DOCSLIB.ORG

On the Trail

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
On the Trail Sunday 26th June 2016 PROUDLY PRINTED IN THE THEATRE AND CIRCUS FIELDS OF GLASTONBURY FESTIVAL FREE • LIBERA • GRATIS mr ON THE TRAIL blue There’s more visual art at the Festival than ever before so we sent JOHN LEWIS off to sky map out a handy art route for you JOHN LEWIS lists five STAND reasons to love Jeff Lynne and his band It’s called the Glastonbury Festival at the Meeting Point, a large camel of Contemporary Performing nearby in William’s Green, and a Arts, and that includes visual art. Cancel Trident sculpture by the In the last few years, “We spend a huge amount of time Village Inn. Not far from there Jeff Lynne has duetted concentrating on art, tweaking you’ll find his Ant Patrol, where an 1 at the Grammys with the visual appearance,” says Emily estate car is held on its side by giant Dave Grohl and Ed Sheeran, got Eavis. “It’s becoming more and more red ants, while by the Acoustic AS ONE his own star on the Hollywood central to what we do here.” Stage you’ll find Boat Gull, a huge CHRIS PARKIN catches up with Emily Eavis as we head Walk Of Fame – and headlined To this end, hundreds of site- seagull whose body is formed from a to 50,000 fans at Hyde Park. “We specific pieces have been specially wooden boat. Rush has also designed into the final day of the Festival were a weird little band,” Lynne commissioned for the Festival. If the David Bowie tribute that sits told us. “Basically an ordinary rock you want to explore them, a good atop the Pyramid Stage (the Ziggy band with two violins and a cello.” place to start is The Wood, a brand Stardust flash and odd grey eye), a Shortly before this year’s Festival, And for voter turnout among people was evident again on Thursday new area of the site located near Lemmy tribute for the Other Stage Oxfam announced the release here to be higher than the national afternoon when crowds gathered in Lynne, the only constant the revamped John Peel Stage. This (a peace sign formed with spanners, of a fundraising album in aid of average? That really says something The Park for a tribute to Jo Cox, the member of ELO over the miraculously uncovered little nature an aluminium ace of spades, an the refugee crisis, featuring live about the sort of people who come to former Oxfam campaigner and MP. 2 past 45 years, formed the reserve, surrounding Peeter’s Pond, engine and a set of ram’s horns), and Glastonbury 2016 performances the Festival.” Before the Festival, Oxfam, Eavis band with Roy “Wizard” Wood, has never before been opened to the a Prince tribute near the Park Stage. from Coldplay, Muse, Sigur Rós, The vote’s result wasn’t the first and the artists appearing on Stand who had also been Lynne’s partner public, and serves as a quiet haven, Other impressive pieces can be seen Laura Mvula, Foals and many more news to test Eavis and her crew’s As One dedicated the album to Cox. in The Move. “Before that I played dotted with artworks. There’s a around the Festival. Jimmy Cauty, acts. The powerful sentiment of the mettle in the first few days of the With the album raising funds to with a band called Idle Race, who sound sculpture by Zac Greening, art scamp and onetime member of album’s title, Stand As One, could Festival. “The start was certainly help tackle the refugee crisis – an sounded like George Formby.” looking like a series of interlocking the KLF, has an installation piece in not have been more apt on Friday tricky, with the weather causing such issue close to Cox’s heart – it was bicycle frames, that makes a pleasing Shangri-La; street artist Ben Eine has morning when Festival-goers awoke problems for people arriving,” she an easy decision to make. They’ve been sampled by sound when pinged; artful lighting several wall illustrations around the to the result of the EU referendum. says. But Eavis was genuinely taken- “Jo was on the correct side of dozens of unlikely acts, by Vortex; and elaborate tree-cutting Unfairground; the Green Fields are “It was a complete shock,” says aback by Festival-goers’ resilience and politics and was always open to a 3 including Daft Punk, J from Tristram Fitzgerald. full of elaborate wooden sculptures; Emily Eavis, during a rare moment morale during that difficult opening greater conversation with all sides,” Dilla, Company Flow, 50 Cent, Some of the most distinctive and keen-eyed Festival-goers might of quiet in the site office on Saturday day. “People’s spirits weren’t dampened says Eavis. “She was non-tribal and Wiz Khalifa, and the Beastie Boys. works are the “twisted hedge” notice several pieces of Banksy lunchtime. “But we’ve got to rally at all. In fact, the atmosphere of those had incredible ideas and energy, “Sometimes it’s a stompy piano riff. sculptures by West Wales-based graffiti around the site, saying round and stick together. It was first couple of days, even with the working to bring people together. Usually it’s some quirky pseudo- artist Michelle Cain. Using tightly things like, “you have reached your amazing to see the opinion poll which conditions, was amazing. People’s To see so many people standing in classical bit in the middle of a song woven willow, she makes giant destination”, “queue here” and “the the Times did here on the site. That commitment to having a good time silence in The Park was a really which they’ll use it as the basis for sculptures of animals that look like Festival isn’t as good as it used to be”. showed just how many Glastonbury here is so unique.” emotional moment – and what a an entire song. I’m not averse to elaborate wooden topiary. A 20ft And, of course, all over the site goers voted Remain: 83 per cent. That same spirit of togetherness way to kick off the weekend.” that, as they have to pay me!” tall serpent stands in The Wood, you’ll see elaborate flag displays. With just one more day of the as do her two badgers, looking like “These have been carefully configured Festival left for you to commune Lynne joins that elite a Mr and Mrs hipster couple. If by Angus Watts,” says Eavis. “It’s all with your fellow fun-seekers, it’s club to have produced you trek over to the Field of Avalon part of a visual style that pulls the important not to waste a second. 4 the Beatles. “In 1968, as you’ll also find two of Cain’s huge entire site together. This Festival is as Eavis certainly won’t. “I love the a treat from the record company, sculptures of howling wolves – one much about visual art as music.” Sunday here. The atmosphere has we saw them recording at Abbey playing the violin, another playing this element of being the last hurrah. Road,” says Lynne. “To be working what looks like a ukulele. There are so many great things with Paul, George and Ringo – and Walk from the John Peel Stage happening on the last day and people a cassette of John’s voice – on Free to Silver Hayes and you’ll see the enjoy every last minute. Let’s stay As A Bird in 1995 was a dream Protest Wall. Commissioned by in the bubble for as long as possible!” come true. It was also terrifying!” Green Fields coordinator Liz Eliot Before we all wave goodbye to and pasted upon the Festival’s huge Worthy Farm for another year, For their 1978 Out Of old outdoor cinema screen are a Eavis had this final message: “Thank The Blue tour, ELO series of political artworks, created you to everyone for making this 5 emerged onstage from a by women from the Green Fields. such a special year. It’s always so huge fibreglass spaceship. “It was Protest pieces from previous years heartening to see the parallel universe a pain in the arse, to be honest. are located on fences around it. people create here, the positivity that The hydraulics would often Nearby, at the entrance to Silver people radiate. It brings out the best malfunction and I’d be stuck inside Hayes, you’ll see a crushed missile in people. So let’s rally together and it, like bloody Spinal Tap. And it sculpture, the first of many not lose hope.” was a bugger to move around. We junkyard works by Joe Rush of the ended up having to smash it up, ‘cos Mutoid Waste Company, a regular Stand As One is released by it was too expensive to store.” artist at the Festival for many years. Parlophone on 11 July. It’s You’ll also find his floating whale available to pre-order now from Jeff Lynne’s ELO play the attached to a steel tower near the glas.to/oxfamSAO Pyramid Stage at 4pm. Left Field, his mutant helicopter 2 THE GLASTONBURY FREE PRESS SUNDAY 26TH JUNE 2016 Q&A: BRIAN COX TV’s pop-science evangelist brought his BBC Radio 4 show The Infinite Monkey Cage to the Festival on Friday. ALEXIA LOUNDRAS had a little chat with him Here’s former ’90s pop star, master to ask. We just tend to ask whatever have to be Einstein to understand that mix. of the floppy fringe, and every TV pops into our head at the time, which and appreciate science.
Load more

Recommended publications
  • Melancholy and Loss
    This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Book Section Title: ‘You should try lying more’: the nomadic impermanence of sound and text in the work of Bill Drummond Creator: Wiseman­Trowse, N. J. B. Example citation: Wiseman­Trowse, N. J. B. (2014) ‘You should try lying more’: the nomadic impermanence of sound and text in the work of Bill Drummond. In: Hansen, A. and Carroll, R. (eds.) Litpop: Writing and Popular Music. Aldershot: Ashgate. pp. 157­ 168. It is advisable to refer to the publisher's version if you intend to cite from this work. Version: Submitted version Official URL: http://www.ashgate.com/isbn/9781472410979 NECTARhttp://nectar.northampton.ac.uk/4373/ 1 ‘You Should Try Lying More’: The Nomadic Impermanence of Sound and Text in the Work of Bill Drummond Nathan Wiseman-Trowse Imagine waking up tomorrow, all music has disappeared. All musical instruments, all forms of recorded music, gone. A world without music. What is more, you cannot even remember what music sounded like or how it was made. You can only remember that it had existed, that it had been important to you and your civilisation. And you long to hear it once more. Then imagine people coming together to make music with nothing but their voices, and with no knowledge of what music should sound like.1 Bill Drummond’s work straddles the worlds of popular music, literature and art. Drummond is perhaps best known as one half of the massively successful dance act The KLF, who scored a number of single and album chart hits across Europe in the late eighties and early nineties.
    [Show full text]
  • Gaining System Access Through Information Obtained in Web 2.0 Sites Arsenio Guzmán
    Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 2010 Gaining system access through information obtained in Web 2.0 sites Arsenio Guzmán Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Guzmán, Arsenio, "Gaining system access through information obtained in Web 2.0 sites" (2010). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Gaining system access thr ough in formation obtained in web 2.0 sites By Ing. Arsenio Guzmán Thesis submitted in partial fulfillment of the requirements for the degree of Master of Science in Networking and Systems Administration Rochester Institute of Technology B. Thomas Golisano College of Computing and Information Sciences [04/05/2010] Rochester Institute of Technology B. Thomas Golisano College Of Computing and Information Sciences Master of Science in Networking and Systems Administration ~ Project Approval Form ~ ~ Student Name: Arsenio de Jesús Guzmán Project Title: Gaining system's access through information obtained in Web 2.0 sites Project Area(s): Networking Systems Administration (circle one) √ Security Other ________________________ ~ MS Project Committee ~ Name Signature Date Prof. Charles Border Chair Prof. Bo Yuan Committee Member Prof. Arlene Estevez Committee Member Project Reproduction Permission Form Rochester Institute of Technology B. Thomas Golisano College of Computing and Information Sciences Master of Science in Networking and Systems Administration Gaining system access through information obtained in web 2.0 sites I, Arsenio Guzmán, hereby grant permission to the Wallace Library of the Rochester Institute of Technology to reproduce my thesis in whole or in part.
    [Show full text]
  • Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
    Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International
    [Show full text]
  • TFAP2C Regulates Transcription in Human Naive Pluripotency by Opening Enhancers
    UCLA UCLA Previously Published Works Title TFAP2C regulates transcription in human naive pluripotency by opening enhancers. Permalink https://escholarship.org/uc/item/03p035b0 Journal Nature cell biology, 20(5) ISSN 1465-7392 Authors Pastor, William A Liu, Wanlu Chen, Di et al. Publication Date 2018-05-01 DOI 10.1038/s41556-018-0089-0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California HHS Public Access Author manuscript Author ManuscriptAuthor Manuscript Author Nat Cell Manuscript Author Biol. Author manuscript; Manuscript Author available in PMC 2018 October 25. Published in final edited form as: Nat Cell Biol. 2018 May ; 20(5): 553–564. doi:10.1038/s41556-018-0089-0. TFAP2C regulates transcription in human naive pluripotency by opening enhancers William A. Pastor1,8, Wanlu Liu1,2, Di Chen1, Jamie Ho1, Rachel Kim1, Timothy J. Hunt1, Anastasia Lukianchikov1, Xiaodong Liu3,4,5, Jose M. Polo3,4,5, Steven E. Jacobsen1,6,7, and Amander T. Clark1,6 1Department of Molecular, Cell and Developmental Biology, University of California Los Angeles, Los Angeles, California 90095, USA 2Molecular Biology Institute, University of California, Los Angeles, CA 90095 3Department of Anatomy and Developmental Biology, Monash University, Wellington Road, Clayton, VIC 3800, Australia 4Development and Stem Cells Program, Monash Biomedicine Discovery Institute, Wellington Road, Clayton, VIC 3800, Australia 5Australian Regenerative Medicine Institute, Monash University, Wellington Road, Clayton, VIC 3800, Australia 6Eli and Edythe Broad Center of Regenerative Medicine and Stem Cell Research, University of California Los Angeles, Los Angeles, California 90095, USA 7Howard Hughes Medical Institute, University of California Los Angeles, Los Angeles, California 90095, USA Abstract Naïve and primed pluripotent hESCs bear transcriptional similarity to pre- and post-implantation epiblast and thus constitute a developmental model for understanding the earliest pluripotent stages in human embryo development.
    [Show full text]
  • Lost in Vagueness
    LOST IN VAGUENESS THE ULTIMATE UNTOLD GLASTONBURY FESTIVAL STORY www.lostinvagueness.com A debut music feature documentary by Sofia Olins Presented by Dartmouth Films The cultural crucible for the UK’s alternative arts scene Featuring Fatboy Slim, Suggs (Madness), Keith Allen and Kate Tempest SYNOPSIS // Short The film of Roy Gurvitz, creator of Lost Vagueness at Glastonbury and who, as Michael Eavis says, reinvigorated the festival. Exploring the dark, self-destructive side of creative talent. Medium Lost In Vagueness: The Ultimate Untold Glastonbury Festival Story The film of Roy Gurvitz, who created Lost Vagueness, at Glastonbury and who, as Michael Eavis says, reinvigorated the festival. With the decadence of 1920’s Berlin, but all in a muddy field. A story of the dark, self-destructive side of creativity and the personal trauma behind it. Long Lost In Vagueness: Lost In Vagueness: The Ultimate Untold Glastonbury Festival Story The film of Roy Gurvitz, who invented the Lost Vagueness area at Glastonbury and who, as Michael Eavis says, reinvigorated the festival. It’s a story of the dark, self-destructive side of creative talent and the personal trauma behind it. Anti-hero, Roy, and Glastonbury founder, Michael, became friends in the early 1990’s. Through their story, we retrace Britain’s sub-culture history, to see how a band of troublesome new age travellers came together to create Lost Vagueness. It was a place of opulence and decadence, and reminiscent of a permissive 1920’s Berlin, but all in a muddy field. As an anarchic, punk traveller, Roy scoured Europe searching for a community where he could escape his oppressive upbringing.
    [Show full text]
  • We Are Saying Is... Give Peace a Chance…
    SUPPORTING GREENPEACE EAVIS DAUGHTER WATERAID NOT FOR SHALE OXFAM STOP PRESS Twin Atlantic replace Chromeo for John Peel set, Sat 9.15pm Thursday, 26 June, 2014 Proudly printed in the Theatre and Circus Fields of Glastonbury Festival FREE ALL WE ARE SAYING IS... GIVE PEACE A CHANCE… Yoko Ono wait until 2015 I didn’t want to wait featuring members of the amazing The wishes will then all be collect- collective desire for peace in the and also to think of a day when we that long! Why not now?! So I was Yo La Tengo, I will also be installing ed, sent to me and then will be kept world. will have world peace. Together we really thrilled when the Festival I have never been to Glastonbury, arlier this year I played two wish trees at the Green Kids Field. I underneath Imagine Peace Tower in can make it! organisers said that they not only and I can’t wait! Who knows what Esmall shows in Dalston in And I came to tell you what fun wanted me this year but that they I will see! The line-up is amazing it is to work for world peace. It’s London and another musician who wanted to give me a really good slot and, for me, coming from the avant came said to me that he would love on Sunday night on the Park stage. I “I came to tell you what fun it grade world, it’s so great to see so the most fun work there is now in to see me do a similar type of show, was a happy girl! much diversity and experimenta- our planet.
    [Show full text]
  • 2019 Programme
    CLOSING FILM – Check the IFI website for further IRISH PREMIERE Festival Guests guest announcements. Renaud Barret Paul Duane Peter Kelly Système K Système K Best Before Death Journey to the Edge Renaud Barret started Paul Duane has been Peter Kelly is an his career as a making films, drama award-winning graphic designer and and documentary for producer-director photographer and has been interested twenty years. His most recent film What with credits on scores of documentaries in African culture since his 20s. He Time Is Death? follows the return of the filmed in over 50 countries. Productions moved to Kinshasa in 2003 and since Justified Ancients of Mu Mu, otherwise include documentary series for Irish and then has produced and directed several known as The KLF, after their self-im- international television embracing a range documentaries including La Dance le posed 23-year silence. He produced the of subjects; development and social Jupiter, Victoire Terminus, and Benda 2015 IFTA-award-winning documentary issues, history, science, faith, human Billi! which have screened and won In A House That Ceased To Be, and the rights and the Irish abroad. He regularly Sunday 29th (20.00) awards at festivals around the world IFTA-nominated documentary Barbaric contributes to conferences and periodicals Kinshasa, a city of eleven million people, is home to an emerging wave of street including BFI London Film Festival, Hot Genius. His documentary on rockabilly on aspects of the international audio- artists whose vibrant, disturbing works function as political commentary on Docs Toronto and Berlinale. In addition to bankrobber Jerry McGill, Very Extremely visual industry.
    [Show full text]
  • 100 Years: a Century of Song 1990S
    100 Years: A Century of Song 1990s Page 174 | 100 Years: A Century of song 1990 A Little Time Fantasy I Can’t Stand It The Beautiful South Black Box Twenty4Seven featuring Captain Hollywood All I Wanna Do is Fascinating Rhythm Make Love To You Bass-O-Matic I Don’t Know Anybody Else Heart Black Box Fog On The Tyne (Revisited) All Together Now Gazza & Lindisfarne I Still Haven’t Found The Farm What I’m Looking For Four Bacharach The Chimes Better The Devil And David Songs (EP) You Know Deacon Blue I Wish It Would Rain Down Kylie Minogue Phil Collins Get A Life Birdhouse In Your Soul Soul II Soul I’ll Be Loving You (Forever) They Might Be Giants New Kids On The Block Get Up (Before Black Velvet The Night Is Over) I’ll Be Your Baby Tonight Alannah Myles Technotronic featuring Robert Palmer & UB40 Ya Kid K Blue Savannah I’m Free Erasure Ghetto Heaven Soup Dragons The Family Stand featuring Junior Reid Blue Velvet Bobby Vinton Got To Get I’m Your Baby Tonight Rob ‘N’ Raz featuring Leila K Whitney Houston Close To You Maxi Priest Got To Have Your Love I’ve Been Thinking Mantronix featuring About You Could Have Told You So Wondress Londonbeat Halo James Groove Is In The Heart / Ice Ice Baby Cover Girl What Is Love Vanilla Ice New Kids On The Block Deee-Lite Infinity (1990’s Time Dirty Cash Groovy Train For The Guru) The Adventures Of Stevie V The Farm Guru Josh Do They Know Hangin’ Tough It Must Have Been Love It’s Christmas? New Kids On The Block Roxette Band Aid II Hanky Panky Itsy Bitsy Teeny Doin’ The Do Madonna Weeny Yellow Polka Betty Boo
    [Show full text]
  • Proudly Printed in the Theatre and Circus Fields of Glastonbury Festival Heavy Metal Rules
    Sunday 25th June 2017 PROUDLY PRINTED IN THE THEATRE AND CIRCUS FIELDS OF GLASTONBURY FESTIVAL FREE • LIBERA • GRATIS IT’S THE FINAL DAY OF “THE BEST GLASTONBURY YET”, SO FILL UP ON MEMORIES AND WE’LL... HEAVY METAL RULES JOHN LEWIS investigates the great grindcore and anarcho-thrash invasion of Glastonbury Festival 2017 It might have invited the likes the indie kids who are the complacent Sex Pistol Glenn Matlock and San of Metallica and Motörhead to apolitical ones, while metal bands Francisco anarcho punks the Dead perform, but Glastonbury has like Rage Against The Machine, Kennedys (sans Jello Biafra). The traditionally had a bit of a blindspot Sepultura and System Of A Down Truth Stage has become the unlikely SEE YOU IN when it comes to metal. It’s have been nailing their colours to centrepiece of Shangri-La, the South something that Nottingham-based the mast, with militant, defiantly East Corner’s hidden-away late- hardcore label Earache Records internationalist anthems that night club culture gem. The stage is attempting to redress this year explicitly support the fight against is surrounded by anti-globalisation as it brings some of its favourite globalisation, war and corporate banners (“Build The World That You acts to Shangri-La’s Truth Stage corruption. Want To Belong To”, “They Starve, and their own Earache Express And it’s this insurrectionary We Carry On Shopping”, “Don’t Be – Glastonbury’s first ever metal metal spirit that Shangri-La A Dick”, “If You Don’t Like The 731 DAYS venue, set in a battered old London is harnessing, with slots Music, F-Off” , and its audience is CHRIS SALMON catches up with Emily and Michael Eavis ) Underground tube carriage.
    [Show full text]
  • 44/Exzentriker (Page 152)
    Gesellschaft Ihren Ruf als Spaßguerrilleros festigten die beiden Helden durch diverse Scherze: Sie setzten Jour- nalisten per Hubschrauber auf ei- ner einsamen Insel vor der briti- schen Küste aus, oder sie zündeten in Schweden einen Scheiterhau- fen aus Schallplatten an, weil ih- nen die Benutzung eines Sound- schnipsels des Erfolgsquartetts Abba untersagt worden war. Ihre pyromanischen Neigungen lebten Drummond und Cauty nach dem Abschied vom Hitpara- denpop erst richtig aus. Das Witz- bold-Duo firmierte nun als „The K Foundation“ und präsentierte der Öffentlichkeit ein Kunstwerk, das aus auf einem Holzbrett festgena- REDFERNS gelten Banknoten im Wert von ei- Aktionskünstler Cauty, Drummond: Attacken auf die Langeweile des Showgeschäfts ner Million Pfund bestand – zu- gleich boten sie die Skulptur den ten: „Ladies and Gentlemen, The KLF ha- Hütern der Londoner Tate Gallery für EXZENTRIKER ben hiermit das Musikgeschäft verlassen.“ 500000 Pfund zum Kauf an. Als die Tate- Das war 1992. Im August dieses Jahres Leute nicht zugreifen wollten, verbrannten Millionen in erschien im Londoner Stadtmagazin „Time die verkannten Artisten das Eine-Million- out“ eine Anzeige: „Sie sind wieder da. Pfund-Mißverständnis 1994 bei einer spek- Die Erfinder von Trance. Die Lords des takulären Aktion auf der schottischen In- Flammen Ambient. Die Könige des Stadion-House. sel Jura. Die Paten des Techno-Metal. Die beste Für viele Briten hörte angesichts solcher Bill Drummond und Jimmy Rave-Band aller Zeiten! THE KLF.“ Und Umtriebe der Spaß auf – zumal Drummond tatsächlich ist nun eine neue Single unter und Cauty jede Erklärung zu ihrem Treiben Cauty sind berüchtigt für Schock- dem Titel „Fuck the Millenium“ erschienen bis heute ablehnen.
    [Show full text]
  • Karaoke Catalog Updated On: 09/04/2018 Sing Online on Entire Catalog
    Karaoke catalog Updated on: 09/04/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton My Way - Frank Sinatra Wannabe - Spice Girls Perfect - Ed Sheeran Take Me Home, Country Roads - John Denver Broken Halos - Chris Stapleton Sweet Caroline - Neil Diamond All Of Me - John Legend Sweet Child O'Mine - Guns N' Roses Don't Stop Believing - Journey Jackson - Johnny Cash Thinking Out Loud - Ed Sheeran Uptown Funk - Bruno Mars Wagon Wheel - Darius Rucker Neon Moon - Brooks & Dunn Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Always On My Mind - Willie Nelson Girl Crush - Little Big Town Zombie - The Cranberries Ice Ice Baby - Vanilla Ice Folsom Prison Blues - Johnny Cash Piano Man - Billy Joel (Sittin' On) The Dock Of The Bay - Otis Redding Bohemian Rhapsody - Queen Turn The Page - Bob Seger Total Eclipse Of The Heart - Bonnie Tyler Ring Of Fire - Johnny Cash Me And Bobby McGee - Janis Joplin Man! I Feel Like A Woman! - Shania Twain Summer Nights - Grease House Of The Rising Sun - The Animals Strawberry Wine - Deana Carter Can't Help Falling In Love - Elvis Presley At Last - Etta James I Will Survive - Gloria Gaynor My Girl - The Temptations Killing Me Softly - The Fugees Jolene - Dolly Parton Before He Cheats - Carrie Underwood Amarillo By Morning - George Strait Love Shack - The B-52's Crazy - Patsy Cline I Want It That Way - Backstreet Boys In Case You Didn't Know - Brett Young Let It Go - Idina Menzel These Boots Are Made For Walkin' - Nancy Sinatra Livin' On A Prayer - Bon
    [Show full text]
  • The KLF Are Back
    The KLF are back – but are they any closer to answering that burning million pound question? August 31, 2017 1.13pm BST https://theconversation.com/the-klf-are-back-but-are-they-any-closer-to-answering-that-burning- million-pound-question-83168 Annebella Pollen Principal Lecturer in the History of Art and Design, University of Brighton Burning issue. Shutterstock For ravers of a certain age, the electronic band known (mostly) as the KLF provided many of the dance floor fillers of the early 1990s. What Time is Love? and 3am Eternal were part of the euphoria of club culture. There was also the silliness of their novelty record, Doctorin’ the Tardis. And who could forget the deliberately perverse appearance of country singer Tammy Wynette on the baffling single Justified and Ancient? The KLF were known for heavy-handed sampling, and bending every pop rule, until their career went up in flames over two decades ago. Then, in the summer of 2017, they came back. In an ice cream van. To Liverpool, where an event was held in search of an explanation for KLF’s most notorious and controversial act – the burning of £1m in cash. The money burning by the band’s two core members, Bill Drummond and Jimmy Cauty, was one of a series of subversive manoeuvres designed to “amend art history”. The pair had previously fired blanks from a machine gun into a music industry crowd after being named best band at the Brit Awards in 1992. Two years later, as the K Foundation, they attempted to undermine the 1994 Turner Prize by awarding double the official prize money to the artist they considered to be the worst on the short list.
    [Show full text]