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Gender, Ethnicity, and Identity in Virtual
Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225 -
GAMER Written by Mark Neveldine & Brian Taylor September 2007 Some
GAMER Written by Mark Neveldine & Brian Taylor September 2007 Some of them want to use you Some of them want to get used by you Some of them want to abuse you Some of them want to be abused - Eurythmics Some years from this exact moment... 1 INT. TRAIN - DAY 1 DARKNESS - NOW The beautiful CHIMING SOUNDS OF SPACE TRAVEL through the COSMOS... DOTS OF LIGHT whiz past our face. They could be stars at lightspeed, or... SUBWAY LIGHTS FLICKER ON - in a flash we see PALE, SULLEN FACES, riding into a bleak future, and hear the INDUSTRIAL CLATTER. It's dark, claustrophobic, obscure... the rhythmic beat of track and wheel-clicks engulf us. The lights flicker back on and hold as we see a half dozen SOLDIERS in BROWN CAMO, steel- eyed, prepared for whatever may be at the end of the TUNNEL. ZERO IN on TWO: KABLE, 30-something, roughneck... focused, determined; eyes burning with internalized emotion... ... and SANDRA, late 20s, undeniably hot but tough as hell - both are in shackles & cuffs, being roughly transported through underground tunnels, knocked and shoved around. Uniformed GUARDS roam the train, looking pissed off - their swagger seems to mask FEAR. KABLE is meditating, or exhausted - hard to tell. The GIRL makes eye contact w/ him. SANDRA Sandra. KABLE says nothing, just stares at her, stoic. SANDRA (cont'd) My name is Sandra. GUARD Shut the fuck up. Because he can, the GUARD takes a swing at KABLE'S head with a BILLY CLUB... CRACK! (CONTINUED) 2. WHITE KABLE SCRIPT - 9/19/2007 1 CONTINUED: 1 KABLE'S skull snaps back into the window. -
S U M M E R 2019
the S U M M Q E R WHAT'S ON? The LGBT Society 2 at Queens' 0 Romanticising Abduction in Popular Culture 1 Find out about your 9 teacher's first job! Queens' School Slang CREDITS: FIVE Danny Robinson - Head Editor things we should Life in the Unification Maia Anselmo - Head Editor appreciate more! Ella Clarke - Copy Editor Movement Lisa Elliot - Copy Editor Louisa Wilkes Marla Morris Preena Madlani An EXCLUSIVE look into Layomi Abudu what Queens' School Shatou Rasha India Baker-Gorton Students are really Leonardo Luz And a special thanks to all thinking, and more! writers outside of the team. TOXIC POSITIVITY how growth mindset has grown pessimism Nega��ve thinking has been the scourge of This rejec!on of nega!ve emo!ons not only schools prac!cally since the crea!on of the provides more work for us in dealing with growth mindset in Carol Dweck’s The New issues we confront o en, like being late for Psychology of Success. This new model of school or not doing our homework that’s due thinking has been promoted throughout first period, but it also maintains s!gma schools !relessly, we have assemblies on it, we towards people who are anxious or depressed have corrected phrases in our classrooms on and oversimplifies human behaviour. It is yet how to change our language to fit these ideals, unknown the exact cause of mental illness and and we are consistently inundated with it it is most likely a culmina!on of many different throughout our school years. And this might causes, like certain genes or situa!onal factors. -
Gorillaz Return with an Album Date a Video and Creepy CGI Portraits
Gorillaz Return With An Album Date, A Video, And Creepy CGI Portraits Gorillaz Return With An Album Date, A Video, And Creepy CGI Portraits 1 / 4 2 / 4 Gorillaz return with an album date, a video, and creepy CGI portraits. 0 ... Gorillaz is an experiment by Damon Albarn and Jamie Hewlett that .... Gorillaz return with an album date, a video, and creepy CGI portraits. Nearly a year has passed since the hype cycle began for the next Gorillaz album. Today ... The collaboration sees Gorillaz lead singer 2D immortalized in vinyl and is the first ... Gorillaz return with an album date, a video, and creepy CGI portraits.. Gorillaz return with an album date, a video, and creepy CGI portraits. › Gorillaz - Saturnz Barz (Spirit House) Nearly a year has passed since the hype cycle ... Light Image Resizer 6.0.0.11 Crack The Verge (theverge)'s status on Thursday, 23-Mar-2017 22:09:44 CET · The Verge Gorillaz return with an album date, a video, and creepy CGI portraits ... Apple’s worst nightmare: Dual booting iPhone 3GS running Android jetAudio HD Music Player Plus v9.9.2 [Mod Lite] Apk | 11.1 MB Linksys launches new tri-band router and its first gateway Gorillaz - Saturnz Barz (Spirit House) 360. Featuring Popcaan. THE ALBUM - 'HUMANZ' OUT NOW - http://gorill.az/humanz GET 'HUMANZ' HERE - STANDARD .... Gorillaz - Broken - Fanimation Video. Gorillaz return with an album date, a video, and creepy CGI portraits. gorillaz share latest multimedia story book murdoc.. Gorillaz return with an album date, a video, and creepy CGI portraits. Nearly a year has passed since the hype cycle began for the next Gorillaz album. -
United States Patent (19) 11 Patent Number: 6,114,143 Eda Et Al
USOO611.4143A United States Patent (19) 11 Patent Number: 6,114,143 Eda et al. (45) Date of Patent: *Sep. 5, 2000 54). ANTI-HIV MONOCLONAL ANTIBODY 90O3984 4/1990 WIPO. 9015078 12/1990 WIPO. 75 Inventors: Yasuyuki Eda; Hiroaki Maeda; 9304090 3/1993 WIPO. Keiichi Makizumi, Kouichi Shiosaki, all of Kumamoto; Kiyoshi Osatomi, OTHER PUBLICATIONS Nagasaki, Kazuhiko Kimachi, Kumamoto; Hirofumi Higuchi, Kumamoto; Sachio Tokiyoshi, Matsushita, et al. : Characterization of a Kumamoto, all of Japan mouse/human . : AIDS Res. and Hum. Retro. v. 8, No. 6: pp. 1107–1115, 1992. 73 Assignee: Juridical Foundation The Chemo-Sero-Therapeutic Research Ohno, et al. : A broadly neutalizing monoclonal . Proc. Institute, Kumamoto, Japan Natl. Acad. Sci. : V. 88: pp. 10726–10729, 1991. * Notice: This patent issued on a continued pros Scott, et al. : Human monoclonal antibody that ecution application filed under 37 CFR recognizes ... : Proc. Natl. Acad. Sci. : V. 8: pp. 8597-8601, 1.53(d), and is subject to the twenty year 1990. patent term provisions of 35 U.S.C. 154(a)(2). Primary Examiner Jeffrey Stucker 21 Appl. No.: 08/513,968 ASSistant Examiner Brett Nelson 22 PCT Filed: Mar. 9, 1994 Attorney, Agent, or Firm-Browdy and Neimark 86 PCT No.: PCT/JP94/00371 57 ABSTRACT S371 Date: Sep. 11, 1995 A monoclonal antibody useful for clinical application which S 102(e) Date: Sep. 11, 1995 recognizes the conserved region of V3-PND region of 87 PCT Pub. No.: WO9420632 glycoprotein antigen having a molecular weight of about PCT Pub. Date: Sep. 15, 1994 1.2x10 daltons (gp120) on a coating membrane of human 30 Foreign Application Priority Data immunodeficiency virus (HIV) and which has an ability to neutralize a broad range of various HIV variants, or a Mar. -
Appetite for Consumption
BROUGHT TO YOU COURTESY OF 06–07 Tools Best of Midemlab 08–09 Campaigns Bon Iver, The National, Kanye West, Big Narstie 10–14 Behind The Campaign- Kate Ellis IN ASSOCIATION WITH sandbox JUNE 13 2018 MUSIC MARKETING FOR THE DIGITAL ERA ISSUE 206 APPETITE FOR CONSUMPTION the drain and strain of making unique content for everyone COVERFEATURE ike a precocious Oliver in a fancifully designed workhouse, the music Lindustry has never been shy of demanding more of its artists: labels want more attention; media want more access; retailers want more content; and live audiences just plain want more. The difference in 2018 is that these demands never stop. Three decades ago, there was a limit to how many in-store appearances Tower Records could fit into its shops, while radio and TV stations were APPETITE FOR limited by strict time slots. But in the digital age, where spatial limits are a thing of the past, there’s little stopping DSPs like CONSUMPTION Spotify, Apple Music and Amazon from packing their platforms with exclusive extra content as they tussle over subscriber numbers. But artists, managers and labels alike are feeling the strain. They spoke to us about the tough realities of this – but only on the condition of anonymity. “This is one of the most important issues in the business right now and one of the biggest conversations we are having in our company around any release,” one international marketer tells music:)ally. “Everyone wants something that is exclusive to them.” For overworked labels and managers, weighing up the constant demands from the drain and strain of making digital platforms for exclusive content is an extra headache to be negotiated. -
Goodbye to the Class of 2018 Teachers Impact Seniors and Vice
@LibertyPublicat www.pinterest.com/tyearbook These seniors are making memories! May 2018 Find out their favorites on page 3! Volume 24: Issue 6 Photo courtesy of Talon Yearbook Staff. Liberty High School Talon Yearbook 6300 Independence Avenue, Bealeton, Virginia 22712 and Patriot Press Newspaper Teachers Impact Seniors and Vice Versa by Jasmine Beverly As seniors say their goodbyes ~Staff Reporter tual questions to engage his students. He to most of their friends after graduation, “Although it was a difficult class, genuinely cares about each and every one they also have to say their goodbyes to Mrs. Koval stayed late after school until I of us and uses his courses to to provide us their high school teachers throughout got out of track practice to help me under- with knowledge to better our futures. Mr. the years. But, as they grow and mature stand and help me with my homework and O’Brokta has helped prepare me to be an throughout their life, they’ll always re- test corrections. She also showed me that informed voter and to see the world in a dif- member the teachers at LHS that made it’s okay to ask my teachers for help. She al- ferent light. He has taught all his students an impact on them in a unique way. lowed me to see where my hard work could that things are not always as they seem Senior Kristina Rigsby has been get me and if you truly want to succeed you and that one must look from all sides of taking the class of Journalism with Ms. -
Song Machine
UNDER EMBARGO UNTIL 9.00AM (UK TIME) – FRIDAY 23 OCTOBER 2020 SONG MACHINE NEW ALBUM – OUT NOW LIVE DATES ANNOUNCED LIVE CHAT TODAY TUNE IN HERE “…a fluent, brilliant whole.” – 4/5 stars – THE GUARDIAN “Song Machine... is the most cohesive Gorillaz album since Demon Dayz... sparkling with energy and invention…” – 4/5 stars – MOJO UNDER EMBARGO UNTIL 9.00AM (UK TIME) – FRIDAY 23 OCTOBER 2020 23rd October 2020: Song Machine: Season One - Strange Timez – the highly-anticipated new album from Gorillaz has finally arrived! LISTEN HERE. With seven episodes available to date, each with its very own video following the adventures of Noodle, 2D, Murdoc and Russel in the studio and across the world, the complete Season One collection is available now for the first time. Today also sees the biggest virtual band in the world announce a string of live shows, with a global live streaming performance in December and a run of dates next year. The SONG MACHINE TOUR will see Gorillaz broadcast their first show since 2018 live on 12th and 13th December, ahead of a visit to Köln, Berlin and Luxembourg next summer, with a homecoming show at The O2, London on 11th August 2021. Ticket info here. Finally, tune in later today to join Damon Albarn, Remi Kabaka and a selection of the featured artists who appear on Song Machine for a live chat at 1700 BST, Friday 23rd October. WATCH HERE. SONG MACHINE LIVE on 12th and 13th December (2020) is Gorillaz’ first live performance since 2018 and will be broadcast live around the world with three separate shows taking place across three time zones through the magic of LIVENow. -
NEW STUDIO ALBUM the Now Now
NEW STUDIO ALBUM The Now Now Out June 29th on Warner Bros. Records—Preorder Live NOW New video for first single “Humility” here “Humility” Premiere on Zane Lowe’s WORLD RECORD GORILLAZ BRING DEMON DAYZ FESTIVAL TO AMERICA OCTOBER 20th AT PICO RIVERA SPORTS ARENA & GROUNDS IN LOS ANGELES Plus North American Arena Dates Confirmed in New York, Chicago, Philadelphia, Boston, Toronto and Montreal The Internet to Support on All Headline Dates Except Boston; Little Dragon to Support in Boston TICKETS ON SALE TO PUBLIC STARTING FRIDAY, JUNE 8th at 10am PST LOS ANGELES (May 31, 2018) – A brand new studio album from Gorillaz titled The Now Now will be released by Warner Bros. Records on June 29th, and is available for pre-order now with two instant grat songs, “Humility” and “Lake Zurich.” The Now Now is 11 all-new songs from the World’s Most Successful Virtual Act*, produced by Gorillaz, with James Ford and Remi Kabaka, and recorded entirely at Studio 13, London in February this year. In contrast to the cast of characters that joined the apocalyptic party thrown by Damon Albarn and his cartoon crew on last year’s multiple-GRAMMY-nominated HUMANZ , The Now Now sees the band largely eschewing guest stars, taking it back to the core Gorillaz crew: blue- haired, sweet-natured dreamer 2D on vocals; whip-smart Japanese badass Noodle on guitar; Brooklyn-born philosopher and the meat–behind-the-beat Russel Hobbs on drums. And with Murdoc Niccals temporarily indisposed, bass duties on the new album have been taken up by erstwhile Gangreen Gang member Ace (explaining the “FREE MURDOC” signage that’s been popping up everywhere from Coachella to the Kentucky Derby to Change.org and Reddit). -
CITY of DELAFIELD (262) 646-6220 Common Council Meeting Agenda Monday, July 17, 2017 7:00 P.M
CITY OF DELAFIELD (262) 646-6220 Common Council Meeting Agenda Monday, July 17, 2017 7:00 p.m. **CITY HALL COMMON COUNCIL CHAMBERS** 500 Genesee Street, Delafield, WI 53018 Call the Common Council Meeting to Order. Pledge of Allegiance. Roll Call. Special Order of Business: Proclamation for the Kettle Moraine Laser Shooting Team. Special Order of Business: Presentation by the Wisconsin Department of Transportation Design Team for the WIS 16/WIS 83 Interchange Project ID 1330-10-02/72 regarding construction hours of operation for deck removal and girder painting, followed by discussion and possible action by the Common Council regarding the same. 1. City of Delafield Citizen's Comments 2. Consent Agenda - Items listed under the Consent Agenda are considered in one motion unless a Common Council Member requests that an item be removed from the Consent Agenda. a. Common Council Minutes. 06/19/17 b. Approved and Issued Operator’s Licenses. c. Treasurer’s Report. 3. Committee Reports - Report on discussion and action taken at previous meetings, future agenda items and upcoming scheduled meetings. a. Licenses 1. Discussion and action to approve Temporary Class “B” for the Waukesha Rotary Club for Waukesha Bluesfest August 11 and 12, 2017. b. Plan Commission 1. Discussion and action as recommended by Plan Commission on DELC 0794.008, DELC 0794.009, DELC 0794.010, 208 West Main Street, Delafield. Owner/Applicant: Robert Baierl, seeks approval of a Certified Survey Map to consolidate three existing lots into one. 2. Discussion and action as recommended by Plan Commission on DELC 0746.002, 3800 Red Chapel Court, DELC 0746.003, 3700 Red Chapel Court, and DELC 0746.004, 3700 Red Chapel Court, Nashotah. -
Goryle Na Scenie
Hologramy i death metal w serialu. Dethklok wydał do tej pory cztery albumy i wyrusza w re- gularne trasy koncertowe. W odróżnieniu od wcześniejszych grup animowanych mamy możliwość obserwowania równoczesnej obec- ności zespołu w przestrzeni wirtualnej i w świecie rzeczywistym. Decyzją członków zespołu fikcyjni muzycy nazywają się inaczej niż autentyczni artyści, co powoduje, że wzajemna relacja pomiędzy bo- haterami animowanymi a ludźmi nie jest tak silna i skomplikowana. Tak prezentuje się historia zespołów animowanych mniej więcej do początku XXI wieku. W większości przypadków możemy mówić o zabawie formą, ale w mniejszym stopniu o krytycznych projek- tach somatycznych. To dopiero eksperyment dwójki Brytyjczyków: Damona Albarna i Jamiego Hewletta stał się początkiem rzeczywi- stego życia muzyków animowanych, a grupę Gorillaz należy uważać za pierwszy na świecie pełnoprawny zespół wirtualny. Goryle na scenie W marcu 2001 roku w londyńskim klubie Scala grupa Gorillaz dała swój pierwszy koncert na żywo. Nie byłoby w tym wydarzeniu nic wyjątkowego, gdyby nie fakt, że był to zespół stworzony wyłącznie z animowanych postaci. Grupę Gorillaz tworzą: 2-D (wokal i key- board), Noodle (gitara akustyczna), Murdoc Niccals (gitara basowa) oraz Russel Hobbs (perkusja). To czterech członków grupy, którzy w 1998 roku wzbudzili poruszenie na brytyjskiej podziemnej scenie muzyki alternatywnej. Za projektem stoją jednak rzeczywiste posta- cie brytyjskiej sceny artystycznej – muzyk Damon Albarn i twórca komiksów Jamie Hewllet. Zanim jednak dokładniej opowiem o tej wyjątkowej kolaboracji, to pozostanę jeszcze przez chwilę w świecie Gorillaz i przytoczę fikcyjne początki animowanych muzyków, któ- re zostały zawarte w autobiografiiRise of the Ogre. Muszę jednak przestrzec czytelnika, że posługiwanie się rozróżnieniem na fikcję i autentyzm w przypadku Gorillaz jest odrobinę nieuzasadnione. -
Analýza Transmediálního Vyprávění Kapely Gorillaz
Univerzita Palackého v Olomouci Filozofická fakulta Diplomová práce Analýza transmediálního vyprávění kapely Gorillaz Bc. Soňa Kolářová Katedra divadelních a filmových studií Vedoucí práce: Mgr. et Mgr. Jana Jedličková, Ph.D. Studijní program: Filmová, divadelní, televizní a rozhlasová studia Olomouc 2019 Prohlašuji, že jsem diplomovou práci na téma Analýza transmediálního vyprávění kapely Gorillaz vypracovala samostatně za použití v práci uvedených pramenů a literatury. Dále prohlašuji, že tato diplomová práce nebyla využita k získání jiného nebo stejného titulu. Datum: ...................................................... podpis Ráda bych touto cestou poděkovala Mgr. et Mgr. Janě Jedličkové, Ph.D. za odbornou pomoc, velkou trpělivost a ochotu při vedení mé diplomové práce. Poděkování patří také Mgr. Tomáši Jirsovi, Ph.D. za cenné rady k literatuře a všem, kteří byli nuceni práci v průběhu jejího vzniku opakovaně číst. Obsah: Úvod ...................................................................................................................... - 5 - Kritika pramenů a literatury ........................................................................... - 10 - Metodologický přístup a terminologie ............................................................ - 18 - 1. Vznik a (dosavadní) vývoj Gorillaz .............................................................. - 24 - 2. Transmediální vyprávění .............................................................................. - 33 - 2.1 Fáze první: Celebrity Take Down (1998 - 2003)