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Students, Trustees to Discuss Future Goals Morgue Where the Bodies Were Being Kept
.. ERAatND-Page 11 VOL. XIV, NO. 131 THURSDAY, MAY I, 1980 Student governtnent: cliches becom.e traditional approach by Michael Lewis This year's Student Body Exec. News Editor Emen"tus President election was panicu- _ larly revealing, because the three basic approaches to SG f!.ditor's Note: This is the first were represented, and stu m a two-part analysis of Notre dents again chose what may be Dame's Student Government. called a "traditional" (for lack Today 's articie looks at the of a better term) approach to Student Government's the office. ''traditional'' approach to SBP Paul Riehle and his issues on campus. Tomorrow's closest competitor Tom Beh artzcle will deal with the ney, both articulated this tradi creation and problems of the tional attitude toward student Campus Lzfe Council. representation. Riehle and Behney stressed Forums, debates, "improve their experience in various communications,'' ''make Stu student offices, their familiari dent Government more effec ty in dealing with administra tive," dorm visits, endorse tion officials, and their "realis ments, ·'make the administra tic" and "feasible" platforms. tion more responsive to the Riehle tole The Observer's students," and, last but not editorial board before the elec least, the call for "student tion that he believed he knew input." "what would fly" with the Student Government cam people under the dome, and paign cliches. Every Notre could use that knowledge in Dame student has heard them planning for SG action. (Riehle at least once. also publicly expressed confi And, just as the same issues dence that the most recent of and cliches seem to surface several keg proposals would be Presidential candtdate Sen. -
The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Decadence 1969-76 (These are excerpts from my book "A History of Rock and Dance Music") As usual, the "dark age" of the early 1970s, mainly characterized by a general re-alignment to the diktat of mainstream pop music, was breeding the symptoms of a new musical revolution. In 1971 Johnny Thunders formed the New York Dolls, a band of transvestites, and John Cale (of the Velvet Underground's fame) recorded Jonathan Richman's Modern Lovers, while Alice Cooper went on stage with his "horror shock" show. In London, Malcom McLaren opened a boutique that became a center for the non-conformist youth. The following year, 1972, was the year of David Bowie's glam-rock, but, more importantly, Tom Verlaine and Richard Hell formed the Neon Boys, while Big Star coined power-pop. Finally, unbeknownst to the masses, in august 1974 a new band debuted at the CBGB's in New York: the Ramones. The future was brewing, no matter how flat and bland the present looked. Decadence-rock 1969-75 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Rock'n'roll had always had an element of decadence, amorality and obscenity. In the 1950s it caused its collapse and quasi-extinction. -
Dazed N Confused Song List
Dazed n Confused Song List Ozzy Osbourne - Crazy Train - Solo’s, Paranoid 163 Whitesnake - Still of the Night -100 - Solo’s Aerosmith - Walk this Way 109 - Sweet Emotion 99 Uriah Heep - Easy Living 161 Robin Trower - Day of the Eagle 132, No time 127 Joe Walsh - Rocky Mountain Way 83 Molly Hatchet - Dream 106, Flirting w/ Disaster 120 April Wine - Roller 141, Sign of the gypsy queen 138 Rush - Tom Sawyer 175, Limelight 138 Bob Seeger - Strut 116 Ratt - Round and Round solo’s 127, Van Halen - Panama 141, Beautiful Girls 205, Jump 129, Poundcake 105 Thin Lizzy - Jailbreak 145 Rick Derringer - Rock n Roll Hoochie Koo 200 Billy Idol - Rebel Yell 166 Montrose - Space Station #5 168 Led Zeppelin - Immigrant Song 113, (Whole Lotta Love, Bring it on Home, How Many More Times) Foghat - I Just Wanna Make Love to You 127, Slowride 114, Fool for the city 140 Ted Nugent - Stranglehold, Dog Eat Dog 136, Cat Scratch Fever 127 Neil Young - Rockin in the Free World 132 Heart - Barracuda 137 James Gang - Funk 49 91, Walk Away 102 Poison - Nothin But a Good Time 129, Talk Dirty to Me 158 Motley Crue - Mr. Brownstone106, Smokin in the boys room 135, Looks that kill 136, Iron Maiden - Run to the Hills 173 Skid Row - Youth Gone Wild 117 ZZ Top - Tush, Sharped dressed man 125 Scorpions - Rock You Like a Hurricane 126 Grand Funk Railroad - American Band 129 Doucette - Mamma Let Him Play 136 Sammy Hagar - Heavy Metal, There’s only one way to rock 153, I don’t need love 106 Golden Earring - Radar Love -
E08bff68148321589893341.Pdf
Brevard Live January 2017- 1 2 - Brevard Live January 2017 Brevard Live January 2017- 3 4 - Brevard Live January 2017 Brevard Live January 2017- 5 6 - Brevard Live January 2017 Contents January 2017 FEATURES SEAFOOD & MUSIC FESTIVAL PETER YARROW Now held at Shepard Park in Cocoa Columns Beach, the festival features the freshest Peter Yarrow found fame with the 1960s Charles Van Riper folk music trio Peter, Paul and Mary. seafood along with some amazing live entertainment: mega-star, singer- and 22 Political Satire Yarrow co-wrote (with Leonard Lipton) “The Column” one of the group’s greatest hits, “Puff, songwriter, legend John McLean and the Magic Dragon”. reggae legends, The Original Wailers. Page 17 Calendars Page 11 25 Live Entertainment, Concerts, Festivals TRAVIS DAIGLE IRELAND The next generation of “guitar heroes Take yourself to another time and place Local Download in the making” has arrived. Meet Travis and drink in the history of the enchant- by Andy Harrington Daigle who has recently recorded an EP 33 ing Emerald Isle. You haven’t been to Local Music Scene with the help of rock legends David Pas- Ireland until you’ve experienced all the torius and Kenny “Rhino” Earl. They are drunk, the loud, and the wild there is to In The Spotlight featured on our cover this month. offer. John Leach was among them. 35 by Matt Bretz Page 13 Page 17 Flori-duh! TITUSVILLE MARDI GRAS ANDY STANFIELD 36 by Charles Knight Historic downtown Titusville will trans- We first met Andy in 2012 when he ap- form into a New Orleans style French peared with his band Pipes of Pan during The Dope Doctor Quarter during the Titusville Mardi Gras the Original Music Series. -
Since the Idea of Doing a Lynyrd Skynyrd Tribute Was Conceived By
For over three decades, Whiskey River’s musicians have thrilled audiences all over the West Coast as America's number one tribute to the legendary southern-rock band Lynyrd Skynyrd. Re-creating the image and the music of the southern rock band that took the world by storm in the "70's. Whiskey River not only plays Lynyrd Skynyrd, they personify the group onstage bringing the audience back in time thirty years as they blaze through classics like Sweet Home Alabama, Gimme Three Steps, The Breeze and their phenomenal note-for-note version of Lynyrd Skynyrd’s "Live" guitar opus Freebird. One of the most amazing aspects of Whiskey River’s tribute to Lynyrd Skynyrd is that their fan base literally runs from seven to seventy years old! Whiskey River has performed countless fairs, festivals, casinos and clubs throughout the region including Spokane Interstate Fair, Chehalis Music in the Parks, Darrington Classic Rock Festival, the White River Amphitheater, Key Arena @ Seattle Center, Bite of Seattle, the Emerald Queen, Tulalip, 7 Cedars, Red Wind and Skagit Casinos, the Jackson Prairie Speedway, the Sturgis Black Hills Rally in Sturgis, SD, and many many more. The band has also shared billing with numerous National Artists including Molly Hatchet, Delbert McClinton, Little Feat, Pat Travers, Foghat, Mountain, Grand Funk Railroad, Black Oak Arkansas, Quiet Riot, Dr. John, Savoy Brown, Seattle's own Randy Hansen, Elvin Bishop, Commander Cody, Paul Rodgers, Head East, Janis Joplin's band Big Brother and the Holding Company, Blue Oyster Cult, The Southern Rock All Stars, Iron Butterfly, Steppin Wolf and many others. -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
The Campus of Allegheny College
THE CAMPUS OF ALLEGHENY COLLEGE VOL. 105, No. 7 MEADVILLE,,PA. PUBLISHED SINCE 1876 November 5, 1981 Task Force Issues Rape Cards by Chris Small lem," Dean Rumsey said. force. Dean Susan Rumsey said of According to Rumsey, the She also stressed that the the Sexual Assault Task Force, group was concerned with on- cards were not distributed to "Our main objective was to campus situations which occur- scare the campus community, make sure that we were doing red last year. There were but to encourage women to be everything to make the campus instances in which some women cognizant of their surroundings. as safe as possible and to educate were harassed by a man or a Dean Skinner set up the task women in all they could do to group of men, and the task force force last year to study the prevent being involved in an did research to see if everything safety of students on the Alle- assault or rape." was being done to prevent gheny campus. The force The task force recently dis- occurrences such as these. consists of George Zubrod, Busi- tributed "rape cards" to all This committee studied the ness Manager; Edward Humph- female students living on or off physical plan of the campus to rey, Director of Security; Erna campus and to all staff in case identify and evaluate possible Heyer, a counselor at the Coun- of emergency. The cards are danger areas and found no seling Center; Mary Bras, Health wallet-sized pieces of paper consistent pattern of assaults. Center Head Nurse; Susan Rum- which supply rape prevention The group also studied pro- sey, associate Dean of Students, Molly Hatchet, t e a oys of Southern Rock, kept the . -
International Battle of the Band Records
International Battle of the Band Records NMAH.AC.0677 Midori Okazzaki 2000 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical/Historical note.............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents note................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1.1: International Battle of the Bands, 1981................................................. 4 Series 1.2: International Battle of the Bands, 1982................................................. 9 Series 1.3: International Battle of the Bands, 1983............................................... 16 Series 1.4: International Battle of the Bands, 1984.............................................. -
Molly Hatchet Coming Here Artfile
JAMES MADISON UNJVFffSlTY UBRArV Ho.rl^oburg. Vjrgifl'a 2280, Vol. 58 James Madison University Friday, October 17,1980 No. 13 JMU announces break of EC AC basketball ties By DAVID TEEL Carnevale of William and Mary, James Madison University and Chuck Boone of Richmond and Dean three other Virginia Division I in- Ehlers of JMU. stitutions announced Thursday they In conjunction with the an- are withdrawing from the Eastern nouncement, the four confirmed they Collegiate Athletic Conference are discussing other courses of action basketball competition. including a new conference. To be The University of Richmond, Old officially recognized by the National Dominion University and the College (Continued on Page 8) of William and Mary joined JMU in the decision that will take effect for the 1981-82 season. --T.W The maioc. reason, for the decision Fnci«4*» 3 was arflECAC directive''calling' foY £%"-;■-~- '.». y'\vv<Vi*«-'. round-robin play between all mem- —For an extra fzs a semester, bers of the ECAC's Southern Division students on Greek Row enjoy air beginning in 1981-82. This ruling would conditioning and fewer social have forced each of the 11 members to restrictions than their residence play each other at least once per hall counterparts. See story, page season. 3* Athletic directors from the four institutions indicated they are not -See page 10"Fall Fashion II,"as prepared to play this type of schedule Folio explores the world of the because the 10 game requirement "fashion unconscious" student. would jeopardize already scheduled contests with traditional rivals. —Tom Bowles is officially declared sycajrtM a. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Flirtin' with Disaster Words & Music: Danny Joe Brown, Dave Hlubek & Banner Thomas (Molly Hatchet)
Flirtin' With Disaster Words & Music: Danny Joe Brown, Dave Hlubek & Banner Thomas (Molly Hatchet) This is fully tabbed in the "Southern Rock" issue of Guitar Legends. I've lost the name of the fantabber who transcribed the tab here. Intro: (can be divided between 2 Guitars) Play these 4 bars 1 time: E-----------------|-----------------|-----------------|-----------------| B-----------------|-----------------|-----------------|-----------------| G-----------------|-----------------|-----------------|---------------7-| D-----------------|-----------------|-----------------|---------------7-| A-----------------|-----------------|-----------------|-----------7-9---| E-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-| Then, play this 3 times (Riff C): E-----------------|-----------------|-----------------|-----------------| B-----------------|-----------------|-----------------|-----------------| G-----------------|---------------9-|-----------------|---------------7-| D-----------------|---------------9-|-----------------|---------------7-| A-----------------|-----------------|-----------------|-----------7-9---| E-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-| Then, play this 1 time: [last two bars, with pickup, are Riff D] E-----------------|-----------------|-----------|--------------| B-----------------|-----------------|-----------|---6--7-------| G-----------------|---------------9-|-4-6-7---6-|-6-6--7-6-4---| D-----------------|---------------9-|-----7-7-6-|------------7-| A-----------------|-----------------|-----------|--------------| E-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-----------|--------------| Riff A Riff B A5 Bb5 B5 C5 C#5 E5 D5 D#5 E5 E5 E-----------------|-------------------| B-----------------|-------------------| G-2--3---4--5--6--|--9--7--8---9---9--| D-2--3---4--5--6--|--9--7--8---9---9--| A-0--1---2--3--4--|--7--5--6---7---7--| E-----------------|-------------------| A5 G5 A5 [etc.] I'm travelin' down the road & I'm flirtin' with disaster. -
Dreamcatcher-Rev-Sept-2016.Pdf
dreamcatcher about dreamcatcher There are two stories of how the dreamcatcher came to be. The Lokota tribe believes the dreamcatcher captures the good dreams and lets the bad dreams pass through the centre. In this way you will always carry good dreams with you. The Cherokee believe that the dreamcatcher ensnares bad dreams in its web which are burned up in the morning sun. Good dreams pass through the centre to the sleeper. For pragmatic reasons I have used the Cherokee legend in this play. This story is in the play’s opening. I am extremely grateful to Native American historian Bearded Wolf for the dreamcatcher legends, and for the extraordinarily beautiful ‘Silver Bear’ message of friendship that you will hear (slightly amended) at the end of this play as ‘the words of the Dreamcatcher’. I am also hugely indebted to Jenifer Toksvig for her great assistance in moulding this show – and I still think “Shake, Ripple & Roll” is the best children’s musical for years! Dreamcatcher was written specifically to meet the needs of our theatre school, Best Theatre Arts, where we make a promise that every child will be fully involved in the show, and simply couldn’t find anything at the time we felt did the job. It is episodic (for ease of rehearsals), has a CD of the backing music available (we always have trouble getting bands together) and has sections which give children of any age between 6 and 15 (or so) a chance in the limelight. The play was first performed in its original form by students of Best Theatre Arts on 26 March 2002 at The Sandpit Theatre in St Albans.