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Новости Искусства Art News ВУЗЫ Universities

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Новости Искусства Art News ВУЗЫ Universities Со ержание/Contents Новости искусства Art news 03 Анонсы выставок/Announcements of exhibitions Первая московская биеннале молодого искусства 09 «Стой! Кто идет?»/First Moscow Biennale of Young Art “stop! Who’s there?” ВУЗЫ Universities Московский государственный художественно– 18 промышленный университет им. С.Г.Строганова/ s. G. stroganov state University of Art and Industry in Moscow Обухова Наталия /natalia obukhova Волосова Светлана/svetlana Volosova Мазур–Князева Александра/Alexandra Mazur–Knyazeva Козлова Дарья /Daria Kozlova Семенова Екатерина/ ekaterina semenova Трегубова Марина /Marina tregubova Шибаева Марина/ Marina sibaeva Московский государственный академический 33 художественный институт им.В.И. Сурикова/V. I. surikov state Academic Art Institute in Moscow Мирек Алексей/Alexey Mirek Помелов Федор/Fedor Pomelov Салтыкова Татьяна/tatyana saltikova Кочергина Надежда/Kochergina nadezhda Харина Елена/elena Kharina Линникова Надежда/nadezhda Linnikova Russian Galery №4 2 Со ержание/Contents 47 Российская академия живописи, ваяния и зод- чества (РАЖВиЗ)/the Russian Academy of Painting, sculpture, and Architecture (RAPsA) Лабанова Елена/elena Lobanova Павлов Николай/nickolay Pavlov 52 Санкт–Петербургский государственный академи- ческий институт живописи, скульптуры и архи- тектуры им. И.Е.Репина/I.e. Repin state Academic Institute of Painting, sculpture, and Architecture in saint Petersburg Школа юного художника Schoool of the young Artist Леонид Соломаткин (1837–1883) 56 Отпрыск федотовской школы/ Leonid solomatkin (1837–1883) Fedotov’s school offspring 58 Александр Русаков (1898-1952) Художник со счастливой судьбой/Alexander Rusakov (1898- 1952) Artist of Good Fortune 60 Китайская национальная живопись гохуа/ national Chinese Painting Guohua 64 Инструменты и материалы для художника–графика/ Instruments and Materials for Graphic Artist 70 Масляные палочки/ oil sticks 71 Использование рапидографов/ Rapidograph Pen Use Визуальный метод измерения 73 предметов в рисунке с натуры/ Visual Method of Measuring objects While Painting from nature Русская галерея №4 НоВости искУсстВа/Art NewS Анонсы выставок/Announcements of exhibitions Первая московская биеннале моло- дого искусства «Стой! Кто идет?»/ First Moscow Biennale of Young Art “Stop! Who’s There?” Russian Galery №4 4 ноВоСТи иСКУССТВа/ARt neWs Произведения веры МихАйловны ерМолАевой в русскоМ Музее/WorkS BY VerA MikhAiloVnA YerMolAeva in ruSSiAn MuSeuM 7 августа 2008 года в корпу- on 7 August 2008 Benois Building of state се Бенуа Государственного Русского Russian Museum welcomed an exhibition of музея открылась выставка произве- works by Vera Mikhailovna Yermolaeva. the дений Веры Михайловны Ермолае- exposition includes nearly 200 works from the вой. Экспозиция включает около 200 collections of Russian Museum, saint Peters- произведений из собраний Русского burg Museum of theatre and Musical Art, and музея, Санкт–Петербургского музея private collections. the exhibition in Russian театрального и музыкального искус- Museum presents the artist’s whole career, ства, а также из частных коллекций. which, unfortunately, was not long. Vera Yer- Выставка в Русском музее предста- molaeva is known as a student and associate Вера Ермолаева. Яхт–клуб. 1934/ вит весь творческий путь художни- of Kazimir Malevich. At that however Vera Vera Yermolaeva. Yacht Club. 1934. цы, который был, к сожалению, недо- Mikhailovna was a bright individuality. Influ- лог. Имя Веры Ермолаевой известно enced by Malevich she got interested in non– сегодня в основном как ученицы и сподвижницы Казимира Малевича, figurative art. In the late 1920-s early 1930-s однако Вера Михайловна — яркая самостоятельная личность. Под вли- the artist started creating landscapes, still– янием Малевича она увлеклась беспредметным искусством. В конце lives, and narrative series like “the Village”, 1920-х — начале 1930-х годов в творчестве художницы появились пей- “sportsmen”, and “the Boys”. During her life зажи, натюрморты и тематические cерии: «Деревня», «Спортсмены», V. M. Yermolaeva would try her hand at the «Мальчики». На протяжении всей своей жизни В. М. Ермолаева обра- art of book illustration. she worked with many щалась к искусству книжной иллюстрации. Работала рядом с такими celebrated artists including natan Altman, известными художниками, как Натан Альтман, Юрий Анненков, Нико- Yuriy Annenkov, and nickolay Lapshin. the лай Лапшин. В экспозицию включены иллюстрации, созданные Верой exposition also featured documents bound Ермолаевой почти к двум десяткам книг, а также ряд прижизненных with last tragic years of the artist’s life. книжных изданий. На выставке также представлены документы, свя- занные с последними, трагическими, годами жизни художницы. Source: rusmuseum.ru Источник: rusmuseum.ru Вера Ермолаева. Эскиз праздничного оформления Витебска. Супрематиче- ское построение. 1920/ Vera Yermolaeva. A Skratch of the Vitebsk festal design. Suprematism.1920 Вера Ермолаева. Дон Кихот и Санчо Панса в лодке. Композиция на тему романа М. Сервантеса «Дон Кихот». 1933–1934/Vera Yermolaeva. Don Quixote and Sancho Panza in a Boat. Composition on M. Cervantes‘s “Don Quixote” Novel. 1933–1934. Русская галерея №4 ноВоСТи иСКУССТВа/ARt neWs 5 on 7 August 2008 Benois Building of state Russian Museum also saw the opening of the exhibition of works by nickolay Mikhailovich suetin. Unable to demonstrate all works of the art- ist’s oeuvre, the exhibition will show many of his works as one whole project. they include paintings, aquarelle and porcelain Николай Суетин. Мужик. 1932 / works. the exhibition also features works from the collection Nickolay Suetin. A Man. 1932 of Russian Museum including the suprematic compositions of 1920–s (both of Vitebsk, and Leningrad period), “the Woman with a saw” dated late 1920–s, blockade sketch for “the Vic- tory” painting, and the porcelain works created in 1920–s and 1930–s. the exhibition features many works from a private collection. they include small analytic study compositions created under the guidance of Malevich, contest sketches of furniture for houses of workers of 1927, graphic series created in late 1920–s early 1930–s: Peasants, so–called Half–images (or Images of the Blessed Virgin), large black and white sheets with repeating motives of peasants, sheaves, and dirigibles, as well as pictures of war years. nickolay Mikhailovich suetin was an artist of great Также 7 августа 2008 года в Корпусе Бенуа Государствен- powerful talent: he was an easel painter, designer, expo–design- ного Русского музея открылась выставка произведений er, author of architecton projects, decorations, porcelain forms, Николая Михайловича Суетина. Выставка продемонстриру- and works of decorative and applied art. ет не все, но многие грани искусства художника как единого в своей основе проекта: рисунки, акварели, фарфор. Экспо- Source: rusmuseum.ru Both exhibitions will last till 13 October 2008. нируются работы, находящиеся в собрании Русского музея: супрематические композиции 1920–х годов (как витебско- го, так и ленинградского периода); картина «Женщина с пилой» конца 1920-х, блокадный эскиз к картине «Победа», фарфор 1920-х и 1930-х годов. Выставка включает большое количество произведений из частного собрания, в частности малоформатные учеб- ные аналитические композиции, выполненные под руко- водством Малевича, конкурсные эскизы мебели для жили- ща рабочего 1927 года, графические серии конца 1920-х Николай Суетин. Кре- — начала 1930-х годов: Крестьянки, так называемые Полу- стьянка с граблями. 1929/ образы (или Образы Богородицы), большие черно–белые Nickolay Suetin. A peasant листы с повторяющимися мотивами крестьян, снопов, дири- woman with a rake. 1929 жаблей, а также рисунки военных лет. Николай Михайлович Суетин был художником мощного и масштабного дарова- ния: станковистом, проектировщиком, эксподизайнером, автором архитектонов, росписей и форм фарфора, произ- ведений декоративно–прикладного искусства. Источник: rusmuseum.ru Обе выставки продлится до 13 октября 2008. Частные КоллеКции в ГцСи Private CollectionS in State CenTre В Государственном центре современного искусства 4 авгу- oF ConTemporArY ArT ста открылся Фестиваль коллекций современного искусства. 4 August marked the onset of the Festival of Collections of Con- По мысли организаторов, фестиваль частных, корпоративных, temporary Art in the state Centre of Contemporary Art. the organ- государственных собраний современного искусства реали- izers designed this festival of private, corporate, and state collections зуется как диалог точек зрения собирателей художественных of Contemporary art as an interchange of art collectors’ views with ценностей, где история культуры рассматривается в драматур- history of culture being considered in point of real time. the festival гии реального исторического времени. Фестиваль проходит на has several areas. Its exhibitions will be housed by the state Centre of нескольких площадках, выставки в рамках мероприятия пока- Contemporary Art, A.D. sakharov Museum and Community Centre, жут ГЦСИ, Музей и общественный центр А. Д. Сахарова, Музей Art4.ru Museum, and other. the program includes demonstration Аrt4.ru и др. В программе: показ коллекции видеоарта из собра- of the collection of video–art of the state Centre of Contemporary ния ГЦСИ, выставки Юрия Соболева, Бориса Турецкого, Евгения Art, exhibitions of Yuriy sobolev, Boris turetskiy, evgeniy Rukhin, and Рухина и др., круглые столы, посвященные проблемам коллек- other, as well as panel discussions dedicated to contemporary art col- ционирования современного
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