Goodbye to the Class of 2018 Teachers Impact Seniors and Vice

Total Page:16

File Type:pdf, Size:1020Kb

Goodbye to the Class of 2018 Teachers Impact Seniors and Vice @LibertyPublicat www.pinterest.com/tyearbook These seniors are making memories! May 2018 Find out their favorites on page 3! Volume 24: Issue 6 Photo courtesy of Talon Yearbook Staff. Liberty High School Talon Yearbook 6300 Independence Avenue, Bealeton, Virginia 22712 and Patriot Press Newspaper Teachers Impact Seniors and Vice Versa by Jasmine Beverly As seniors say their goodbyes ~Staff Reporter tual questions to engage his students. He to most of their friends after graduation, “Although it was a difficult class, genuinely cares about each and every one they also have to say their goodbyes to Mrs. Koval stayed late after school until I of us and uses his courses to to provide us their high school teachers throughout got out of track practice to help me under- with knowledge to better our futures. Mr. the years. But, as they grow and mature stand and help me with my homework and O’Brokta has helped prepare me to be an throughout their life, they’ll always re- test corrections. She also showed me that informed voter and to see the world in a dif- member the teachers at LHS that made it’s okay to ask my teachers for help. She al- ferent light. He has taught all his students an impact on them in a unique way. lowed me to see where my hard work could that things are not always as they seem Senior Kristina Rigsby has been get me and if you truly want to succeed you and that one must look from all sides of taking the class of Journalism with Ms. have to be willing to work for it,” said Smith. a situation before passing judgement. Mr. Miller since she was a freshman. This year “As a teacher, Jessie also made O’Brokta has also always preached that though, Kristina became Editor-in-Chief, an impact on myself. Jessie taught me words matter. And that will stick with me which allowed her to play a huge part in how to be kind and compassionate to my throughout my adult life,” said Humphries. the newspaper process. Kristina takes students. I learned to value my students “I will absolutely miss hav- her time to plan articles to write, revis- where they are as math learners when they ing Mr. O’Brokta. He is definitely one es the articles other students wrote, and are in my class and not to define them as of a kind. In both grades, I looked for- makes sure it is good enough to place in that is where they are going to stay when ward to his class each day because I al- a newspaper. She describes Ms. Miller they leave my class,” said Ms. Koval. ways knew I would learn something new as a creative, spunky, inspiring, wonder- “I’m mostly going to miss the chal- that would change my perspective on Senior Kristina Rigsby and journalism ful, and just all around amazing woman. teacher Miss Lisa Beth Miller pose with a lenge of the course and the long nights after the world around me,” said Humphries. “She led me to my love of writ- copy of the Patriot Press. school doing test corrections,” said Smith Senior Shaylah Harting chose ing and has helped me find myself. She Photo by Zoe Lowe. “I hope that Jessie stays hap- Mrs. O’Konski, in the music department, always encourages me and inspires me ored to have been chosen by Jessie as py and healthy after graduation. Jessie as a teacher she won’t forget. This is Mrs. to push beyond everything else. Oh having an impact on him. I am quite is going to have a life filled with oppor- O’Konski’s first year teaching at LHS for my gosh, I’m going to miss Larabars shocked as well. Jessie Smith is one of tunities for which he will capitalize to Orchestra and Choir. She always encourag- and morning conversations. She is se- the most polite and respectful students make this world a better place. His lega- es everyone to try their best and work hard. riously my biggest role model and my whom I have ever taught. He is compas- cy at Liberty will be that I continue to be “Mrs. Okonski is an adult that heart isn't going to be able to handle not sionate, kind, hardworking and motivat- kind and compassion to my students and I know I can trust to talk to me when I being around her 24/7,” said Rigsby. ed. He is athletic and quick. His posi- that they in turn will be kind and com- need advice. Anytime I have a bad day In tenth grade, senior Jessie tive attitude is infectious and so are his passionate to others,” said Ms. Koval. she finds ways to make me feel better in Smith took Algebra Trigonometry Hon- smiles,” said math teacher Ms. Koval. Mr. Dean O’Brokta made a sig- class. She’s taught me through hard work ors with Mrs. Koval. This class chal- “This teacher is very help- nificant impact on senior Maddy Hum- and practice, that I can become a better lenged Jessie to strive to be better with ful and caring. She has prepared me for phries through her tenth and twelfth grade and stronger musician. I’m going to miss every assignments, every skills drill, college. She showed me that nothing year of high school. In tenth grade, Mad- all the jokes she made in class and all the every quiz, and every test. And through comes without hard work and that put- dy had O’Brokta for World History 2 times we were able to talk. I’m also go- it all, Ms. Koval was there to help. ting in long study hours is required to AP/DE and Senior Capstone for twelfth. ing to miss her classes because the music “I am deeply humbled and hon- pass challenging courses,” said Smith. “He utilizes lectures and intellec- always made me happy,” said Harting. Goodbye to the Class of 2018 As the school year of 2018 comes to by Keely Crane my own way and adapt,” said Machuca. an end, it’s time to say goodbye to some very ~Staff Reporter As for the speech that she important people in this school; the seniors. “SCA has provided me with ner is Jenica Garnett,” said Mrs.O’Brokta. will give at the graduation this year, The graduation ceremony will be a voice in our school and allowed me The final speaker out of the three is she is not nervous for it at all but held Thursday, May 24 at the Jiffy Lube to meet and work with great people. the senior SCA president, Vicky Machuca. quite confident she will do amazingly. Live Pavilion and begin at 7:00 p.m. At I learned irreplaceable leadership and For Vicky, this was her first year doing SCA. “I’m not very nervous about it the ceremony, there will be three speak- problem solving skills that will serve me “This was my first year being because I know that for my family, it is ers: the all-SCA president, the senior SCA for the rest of my life,” said Humphries. involved in SCA. My freshman year un- the first time there has been anyone that president, and the Eagle Award recipient. The person that would speak til this year, I have been too afraid to be has graduated with such honor. My whole Maddy Humphries, the all-SCA president, next would be the Eagle Award recipient in a leadership role, I never felt that I was family is coming from Texas, North Caro- will give the first speech out of the three. of the class of 2018. Receiving the Eagle enough of a role model to be in that posi- lina, Alaska, and all over Virginia to see me Maddy plans to attend William and Mary Award is a challenging thing to do and tion but I finally decided that it was time complete my high school career. I am very and major in Biochemistry with a focus in only one student will receive it every year. and I really wanted to do something differ- proud to represent our class,” said Machuca. genetics. She is very excited to move onto to “The nominated senior should ent. People complained constantly about For any senior in this greater things but will miss Liberty greatly. be someone who has contributed in many having the same people for SCA, so I ran school, graduating is a very ex- “I have mixed emotions about ways to the Liberty community, has demon- for senior class president and won, and citing experience for everyone. leaving. I’m really excited to go to Wil- strated leadership skills in numerous activ- I have not regretted it,” said Machuca. “My favorite thing about se- liam and Mary, but I’ll absolutely miss ities, and is an overall outstanding individ- As Vicky’s year is com- nior year was the new relationships I LHS. No doubt in my mind. Not to men- ual,” said senior sponsor Mrs.O’Brokta. ing to an end, she will miss Liberty formed, being both professional through tion, I’ll be leaving all of my friends To decide who will be the win- and all the amazing opportunities this the internship I did and ones with my and teachers that I’ve been around for ner of the Eagle Award, there is a pro- school has given her but she is very classmates,” said senior Ryan Lasher. four or more years,” said Humphries.
Recommended publications
  • Gender, Ethnicity, and Identity in Virtual
    Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225
    [Show full text]
  • GAMER Written by Mark Neveldine & Brian Taylor September 2007 Some
    GAMER Written by Mark Neveldine & Brian Taylor September 2007 Some of them want to use you Some of them want to get used by you Some of them want to abuse you Some of them want to be abused - Eurythmics Some years from this exact moment... 1 INT. TRAIN - DAY 1 DARKNESS - NOW The beautiful CHIMING SOUNDS OF SPACE TRAVEL through the COSMOS... DOTS OF LIGHT whiz past our face. They could be stars at lightspeed, or... SUBWAY LIGHTS FLICKER ON - in a flash we see PALE, SULLEN FACES, riding into a bleak future, and hear the INDUSTRIAL CLATTER. It's dark, claustrophobic, obscure... the rhythmic beat of track and wheel-clicks engulf us. The lights flicker back on and hold as we see a half dozen SOLDIERS in BROWN CAMO, steel- eyed, prepared for whatever may be at the end of the TUNNEL. ZERO IN on TWO: KABLE, 30-something, roughneck... focused, determined; eyes burning with internalized emotion... ... and SANDRA, late 20s, undeniably hot but tough as hell - both are in shackles & cuffs, being roughly transported through underground tunnels, knocked and shoved around. Uniformed GUARDS roam the train, looking pissed off - their swagger seems to mask FEAR. KABLE is meditating, or exhausted - hard to tell. The GIRL makes eye contact w/ him. SANDRA Sandra. KABLE says nothing, just stares at her, stoic. SANDRA (cont'd) My name is Sandra. GUARD Shut the fuck up. Because he can, the GUARD takes a swing at KABLE'S head with a BILLY CLUB... CRACK! (CONTINUED) 2. WHITE KABLE SCRIPT - 9/19/2007 1 CONTINUED: 1 KABLE'S skull snaps back into the window.
    [Show full text]
  • S U M M E R 2019
    the S U M M Q E R WHAT'S ON? The LGBT Society 2 at Queens' 0 Romanticising Abduction in Popular Culture 1 Find out about your 9 teacher's first job! Queens' School Slang CREDITS: FIVE Danny Robinson - Head Editor things we should Life in the Unification Maia Anselmo - Head Editor appreciate more! Ella Clarke - Copy Editor Movement Lisa Elliot - Copy Editor Louisa Wilkes Marla Morris Preena Madlani An EXCLUSIVE look into Layomi Abudu what Queens' School Shatou Rasha India Baker-Gorton Students are really Leonardo Luz And a special thanks to all thinking, and more! writers outside of the team. TOXIC POSITIVITY how growth mindset has grown pessimism Nega��ve thinking has been the scourge of This rejec!on of nega!ve emo!ons not only schools prac!cally since the crea!on of the provides more work for us in dealing with growth mindset in Carol Dweck’s The New issues we confront o en, like being late for Psychology of Success. This new model of school or not doing our homework that’s due thinking has been promoted throughout first period, but it also maintains s!gma schools !relessly, we have assemblies on it, we towards people who are anxious or depressed have corrected phrases in our classrooms on and oversimplifies human behaviour. It is yet how to change our language to fit these ideals, unknown the exact cause of mental illness and and we are consistently inundated with it it is most likely a culmina!on of many different throughout our school years. And this might causes, like certain genes or situa!onal factors.
    [Show full text]
  • Gorillaz Return with an Album Date a Video and Creepy CGI Portraits
    Gorillaz Return With An Album Date, A Video, And Creepy CGI Portraits Gorillaz Return With An Album Date, A Video, And Creepy CGI Portraits 1 / 4 2 / 4 Gorillaz return with an album date, a video, and creepy CGI portraits. 0 ... Gorillaz is an experiment by Damon Albarn and Jamie Hewlett that .... Gorillaz return with an album date, a video, and creepy CGI portraits. Nearly a year has passed since the hype cycle began for the next Gorillaz album. Today ... The collaboration sees Gorillaz lead singer 2D immortalized in vinyl and is the first ... Gorillaz return with an album date, a video, and creepy CGI portraits.. Gorillaz return with an album date, a video, and creepy CGI portraits. › Gorillaz - Saturnz Barz (Spirit House) Nearly a year has passed since the hype cycle ... Light Image Resizer 6.0.0.11 Crack The Verge (theverge)'s status on Thursday, 23-Mar-2017 22:09:44 CET · The Verge Gorillaz return with an album date, a video, and creepy CGI portraits ... Apple’s worst nightmare: Dual booting iPhone 3GS running Android jetAudio HD Music Player Plus v9.9.2 [Mod Lite] Apk | 11.1 MB Linksys launches new tri-band router and its first gateway Gorillaz - Saturnz Barz (Spirit House) 360. Featuring Popcaan. THE ALBUM - 'HUMANZ' OUT NOW - http://gorill.az/humanz GET 'HUMANZ' HERE - STANDARD .... Gorillaz - Broken - Fanimation Video. Gorillaz return with an album date, a video, and creepy CGI portraits. gorillaz share latest multimedia story book murdoc.. Gorillaz return with an album date, a video, and creepy CGI portraits. Nearly a year has passed since the hype cycle began for the next Gorillaz album.
    [Show full text]
  • United States Patent (19) 11 Patent Number: 6,114,143 Eda Et Al
    USOO611.4143A United States Patent (19) 11 Patent Number: 6,114,143 Eda et al. (45) Date of Patent: *Sep. 5, 2000 54). ANTI-HIV MONOCLONAL ANTIBODY 90O3984 4/1990 WIPO. 9015078 12/1990 WIPO. 75 Inventors: Yasuyuki Eda; Hiroaki Maeda; 9304090 3/1993 WIPO. Keiichi Makizumi, Kouichi Shiosaki, all of Kumamoto; Kiyoshi Osatomi, OTHER PUBLICATIONS Nagasaki, Kazuhiko Kimachi, Kumamoto; Hirofumi Higuchi, Kumamoto; Sachio Tokiyoshi, Matsushita, et al. : Characterization of a Kumamoto, all of Japan mouse/human . : AIDS Res. and Hum. Retro. v. 8, No. 6: pp. 1107–1115, 1992. 73 Assignee: Juridical Foundation The Chemo-Sero-Therapeutic Research Ohno, et al. : A broadly neutalizing monoclonal . Proc. Institute, Kumamoto, Japan Natl. Acad. Sci. : V. 88: pp. 10726–10729, 1991. * Notice: This patent issued on a continued pros Scott, et al. : Human monoclonal antibody that ecution application filed under 37 CFR recognizes ... : Proc. Natl. Acad. Sci. : V. 8: pp. 8597-8601, 1.53(d), and is subject to the twenty year 1990. patent term provisions of 35 U.S.C. 154(a)(2). Primary Examiner Jeffrey Stucker 21 Appl. No.: 08/513,968 ASSistant Examiner Brett Nelson 22 PCT Filed: Mar. 9, 1994 Attorney, Agent, or Firm-Browdy and Neimark 86 PCT No.: PCT/JP94/00371 57 ABSTRACT S371 Date: Sep. 11, 1995 A monoclonal antibody useful for clinical application which S 102(e) Date: Sep. 11, 1995 recognizes the conserved region of V3-PND region of 87 PCT Pub. No.: WO9420632 glycoprotein antigen having a molecular weight of about PCT Pub. Date: Sep. 15, 1994 1.2x10 daltons (gp120) on a coating membrane of human 30 Foreign Application Priority Data immunodeficiency virus (HIV) and which has an ability to neutralize a broad range of various HIV variants, or a Mar.
    [Show full text]
  • Appetite for Consumption
    BROUGHT TO YOU COURTESY OF 06–07 Tools Best of Midemlab 08–09 Campaigns Bon Iver, The National, Kanye West, Big Narstie 10–14 Behind The Campaign- Kate Ellis IN ASSOCIATION WITH sandbox JUNE 13 2018 MUSIC MARKETING FOR THE DIGITAL ERA ISSUE 206 APPETITE FOR CONSUMPTION the drain and strain of making unique content for everyone COVERFEATURE ike a precocious Oliver in a fancifully designed workhouse, the music Lindustry has never been shy of demanding more of its artists: labels want more attention; media want more access; retailers want more content; and live audiences just plain want more. The difference in 2018 is that these demands never stop. Three decades ago, there was a limit to how many in-store appearances Tower Records could fit into its shops, while radio and TV stations were APPETITE FOR limited by strict time slots. But in the digital age, where spatial limits are a thing of the past, there’s little stopping DSPs like CONSUMPTION Spotify, Apple Music and Amazon from packing their platforms with exclusive extra content as they tussle over subscriber numbers. But artists, managers and labels alike are feeling the strain. They spoke to us about the tough realities of this – but only on the condition of anonymity. “This is one of the most important issues in the business right now and one of the biggest conversations we are having in our company around any release,” one international marketer tells music:)ally. “Everyone wants something that is exclusive to them.” For overworked labels and managers, weighing up the constant demands from the drain and strain of making digital platforms for exclusive content is an extra headache to be negotiated.
    [Show full text]
  • Song Machine
    UNDER EMBARGO UNTIL 9.00AM (UK TIME) – FRIDAY 23 OCTOBER 2020 SONG MACHINE NEW ALBUM – OUT NOW LIVE DATES ANNOUNCED LIVE CHAT TODAY TUNE IN HERE “…a fluent, brilliant whole.” – 4/5 stars – THE GUARDIAN “Song Machine... is the most cohesive Gorillaz album since Demon Dayz... sparkling with energy and invention…” – 4/5 stars – MOJO UNDER EMBARGO UNTIL 9.00AM (UK TIME) – FRIDAY 23 OCTOBER 2020 23rd October 2020: Song Machine: Season One - Strange Timez – the highly-anticipated new album from Gorillaz has finally arrived! LISTEN HERE. With seven episodes available to date, each with its very own video following the adventures of Noodle, 2D, Murdoc and Russel in the studio and across the world, the complete Season One collection is available now for the first time. Today also sees the biggest virtual band in the world announce a string of live shows, with a global live streaming performance in December and a run of dates next year. The SONG MACHINE TOUR will see Gorillaz broadcast their first show since 2018 live on 12th and 13th December, ahead of a visit to Köln, Berlin and Luxembourg next summer, with a homecoming show at The O2, London on 11th August 2021. Ticket info here. Finally, tune in later today to join Damon Albarn, Remi Kabaka and a selection of the featured artists who appear on Song Machine for a live chat at 1700 BST, Friday 23rd October. WATCH HERE. SONG MACHINE LIVE on 12th and 13th December (2020) is Gorillaz’ first live performance since 2018 and will be broadcast live around the world with three separate shows taking place across three time zones through the magic of LIVENow.
    [Show full text]
  • NEW STUDIO ALBUM the Now Now
    NEW STUDIO ALBUM The Now Now Out June 29th on Warner Bros. Records—Preorder Live NOW New video for first single “Humility” here “Humility” Premiere on Zane Lowe’s WORLD RECORD GORILLAZ BRING DEMON DAYZ FESTIVAL TO AMERICA OCTOBER 20th AT PICO RIVERA SPORTS ARENA & GROUNDS IN LOS ANGELES Plus North American Arena Dates Confirmed in New York, Chicago, Philadelphia, Boston, Toronto and Montreal The Internet to Support on All Headline Dates Except Boston; Little Dragon to Support in Boston TICKETS ON SALE TO PUBLIC STARTING FRIDAY, JUNE 8th at 10am PST LOS ANGELES (May 31, 2018) – A brand new studio album from Gorillaz titled The Now Now will be released by Warner Bros. Records on June 29th, and is available for pre-order now with two instant grat songs, “Humility” and “Lake Zurich.” The Now Now is 11 all-new songs from the World’s Most Successful Virtual Act*, produced by Gorillaz, with James Ford and Remi Kabaka, and recorded entirely at Studio 13, London in February this year. In contrast to the cast of characters that joined the apocalyptic party thrown by Damon Albarn and his cartoon crew on last year’s multiple-GRAMMY-nominated HUMANZ , The Now Now sees the band largely eschewing guest stars, taking it back to the core Gorillaz crew: blue- haired, sweet-natured dreamer 2D on vocals; whip-smart Japanese badass Noodle on guitar; Brooklyn-born philosopher and the meat–behind-the-beat Russel Hobbs on drums. And with Murdoc Niccals temporarily indisposed, bass duties on the new album have been taken up by erstwhile Gangreen Gang member Ace (explaining the “FREE MURDOC” signage that’s been popping up everywhere from Coachella to the Kentucky Derby to Change.org and Reddit).
    [Show full text]
  • CITY of DELAFIELD (262) 646-6220 Common Council Meeting Agenda Monday, July 17, 2017 7:00 P.M
    CITY OF DELAFIELD (262) 646-6220 Common Council Meeting Agenda Monday, July 17, 2017 7:00 p.m. **CITY HALL COMMON COUNCIL CHAMBERS** 500 Genesee Street, Delafield, WI 53018 Call the Common Council Meeting to Order. Pledge of Allegiance. Roll Call. Special Order of Business: Proclamation for the Kettle Moraine Laser Shooting Team. Special Order of Business: Presentation by the Wisconsin Department of Transportation Design Team for the WIS 16/WIS 83 Interchange Project ID 1330-10-02/72 regarding construction hours of operation for deck removal and girder painting, followed by discussion and possible action by the Common Council regarding the same. 1. City of Delafield Citizen's Comments 2. Consent Agenda - Items listed under the Consent Agenda are considered in one motion unless a Common Council Member requests that an item be removed from the Consent Agenda. a. Common Council Minutes. 06/19/17 b. Approved and Issued Operator’s Licenses. c. Treasurer’s Report. 3. Committee Reports - Report on discussion and action taken at previous meetings, future agenda items and upcoming scheduled meetings. a. Licenses 1. Discussion and action to approve Temporary Class “B” for the Waukesha Rotary Club for Waukesha Bluesfest August 11 and 12, 2017. b. Plan Commission 1. Discussion and action as recommended by Plan Commission on DELC 0794.008, DELC 0794.009, DELC 0794.010, 208 West Main Street, Delafield. Owner/Applicant: Robert Baierl, seeks approval of a Certified Survey Map to consolidate three existing lots into one. 2. Discussion and action as recommended by Plan Commission on DELC 0746.002, 3800 Red Chapel Court, DELC 0746.003, 3700 Red Chapel Court, and DELC 0746.004, 3700 Red Chapel Court, Nashotah.
    [Show full text]
  • Goryle Na Scenie
    Hologramy i death metal w serialu. Dethklok wydał do tej pory cztery albumy i wyrusza w re- gularne trasy koncertowe. W odróżnieniu od wcześniejszych grup animowanych mamy możliwość obserwowania równoczesnej obec- ności zespołu w przestrzeni wirtualnej i w świecie rzeczywistym. Decyzją członków zespołu fikcyjni muzycy nazywają się inaczej niż autentyczni artyści, co powoduje, że wzajemna relacja pomiędzy bo- haterami animowanymi a ludźmi nie jest tak silna i skomplikowana. Tak prezentuje się historia zespołów animowanych mniej więcej do początku XXI wieku. W większości przypadków możemy mówić o zabawie formą, ale w mniejszym stopniu o krytycznych projek- tach somatycznych. To dopiero eksperyment dwójki Brytyjczyków: Damona Albarna i Jamiego Hewletta stał się początkiem rzeczywi- stego życia muzyków animowanych, a grupę Gorillaz należy uważać za pierwszy na świecie pełnoprawny zespół wirtualny. Goryle na scenie W marcu 2001 roku w londyńskim klubie Scala grupa Gorillaz dała swój pierwszy koncert na żywo. Nie byłoby w tym wydarzeniu nic wyjątkowego, gdyby nie fakt, że był to zespół stworzony wyłącznie z animowanych postaci. Grupę Gorillaz tworzą: 2-D (wokal i key- board), Noodle (gitara akustyczna), Murdoc Niccals (gitara basowa) oraz Russel Hobbs (perkusja). To czterech członków grupy, którzy w 1998 roku wzbudzili poruszenie na brytyjskiej podziemnej scenie muzyki alternatywnej. Za projektem stoją jednak rzeczywiste posta- cie brytyjskiej sceny artystycznej – muzyk Damon Albarn i twórca komiksów Jamie Hewllet. Zanim jednak dokładniej opowiem o tej wyjątkowej kolaboracji, to pozostanę jeszcze przez chwilę w świecie Gorillaz i przytoczę fikcyjne początki animowanych muzyków, któ- re zostały zawarte w autobiografiiRise of the Ogre. Muszę jednak przestrzec czytelnika, że posługiwanie się rozróżnieniem na fikcję i autentyzm w przypadku Gorillaz jest odrobinę nieuzasadnione.
    [Show full text]
  • Analýza Transmediálního Vyprávění Kapely Gorillaz
    Univerzita Palackého v Olomouci Filozofická fakulta Diplomová práce Analýza transmediálního vyprávění kapely Gorillaz Bc. Soňa Kolářová Katedra divadelních a filmových studií Vedoucí práce: Mgr. et Mgr. Jana Jedličková, Ph.D. Studijní program: Filmová, divadelní, televizní a rozhlasová studia Olomouc 2019 Prohlašuji, že jsem diplomovou práci na téma Analýza transmediálního vyprávění kapely Gorillaz vypracovala samostatně za použití v práci uvedených pramenů a literatury. Dále prohlašuji, že tato diplomová práce nebyla využita k získání jiného nebo stejného titulu. Datum: ...................................................... podpis Ráda bych touto cestou poděkovala Mgr. et Mgr. Janě Jedličkové, Ph.D. za odbornou pomoc, velkou trpělivost a ochotu při vedení mé diplomové práce. Poděkování patří také Mgr. Tomáši Jirsovi, Ph.D. za cenné rady k literatuře a všem, kteří byli nuceni práci v průběhu jejího vzniku opakovaně číst. Obsah: Úvod ...................................................................................................................... - 5 - Kritika pramenů a literatury ........................................................................... - 10 - Metodologický přístup a terminologie ............................................................ - 18 - 1. Vznik a (dosavadní) vývoj Gorillaz .............................................................. - 24 - 2. Transmediální vyprávění .............................................................................. - 33 - 2.1 Fáze první: Celebrity Take Down (1998 - 2003)
    [Show full text]
  • MAKING MIXTAPES MATTER Mixtapes Have a Long History in Hip-Hop and R&B – and Now They Are Being Used to Punctuate Or Embellish a Wider Album Campaign
    06–07 Campaigns Gorillaz, Joe Goddard, Kasabian 08-14 Behind The Campaign Ed Sheeran APRIL 26 2017 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 178 MAKING MIXTAPES MATTER Mixtapes have a long history in hip-hop and R&B – and now they are being used to punctuate or embellish a wider album campaign. Increasingly the lines between what is a “mix” and what is ew things in the modern music business are as confusingly named as the mixtape: an album are blurring – but this allows artists the freedom to experiment and collaborate more F they’re not tapes, for a start, and most of without a mixtape being dissected like an album proper. We look at the ways they can work them aren’t actually mixed. In fact, defining what mixtapes are in 2017 is probably harder best, how they should connect with fans, just how liberating they can be (for artist and to pinpoint than what they aren’t. marketing team) and why they don’t always have to be given away for free. But let’s try: mixtapes are a group of songs, typically from a rapper or R&B act, that are intended as a coherent piece of work but which exist without the weight of expectation of “an album”, allowing the artist to experiment, bring in outside collaborators and – if the mixtape is free – sample with less of an eye towards lawyers’ fees. Mixtapes are often stopgaps, filling the space between album releases, or used to introduce an artist to the world, and they are predominantly digital releases.
    [Show full text]