The Top 250 Greatest Songs 70S
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8Th Grade Commencement
ELA GRADE LEVEL OVERVIEWS GRADE 8 INTRODUCTION | GRADE 8 The Grade 8 Core ELA Units take students through literary and nonfiction texts that explore how individuals are affected by their choices, their relationships, and the world around them. In Unit 1, Everyone Loves a Mystery, students will try to determine what attracts us to stories of suspense. Unit 2, Past and Present, asks the Essential Question: What makes you, you? Unit 3, No Risk, No Reward, asks students to consider why we take chances, while Unit 4, Hear Me Out, asks students to consider the unit’s driving question—How do you choose the right words?—by providing a range of texts that allow students to consider how a person’s words can affect an audience. Next, Unit 5’s Trying Times asks students to think about who they are in a crisis. Finally, students finish up the year with an examination of science fiction and fantasy texts as they think about the question “What do other worlds teach us about our own?” in Unit 6, Beyond Reality. 2 ELA Grade Level Overview | GRADE 8 ELA Grade Level Overview Grade 8 Text Complexity 3 ELA Grade Level Overview | GRADE 8 UNIT 1 TEXT COMPLEXITY UNIT 1: EVERYONE LOVES A MYSTERY Unit Title: Everyone Loves a Mystery Essential Question: What attracts us to the mysterious? Genre Focus: Fiction Overview Hairs rising on the back of your neck? Lips curling up into a wince? Palms a little sweaty? These are tell-tale signs that you are in the grips of suspense. But what attracts us to mystery and suspense? We may have wondered what keeps us from closing the book or changing the channel when confronted with something scary, or compels us to experience in stories the very things we spend our lives trying to avoid. -
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Chic & Nile Rodgers – Ett Rockband För
Lördagspremium: Chic & Nile Rodgers – ett rockband för discorörelsen Att kalla discomusiken för en fluga är att göra det alldeles för lätt för sig. Precis som med alla genrer som har så tydliga attribut och förtecken – hårdrock, punk, new romantic – är det lätt att göra narr av och underskatta discons inverkan på musikhistorien och populärkulturen i stort. Faktum är att alla vet hur discomusik låter och vad som kännetecknar den korta period den regerade på listorna. Och med tiden har dess simpla budskap om att dansa och ha roligt gång på gång omfamnats av det hårda, moderna samhället, lika mycket som dess musikaliska attribut gång på gång återanvänts i alla typer av dansmusik. Om man skrattar åt disco idag gör man det mer på grund av de hårresande utstyrslarna och de fåniga, om än stilbildande dansrörelserna än de de facto grymt svängiga låtarna och extremt detaljerade – och minst lika stilbildande produktionerna. Tiden har på många sätt gett discon rätt, åtminstone ur ett musikaliskt perspektiv. ”Tiden har på många sätt gett discon rätt” Precis som så många andra hårt arbetande svarta musiker i New York var Nile Rodgers, född 1952, uppvuxen med R&B, soul och jazz. Hans första betalda gig var dock någonting helt annat – som musiker i The Sesame Street Band, som gjorde musiken till barnprogrammet med samma namn. Efter att ha backat bland andra Screamin Jay Hawkins på legendariska Apollo Theatre träffade han 1970 basisten Bernard Edwards – som han för all framtid skulle komma att kalla ”min partner” – och tillsammans kompade de ett stort antal mer eller mindre kända artister innan de bildade sitt eget Big Apple Band, som hade några mindre lokala hits i början av 70-talet. -
Jeff Dewbray Music Artists Covered
JEFF DEWBRAY MUSIC ARTISTS COVERED Al Green Frank Sinatra Paul McCartney B52's Florida Georgia Line Police Bachman-Turner Overdrive Frankie Vallie Rare Earth Backstreet Boys Garth Brooks Rascal Flatts Barry Manilow Georgia Satellites Rascals Beatles Gin Blossoms Ray Charles Ben E. King Grand Funk Railroad Rick James Big & Rich Honeydrippers Rick Springfield Bill Withers Hootie and the Blowfish Robert Palmer Billy Idol INXS Sam & Dave Billy Joel J Geils Band Sam Cooke Billy Ocean James Taylor Santana Billy Paul Jason Mraz Simple Minds Billy Ray Cyrus Jerry Lee Lewis Sir Mix-a-Lot Black Crowes Jim Croce Smash Mouth Blake Shelton Jimmy Buffet Soft Cell Blues Brothers Joe Cocker Spin Doctors Bob Marley John Legend Steely Dan Bob Seger John Mellencamp Steppenwolf Bobby Brown Johnny Mathis Stevie Wonder Bobby Darin KC & The Sunshine Band Stone Temple Pilots Bobby McFerrin Kenny Loggins Sugarloaf Brain Setzer Kings of Lean The Box Tops Brooks & Dunn Kool and the Gang The Cure Bruce Springsteen Lenny Kravitz The Four Seasons Bruno Mars Lionel Ritchie The Grass Roots Bryan Adams Loggins & Messina The Human League Buster Poindexter Looking Glass The Isley Brothers Cheap Trick Lou Bega The Kingsmen Chuck Berry Louis Armstrong The Knack Commodores Luke Bryan The Righteous Brothers Contours Lynyrd Skynyrd The Rolling Stones Counting Crows Mambo Kings The Spinners Darius Rucker Manfred Mann The Temptations David Lee Roth Maroon 5 The Trammps Dean Martin Marvin Gaye Tom Cochrane Dishwalla Marvin Gaye & Tammi Terrell Tom Jones Dobie Gray Modern English Tom Petty Don McClean Monkees Tommy Tutone Duran Duran Nat King Cole Train Earth Wind & Fire Neil Diamond UB40 Eddie Floyd Nine Days Van Halen Elton John NSYNC Van Morrison Elton John w/Kiki Dee Otis Redding Village People Elvis Presley OutKast Walk The Moon. -
6 Telegraph Road — for Me It's Nearly 4,000
Telegraph Road — for me it’s nearly 4,000 mile long By Rick Astley Telegraph Road is certainly known to every member on the US side of the border and probably also by most who live in Canada . Although I didn’t know it at the time, long before I could reliably point to Detroit on a map, I was somewhat familiar with the road too. Back in the mid-80s, like most parents of teenagers, I would often have to ferry my eldest son to and from some activity or other, in our case, from our home in a small English village to the nearest town about 14 minutes away. Those 14 minutes are significant because it happened to be the same length as a track my son and I would love to play on the car’s cassette player, he on air guitar, me on dashboard drums, at a volume his mother wouldn’t have approved of. The track was called Telegraph Road and it was written and played by Dire Straits. The song’s length meant that it was never heard on the radio and the fact that it would often change mood, volume and tempo, made it impossible to dance to, so it was never played in clubs, or rather, discotheques as they were then known. The track, and Dire Straits’ music in general, became part of our father-son bonding. In fact years later, when my son was in college in Montreal, he bought tickets for my birthday to see the group at the Forum (at that time the Canadiens’ hockey arena). -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
George Mccrae Rock Your Baby Mp3, Flac, Wma
George McCrae Rock Your Baby mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Rock Your Baby Country: Canada Released: 1974 Style: Soul, Funk MP3 version RAR size: 1284 mb FLAC version RAR size: 1194 mb WMA version RAR size: 1105 mb Rating: 4.2 Votes: 834 Other Formats: ASF TTA DXD AAC FLAC AU MOD Tracklist Hide Credits Rock Your Baby A1 6:20 Written-By – H. W. Casey*, R. Finch* I Can't Leave You Alone (I Keep Holdin' On) A2 3:10 Written-By – H. W. Casey*, R. Finch* You Got My Heart A3 2:35 Written-By – H. W. Casey*, R. Finch* You Can Have It All A4 2:40 Written-By – H. W. Casey*, R. Finch* Look At You B1 4:55 Written-By – H. W. Casey*, R. Finch* Make It Right B2 2:57 Written-By – H. W. Casey*, R. Finch* I Need Somebody Like You B3 3:34 Written-By – H. W. Casey*, R. Finch* I Get Lifted B4 2:50 Written-By – H. W. Casey*, R. Finch* Rock Your Baby (Reprise) B5 2:05 Written-By – H. W. Casey*, R. Finch* Companies, etc. Phonographic Copyright (p) – T.K. Productions, Inc. Copyright (c) – T.K. Productions, Inc. Credits Drums – Robert Johnson Drums, Bass – Richard Finch Guitar – Jerome Smith, Phillip Wright Keyboards – Harry Wayne Casey Producer – Harry Wayne Casey & Richard Finch Notes slightly different front & back cover than the other Canadian issue Barcode and Other Identifiers Other: T.K.-501 Matrix / Runout (Runout Groove Side A): KPLI-0501 A #2 TXH Matrix / Runout (Runout Groove Side B): KPLI-0501 B #3 TXH Other versions Category Artist Title (Format) Label Category Country Year George Rock Your Baby (LP, T.K. -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
MAGGIE MAY As Recorded by Rod Stewart (From the 1971 Album EVERY PICTURE TELLS a STORY) Transcribed by Giblpcust Words and Music by Rod Stewart and Martin Quittenton
MAGGIE MAY As recorded by Rod Stewart (From the 1971 Album EVERY PICTURE TELLS A STORY) Transcribed by GibLPCust Words and Music by Rod Stewart and Martin Quittenton A G D Em F m Dsus2 Dsus4 Em7 x x x b xx xx xx A Intro Moderate Rock = 132 Am G5 Am G5 Am D5 C5 A5 P 3 1 V V V V V V V gV fV V I 43 V V V V V V V V V V V V V V V V W j 3 V V W Gtr I freely W 5 3 0 3 0 5 3 2 1 0 T 3 1 1 3 1 3 5 2 2 0 2 (0) 2 0 0 2 2 (2) A 7 0 5 2 B 3 0 P P P P 1. 2. Em D5 Em N.C.(B) Em G A B Em E 3 6 V V V j V gV V V V gV gV W j W I V V V W gW V V V V V V W W 0 7 5 3 2 0 0 0 0 T 0 0 2 4 0 0 G0 G0 G1 A K2 0 2 K2 K2 B K 2 0 2 K K K0 0 3 K0 K0 K K K Dsus2 Em7 G5 G D5 G5 11 g V V W V V V V V V V V V W R W I g 4 V VV V WW V V V V V V V V V W P W V V V V W W Gtr II mf let ring 0 5 0 3 3 3 3 3 3 3 5 7 5 3 T 3 3 3 3 5 5 3 3 3 3 3 3 3 2 2 0 0 0 0 0 0 0 0 2 2 0 A 0 0 0 0 0 0 B 3 P H P Generated using the Power Tab Editor by Brad Larsen. -
Who Are You the Who Free Download the Who
who are you the who free download The Who. Search and download from millions of songs, albums and concerts. Top hit songs are in the MP3 format and can be played on any computer, laptop, phone or MP3 Player. Live concert albums of your favorite band. Learn how to download music to your computer. mp3. EMD music offers a premium experience that includes unlimited downloads and access to CD quality music. Free music download to computer. Download Who Are You by The Who. The Who Who Are You lyrics. Who are you? Who, who, who, who? Who are you? Who, who, who, who? Who are you? Who, who, who, who? Who are you? Who, who, who, who? I woke up in a Soho doorway A policeman knew my name He said "You can go sleep at home tonight If you can get up and walk away" I staggered back to the underground And the breeze blew back my hair I remember throwin' punches around And preachin' from my chair. chorus: Well, who are you? (Who are you? Who, who, who, who?) I really wanna know (Who are you? Who, who, who, who?) Tell me, who are you? (Who are you? Who, who, who, who?) 'Cause I really wanna know (Who are you? Who, who, who, who?) I took the tube back out of town Back to the Rollin' Pin I felt a little like a dying clown With a streak of Rin Tin Tin. I stretched back and I hiccupped And looked back on my busy day Eleven hours in the Tin Pan God, there's got to be another way. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................