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BACK TO THE 70S with M.G. KELLY 4 HOUR PROGRAM CLOCK CUE SHEET HOUR ONE SEGMENT 1 Bachman -Turner Overdrive – You Ain't Seen Nothing Yet The Eagles – Witchy Woman Blue Suede – Hooked On A Feeling NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 2 Elton John – Bennie And The Jets Carole King – Jazzman Jigsaw – Sky High NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 3 The Miracles – The Tears Of A Clown Joni Mitchell – Help Me Orleans – Still The One NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 4 Patti LaBelle – Lady Marmalade Billy Preston – Will It Go Round In Circles Paul Revere & The Raiders – Indian Reservation NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES HOUR 2 SEGMENT 1 The Rolling Stones – Tumblin' Dice Linda Ronstadt – When Will I Be Loved? Linda Ronstadt – You're No Good Billy Joel -- Only The Good Die Young NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 2 Paul Simon – Me & Julio Down By The Schoolyard Seals & Crofts – Diamond Girl Boz Scaggs – Lowdown NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 3 The Staple Singers – I'll Take You There The Steve Miller Band – Jet Airliner The Stylistics – Betcha By Golly, Wow NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 4 Sugarloaf – Green-Eyed Lady The Styx – Lady Bob Welch – Sentimental Lady NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES HOUR 3 SEGMENT 1 The Allman Brothers Band – Ramblin' Man Carl Carlton – Everlasting Love Harry Chapin – Cat's In The Cradle NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 2 The Climax Blues Band – Couldn't Get It Right Cornelius Brothers & Sister Rose – Treat Her Like A Lady Santana – Oye Como Va NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 3 The Doobie Brothers – China Grove The Doobie Brothers – Black Water Earth, Wind & Fire – Shining Star NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 4 Aretha Franklin – Spanish Harlem Hamilton, Joe Frank & Reynolds – Don't Pull Your Love Heart – Magic Man NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES HOUR 4 SEGMENT 1 The Ides Of March – Vehicle Billy Joel – Big Shot Barry Manilow – Copacabana NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 2 Rare Earth – I Just Want To Celebrate Maxine Nightingale – Right Back Where We Started From Cliff Richard – Devil Woman NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 3 Steely Dan – Rikki Don't Lose That Number Billy Swan – I Can Help Abba – Waterloo NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 4 The Undisputed Truth – Smiling Faces Sometimes Paul McCartney & Wings – Band On The Run Melanie – Brand New Key NATIONAL BREAK 2 MINUTES LOCAL BREAK 2 MINUTES SEGMENT 5 The Temptations – Papa Was A Rolling Stone SONG FADES - END PROGRAM .

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James Baldwin As a Writer of Short Fiction: an Evaluation
JAMES BALDWIN AS A WRITER OF SHORT FICTION: AN EVALUATION dayton G. Holloway A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1975 618208 ii Abstract Well known as a brilliant essayist and gifted novelist, James Baldwin has received little critical attention as short story writer. This dissertation analyzes his short fiction, concentrating on character, theme and technique, with some attention to biographical parallels. The first three chapters establish a background for the analysis and criticism sections. Chapter 1 provides a biographi cal sketch and places each story in relation to Baldwin's novels, plays and essays. Chapter 2 summarizes the author's theory of fiction and presents his image of the creative writer. Chapter 3 surveys critical opinions to determine Baldwin's reputation as an artist. The survey concludes that the author is a superior essayist, but is uneven as a creator of imaginative literature. Critics, in general, have not judged Baldwin's fiction by his own aesthetic criteria. The next three chapters provide a close thematic analysis of Baldwin's short stories. Chapter 4 discusses "The Rockpile," "The Outing," "Roy's Wound," and "The Death of the Prophet," a Bi 1 dungsroman about the tension and ambivalence between a black minister-father and his sons. In contrast, Chapter 5 treats the theme of affection between white fathers and sons and their ambivalence toward social outcasts—the white homosexual and black demonstrator—in "The Man Child" and "Going to Meet the Man." Chapter 6 explores the theme of escape from the black community and the conseauences of estrangement and identity crises in "Previous Condition," "Sonny's Blues," "Come Out the Wilderness" and "This Morning, This Evening, So Soon." The last chapter attempts to apply Baldwin's aesthetic principles to his short fiction.
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Abortion Protest on Commons Sparks Debate
" >«•! ^ >. TOOAY: Showers, high 61°F, low 42°F. TUESDAY: Partly cloudy, high 65°F, low45°F. WEDNESDAY: Partly IiOmbardi party cloudy, high 69°F, See Focus page 18-19 low 49°F. JAMES MADISON UNIVERSITY Abortion protest on commons sparks debate "share the Gospel of Jesus Christ by Brad Jenkins & Katheryn Lenker as we strive to save the lives of news editors innocent pre-born children and spare their mothers from the hor- In straight rows, 400 small rors of abortion," Balta said. white crosses were displayed on Several people stopped by the the commons Wednesday and group's display throughout the Thursday in an anti- _____^^^___^^^^^^^—-_^^^^^— abortion demonstra- ii tfon. This campus is a liberal Members of Voices for the Pre- CaYYlDUS . [which] tetlds tO B/—* i • i j r *- -* orn Children, a >> newly formed JMU SUDDOrt abortion. student oreaniza-orga tion, displayed the Jimmy Balta crosses to draw President of the Members of Pre-Bom Children attention to its cause. two days it was on the commons. Each cross represented an Balta said there was "some posi- abortion; 400 abortions occur tive, mostly negative" reactions each minute world-wide, said to the display. senior Jimmy Balta, president of "This campus is a liberal cam- the group. pus and our generation tends to "This is a very conservative support abortion," he said. "It's estimate," Balta said. "It could be very, very sad." LINDSAY MANN/umvta/i; phuio editor three times as high." Balta said Some people who saw the dis- the statistics are gathered by the (counter clockwise from left) Michael Key, Chris Cowlman, Daniel Hammel, Lamar Jones and Heather American Life League.
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“Convoy” (Written by Bill Fries and Chip Davis) CW Mccall
The Story Behind The Song: “Convoy” (written by Bill Fries and Chip Davis) C. W. McCall (#1 country, #1 pop, 1975) Recently I mentioned this song “Convoy” in my earlier backstory regarding Waylon Jennings’ 1977 smash “Luckenbach, Texas (Back To The Basics Of Love),” explaining that six weeks at #1 had been the highest tally achieved by a country song during the decade of the 1970s, and that only three records had accomplished this. In addition to “Luckenbach, Texas,” the others were Freddie Hart’s “My Hang Up Is You” in 1972 and the song I’m writing about today: C. W. McCall’s “Convoy.” Bill Fries of Audobon, Iowa was working as a $40,000-a-year advertising executive for Bozell & Jacobs in Omaha, Nebraska when he first developed the characters of C. W. McCall and the truck-stop waitress, Mavis. Their commercials for Old Home Bread won a “Clio” award (given for advertising), and the song “Old Home Filler-Up An’ Keep On-A-Truckin’ Café” rose to #19 on the Billboard country charts in 1974. Fries continued working for Bozell & Jacobs, but he also pursued his secondary musical career, reaching #12 with “Wolf Creek Pass” and #13 with “Classified,” all released under his “C. W. McCall” moniker. In June of 1975, he was listening to his CB radio when he got the idea for “Convoy,” taking advantage of a growing fad. Nine months later, some 3.5 million CB operators were transmitting signals across the U. S., and some of them no doubt picked up on the trend after hearing McCall’s hit.
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The Temptations Papa Was a Rollin' Stone / Smiling Faces Sometimes Mp3, Flac, Wma
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