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WW1 COMMEMORATIVE ISSUE 201809 Gramophone Gramophone 04/06/2018 14:56 Page 1
: Bulletin WW1 COMMEMORATIVE ISSUE 201809_Gramophone_Gramophone 04/06/2018 14:56 Page 1 The ‘Moonlight’ sonata sounds newly minted in this remarkable reading, Pavel Kolesnikov’s hallmark virtues of ‘intelligence, sensitivity and imagination’ (Gramophone) guaranteeing a very special Beethoven recital indeed. CDA68237 Available Friday 31 August 2018 Beethoven: Moonlight Sonata & other piano music PAVEL KOLESNIKOV piano A deeply impressive A successor to and eclectic Howard Shelley’s selection of shorter earlier Dussek choral works from recordings presents one of England’s another three fine brightest composer concertos. prospects. CDA68211 Available Friday 31 August 2018 CDA68191 Available Friday 31 August 2018 Owain Park: Choral Works Dussek: Piano Concertos TRINITY COLLEGE CHOIR Opp 3, 14 & 49 CAMBRIDGE HOWARD SHELLEY piano STEPHEN LAYTON conductor ULSTER ORCHESTRA COMINGSOON… Iain Farrington’s Chopin: Cello Sonata; Schubert: Arpeggione Sonata Steven Isserlis (cello), Dénes Várjon (piano) Bronsart & Urspruch: Piano Concertos Emmanuel Despax (piano), BBC Scottish SO, Eugene Tzigane (conductor) chamber version Liszt: New Discoveries, Vol. 4 Leslie Howard (piano) Machaut: The gentle physician The Orlando Consort of this monumental Vaughan Williams: A Sea Symphony BBC Symphony Orchestra, BBC Symphony Chorus, Martyn Brabbins The Passing-Measures Mahan Esfahani (harpsichord) work is a perfect Févin: Missa Ave Maria & Missa Salve sancta parens The Brabant Ensemble, Stephen Rice (conductor) match for these young voices. CDA68242 Available Friday 31 August 2018 Brahms: Ein deutsches Requiem YALE SCHOLA CANTORUM DAVID HILL conductor OTHER LABELS AVAILABLE FOR DOWNLOAD ON OUR WEBSITE CDs, MP3 and lossless downloads of all our recordings are available from www.hyperion-records.co.uk Gimell HYPERION RECORDS LTD, PO BOX 25, LONDON SE9 1AX · [email protected] · TEL +44 (0)20 8318 1234 FRMS BULLETIN Autumn 2018 No. -
Edward Elgar's the Music Makers
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-2018 Edward Elgar’s the Music Makers: A Choral Conductor’s Analysis and Score Preparation Guide David Klement Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Klement, David, "Edward Elgar’s the Music Makers: A Choral Conductor’s Analysis and Score Preparation Guide" (2018). Dissertations. 523. https://digscholarship.unco.edu/dissertations/523 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2018 DAVID KLEMENT ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School EDWARD ELGAR’S THE MUSIC MAKERS: A CHORAL CONDUCTOR’S ANALYSIS AND SCORE PREPARATION GUIDE A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts David Klement College of Performing and Visual Arts School of Music Choral Conducting May 2018 iii This Dissertation by: David Klement Entitled: Edward Elgar’s The Music Makers: A Choral Conductor’s Analysis And Score Preparation Guide has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Arts and Sciences in School of Visual and Performing Arts, Music Accepted by the Doctoral Committee Dr. Galen Darrough, D.M.A., Research Advisor Dr. Jill Burgett, D.A., Committee Member Dr. Michael Oravitz, Ph.D., Committee Member Dr. Michael Welch, Ph.D., Faculty Representative Date of Dissertation Defense March 27, 2018 Accepted by the Graduate School Linda L. -
Vol.21 No 3 December 2018
Journal December 2018 Vol.21, No. 3 The Elgar Society Journal 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] December 2018 Vol. 21, No. 3 Elgar and the Great War 3 Barry Collett President Julian Lloyd Webber FRCM ‘My tunes are ne’er forgotten’: 16 Elgar, Blackwood and The Starlight Express (part two) Kevin Mitchell Vice-Presidents Remembering a Musical Centenary: 39 Diana McVeagh Charles Mott and The Fringes of the Fleet Dame Janet Baker, CH, DBE Ian Morgan Leonard Slatkin Sir Andrew Davis, CBE Elgar’s ‘Angel’: Hubert Parry in Perspective 42 Christopher Robinson, CVO, CBE Michael Trott Andrew Neill Sir Mark Elder, CBE Elgar’s Voice 47 Martyn Brabbins David Matthews Tasmin Little, OBE Book reviews 52 Ian Lace, Martin Bird Chairman CD reviews 54 Steven Halls Andrew Neill, Michael Schwalb, Martin Bird Vice-Chairman Elgar viewed from afar 62 Stuart Freed Meinhard Saremba Treasurer 100 Years Ago 65 Helen Whittaker Martin Bird Secretary George Smart The Editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Covers of the scores of Carillon (Arthur Reynolds’ Archive) and The Starlight Express (Barry Collett). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Elgar and the Great War required, are obtained. Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, cued into the text, and have captions. -
Part-Songs 1914-1932
Part-Songs 1914-1932 Songs, with or without instrumental or orchestral accompaniment, for multiple voices: Year Title Words by : Dedicated to : 1914 The Birthright G A Stocks 1914 The Merry Go Round F C Fox 1914 The Brook E Soule William 1914 The Windlass Allington Two Choral Songs, op 1914 Henry Vaughan 71 1. The Shower Miss Frances Smart 2. The Fountain W Mann Dyson 1914 Death on the Hills, op Malkov, tr Lady Colvin 72 Rosa Newmarch Two Choral Songs, op 1914 both tr Rosa Newmarch 73 1. Love's Tempest Malkov C Sanford Terry 2. Serenade Minski Percy C Hull 1916 Fight for Right Members of the Fight for Right W Morris movement 1917 Fringes of the Fleet R Kipling Admiral Lord Beresford 1917 Inside the Bar G Parker The Four Singers 1918 Big Steamers R Kipling 1923 The Wanderer the composer 1923 Zut, Zut, Zut the composer 1924 Pageant of Empire Alfred Noyes 5. Sailing Westward 7. The Immortal Legions 8. A Song of Union Alexander 1925 The Herald Smith Walter de la 1925 The Prince of Sleep Mare 1928 I Sing the Birth B Johnson Rev H B S Fowler (see Religious Works) 1929 Good Morrow G Gascoigne (see Religious Works) 1932 When Swallows Fly C Mackay Stephen S Moore 1932 Woodland Stream C Mackay Stephen S Moore 1932 The Rapid Stream C Mackay Stephen S Moore 1932 So Many True John Masefield Princesses who have Gone PART-SONGS 1914-1932 - Introduction After Go, Song of Mine of 1909, Elgar did not write another part-song for over four years. -
© in This Web Service Cambridge University
Cambridge University Press 978-0-521-81076-0 - The life of Elgar Michael Kennedy Index More information index Ackté, Aino, 134 Bantock, Myrrha, 73 Acworth, Harry Arbuthnot, 49, 50, 56 Barbirolli, Sir John, 124, 160, 176 Adams, Byron, 93–4 Barrie, Sir James, 4 Ainley, Henry, 141 Barry, Charles A., 67 Alder, Mary Beatrice, 41 Bartók, Béla, 166 Alexandra, Queen, 84, 89, 95–6, 188 Bax, Sir Arnold, 83, 166 Allen, William, 6, 9, 16 Bayreuth Festival, 39–40, 131, 133 Arányi, Jelly d’, 38, 185 BBC, see British Broadcasting Arnold, Richard Penrose, 40 Corporation Ashton, Sir Frederick, 63, 70 BBC Symphony Orchestra, 183 Ashwell, Lena, 144, 145, 148 Beauchamp, Earl, 30, 55, 68–9 Athenaeum club, London, 96, 124, 135, Beecham, Sir Thomas, 112, 120, 141 166, 171 Beethoven, Ludwig van, 8, 11, 13, 14, 17, Atkins, Edward Wulstan, 13, 27, 29, 30, 27, 39, 40, 59, 63, 92, 102, 111, 114, 37, 172, 187 115, 137 Atkins, Sir Ivor, 29, 37, 55, 62, 66, 69, Bellini, Vincenzo, 14, 18 85, 93, 94, 97, 122, 124, 131, 148, Bennett, Joseph, 57–8 163, 172, 173, 177, 179, 187 Benson, Arthur Christopher, 84, 104, Atkins, Lady (Katharine), 172 109, 141 Auber, Jacques, 14 Beresford, Admiral Lord Charles, 87, 101, 149, 150, 157, 160 Bach, Johann Sebastian, 18, 79, 98, 131, Beresford, Lady (Mina), 101, 116, 157 165, 166, 168 Berlioz, Hector, 23, 25, 74 Bacon, Jane, 168 Bernard, Anthony, 158 Baker, Mary Frances (Minnie), 38, 39, 43 Binyon, Laurence, 142, 143, 146, 156, Baker, William Meath, 38, 39, 62, 63, 168 144 Birmingham, 33, 59, 64, 74, 88, 89, 92, Baldwin, Stanley, 174 -
Vol.22 No.1 April 2020
Journal April 2020 Vol.22, No. 1 The Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected] April 2020 Vol. 22, No. 1 Editorial 3 President Tribute to Meinhard 4 Sir Mark Elder CH CBE Geoff Scargill Marchcroft Manor 5 Vice-Presidents Kevin Mitchelll Diana McVeagh Dame Janet Baker, CH, DBE Alice Elgar at Brinkwells 15 Leonard Slatkin Richard Westwood-Brookes Sir Andrew Davis, CBE Christopher Robinson, CVO, CBE Edward, Doris and What Might Have Been 31 Andrew Neill Arthur Reynolds Sir Mark Elder, CBE Martyn Brabbins ‘Steel-blue light’ and ‘golden glow’: 40 Tasmin Little, OBE Introductory Movements of The Crown of India Julian Lloyd Webber Tihomir Popović Book reviews 53 Chairman Music review 59 Neil Mantle MBE CD/DVD reviews 61 Vice-Chairman Stuart Freed Recording notes 1918-1920 72 Treasurer Letters 74 Peter Smith 100 Years Ago 76 Secretary George Smart The Editors do not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Schemboche's 1885 studio portrait of Caroline Alice Roberts (Arthur Reynolds' Archive) alongside the cover of the 1882 novel Marchcroft Manor. Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much EDITORIAL preferred) in Microsoft Word or Rich Text Format. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Alice Elgar died aged 71 years on 7 April 1920 at Severn House, Hampstead. In this issue we have required, are obtained. two specific pieces concerning Alice - first, an article on her 1882 novel Marchcroft Manor when she was C.A. -
Part Songs 1914-32
Part-Songs 1914-1932 Songs, with or without instrumental or orchestral accompaniment, for multiple voices: Year Title Words by : Dedicated to : 1914 The Birthright G A Stocks 1914 The Merry Go Round F C Fox 1914 The Brook E Soule 1914 The Windlass William Allington 1914 Two Choral Songs, op 71 1. The Shower Henry Vaughan Miss Frances Smart 2. The Fountain Henry Vaughan W Mann Dyson 1914 Death on the Hills, op 72 Malkov, Lady Colvin tr Rosa Newmarch 1914 Two Choral Songs, op 73 1. Love's Tempest Malkov C Sanford Terry 2. Serenade Minski Percy C Hull 1916 Fight for Right W Morris Members of the Fight for Right movement 1917 Fringes of the Fleet R Kipling Admiral Lord Beresford 1917 Inside the Bar G Parker The Four Singers 1918 Big Steamers R Kipling 1923 The Wanderer the composer 1923 Zut, Zut, Zut the composer 1924 Pageant of Empire Alfred Noyes 5. Sailing Westward 7. The Immortal Legions 8. A Song of Union 1925 The Herald Alexander Smith 1925 The Prince of Sleep Walter de la Mare 1928 I Sing the Birth B Johnson Rev H B S Fowler (see Religious Works) 1929 Good Morrow G Gascoigne (see Religious Works) 1932 When Swallows Fly C Mackay Stephen S Moore 1932 Woodland Stream C Mackay Stephen S Moore 1932 The Rapid Stream C Mackay Stephen S Moore 1932 So Many True Princesses John Masefield who have Gone PART-SONGS 1914-1932 - Introduction After Go, Song of Mine of 1909, Elgar did not write another part-song for over four years. -
UNIVERSITÀ DEGLI STUDI DI BERGAMO DOTTORATO DI RICERCA in LETTERATURE EUROAMERICANE XXVIII Ciclo Writing the Nation and Writing
UNIVERSITÀ DEGLI STUDI DI BERGAMO DOTTORATO DI RICERCA IN LETTERATURE EUROAMERICANE XXVIII Ciclo Settore scientifico disciplinare: L-LIN 10 “Letteratura inglese” Edvige Pucciarelli Writing the Nation and Writing the Empire From Ben Jonson’s The Masque of Blackness and The Masque of Beauty to Edward Elgar’s The Crown of India Supervisori Chiarissima Professoressa Angela Locatelli Chiarissima Professoressa Rossana Bonadei Anno Accademico: 2016-2017 Acknowledgments I would like to express my deepest thanks to both my supervisors, Professor Angela Locatelli and Professor Rossana Bonadei. This dissertation was made possible because of their invaluable critical insight and for their incredible effort in reviewing all the written material. Professor Angela Locatelli and Professor Rossana Bonadei offered me steady moral support and encouragement throughout these years allowing me to complete this work. My deepest thanks go to Antonio Silla, the best loving and supportive brother- friend I could have ever wished for, to Professor Paola Tornaghi, to Doctor Erica Dilk and to Maestro Alessandro Buffone for their precious support throughout years of friendship. There have been many other people who have supported me during these last difficult years and I thank each and every one of them. My special thanks go to Professor Geoffrey Charles Hutchings, who started this study making me discover Ben Jonson and the Masque when I was an undergraduate student so many years ago. Table of Contents I The Textual Literary Space As Political Space .......................................................... 4 I.1 A Turning Point in the Study of Literary Space in 20th-Century Literary Theory .. 9 I.1.1 Modern Spatial Theorists: Bakhtin and van Baak ......................................... -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 SEA PICTURES. Op.37 BY SIR EDWARD ELGAR: A COMPREHENSIVE GUIDE FOR STUDY AND PERFORMANCE D.M.A. DOCUMENT Presented in partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School o f The Ohio State University by Lynnette Borman, B.M.E., M.M. -
Sir Edward Elgar
ML4IO E4P8 THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES ' 12 Sir Edward Elgar shown by the inscription on the title page of the first " symphony, To Hans Richter, Mus. Doc. True Artist and True Friend." There is one other name that we must esteem as high as Richter's in connection with Elgar, and that is Landon Ronald. Mr. Ronald is probably that greatest exponent of Elgar that has ever lived, up to the present. His work to make Elgar known has been even more untiring that Richter's. His efforts throughout Great Britain have been so per- sistent that his name has become almost a synonym of Elgar. His most striking achievements include the securing of appreciation of Sunday afternoon audiences at Albert Hall for the symphonies, each of which takes up best part of an hour to play, and his hard fight against an apathetic public to rescue the E flat Symphony from oblivion, culminating in the work being described as one of the finest symphonies since Beethoven's day. He has performed the first symphony in Rome and Paris, and given an orchestral concert devoted entirely to Elgar's works at Queen's Hall, London. The interpretations by Landon Ronald of Elgar are remarkable for their insight and wealth of ex- pression, and are generally accepted to be the most authoritative. The full extent of the famous con- ductor's work to make the British public understand the genius in their midst, we are expressly forbidden to mention, but should the facts ever come to light, His Career *3 the world will see yet another example of the self- sacrificing love of true genius for fellow genius. -
Vol. 16, No. 4 March 2010
Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May Song • Dream Children • Coronation Ode • Weary Wind of the West • Skizze • Offertoire • The Apostles • In The South (Alas- sio) • Introduction and Allegro • Evening Scene • In Smyrna • The Kingdom • Wand of Youth • HowElgar Calmly Society the Evening • Pleading • Go, Song of Mine • Elegy • Violin Concerto in B minor • Romance • Symphony No.2 •ournal O Hearken Thou • Coronation March • Crown of India • Great is the Lord • Cantique • The Music Makers • Falstaff • Carissima • Sospiri • The Birthright • The Windlass • Death on the Hills • Give Unto the Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlight Express • Le Drapeau Belge • The Spirit of England • The Fringes of the Fleet • The Sanguine Fan • Violin Sonata in E minor • String Quartet in E minor • Piano Quintet in A minor • Cello Concerto in E minor • King Arthur • The Wanderer • Empire March • The Herald • Beau Brummel • Severn Suite • Solilo- quy • Nursery Suite • Adieu • Organ Sonata • Mina • The Spanish Lady • Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pas- tourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Gavotte • Salut d'Amour • Mot d'Amour • Bizarrerie • O Happy Eyes • My Love Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • The Snow • Fly, Singing Bird • From the Bavarian Highlands • The Light of Life • King Olaf • ImperialMarch March 2010 Vol. • The16, No. Banner 4 of St George • Te Deum and Benedictus • Caractacus • Variations on an Original Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson de Ma- tin • Three Characteristic Pieces • The Dream of Gerontius • Ser- enade Lyrique • Pomp and Circumstance • The The Elgar Society Journal Society 362 Leymoor Road, Golcar, Huddersfield, HD7 4QF Telephone: 01484 649108 Email: [email protected] March 2010 Vol. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Aligners, Lovers and Deceptors: Aspirations and strategies of young urban hustlers in the Gambia Ismaila Ceesay PhD in African Studies University of Edinburgh 2016 i Declaration I declare that this thesis has been composed by me solely. It is based on results culminating from my own work except where I have explicitly indicated. It has not been submitted for any other degree or professional qualification. ……………………………………………. Ismaila Ceesay ii Abstract This study investigates young Gambians’ social and economic aspirations. It considers how young Gambians’ aspirations are shaped and negotiated, and the strategies they employ to achieve their objectives. Whilst existing research tends to view young Gambians’ social and economic advancement through a lens of international migration, this study focuses on the aspirations and strategies of those who find themselves in a state of ‘involuntary immobility’ – that is, an aspiration to migrate but the inability to do so.