The NME Gonzo Gift Guide 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
“A Powerful and Thrilling Blend of Punk, Rock, Indie and Hardcore That’Ll Get the Teeth in Your Skull Rattling.” - NME
“a powerful and thrilling blend of punk, rock, indie and hardcore that’ll get the teeth in your skull rattling.” - NME "they're in a field of their own... this is one of the albums of the year" - KERRANG! (5/5) “A debut as savage and unrelenting as their name suggests… the trio are kicking up dust and throwing it in the eyes of all that is inane and boring” - Upset (5/5) "post-punks making the brutal beautiful" - Total Guitar “A distinctive shot at post-hardcore… Brutus contribute an intriguing new voice to underground music” Rocksound “exciting, expansive and full of surprises” - Louder Than War (9/10) “‘Burst’ is a truly stunning record allowing two hostile genres (Punkrock and Postrock) to become real friends with apparent ease” - VISIONS (9/12) "Brutus prove they know exactly what they are doing. With this amazing debut, they deserve to get attention!" - FUZE “..if they were British or American, Brutus would’ve already qualified to grace the covers of Rock Sound and Kerrang!” - Record Collector (4/5) “Short sharp burst of genre-jumping heavy rock” - CMU “With Burst, Brutus claims their unique spot in the Belgian rock-scene. There is no other band that sounds like this trio.” - Damusic “They better start packing for a tour along the world’s biggest metropolises.”- Focus Knack (4/5) “‘Explosive' is the most fitting label for Brutus' debut album - 'Burst' carries masses of energy, catchy hooks and emotional melodies alike.” - Eclipsed (8.5/10) "The trio from Belgium releases an extraordinarily good album on Hassle Records. -
Study of Children in Care and the Standards Spending Assessment
A MODEL OF THE DETERMINANTS OF EXPENDITURE ON CHILDREN’S PERSONAL SOCIAL SERVICES Results of a study commissioned by the Department of Health from a consortium comprising the University of York, MORI and the National Children’s Bureau Roy A. Carr-Hill, University of York Paul Dixon, Independent Consultant Russell Mannion, University of York Nigel Rice, University of York Kai Rudat, Office for Public Management Ruth Sinclair, National Children’s Bureau Peter C. Smith, University of York All enquiries to Roy Carr-Hill or Peter Smith Centre for Health Economics University of York York YO1 5DD December 1997 A MODEL OF THE DETERMINANTS OF EXPENDITURE ON CHILDREN’S PERSONAL SOCIAL SERVICES TABLE OF CONTENTS 1. INTRODUCTION AND SUMMARY 2. BACKGROUND 2.1 Children’s Personal Social Services 2.2 Standard Spending Assessments 2.3 Standard Spending Assessment for Children’s Social Services 2.4 Assessment of current methods 2.5 This study 3. ESTIMATING SMALL AREA COSTS OF CHILDREN’S PSS 3.1 Database of all children in contact with social service departments 3.2 Social work frequency contact data 3.3 Social work contact duration data 3.4 Local authority budget data 4. ANALYSIS OF COSTS OF CHILDREN’S PSS 4.1 Constructing the database 4.2 Developing a statistical model 4.3 Results 4.4 Sensitivity analysis 5. DISCUSSION AND CONCLUSIONS Appendix A: Categories of children in need Appendix B: Authorities participating in the survey Appendix C: Socio-economic variables derived from the Census Appendix D: Modelling methodology 2 1. INTRODUCTION AND SUMMARY Every year the United Kingdom central government assesses the relative spending needs of English local authorities in respect of the services for which it is responsible. -
1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979. -
Manual De Procedimentos
Manual de Procedimentos Volume 8 – Área de Comunicação e Imagem Área de Comunicação e Imagem Volume: 8 - ACI MANUAL DE PROCEDIMENTOS Revisão n.º 01-14 Data: set.2014 Índice Princípios Gerais ................................................................................................................. 4 Abreviaturas e Acrónimos .................................................................................................... 6 Legislação Aplicável ............................................................................................................ 7 Mapa de Atualização do Documento ................................................................................... 8 Capítulo 1 – Gabinete de Comunicação e Relações Públicas ............................................. 9 Processo 1 - Marketing e Comunicação ...................................................................................... 9 Subprocesso 1.1 – Gestão da divulgação de notícias e eventos ............................................................. 9 Subprocesso 1.2 - E-mails enviados à comunidade Técnico ................................................................. 10 Subprocesso 1.3 – Gestão de pedidos inclusão de Banners no Website .............................................. 11 Subprocesso 1.4 – Plano de Meios ........................................................................................................ 11 Subprocesso 1.5. - Produção de Conteúdos .......................................................................................... 12 -
Garbage & the Temper Trap Join for Next Winery Series!
Media Release – Thursday July 28 GARBAGE & THE TEMPER TRAP JOIN FOR NEXT WINERY SERIES! With the Preatures, Tash Sultana and Adalita a day on the green has assembled an epic line-up for its next series of winery concerts. Alt-rock pioneers Garbage and Australia’s own multi-platinum chart toppers The Temper Trap will come together as part of their respective national tours for five outdoor events through November/December. The concerts will feature a stellar under-card with special guests The Preatures, Tash Sultana and Adalita. The five band bill kicks off at Victoria’s Rochford Wines on Saturday November 26. These will be the Garbage’s first Australian shows since 2013 and celebrate their acclaimed sixth studio album Strange Little Birds (out now via Liberator Music). To create Strange Little Birds, their first album in four years, Garbage (Shirley Manson, Steve Marker, Duke Erikson and Butch Vig) drew on a variety of influences including the albums they loved growing up. Upon its June release, the album debuted at #9 on the ARIA Album Chart and picked up widespread acclaim: ‘20-plus years after forming, each band member is still fired up to mine new sounds and approaches for inspiration. That willingness to be uncomfortable and look beneath the surface makes Strange Little Birds a rousing success.’ – The A.V. Club ‘The electronic rockers return with a sixth studio album as cool and caustic as their 1995 debut’ – NME ‘Garbage haven’t released an album this immediate, melodically strong and thematically interesting since their self-titled 1995 debut.’ – Mojo In support of the album’s release, Garbage performed a powerful two-song performance on Jimmy Kimmel Live! – watch ‘Empty’ here and ‘Push It’ here. -
Passingham, Steve; Wolf, Alison; Kent, Naomi Lost
DOCUMENT RESUME ED 423 707 FL 801 182 AUTHOR Carr-Hill, Roy; Passingham, Steve; Wolf, Alison; Kent, Naomi TITLE Lost Opportunities: The Language Skills of Linguistic Minorities in England and Wales. INSTITUTION Basic Skills Agency, London (England). ISBN ISBN-1-85990-045-3 PUB DATE 1996-02-00 NOTE 187p. AVAILABLE FROM Basic Skills Agency, 7th Floor, Commonwealth House, 1-19 New Oxford Street, London WC1A 1NV, England (6 British pounds). PUB TYPE Reports Research (143) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Adult Education; Bengali; Chinese; *Educational Needs; *English (Second Language); Foreign Countries; Gujarati; *Literacy; *Minority Groups; Punjabi; *Refugees; Second Language Instruction; Second Language Programs; Surveys; Uncommonly Taught Languages; Urdu IDENTIFIERS Bosnians; *England; Kurds; Somalia; Tamils ABSTRACT A study investigated the English language needs of five minority language communities in England (Bengali, Gujerati, Punjabi Urdu, Punjabi Gurmukhi, Chinese) and four refugee groups (Bosnians, Kurds, Somalis, Tamils). Data were gathered from 997 individuals in the language groups and 176 in the refugee groups using a test of listening, reading, and writing. Results indicate a high proportion of the groups operate at low levels of English language competence, with very few z*illed erough for English-medium study and training, despite relatively high formal educational attainment. Substantial proportions were unemployed. Nearly half had previously had English language instruction, and a similar nroportion had taken or were taking English instruction in the United Kingdom. Language skill differences were found for the different groups studied. Younger subjects performed better than older subjects, and overall men performed better than women. Implications for-the success of current educational programs and for future needs are explored. -
688 Rust N-M-E
Product Profile PS H E E T ® Description: 688 RUST N-M-E 688 RUST N-M-E ® is the enemy of rust! 688 RUST N-M-E ® actually converts rust (iron oxide) into iron phosphate, resulting in a substrate that accepts paint readily and permanently. Economically priced and easy to apply, this product is designed to be used whenever removing rust is impractical. RUST N-M-E ® is an excellent acid etch pre-treatment for galvanized and non-ferrous metals, structural steel, iron and aluminum. Partial List of Uses: • Commercial vessels • Ocean containers • Ships hulls • Oil refineries • Smoke stacks • Truck chassis • Steel buildings • Any metal surface Benefits: • Retards rust; ensures a sound base for primer and finish coat • Easily applied using conventional methods and equipment • Adheres so well to the surface, actually etches it so that moisture cannot breakthrough to attack the metal TECHNICAL DATA Product Number: 688 Colors: Clear with Blue Tint Viscosity: 13” - 14” #2 Zahn cup Solids by Weight: 0 Solids by Volume: 0 V.O.C. (Volatile Organic Compounds): * 340 grams per liter or less, 2.8 lbs. per gallon Solvent(s) Used: Water/Alcohol /Acid Mixture Finish: N/A Flash Point: 53ºF/TCC Dry-To-Touch @ 77 ºF: N/A Dry-To-Handle @ 77 ºF: N/A Recoat time @ 77 ºF: N/A Coverage: 600 square feet per gallon Please refer to label for cautions and warnings pertaining to this product. ® 688 RUST-N-M-E Directions for use: CAUTION: RUST N-M-E® contains phosphoric acid. If CLEAN-UP: Flush equipment with water. -
UFO Music Video Promotion Details
Andy Gesner HIP Video Promo (732)-613-1779 [email protected] Music Video Promoter ‘UFO’ Cole Phoenix- USA, Canada, Latin America & International Web !Distribution/Servicing List- MTV VH1… is below proposal and company info. Here at HIP, we've had the great honor and privilege to promote over 1600 music videos over our thirteen year history. I encourage you to check out our client list, and there you can see we are not a promo company that just takes on any client no matter what the video looks like. Unlike others that do what we do, we are extremely selective about the videos we promote and are constantly searching for artists like Cole Phoenix to get in on the ground floor with. ! We will take all the necessary precautions to assure you that the Cole Phoenix "UFO" music video arrive to all of our programmers 100% ready for immediate programming. Here's the full national music video promotion proposal for you to check out, including both !internet and terrestrial television outlets in Canada and Latin America.! !Proposal:! At HIP Video Promo, music video promotion is the only thing we do! My staff and I are your guides through the treacherous terrain of music video promotion, and are here to make it as easy as possible for you to achieve maximum exposure for your video. We are fearless when it comes to promoting cliche-defying artists outside the mainstream, while always remaining highly selective in the projects we promote. Our constant goal is to supply our programmers with the videos their viewers really want to see.! HIP Video Promo has built the most impressive client roster in the industry, promoting videos by such epic talents as Pearl Jam, The B-52's, The Blind Boys of Alabama, Johnny Cash, Moby, Elvis Costello, and Motley Crue, as well being on the ground floor with artists like The Lumineers, Brooke Fraser, Iron and Wine, Death Cab For Cutie, Armin Van Buuren, Sharon Jones and the Dap Kings, Maroon 5, Bon Iver, and others on their way to stardom. -
Mtv to Honor Liam Gallagher with “Rock Icon” Award at the “2019 Mtv Emas”
MTV TO HONOR LIAM GALLAGHER WITH “ROCK ICON” AWARD AT THE “2019 MTV EMAS” MTV TO HONOR LIAM GALLAGHER WITH “ROCK ICON” AWARD AT THE “2019 MTV EMAS” AIRING GLOBALLY ON NOVEMBER 3 ARTIST IMAGERY HERE SOCIAL TAGS: #MTVEMA @MTVEMA @VIACOM_INTL NEW YORK/SEVILLE—OCT. 30, 2019—MTV will honor megastar Liam Gallagher with the first-ever “Rock Icon” award at the “2019 MTV EMAs,” which will broadcast live on Sunday, November 3rd from FIBES Conference and Exhibition Centre in Seville, Spain. To mark the milestone occasion, Gallagher will perform a hit song from his days with Oasis as well as one from his recent critically-acclaimed solo album, “Why Me? Why Not.” “There’s no question that Liam Gallagher is one of the world’s most successful, influential and colorful rock artists of our time,” said Bruce Gillmer, global head of music and talent, Viacom and co-brand head, MTV International. “The rich musical history that we have with Liam, both with his former band, Oasis and as a solo artist, has inspired us to create the first-ever ‘Rock Icon’ award. It is without a doubt that he’s left an indelible mark on the rock scene and still delivers songs that will continue to shape generations to come.” | 1 MTV TO HONOR LIAM GALLAGHER WITH “ROCK ICON” AWARD AT THE “2019 MTV EMAS” The most iconic frontman of his generation and the voice of a catalogue of era- defining hits with Oasis, Liam Gallagher made the comeback of the year with his 2017 solo album As You Were. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964