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Esperanzah.Pdf
Esperanzah! World Music Festival es un festival sostenible y comprometido socialmente de músicas Abono 3 días = 30€ del mundo para saborear, en un espacio verde y Abono 1 día = 18€ fresco: el Parc Nou, en El Prat de Llobregat (BCN). www.esperanzah.es Compra desde ya tu entrada en: [email protected] • www.entradas.com • Halcón Viajes www.halconviajes.com Viernes 26 de Junio • Puntos de venta: Aziza Brahim & Gulili Mankoo Racó del món La Pegatina Cases d’en Puig, Pl. Agricultura, 4 – El Prat Smod Bar Mariatchi Terrakota 26, 27 y 28 de junio Carrer Còdols 14, Gòtic - Bcn Tiken Jah Fakoly PARC NOU Bar Calexico Sábado 27 de Junio Carrer Torrent de l’Olla 141, Gracia, Bcn Sara Van El Prat de Llobregat (BCN) Etnomusic Músicas del Mundo Costo Rico Carrer Bonsuccés 6 - Bcn Muyayo Rif Calima La Resistencia Los Van Van Carrer Rosalia de Castro 92, L’Hospitalet Domingo 29 de Junio Mireia Cruz Les Frères Guissé El Cabrero + Zapata Zoo Keziah Jones + info en el interior Informaciones prácticas ¿Quieres colaborar? Cómo llegar al recinto de Esperanzah!: • Asociación o colectivo interesado en participar en Parc Nou - El Prat de Llobregat - Barcelona Esperanzah! contáctanos en [email protected]. • Si quieres participar como voluntario/a, visita nuestra BUS (desde Barcelona): página web y descárgate la ficha de inscripción al 65 y 165 (Prat exprés) desde Plaza España festival, que nos puedes hacer llegar a: N17 (Bus Nocturno) desde Plaza España [email protected]. TREN -RENFE-: Parada “El Prat de Llobregat” (trenes destinación “Aeropuerto”, o “Vilanova i la Geltrú” desde Barcelona). -
INEMA INTERNATIONAL Students, Faculty, Staff and the Community Are Invited • ADMISSION IS FREE • Donations Welcome 7:30 P.M
MURRAY STATE UNIVERSITY • Spring 2017 INEMA INTERNATIONAL Students, faculty, staff and the community are invited • ADMISSION IS FREE • Donations Welcome 7:30 p.m. Thursday, Friday and Saturday evenings • Curris Center Theater JAN. 26-27-28 • USA, 1992 MARCH 2-3-4 • USA, 2013 • SHAKESPEARE FESTIVAL THUNDERHEART WARM BODIES Dir. Michael Apted With Val Kilmer, Sam Shephard, Graham Greene. Dir. Jonathan Levine, In English and Sioux with English subtitles. Rated R, 119 mins. With Nicholas Hoult, Dave Franco, Teresa Palmer, Analeigh Tipton, John Malkovich Thunderheart is a thriller loosely based on the South Dakota Sioux Indian In English, Rated PG-13, 98 mins. uprising at Wounded Knee in 1973. An FBI man has to come to terms with his mixed blood heritage when sent to investigate a murder involving FBI A romantic horror-comedy film based on Isaac Marion's novel of the same agents and the American Indian Movement. Thunderheart dispenses with name. It is a retelling of the Romeo and Juliet love story set in an apocalyptic clichés of Indian culture while respectfully showing the traditions kept alive era. The film focuses on the development of the relationship between Julie, a on the reservation and exposing conditions on the reservation, all within the still-living woman, and "R", a zombie…A funny new twist on a classic love story, conventions of an entertaining and involving Hollywood murder mystery with WARM BODIES is a poignant tale about the power of human connection. R a message. (Axmaker, Sean. Turner Classic Movies 1992). The story is a timely exploration of civil rights issues and Julie must find a way to bridge the differences of each side to fight for a that serves as a forceful indictment of on-going injustice. -
Dueling Bands and Good Girls: Gender, Music, and Nation in Luanda's Musseques, 1961-1974"
International Journal of African Historical Studies, 37,2 (2Q04) 255 DUELING BANDS AND GOOD GIRLS: GENDER, MUSIC, AND NATION IN LUANDA'S MUSSEQUES, 1961-1974" By Marissa J. Moorman Luanda is known for its late-night parties (or farras) that trail into the wee hours and include a bowl of muzongue (fish broth with pieces of cassava, fish, and chili peppers eaten in order to counteract the impending exhaustion and hangover). On November 11, 2001, the twenty-sixth anniversary of Angola's independence, I was invited to an event called Caldo de Dipanda (Independence Broth) that was to begin at 7 a.m. at the National Radio Station. It was a special independence day version of a bi-monthly live broadcast event hosted by a Sunday morning radio show (Caldo de Poeira, or Dust Broth) where they invite musicians of the older generation to gather, play music together, eat, and reminisce. My fiance (now husband) and I and a friend, tambourine in hand, arrived half an hour after the scheduled beginning to find some 30 people already gathered. We were directed to a table and served typical Angolan dishes—beans with palm oil, muzongue, boiled cassava and sweet potato—and our choice of beverage. The emcee was already playing a variety of old tunes and inviting various musicians up to the stage to sing their golden oldies. Enthusiastic hugs and hellos abounded in the audience and people were obviously quite pleased to be together. Almost all the guests in attendance were musicians in their 50s or 60s and, with a few exceptions, they were all men. -
Cinematic and Literary Representations of Africans and Afro-Descendants in Contemporary Portugal: Conviviality and Conflict on the Margins
Cadernos de Estudos Africanos (2012) 24, 165-186 © 2012 Centro de Estudos Africanos do ISCTE - Instituto Universitário de Lisboa Cinematic and Literary Representations of Africans and Afro-descendants in Contemporary Portugal: Conviviality and conflict on the margins Fernando Arenas Departamento de Estudos Afroamericanos e Africanos Universidade de Michigan Ann Arbor, E.U.A. [email protected] 166 CINEMATIC AND LITERARY REPRESENTATIONS OF AFRICANS AND AFRO -DESCENDANTS IN CONTEMPORARY PORTUGAL : CONVIVIALITY AND CONFLICT ON THE MARGINS Cinematic and literary representations of Africans and Afro-descendants in contemporary Portugal: Conviviality and conflict on the margins This article offers an analysis of feature films and literary fiction related to sub-Saha- ran African immigrants and their descendants in contemporary Portugal. I investigate how this cultural production reflects the changing Portuguese nation, where the bound- aries between postcolonial Portugal and its former African colonies, as well as the notions of what constitutes “being African” or “being European”, are being redefined. Keywords: postcolonialism, immigration, Africans, Afro-descendants, cinema, literature Representações fílmicas e literárias de africanos e afrodescendentes no Portugal contemporâneo: Convivialidade e conflito nas margens Este artigo propõe uma análise de longas-metragens e romances ligados às experiên- cias de africanos e afrodescendentes no Portugal contemporâneo, visando investigar como a dita produção cultural reflete uma nação portuguesa em -
Truth, Justice and Reparation in the Western Sahara
Truth, justice and reparation This summary was written with the difficult goal of condensing the in the Western Sahara report titled “The oasis of memory”, the complete version of which contains over 1000 pages in two volumes. The report includes an analysis of human rights violations in the Western Sahara since 1975 based on interviews and testimonies gathered from 261 victims. It The Oasis of Memory also analyzes the impact on individual people, families and women, the forms of resistance of the victims, and, finally, the demands for Carlos Martín Beristain truth, justice and reparation for victims as well as the responses from the state of Morocco. Eloísa González Hidalgo As Nobel Peace Prize winner Adolfo Perez Esquivel points out, “In the research work that summarizes the ‘The oasis of memory’ report, Dr. Carlos M. Beristain tries to recover both the Historical Memory and the human rights situation in the Western Sahara, developing an approach that follows the methodology of the Truth Commissions in which he has participated, and combining the psychosocial approach that he contributed to the REMHI Commission in Guatemala, with the importance of gathering direct information and experiences from victims”. The value of memory is in the transformation of life. This report is dedicated to Sahrawi victims and survivors who have made it possible with their courage and generosity. The Oasis of Memory Carlos Martín Beristain MD, is a physician and Doctor of Social Psychology. He has worked for 24 years in Latin America and in the Basque Country with human rights organizations and victims of violence. -
Dossier Pédagogique 1
Dossier pédagogique 1 Dossier pédagogique 2 Le dossier pédagogique JM LES TOURNÉES JM – UNE RESSOURCE ARTISTIQUE ET PÉDAGOGIQUE À DESTINATION DES PROFESSIONNELS DU SECTEUR Chaque saison, la Fédération des Jeunesses Musicales Wallonie-Bruxelles propose un programme d’une quarantaine de projets musicaux de Belgique et de l’étranger, mettant ainsi à la disposition des acteurs des terrains scolaire, extra-scolaire et culturel souhaitant élaborer une programmation jeune public au sein de leur institution, des ressources artistiques et pédagogiques de qualité, diversifiées, âprement sélectionnées et adaptées à leurs besoins. LES OBJECTIFS • Permettre la découverte d’un large éventail d’expressions musicales d’ici et d’ailleurs, anciennes ou contemporaines. • Sensibiliser le public le plus large (et particulièrement les enfants et les jeunes) à d’autres cultures, modes de vie, traditions, réalités sociales, etc. grâce à une rencontre vivante à dimension humaine avec les artistes. • Être un outil performant adapté à toute démarche culturelle, éducative, citoyenne, qu’elle soit portée par un enseignant, une équipe éducative, une structure culturelle, un mouvement associatif, etc. • Contribuer à l’épanouissement artistique et à la reconnaissance professionnelle de jeunes talents. • Proposer aux enfants et aux jeunes un regard actif sur le monde de la musique et les aider à développer leur sens critique. LA DÉMARCHE PÉDAGOGIQUE L’accompagnement pédagogique fait partie intégrante de la démarche artistique des Jeunesses Musicales. Ainsi, pour chaque tournée, nous mettons à la disposition des enseignants ou des encadrants des ressources pédagogiques en libre accès ainsi que des extraits sonores du projet. Le dossier pédagogique évoque le projet musical, en propose des pistes d’exploitations, des éléments biographiques, discographiques, etc. -
Mammoet-World-03.Pdf
VAN SEUMEREN GROUP worldwide specialists in heavy lifting and transport MAMMOET 3 WORLDO Running up the hill page 4 UK’s biggest bridge slide page 10 Kizomba on wheels New York…New York… page 16 Local alliances create added value page 18 Adapting to a changing playing field What the past year has clearly Seumeren to become COO and to In the USA, the management team regions. In particular, the slowdown shown is that the times are chang- intensify his productive cooperation has been strengthened with Darren in the power industry and the post- ing faster than ever before. The col- with Siem Kranenburg, who has Adams as COO, and Piet Nooren ponement of several large orders in lapse of the stock exchange, the fall remained as CFO. Both of them and Bernadette Coney have been America and Canada impacted neg- of the dollar against the euro and have been appointed representative appointed Board members at atively last year. However, there are the threat and then execution of war directors of Mammoet. In addition, Mammoet USA. Hans van Breukelen also new challenges, especially in in Iraq have all had a serious impact Patrick Freericks has joined the is the new President of AVS and, last China and Russia. on international companies such as team, taking over Roderik’s former but not least, Ton Bakker has been Frans van Seumeren Mammoet. When it comes to reces- responsibilities as Managing Director appointed Mammoet’s Regional The competition in our industry is President & CEO sion and hardship, it’s best to antici- of Mammoet Global. -
Cultural Struggles in the Lusofonia Arena: Portuguese-Speaking Migrant Musicians in Lisbon
AFRIKA FOCUS-Volume 26, Nr. I, 2013-pp. 67-88 Cultural struggles in the lusofonia arena: Portuguese-speaking migrant musicians in Lisbon Bart P. Vanspauwen Instituto de Etnomusicologia, New University of Lisbon, Portugal Approaching music as a point of social connection in the post-colonial city of Lisbon, where cultural entrepreneurs deploy the political concept oflusofonia, this study examines the ways in which local migrant musicians from Portuguese-speaking African countries (PALOPJ, as well as Brazil and East Timor, position themselves in this context. In general, the study shows that there is a lack of recognition of the contribution they make to the expressive culture of the Portuguese capital, and this is related to national preconceptions. Surprisingly, despite several existing coun ter-discourses regarding lusofonia, all interviewed musicians do see some future relevance in this concept. They appeal to both supranational institutions and national governments, asking for structural support in order to promote and disseminate all the expressive culture of Portuguese speaking African countries, indicating that the contribution of migrant musicians from these countries should be considered as an integral part of Portugal's cultural expression and heritage. Key words: Lusofonia, Portu9al, mi9rant musicians, cultural policy, postcolonialism 0 Mar foi ontem o que o idioma pode ser hoje, basta veneer algunsadamastores 1 Mia Couto 1. Introduction On 25 February 2ou, TAP, the Portuguese national airline, offering more than 70 weekly -
Portraits of Saharawi Music: When Cultural Preservation Meets Political Activism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Rhodes University: Hosted Journals PORTRAITS OF SAHARAWI MUSIC: WHEN CULTURAL PRESERVATION MEETS POLITICAL ACTIVISM by VIOLETA RUANO POSADA Abstract. Drawing from ethnographic fieldwork done mainly in the Saharawi refugee camps and the development of “Portraits of Saharawi Music” (2013–2014), a collaborative music archiving and research project in partnership with the British Library and the Saharawi Ministry of Culture, this article analyses issues in the political realities for Saharawi refugees from the perspective of the musicians and the cultural authorities in the refugee camps. In addition, it explores methodological and ethical issues derived from the uses of political and cultural activism as an ethnomusicological research method. It examines the interactions of the ideologies, motivations and personal relationships of the researcher, the musicians and the institutions involved in this recording project, focusing on the selection of repertoire as an activist act and the impact of doing advocacy research on an extremely vulnerable social group as the Saharawi refugee community. In agreement with basic principles of social responsibility of academia, it supports the role of “activist researcher”; but it cautions that it is essential for researchers to understand how relations of knowledge and power are produced, perpetuated, and challenged in specific situations of conflict, in order to turn their research into a true collaborative action. -
Universo Cover Temp
S O N A N G O L U N I V E R S O Universo JUNE 2 011 Sounds sensational I S S U E LURING TOURISTS: OLDEST ALLY: FIGURES OF POWER: 3 0 – how Luanda’s visitor why Brazil enjoys such Paris bows to the force INSIDE: J U N appeal is widening close links with Angola of Angolan art oil and gas news E 2 0 1 1 Universo is the international magazine of Sonangol Board Members INSID E THI S ISSUE Manuel Vicente (President), Anabela Fonseca, Mateus de Brito, Fernando Roberto, Francisco de Lemos, ur June edition throws light on different aspects of life in Baptista Sumbe, Sebastião Gaspar Martins Angola, reflecting its increasingly dynamic economy and Sonangol Department for reconstruction process. Communication & Image O Improvements in the quality of Luanda’s hotels along with the Director João Rosa Santos attractions of the capital’s short-break tourism options are examined in Corporate Communications our Luring Tourists feature. Assistants We follow this with an X-ray of Brazil’s long-standing connections Nadiejda Santos, Lúcio Santos, with Angola, relations that continue to expand, especially in the buoyant José Mota, Beatriz Silva, Paula Almeida, Sandra Teixeira, services sector. Marta Sousa Angolan music in its multiple and infectious forms is the theme of Publisher our third feature. Angola has not only inspired Brazilian samba but Sheila O’Callaghan newer genres, such as kuduro, which are wowing audiences worldwide. Editor John Kolodziejski Their sensationally elastic dance moves make Michael Jackson’s Art Director routines appear almost wooden in comparison. -
The YEAR 2014 Top 250.Pdf
WORLD MUSIC CHARTS EUROPE in the Year 2014 Compiled by Johannes Theurer on behalf of the Worldmusic Workshop of the European Broadcasting Union (EBU) The top 250 of 842 nominated records 1 SOUTAK Aziza Brahim Glitterbeat Western Sahara/Spain 2 TOUMANI & SIDIKI Toumani Diabate & Sidiki Diabate World Circuit Mali 3 TAMBUROCKET HUNGARIAN FIREWORKS Söndörgö Riverboat Hungary 4 TZENNI Noura Mint Seymali Glitterbeat Mauritania 5 BEWARE OF THE FETISH Kasai Allstars Crammed DR Congo 6 LINYERA Melingo World Village Argentina 7 GALIZA Kepa Junkera Folmusica Spain 8 AFRICAN WOMAN Sia Tolno Lusafrica Guinea 9 KONPA LAKAY Boulpik Lusafrica Haiti 10 LIBATION Sierra Leone's Refugee All Stars Cumbancha Sierra Leone/USA 11 LANDINI Aurelio Real World Honduras 12 SOO Habib Koite Contre-Jour Mali 13 LOVELY DIFFICULT Mayra Andrade Columbia/Stern's Cape Verde 14 FILM OF LIFE Tony Allen Harmonia Mundi/Jazz Village Nigeria 15 LE GRAND KALLE: HIS LIFE, HIS MUSIC Joseph Kabasele Stern's DR Congo 16 SALVADORA ROBOT Meridian Brothers Soundway Records Colombia 17 DEVIL'S TALE Adrian Raso & Fanfare Ciocarlia Asphalt Tango Records Romania/Canada 18 TALES FROM A FORGOTTEN CITY Mostar Sevdah Reunion Snail Records/World Connection Bosnia & Herzegowina 19 THE SOUND OF SIAM VOL 2 Various artists Soundway Thailand 20 HEVRA (TOGETHER) Aynur Dogan Sony Classical Turkey 21 MARIACHI BEAT Los de Abajo Flowfish Mexico - &s - 22 QUEEN BETWEEN Susheela Raman World Village UK 23 OUR KIND OF BOSSA Bossacucanova Six Degrees Brazil 24 FOFOULAH Fofoulah Glitterbeat UK 25 LET'S DANCE Ibibio -
ECFG-Angola-2020R.Pdf
About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the cultural dimension of your assigned location and gain skills necessary for success. ECFG The guide consists of 2 parts: Part 1 introduces “Culture General,” the foundational knowledge you need to operate effectively in any global environment. Angola Part 2 presents “Culture Specific” Angola, focusing on unique cultural features of Angolan society and is designed to complement other pre-deployment training. It applies culture- general concepts to help increase your knowledge of your assigned deployment location (Photo courtesy of Wikimedia). For further information, visit the Air Force Culture and Language Center (AFCLC) website at www.airuniversity.af.edu/AFCLC/ or contact AFCLC’s Region Team at [email protected]. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in title, content, or labeling. It may be reproduced in its current format with the expressed permission of the AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources as indicated. GENERAL CULTURE CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments. A culture is the sum of all of the beliefs, values, behaviors, and symbols that have meaning for a society. All human beings have culture, and individuals within a culture share a general set of beliefs and values.