Journalists Who Break Promises of Confidentiality to Sources, 12 Hastings Comm. & Ent. L.J. 565 (1990). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol12/iss4/3 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. When a Promise Is Not a Promise: The Legal Consequences for Journalists Who Break Promises of Confidentiality to Sources by KATHRYN M. KASE* Introduction It was an offer Minneapolis Star Tribune reporter Lori Sturdevant could not refuse. Days before Minnesota's statewide elections in 1982, a prominent Minneapolis Republican told Sturdevant he would give her damaging information about a statewide candidate if Sturdevant would promise not to reveal her source.' Sturdevant pledged confidentiality and, in return, received a manila envelope containing a reporter's bo- nanza: copies of secret court records showing that the democratic candi- date for lieutenant governor had been convicted of shoplifting twelve years earlier.2 When Sturdevant submitted the story to the newspaper, 3 however, her editors refused to honor her promise of confidentiality. -
Source Control and Evaluation of Newspaper Inaccuracies
San Jose State University SJSU ScholarWorks Faculty Publications Journalism and Mass Communications January 1982 Source Control and Evaluation of Newspaper Inaccuracies William A. Tillinghast San Jose State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/journ_masscomm_pub Part of the Journalism Studies Commons, and the Mass Communication Commons Recommended Citation William A. Tillinghast. "Source Control and Evaluation of Newspaper Inaccuracies" Newspaper Research Journal (1982): 13-23. This Article is brought to you for free and open access by the Journalism and Mass Communications at SJSU ScholarWorks. It has been accepted for inclusion in Faculty Publications by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. by William A. Tillinghast Source Control and Evaluatio n of Newspaper Inaccuracies Even on factual matters, some determine the amount of error or its sources judge published informa relation to constraints on the news. tion in light of their version of what Tabulating errors hasevolved into ought to be. a 14-category news source classi fication of error—omissions, under Newspaper accuracy research emphasis, overemphasis, misquotes, typically focuses on sources, news faulty headlines, spellings, names, constraints or on the reporter's ages, other numbers, titles, address mental state, generally providing es, other locations, time and dates. only a cursory examination of the The six studies found that between errors that prompted the research. 40% and 60% of all straight news The purpose of this article is to articles are said by sources to contain extend the limited research on error one or more of these errors. -
Truth and Untruth in in the Battle for Media Coverage Publicity Stunts in Terms of News Factor Theory
Truth and Untruth in in the Battle for Media Coverage Publicity Stunts in Terms of News Factor Theory Zoë Visser 10151931 Master’s thesis Graduate School of Communication Master’s programme Communication Science Thesis supervisor: dr. J.W. Boumans Friday June 24th 2016 Abstract The professions of PR and journalism have been changing and widely discussed by scholars and professionals in both fields. Increasing workload in journalism demands journalists to accept an increasing number of ready-made source texts. PR professionals provide such materials, organizing both truthful and untruthful publicity stunts with the aim of becoming the subject of news. Despite all studies on the news selection process, publicity stunts are rarely covered in research. This study aims to take a first step in theorizing both types of stunts in the news process. For this purpose, a quantitative content analysis of the most validated news factors in journalistic selection processes is carried out on a range of stunts and media publications on these stunts in the Netherlands. Results show that publications on untruthful stunts score significantly higher on news factor intensity than truthful stunts, and that non-commercial organizations (governmental and NGOs) score significantly higher on news factor intensity than commercial organizations. No organizational contexts explaining for a higher number untruths in publicity stunts were discovered. It was however found that he truth of a third of untruthful stunts was doubted by the journalist covering the news event, while none of the truthful stunts were questioned. This implies that journalists are capable of distinguishing truthful and untruthful stunts to some extent. -
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE SELF-PERCEPTION OF VIDEO GAME JOURNALISM: INTERVIEWS WITH GAMES WRITERS REGARDING THE STATE OF THE PROFESSION A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By Severin Justin Poirot Norman, Oklahoma 2019 THE SELF-PERCEPTION OF VIDEO GAME JOURNALISM: INTERVIEWS WITH GAMES WRITERS REGARDING THE STATE OF THE PROFESSION A DISSERTATION APPROVED FOR THE GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION BY Dr. David Craig, Chair Dr. Eric Kramer Dr. Jill Edy Dr. Ralph Beliveau Dr. Julie Jones © Copyright by SEVERIN JUSTIN POIROT 2019 All Rights Reserved. iv Acknowledgments I’ve spent a lot of time and hand wringing wondering what I was going to say here and whom I was going to thank. First of all I’d like to thank my committee chair Dr. David Craig. Without his guidance, patience and prayers for my well-being I don’t know where I would be today. I’d like to also thank my other committee members: Dr. Eric Kramer, Dr. Julie Jones, Dr. Jill Edy, and Dr. Ralph Beliveau. I would also like to thank former member Dr. Namkee Park for making me feel normal for researching video games. Second I’d like to thank my colleagues at the University of Oklahoma who were there in the trenches with me for years: Phil Todd, David Ferman, Kenna Griffin, Anna Klueva, Christal Johnson, Jared Schroeder, Chad Nye, Katie Eaves, Erich Sommerfeldt, Aimei Yang, Josh Bentley, Tara Buehner, Yousuf Mohammad and Nur Uysal. I also want to extend a special thanks to Bryan Carr, who possibly is a bigger nerd than me and a great help to me in finishing this study. -
The Development and Growth of British Photographic Manufacturing and Retailing 1839-1914
The development and growth of British photographic manufacturing and retailing 1839-1914 Michael Pritchard Submitted for the degree of Doctor of Philosophy Department of Imaging and Communication Design Faculty of Art and Design De Montfort University Leicester, UK March 2010 Abstract This study presents a new perspective on British photography through an examination of the manufacturing and retailing of photographic equipment and sensitised materials between 1839 and 1914. This is contextualised around the demand for photography from studio photographers, amateurs and the snapshotter. It notes that an understanding of the photographic image cannot be achieved without this as it directly affected how, why and by whom photographs were made. Individual chapters examine how the manufacturing and retailing of photographic goods was initiated by philosophical instrument makers, opticians and chemists from 1839 to the early 1850s; the growth of specialised photographic manufacturers and retailers; and the dramatic expansion in their number in response to the demands of a mass market for photography from the late1870s. The research discusses the role of technological change within photography and the size of the market. It identifies the late 1880s to early 1900s as the key period when new methods of marketing and retailing photographic goods were introduced to target growing numbers of snapshotters. Particular attention is paid to the role of Kodak in Britain from 1885 as a manufacturer and retailer. A substantial body of newly discovered data is presented in a chronological narrative. In the absence of any substantive prior work this thesis adopts an empirical approach firmly rooted in the photographic periodicals and primary sources of the period.