Asian Martial Arts in the Asian Studies Curriculum
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Patrick J. Hurley's Attempt to Unify China, 1944-1945
This dissertation has been microfilmed exactly as received 66-11 791 SMITH, Robert Thomas, 1938- ALONE IN CHINA; PATRICK J. HURLEY'S ATTEMPT TO UNIFY CHINA, 1944-1945. The University of Oklahoma, Ph.D., 1966 History, modern University Microfilms, Inc., Ann Arbor, Michigan C opyright by ROBERT THOMAS SMITH 1966 THE UNIVERSITY OF OKLAHCMA GRADUATE COLLEGE ALONE IN CHINA: PATRICK J . HURLEY'S ATTEMPT TO UNIFY CHINA, 1944-1945 A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY ROBERT THCÎ-1AS SMITH Norman, Oklahoma 1966 ALŒE IN CHINA; PATRICK J . HURLEY'S ATTEMPT TO UNIFY CHINA, 1944-1945 APPP>Î BY 'c- l <• ,L? T\ . , A. c^-Ja ^v^ c c \ (LjJ LSSERTATION COMMITTEE ACKNOWLEDGMENT 1 wish to acknowledge the aid and assistance given by my major professor, Dr, Gilbert 0, Fite, Research Professor of History, I desire also to thank Professor Donald J, Berthrong who acted as co-director of my dissertation before circumstances made it impossible for him to continue in that capacity. To Professors Percy W, Buchanan, J, Carroll Moody, John W, Wood, and Russell D, Buhite, \^o read the manuscript and vdio each offered learned and constructive criticism , I shall always be grateful, 1 must also thank the staff of the Manuscripts Divi sion of the Bizzell Library \diose expert assistance greatly simplified the task of finding my way through the Patrick J, Hurley collection. Special thanks are due my wife vdio volun teered to type the manuscript and offered aid in all ways imaginable, and to my parents \dio must have wondered if I would ever find a job. -
Tai Chi Retreat Course Book
. This book is created with love and distributed free. TAI CHI DANCEIt isOF meant THE PEACEFULto provide guidance WARRIOR and by counsel DAVE for WEST those Copyrightwho wish 2010 to practise. www.taichibali.com ‐ 1 ‐ 3 Nights 4 Days Luxury Hotel 3 Mountain Treks to Lakes and Waterfalls Hot Springs Canoing Kopi Luwak 10 Classes with Qualified Instructors Retreat Course Book and DVD Transport Service USD 495 per person USD 750 for couples T A I C H I B A L I M O U N T A I N R E T R E A T is hidden deep in the foothills of the volcanic forest, where the cool mountain air of North Bali is the perfect environment to relax and rejuvenate, deepen your TAI CHI , YOGA or CHI KUNG practice, and refresh yourself with natural healing energy. The aim of this retreat is to inspire you to develop a daily practice and holistic lifestyle that creates positive changes in all aspects of your life. During the retreat a natural force field develops within you that recharges your whole being with positive energy, vitality and inner peace. Experienced international instructors guide you through the course and mountain treks. Classes and retreats can be modified for all ages and levels. TAI CHI DANCE OF THE PEACEFUL WARRIOR by DAVE WEST Copyright 2010 www.taichibali.com ‐ 2 ‐ WELCOME TO TAI CHI BALI MOUNTAIN RETREAT Tai Chi Bali provides authentic wisdom and training from ancient China, India and Tibet, for living in health and harmony with the natural world. Opening the heart with meditation is the return to Truth and Love. -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
An Exploration of Aikido in the Lives of Women Aikidoka
Edith Cowan University Research Online Theses : Honours Theses 1996 Samurai of Gentle Power : An Exploration of Aikido in the Lives of Women Aikidoka Katie Noad Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Women's Studies Commons Recommended Citation Noad, K. (1996). Samurai of Gentle Power : An Exploration of Aikido in the Lives of Women Aikidoka. https://ro.ecu.edu.au/theses_hons/707 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/707 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
After-School Martial Arts
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 5-24-2019 After-School Martial Arts: A History, Perceptions of Academic Advantage, and Effects on Academic Performance Rose Marie Kelley Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Educational Sociology Commons, Inequality and Stratification Commons, and the Sports Studies Commons Recommended Citation Kelley, Rose Marie, "After-School Martial Arts: A History, Perceptions of Academic Advantage, and Effects on Academic Performance" (2019). LSU Doctoral Dissertations. 4939. https://digitalcommons.lsu.edu/gradschool_dissertations/4939 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AFTER-SCHOOL MARTIAL ARTS: A HISTORY, PERCEPTIONS OF ACADEMIC ADVANTAGE, AND EFFECTS ON ACADEMIC PERFORMANCE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Sociology by Rose Marie Kelley B.A., Loyola University New Orleans, 2010 M.A., Louisiana State University, 2013 August 2019 I dedicate this dissertation to my family. To my partner, Jaren, thank you for always staying by my side through the late nights and many adversities faced throughout this process. You were always my refuge through this journey providing comfort when I needed it most. -
Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames Permalink https://escholarship.org/uc/item/5pg3z8fg Author Chien, Irene Y. Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Kristen Whissel Professor Greg Niemeyer Professor Abigail De Kosnik Spring 2015 Abstract Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien Doctor of Philosophy in Film and Media Designated Emphasis in New Media University of California, Berkeley Professor Linda Williams, Chair Programmed Moves examines the intertwined history and transnational circulation of two major videogame genres, martial arts fighting games and rhythm dancing games. Fighting and dancing games both emerge from Asia, and they both foreground the body. They strip down bodily movement into elemental actions like stepping, kicking, leaping, and tapping, and make these the form and content of the game. I argue that fighting and dancing games point to a key dynamic in videogame play: the programming of the body into the algorithmic logic of the game, a logic that increasingly organizes the informatic structure of everyday work and leisure in a globally interconnected information economy. -
Martial Arts in Psycho-Physical Culture
© Idōkan Poland Association “IDO MOVEMENT FOR CULTURE. Journal of Martial Arts Anthropology”, Vol. 15, no. 4 (2015), pp. 33–38 DOI: 10.14589/ido.15.4.5 SOCIOLOGY AND ANTHROPOLOGY Wojciech J. Cynarski1(ADG), Jong-Hoon Yu2(BE), Krzysztof Warchol1(BF), Pavol Bartik3(DF) 1 University of Rzeszów, Rzeszów (Poland) 2 Glenville State College, Glenville, WV (USA) 3 Matej Bel University, Banska Bystrica (Slovakia) Contact e-mail: [email protected] Martial arts in psycho-physical culture Submission: 12.04.2015; acceptance: 24.05.2015 Key words: martial arts, culture, physicality, spirituality, asceticism Abstract Background and Aim. The authors will discuss the nature of the relationship between the various martial arts and the “psycho-phys- ical culture”. We will approach this topic from the perspectives of the Humanistic Theory of Martial Arts, martial arts systemic anthropology, and the sociology of psycho-physical systems. Methods. The main method of research has been a qualitative content analysis of the literature (scientific and popular) acquired through a query library. We studied material gathered under the theme “Martial Arts” in the Library of the University of Rzeszow, as well as a list of recommended literature suggested by the International Martial Arts and Combat Sports Scientific Society (IMACSSS) Results. Four dimensions have been traditionally investigated to justify the assignment of martial arts to the area of psycho-physical culture. These are: (1) The presence in most martial arts of an original philosophy, especially one demanding a code of ethics: (2) A close, almost “genetic” relationships between martial arts and various applicable religious systems and traditions of applied social ethics; (3) The continuing emphasis on the area of physical culture as it relates to personality development and human spirituality; and (4) the presence in schools of martial arts of ceremonial events attached to “passages” in personal growth. -
Kyudo - the Way of the Bow
Kyudo - the Way of the Bow Centuries ago in Japan, archery was regarded as the highest discipline of the Samurai warrior. Then, as the bow lost its significance as a weapon of war, and under the influence of Buddhism, Shinto, Daoism and Confucianism, Japanese archery evolved into Kyudo, the "Way of the Bow", a powerful and highly refined contemplative practice. Kyudo, as taught by Kanjuro Shibata XX, is not a competitive sport and marksmanship is regarded as relatively unimportant. According to Shibata Sensei, a master of the Heki Ryu Bishu Chikurin-ha school of Kyudo, the ultimate goal of Kyudo is to polish the mind - the same as in sitting meditation. "One is not polishing one's shooting style or technique, but the mind. The dignity of shooting is the important point. This is how Kyudo differs from the common approach to Kanjuro Shibata Sensei at Kai. (ca. 1990) archery. In Kyudo there is no hope. Hope is not the point. The point is that through long which the practitioner has the opportunity to and genuine practice your natural dignity as see the mind more clearly. The target a human being comes out. This natural becomes a mirror which reflects the qualities dignity is already in you, but it is covered up of heart and mind at the moment of the by a lot of obstacles. When they are cleared arrow's release. away, your natural dignity is allowed to This distinguishes Kyudo from archery shine forth" - Shibata Sensei. where simply hitting the target is the goal. Chogyam Trungpa the renowned Tibetan Kyudo is "Standing meditation", and as meditation master said, "Through Kyudo one such, is a true contemplative art. -
Taikiken Advanced Cz
Summer Martial Art workshop in the Czech republic Martial Art with Feeling - Taikiken advanced. This internal martial art workshop offers you inspiring physical and mental journeys into your original Self. Discover your inherited natural talents, release, and strengthen them. We will work at locations are in atmosphere and natural beauty so similar to the Taoist holy mountains in China. The MartriX concept offers: •Intensive Taikiken training in free nature •Complementary Taijiquan and Baduanjin exercises •Strengthening, hiking and relaxing boat trips Workshop Taikiken - advanced: 13 - 19 August 2006 This workshop starts from the foundation of the internal martial art, Naikaken (neijiaquan.) You learn how to control your subtle body movements by using an image (inen or yi nian.) This is even for the most experienced ‘modern’ martial artist often the missing link with the more traditional Wushu and Budo forms. The workshop concentrates on Taikiken (yiquan), as Master Kenichi Sawai’s Meiji Jingu group trained it back in the early nineteen- seventies. Taikiken training as it is meant to be, optimizing your natural skills to apply them intuitively in real combat. In the MartriX concept is Taikiken the axis, and is of value for everyone who is really interested in the practicability of internal martial art. The concept is not only effective a real physical fighting, but can be used in everything you undertake in your daily life. This workshop introduces you in the dynamic way of moving and the passion of Kenichi Sawai’s Taikiken. Instructors:Ron Nansink andNadja Kotrchova The program offers a broad set of Taikiken exercises: •Ritsu zen, Han zen, Iron shirt, (zhan zhuang) standing meditation postures • Hai (mo ca bu), walking in friction step •Yuri (shi li), testing the strength developed through ritsu zen •Neri (zou bu shi li) kneading, hai footwork with yuri movements • Mukaete, meeting hand • Shashite, defense and attack simultaneously • Harai-te, parry by twisting • Hakkei ( fa li) exercises to use force in an ‘explosive’ way. -
Martial Arts from Wikipedia, the Free Encyclopedia for Other Uses, See Martial Arts (Disambiguation)
Martial arts From Wikipedia, the free encyclopedia For other uses, see Martial arts (disambiguation). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011) Martial arts are extensive systems of codified practices and traditions of combat, practiced for a variety of reasons, including self-defense, competition, physical health and fitness, as well as mental and spiritual development. The term martial art has become heavily associated with the fighting arts of eastern Asia, but was originally used in regard to the combat systems of Europe as early as the 1550s. An English fencing manual of 1639 used the term in reference specifically to the "Science and Art" of swordplay. The term is ultimately derived from Latin, martial arts being the "Arts of Mars," the Roman god of war.[1] Some martial arts are considered 'traditional' and tied to an ethnic, cultural or religious background, while others are modern systems developed either by a founder or an association. Contents [hide] • 1 Variation and scope ○ 1.1 By technical focus ○ 1.2 By application or intent • 2 History ○ 2.1 Historical martial arts ○ 2.2 Folk styles ○ 2.3 Modern history • 3 Testing and competition ○ 3.1 Light- and medium-contact ○ 3.2 Full-contact ○ 3.3 Martial Sport • 4 Health and fitness benefits • 5 Self-defense, military and law enforcement applications • 6 Martial arts industry • 7 See also ○ 7.1 Equipment • 8 References • 9 External links [edit] Variation and scope Martial arts may be categorized along a variety of criteria, including: • Traditional or historical arts and contemporary styles of folk wrestling vs. -
Setting up an Archery Range
Setting up an Archery Range 1 Updated March 2014 How to set up an archery range Content: Introduction ....................................................................................................... 2 Rules for designing a safe target archery range ............................................ 3-4 Outdoor shooting grounds ................................................................................. 4 Outdoor field orientation .................................................................................. 5 Outdoor field of play with safety zones ......................................................... 5-6 Outdoor field of play with reduced safety zones .......................................... 6-7 Indoor shooting range .................................................................................... 7-8 Field, Clout and Flight archery ..................................................................... 9-10 Setting out a competition target archery range ........................................ 10-12 Further reading ............................................................................................... 10 Introduction Archery is practiced all over the world. As with other sports, a special area is needed for practice and competition. Bow and arrows are part of the equipment of an archer; an archery range on a flat level field is needed for the safe practice of target archery. In field archery the ground is mostly far from level, however in this discipline there exist special rules for range layout. The specialist -
Introduction
INTRODUCTION The wuxia film is the oldest genre in the Chinese cinema that has remained popular to the present day. Yet despite its longevity, its history has barely been told until fairly recently, as if there was some force denying that it ever existed. Indeed, the genre was as good as non-existent in China, its country of birth, for some fifty years, being proscribed over that time, while in Hong Kong, where it flowered, it was gen- erally derided by critics and largely neglected by film historians. In recent years, it has garnered a following not only among fans but serious scholars. David Bordwell, Zhang Zhen, David Desser and Leon Hunt have treated the wuxia film with the crit- ical respect that it deserves, addressing it in the contexts of larger studies of Hong Kong cinema (Bordwell), the Chinese cinema (Zhang), or the generic martial arts action film and the genre known as kung fu (Desser and Hunt).1 In China, Chen Mo and Jia Leilei have published specific histories, their books sharing the same title, ‘A History of the Chinese Wuxia Film’ , both issued in 2005.2 This book also offers a specific history of the wuxia film, the first in the English language to do so. It covers the evolution and expansion of the genre from its beginnings in the early Chinese cinema based in Shanghai to its transposition to the film industries in Hong Kong and Taiwan and its eventual shift back to the Mainland in its present phase of development. Subject and Terminology Before beginning this history, it is necessary first to settle the question ofterminology , in the process of which, the characteristics of the genre will also be outlined.