“Smiling Faces Sometimes” the Undisputed Truth - 1971 (Key of C) Called By: Patty Greene

Total Page：16

File Type：pdf, Size：1020Kb

CHIC 2045 “Smiling Faces Sometimes” The Undisputed Truth - 1971 (Key of C) Called By: Patty Greene www.pkgdesignworks.com Opener Circle Left Smiling faces, sometimes, Pretend to be your friend Men Star Right now one time around there Allemande Left come on and Weave that old ring, Smiling faces, smiling faces, sometimes They don’t tell the truth Smiling faces, smiling faces Tell lies… And I got proof. Figure: Twice for Heads and Twice for Sides Heads(sides) Promenade go halfway around, My friend, Walk in and Square Thru 4 (four hand around) And a Right & Left Thru (turn that girl) Pass thru, Trade By, Touch ¼, Scoot Back for me Swing that girl Promenade her, you see Smiling faces, smiling faces Tell lies… And I got proof. Middle Break Sides Face Grand Square The truth is in the eyes, cuz the eyes don’t lie, amen…remember A smile is just a frown turned upside down, my friend Allemande Left and Weave the ring, Smiling faces, smiling faces, sometimes, they don’t tell the truth Smiling faces, smiling faces… tell lies… And I got proof Closer Sides Face Grand Square (Beware ) Beware of the handshake, that hides the snake (can you dig it?), I’m-a tellin’ you, (Beware) Beware of the pat on the back, it just might Allemande Left and Weave the ring, Jealousy (jealousy), Misery (misery), Envy, you can’t see behind Smiling faces, smiling faces, sometimes, they don’t tell the truth Tag Smiling faces, smiling faces Tell lies… And I got proof. Jim MacDonald – Guitar/Engineer Vic & Shauna Kaaria – Music Arrangement Shauna Kaaria/Jim MacDonald – Background Vocals Shauna Kaaria - Producer www.chicrecordings.com https://www.facebook.com/ChicRecordings .

Copy Link

Recommended publications

James Baldwin As a Writer of Short Fiction: an Evaluation
JAMES BALDWIN AS A WRITER OF SHORT FICTION: AN EVALUATION dayton G. Holloway A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1975 618208 ii Abstract Well known as a brilliant essayist and gifted novelist, James Baldwin has received little critical attention as short story writer. This dissertation analyzes his short fiction, concentrating on character, theme and technique, with some attention to biographical parallels. The first three chapters establish a background for the analysis and criticism sections. Chapter 1 provides a biographi cal sketch and places each story in relation to Baldwin's novels, plays and essays. Chapter 2 summarizes the author's theory of fiction and presents his image of the creative writer. Chapter 3 surveys critical opinions to determine Baldwin's reputation as an artist. The survey concludes that the author is a superior essayist, but is uneven as a creator of imaginative literature. Critics, in general, have not judged Baldwin's fiction by his own aesthetic criteria. The next three chapters provide a close thematic analysis of Baldwin's short stories. Chapter 4 discusses "The Rockpile," "The Outing," "Roy's Wound," and "The Death of the Prophet," a Bi 1 dungsroman about the tension and ambivalence between a black minister-father and his sons. In contrast, Chapter 5 treats the theme of affection between white fathers and sons and their ambivalence toward social outcasts—the white homosexual and black demonstrator—in "The Man Child" and "Going to Meet the Man." Chapter 6 explores the theme of escape from the black community and the conseauences of estrangement and identity crises in "Previous Condition," "Sonny's Blues," "Come Out the Wilderness" and "This Morning, This Evening, So Soon." The last chapter attempts to apply Baldwin's aesthetic principles to his short fiction.
[Show full text]
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr.
[Show full text]
The Body and Soul of Funk by Ketch Morse Your Gut with the First Chord and Ensuing Something Great
KTRU 91.7 FM FALL 2007 A Rookie’s Guide to the Houston Scene By KTRU Staff two most famous groups: ZZ Top and lificacy, however, has been outmatched Spain Colored Orange, Bring Back the Houston is one of the best-kept secrets Destiny’s Child. by his reclusiveness; despite capturing Guns, and the Dimes, and acts like Mo- of American culture. Though Houston In addition to these superstars, Houston the imagination of three generations of tion Turns It On and Sharks and Sailors artists have made fascinating and diverse also nurtures a thriving underground that music geeks, Jandek has given only two push prog rock into new and exciting ter- contributions to popular music, the city has is little-known outside the city. Its history interviews in his entire life, and did not ritory. Local rock labels are popping up at an unjustified reputation as something of a can traced, roughly, to the Texas psyche- give the first of his still-meager handful of a nearly unprecedented rate, providing a cultural wasteland. Part of that reputation delic movement of the late 60s. Houston live performances until 2004 (in Glasgow, desperately needed foundation for local art- is due to comparison to Houston’s close was home to both the movement’s found- Scotland oddly enough), 26 years after the ists. Meanwhile, extreme heavy metal has neighbor Austin, which for decades was ing record label, International Artists, and start of his “career.” been and continues to be one of Houston’s one of the capitals of American counter- one of its most influential and long-lived The unrestrained imagination of artists specialties, with locals like Braced for culture—part of it is due to a virtually bands, the Red Krayola.
[Show full text]
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago, [email protected]
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago, [email protected] Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. Paper 664. http://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. King’s legacy in mass culture. This work likewise is wrought from an intricate combination of support and insight derived from many individuals who, in some way, shape, or form, contributed encouragement, scholarly knowledge, or exceptional wisdom.
[Show full text]
Top 200 of the 1970'S
Top 200 of the 1970's Rank Song / Artist Album 1 Layla / Derek & The Dominos Layla & Other Assorted Love Songs 2 Stairway To Heaven / Led Zeppelin Led Zeppelin IV 3 Imagine / John Lennon Imagine 4 Born to Run / Bruce Springsteen Born to Run 5 Let It Be / The Beatles Let It Be 6 Hotel California / The Eagles Hotel California 7 What's Going On / Marvin Gaye What's Going On 8 Superstition / Stevie Wonder Talking Book 9 Bohemian Rhapsody / Queen A Night at The Opera 10 Bridge Over Troubled Water / Simon & Garfunkel Bridge Over Troubled Water 11 Let's Stay Together / Al Green Let's Stay Together 12 Maggie May / Rod Stewart Every Picture Tells a Story 13 American Pie / Don McLean American Pie 14 Won't Get Fooled Again / The Who Who's Next 15 Your Song / Elton John Elton John 16 Free Bird / Lynyrd Skynyrd Skynyrd's Innyrds 17 Brown Sugar / The Rolling Stones Sticky Fingers 18 Let's Get It On / Marvin Gaye Let's Get It On 19 Go Your Own Way / Fleetwood Mac Rumours 20 Papa Was A Rolling Stone / The Temptations All Directions 21 Stayin' Alive / The Bee Gees OST: Saturday Night Fever 22 Midnight Train to Georgia / Gladys Knight & the Pips Imagination 23 Ophelia / The Band Northern Lights-Southern Cross 24 Just My Imagination / The Temptations Sky's the Limit 25 I Will Survive / Gloria Gaynor Love Tracks 26 Roxanne / The Police Outlandos D'Amour 27 Dream On / Aerosmith Aerosmith 28 Another Brick In The Wall (Part 2) / Pink Floyd The Wall 29 No Woman No Cry / Bob Marley & The Wailers Natty Dread 30 London Calling / The Clash London Calling 31 Family
[Show full text]
Undisputed Truth Law of the Land Mp3, Flac, Wma
Undisputed Truth Law Of The Land mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Law Of The Land Country: US Released: 1973 Style: Soul MP3 version RAR size: 1388 mb FLAC version RAR size: 1581 mb WMA version RAR size: 1267 mb Rating: 4.7 Votes: 696 Other Formats: AIFF AA AAC AC3 VQF MP4 MMF Tracklist Hide Credits Law Of The Land A1 4:24 Written-By – Norman Whitfield Papa Was A Rollin' Stone A2 3:25 Written-By – Barrett Strong, Norman Whitfield Girl You're Alright A3 2:54 Written-By – Clay McMurray, Pam Sawyer Killing Me Softly With His Song A4 4:49 Written-By – C. Fox*, N. Gimbel* Just My Imagination (Running Away With Me) A5 3:40 Arranged By, Conductor – David Van DePitteWritten-By – Barrett Strong, Norman Whitfield This Child Needs Its Father A6 3:24 Written-By – Dino Fekaris, Nick Zesses Mama I Gotta Brand New Thing (Don't Say No) B1 3:37 Written-By – Norman Whitfield Feelin' Alright B2 4:51 Written-By – Dave Mason Love And Happiness B3 3:13 Written-By – Al Green, Mabon Hodges* With A Little Help From My Friends B4 4:23 Written-By – J. Lennon, P. McCartney* If I Die B5 3:16 Written-By – Peter Rivera* Walk On By B6 3:46 Written-By – H. David, B. Bacharach* Companies, etc. Copyright (c) – Motown Record Corporation Phonographic Copyright (p) – Motown Record Corporation Published By – Stone Diamond Music Corp. Published By – Jobete Music Co., Inc. Published By – Fox-Gimbel Productions Published By – Stone Agate Music Division Published By – Irving Music, Inc.
[Show full text]
MUS368U Motown: Detroit's History and Music
MUS368U Motown: Detroit’s History and Music Portland State University MUS 368U Dr. Edward Higgins Term: Spring 2018 Email: [email protected] Office: LH 213C CATALOG DESCRIPTION This course examines the music of the Motown Record Corporation and its place in the historical narrative surrounding American popular music, culture, and identity. Students will identify the music of Motown, its place in the broader context of American history, and its relationship with Detroit, the city of its origin. DETAILS Motown combined elements of jazz, gospel, and rhythm and blues into a genre of popular music that is considered the first true crossover genre, as it related universally to multiracial audiences. The Motown Sound and its political implications were part of a much larger conversation about the relationship of non-white art and struggle during the Civil Rights movement of the 1960sa, and this course will address Motown’s influence on that conversation. In addition, this course will examine Motown’s creative and business processes and how they compared to the assembly-line manufacturing processes that are utilized by Detroit’s automotive industry. LEARNING OUTCOMES Upon successful completion of this course, students will be able to identify specific musical features and compositions unique to Motown, discuss the music of Motown in broader context with the history of American popular music, discuss how business practices relate to artistic enterprises, assess the relationship between popular music and culture, and discuss how social and cultural events influence and may be influenced by popular music. COURSE OBJECTIVES Students will develop an understanding of Motown’s place in the historical narrative of American popular music and culture.
[Show full text]
MUSIC 351. the Music of Motown Fall 2012, Tth 12:30–1:45 P.M., M-113
MUSIC 351. The Music of Motown Fall 2012, TTh 12:30–1:45 p.m., M-113 Instructor: Maya Ginsberg ([email protected], 619.800.8389) M-256, office hours: TTH 9:30–10:30 a.m. This is a lecture class that surveys the music of the Motown Record Corporation, established in 1959 by Berry Gordy Jr. in Detroit, Michigan. By incorporating elements of jazz, gospel, and rhythm and blues, the creative minds and artists of Motown produced music that achieved “crossover” success, playing a significant role in the racial integration of popular music. This course examines the music, creative processes, technology, business practices, and the artists of Motown from the founding of the company in 1959 until the early1970s. Students in this class will examine the music and lyrics of a selection of representative songs by The Supremes, The Temptations, The Four Tops, Marvin Gaye, Stevie Wonder, and other Motown artists, including the studio musicians known as the Funk Brothers. The processes in creating these songs—including the role of the producer, engineer, and studio musicians—will also be examined. Through readings, students will learn about the business practices of Motown and also gain insight into social structures and the cultural environment that influenced and was influenced by the music of Motown. Upon successful completion of this course, students will be able to: identify musical works and specific musical features of the music of Motown; place the music of Motown into a broader context of the history of American popular music; discuss how business practices relate to artistic enterprises; assess the relationship between popular music and culture; and discuss how social and cultural events influence and may be influenced by popular music.
[Show full text]
Read Doc # American Funk Musical Groups
QELYBGEAHF7E \ Kindle # American funk musical groups American funk musical groups Filesize: 9.73 MB Reviews Undoubtedly, this is the greatest job by any author. It is actually filled with wisdom and knowledge I am quickly could get a pleasure of reading a written book. (Kade Ankunding) DISCLAIMER | DMCA VIFOLU3GKXTD < Kindle \\ American funk musical groups AMERICAN FUNK MUSICAL GROUPS Reference Series Books LLC Dez 2013, 2013. Taschenbuch. Book Condition: Neu. 249x189x17 mm. Neuware - Source: Wikipedia. Pages: 188. Chapters: Funkadelic, Parliament, Commodores, The Brothers Johnson, The Temptations, Labelle, Kool & the Gang, Earth, Wind & Fire, The Meters, Booker T. & the M.G.'s, The Isley Brothers, War, Parliament-Funkadelic, Sly and the Family Stone, The Revolution, Maroon 5, Automatic Man, The Make-Up, Tower of Power, The Pointer Sisters, The New Power Generation, Rufus, Cameo, Sharon Jones & The Dap-Kings, Change, Sun, Black Merda, The Emotions, Heatwave, Ike & Tina Turner, Robert Randolph and the Family Band, Lakeside, Mary Jane Girls, Five Stairsteps, The Time, Ohio Players, Was, Rose Royce, Klymaxx, The Chi-Lites, Charles Wright & the Watts 103rd Street Rhythm Band, Wild Cherry, Tavares, Scarlet Fever, Phenix Horns, Dazz Band, Maze, The Gap Band, The O'Jays, KC and the Sunshine Band, Skyy, Home Cookin', Material, Zapp, The SOS Band, L.T.D., Guy, A Taste of Honey, Midnight Star, Gargamel!, Free Radicals, 100 Monkeys, The Headhunters, Soulganic, Vanity 6, The J.B.'s, New Birth, Honey Cone, Incredible Bongo Band, Con Funk Shun, Galactic, Fatback Band, The Sugarman 3, Tackhead, The Bar-Kays, Deep Banana Blackout, Switch, Wet Willie, Infectious Grooves, The Wild Magnolias, Slave, Liquid Soul, Graham Central Station, Raw Deluxe, Brainstorm, Mother's Finest, South Shore Commission, Brass Construction, Groove Collective, B.
[Show full text]
Jazz Cities in History Jazz from a to Z (2016-2017)
Keeping Time and Place: Jazz Cities in History Jazz from A to Z (2016-2017) Season Theme: Keeping Time and Place: Jazz Cities in History “If ‘jazz’ means anything at all, which is “questionable, it means the same thing it meant to musicians fifty years ago – freedom of expression. I used to have a definition, but I don’t think I have one anymore, unless it is that it is a music with an African foundation which came out of an American environment.” Duke Ellington Jazz is America’s music. It has deep roots in ragtime, blues, and the music of the Black church. It was shaped in American cities such as: New Orleans, Chicago, New York, Kansas City, Pittsburgh, Detroit and Los Angeles after the mass migration of blacks and immigrants to cities in the first half of the 20th century. Musicians steeped in these American urban cultures exercised the freedom of expression and made jazz their own. Technological advancements of the twentieth century and the prominence of the United States on the world stage allowed jazz to cross political and cultural boundaries. By studying great jazz cities, participants will explore many facets of urban culture, but also discuss issues that have historically concerned urban populations. As artists, jazz musicians were deeply impacted by time and place and created a soundtrack that can help connect us to the people of a city and the challenges they faced. Educator Workshop Detroit: The Urban Crisis in the Motor City October 19, 2016 Mesa Arts Center Curriculum Outline based on: The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit by Thomas J.
[Show full text]
2021—03 March Program Guide
The John Sinclair Foundation Presents RADIO FREE AMSTERDAM 2021 BLUES, JAZZ & REEFER—KEEPING THE MUSIC ALIVE Mondays The John Sinclair Radio Show plus Fly By Night with Steve The Fly Tuesdays The Blues Show with Bruce Pingree plus Blues From the Red Rooster Lounge with Cary Wolfson Wednesdays BluesTime International with Roger White plus Blues Edition with Leslie Keros Thursdays Face The Music with arwulf arwulf plus The Groove Yard with George Klein Fridays Ancestor Worship with John Sinclair plus Sounds of Blue with Bob Putignano Saturdays Big City Blues Cruise with Martino D’Lorenzo plus The Soul Lucille Show with Lucille DJ Sundays Jazz at Daybreak with Leslie Keros plus Jazz Lunatique with David Kunian * Our internet radio station airs two hours of original programming every day and offers a continuous flow of music on the 24/7 stream on our website, just like a real radio station. This month the John Sinclair Radio Show passes Episode 900 with a pair of shows (899-900) that made up the WWOZ 1994 Mardi Gras Music Special hosted by Dr. John, recently rebroadcast by WWOZ for Mardi Gras 2021, Episode 901 is dedicated to sampler #29 from Big City Rhythm & Blues magazine, and 902 is a 1995 concert at the Funky Butt Café in honor of the passing of the great Robert Palmer, thanks to Manny Lander. All of our programmers and production staff contribute their work to this important project of the John Sinclair Foundation, offered free to the public throughout the universe for the past fifteen years, since the formation of Radio Free Amsterdam on January 1, 2005.
[Show full text]
Behind the Classics
ISSUE #36 MMUSICMAG.COM BEHIND THE CLASSICS WRITTEN BY: NORMAN WHITFIELD AND BARRETT STRONG RECORDED: MOTOWN STUDIOS, DETROIT PRODUCED BY: NORMAN WHITFIELD DENNIS EDWARDS, MELVIN FRANKLIN, RICHARD STREET, OTIS WILLIAMS, DAMON HARRIS: VOCALS BOB BABBITT: BASS URIEL JONES: DRUMS WAH-WAH WATSON, JOE MESSINA: GUITARS JOHNNY GRIFFITH: KEYBOARDS JACK ASHFORD: PERCUSSION PAUL RISER: STRING AND HORN ARRANGEMENT FROM THE ALBUM: ALL DIRECTIONS (1972) Richard Street Richard Clockwise: Dennis Edwards, Melvin Franklin, Richard Street, Otis Williams, Damon Harris “Papa Was a Rollin’ Stone” THE TEMPTATIONS By the early 1970s, the Motown Sound a love-hate relationship from the very first rules of a typical hit. Songwriters know the had lost its innocence. Simple three-minute time the vocal quintet worked with Whitfield— conventional wisdom of keeping an intro songs about baby love and heartaches had he gave them hits, but not without torturing short. Before Edwards sings the opening given way to complex epic soul workouts them in the studio. line, there are two minutes of instrumental that tackled socially conscious topics. And “My first reaction was that I hated the build—and long instrumental breaks stretch leading the charge was producer Norman guy,” said lead singer Dennis Edwards. between verses and choruses. Perhaps most Whitfield. With hits for the Temptations “Norman had a way of making you mad. He interesting, the entire song motors along on like “Cloud Nine” and “Ball of Confusion,” was the type who’d yell, ‘You sound like crap. one single chord. Whitfield and his lyric-writing partner Barrett My kid could sing better than this!’ But when Topping the charts in December 1972, Strong kept upping the ante on just how you heard the finished product, you realized it would be the Temptations’ last No.
[Show full text]