Fashion Designing (865)

Total Page:16

File Type:pdf, Size:1020Kb

Fashion Designing (865) FASHION DESIGNING (865) Aims: 1. To provide knowledge of various fashion trends 3. To enable the students to develop interest in and textiles. research for various projects and develop appropriate skills in designing dresses. 2. To inculcate the interest and to develop a sense of appreciation and creative expression in selection of 4. To enable students to acquire basic knowledge ready-made clothes. about textiles necessary to select better fabrics for Apparel and designing clothes. CLASS XI There will be two papers in the subject: (v) Careers in Fashion Paper I: Theory: 3 hours …… 70 marks Various career options: Fashion Designer, Merchandiser, Buying Agent, Production in Paper II: Practical Work: …… 30 marks charge, Teacher, Pattern Maker, Sample maker, Stylist, Buyer for multi designer stores, PAPER I – THEORY (70 Marks) Exporter, Fashion Journalism. Question 1 is compulsory. Candidates will be required (vi) Fashion Terminology to answer four questions out of seven questions. Corset, Jodhpurs, Achkan, Grain Line, Camouflage, Silhouette, Cummerbund, 1. Introduction to Fashion Gusset, Flounce, Trend, Style, Bias, Cluster, (i) Definitions of Fashion Rouching, Shirring, Gathers, Pleats, Tucks. Definition and understanding of the terms. Fashion can be defined as the idea or style in a field like fashion designing, currently 2. Design Details accepted by a given segment of the population. (i) Types of designs (ii) Classification of Fashion Natural The following topics are to be covered briefly: Abstract Haute Couture, High Fashion/Street, Knock Geometrical off, Line Production, Prêt-o Porter, Made to Decorative/ Ornamental Measure (Tailored), Classics, Fads. (ii) Elements of Design (iii)Fashion Cycle Line Self- explanatory Shape/Form (iv) Fashion and current trends Space Fashion and current trends to be taught, Colour highlighting the fact that the fashion and Texture trends keep changing. Pattern 222 (iii) Principles of Design Blood Proportion Chocolate Balance Coffee/Tea Rhythm Grease Emphasis Nail Polish Harmony (ii) Stain Removal Methods Dip Method 3. Wardrobe Planning Sponge Method (i) Different figure types Steam Method An understanding of: (iii) Storage and Maintenance of Clothes Ideal Figure Type Importance and Function of Closet Triangular Figure Type Organization; Inverted Triangular Figure Type Storage of special clothes: Storage of Rectangular Figure Type Velvet, Brocade, Tissue, Suede, Organza; Hourglass Figure Type Storing of Knits, Lingerie, Underwear, Socks and Hosiery, Gloves, Belts, Shoes, Diamond-shaped Figure Type Handbags, Hats, Scarves, Jewellery. Tubular Figure Type Maintenance: General tips on how to take Rounded Figure Type care of clothes of all types and materials. (ii) Buying Fabrics (iv) Principles of Closet Organization Shopping for fabrics Visibility, Special buying considerations Reachability Underlining fabrics -- types and selection Grouping by Category (iii)Clothing as a powerful resource PAPER II - PRACTICAL WORK (30 Marks) Life cycle clothing needs Candidates will be expected to complete the practical Professional Image Types - typical fields work listed below and maintain a Journal for the and recommended dress for each. same. 4. Designers The journal will be assessed internally by the Learning in detail about five Indian and five Teacher out of 30 Marks. International designers (one Japanese, one Italian, one French, one American and one List of Practical Work to be done throughout the year British) along with their styles of clothes. 1. Creative use of various types of decorations 5. Care of Clothes Hand embroidery stitches (i) Some common stains and their removal: Outline stitches Ink Back Stitch, Stem Stitch, Chain Stitch Lipstick Filling stitches Oil Paint Satin Stitch, Herringbone Stitch, Long and Perfume Short Stitch. Perspiration Fancy stitches Water Feather Stitch, Buttonhole Stitch, Bullion Ball point Pen Stitch and Trellis 223 2. Cutting and finishing techniques 4. Taking Body Measurements Seams Horizontal Measurements Stitched and Pinked, Turned and Stitched, Hand-Overcast, French, Flat-felled Bust, Waist, Hips, X Back, X Chest, Neck, Tucks Shoulder, Armhole, Dart Separation Pin Tuck, Shell Tuck, Vertical Measurements Pleats Nape to Waist, Shoulder to Waist, Armhole Knife, Box, Inverted Box depth, Waist to Knee, Waist to Hip Gathers Neckline facings Sleeve Measurements Shaped, Bias and piping for Round neck and Length to wrist, Upper arm girth, Wrist Square neck Fasteners Trouser Measurements Hook and Eye, Button and Buttonhole, Press Body rise, Side seam, Knee girth, bottom Buttons width Plackets Even hem placket Sources of buying various fabrics needed for Apparel Hem finishes Slant hemming and Slip Hemming Introduction to various markets to buy required fabric 3. Basic Illustration Learning to draw mechanical croque 5. Workshop on Accessory making How to flesh out croque Costume jewellery: out of scrap, beads, paper The 8 head and 10 head proportions beads, paper quilling Clothing the croque --- 2 western and 2 Indian outfits 224 CLASS XII There will be two papers in the subject: Identification, properties, uses, Paper I: Theory: 3 hours …… 70 marks advantages and disadvantages of the Paper II: Practical Work: 3 hours …… 30 marks above. (ii) Manufactured fibres - Rayon, Polyester, PAPER I – THEORY (70 Marks) Nylon, Acrylic, Acetate, spandex. Candidates will be required to answer five questions, Identification, properties, uses, including at least two questions from Section A and advantages and disadvantages of the two questions from Section B. above. SECTION A (c) Fibre Properties. TEXTILES A broad understanding of terms describing fibres and their properties in order to 1. Introduction to Textiles understand their nature and how they (a) Definitions of textiles, fibre, yarn and fabric contribute to fabric properties. and their qualities. (i) Essential or primary properties - length to An introduction to textiles by identifying width ratio, density, tenacity, flexibility, textiles currently available in the market. cohesiveness. Understanding of textiles by defining basic terms such as: fibre, yarn, fabric, finish, (ii) Secondary properties - abrasion textile. resistance, absorbency, elongation, Uses of textiles in the following aspects of life resiliency, elastic recovery, electrical should be discussed briefly: Apparel, conductivity, elasticity, luster, heat household, industrial & medical. conductivity. The components of serviceability of textile 3. Yarn products should be explained with reference to: aesthetics, durability, comfort, (a) Yarn formation: Opening, cleaning, carding, appearance, retention and care. combing, drawing, roving, spinning. (b) Importance of the textile industry (i) Yarn Processing Importance of the textile industry to the Spun and Filament yarns: definition and Economy of India - a brief discussion on its examples. contribution to the GDP, employment & (ii) Production of Spun and Filament Yarns: export. Spun yarn: 2. Textile Fibres Ring Spinning: Opening, cleaning, (a) Types of fibres. carding, combing, drawing, roving, Staple and filament fibres - definition and spinning (a brief understanding of each examples. process). (b) Classification of textile fibres based on Origin: Filament yarn: Natural and Manufactured fibres. (i) Natural Fibres (Plant and animal origin). Chemical spinning: Types - Wet spinning, Cellulosic fibres: Cotton, Flax, linen, Melt spinning, Dry spinning (a brief jute, hemp; understanding of each process). Protein fibres - Wool, Silk; 225 (b) Yarn twist. Henna (Mehendi), Turmeric and Beetroot for Importance, uses and advantages of yarn dyeing of fabrics. twist; amount of twist and how it Advantages of using natural dyes over contributes to strength and appearance. synthetic dyes. Types of yarns and their qualities - Single, (c) Indian Textiles: Paithani, Patola, Ply and Fancy. Pochampali, Baluchar Butidar, (c) Blends. Maheshwari, Mekhala Chadhar and Meaning, advantages and examples of Kanjeevaram. blends. Short notes on the following traditional saris with respect to origin, raw materials used, 4. Fabric Construction Techniques technique/s used, colours and designs: - (a) Weaving: Characteristics, advantages, Paithani, Patola, Pochampalli, Baluchari disadvantages and uses. Maheshwari, Mekhala Chadhar and Understanding basic terminology: Warp, weft Kanjeevaram.. and grain. (d) Drapes Process of weaving: a basic understanding of Different sari drape styles in India: the loom and its operations; (i) Nine-yard Maharashtrian style (ii) Gujarati style The three basic weaves: (iii) Coorg style Plain Weave – its variations (Basket and Rib). Description of the above drape styles along Twill Weave –its variations (Uneven and with sketching. Even) Satin and Sateen Weave SECTION B A brief idea of construction, characteristics, FASHION AND APPAREL advantages, disadvantages and uses of the 6. History of Fashion in Europe: 1901-1950 above weaves. (a) 1901-1920: Edwardian period / Labelle (b) Other fabric constructions: Knitting, Knotting Epoque / World War I. (macramé), Crochet, Braiding and Lace - to A brief historical background; The effect be explained briefly. of War on Fashions. Basic understanding of the making, use and characteristics of the above. Influences on Fashion- The French couture, changing role of women, advent Difference between woven and knit fabrics. of the automobile and influence of the (c) Non-Wovens – Leather, Suede, Fur, Felt, American high
Recommended publications
  • Fabric Story: India- Fabrics and Embroideries
    Humber Fashion Institute Fabric Story: India- Fabrics and Embroideries FMPC 505 01 Nilofer Timol 10/18/2013 Contents Humber Fashion Institute ....................................................................................................................................................... 0 Fabric Story: India- Fabrics and Embroideries ........................................................................................................................ 0 FMPC 505 01 ........................................................................................................................................................................... 0 Table of Figures ....................................................................................................................................................................... 2 India: Fabrics and Embroideries .............................................................................................................................................. 3 Introduction ........................................................................................................................................................................ 3 The Fabric Story ...................................................................................................................................................................... 6 Fashion Theme ...............................................................................................................................................................
    [Show full text]
  • Trade Marks Journal No: 1625, 27/01/2014 P`Kasana : Baart Sarkar
    Trade Marks Journal No: 1625, 27/01/2014 Reg. No. TECH/47-714/MBI/2000 Registered as News Paper p`kaSana : Baart sarkar vyaapar icanh rijasT/I esa.ema.raoD eMTa^p ihla ko pasa paosT Aa^ifsa ko pasa vaDalaa mauMba[- 400037 durBaaYa : 022 24101144 ,24101177 ,24148251 ,24112211. fO@sa : 022 24140808 Published by: The Government of India, Office of The Trade Marks Registry, Baudhik Sampada Bhavan (I.P. Bhavan) Near Antop Hill, Head Post Office, S.M. Road, Mumbai-400037. Tel:022-24140808 1 Trade Marks Journal No: 1625, 27/01/2014 Anauk/maiNaka INDEX AiQakairk saucanaaeM Official Notes vyaapar icanh rijasT/IkrNa kayaa-laya ka AiQakar xao~ Jurisdiction of Offices of the Trade Marks Registry sauiBannata ko baaro maoM rijaYT/ar kao p`arMiBak salaah AaoOr Kaoja ko ilayao inavaodna Preliminary advice by Registrar as to distinctiveness and request for search saMbaw icanh Associated Marks ivaraoQa Opposition ivaiQak p`maaNa p`~ iT.ema.46 pr AnauraoQa Legal Certificate/ Request on Form TM-46 k^apIra[T p`maaNa p`~ Copyright Certificate t%kala kaya- Operation Tatkal saava-jainak saucanaaeM Public Notices svaIkRit ko puva- iva&aipt Aavaodna Applications advertised before acceptance-class-wise: 2 Trade Marks Journal No: 1625 27/01/2014 vaga- / Class –1 11-24 vaga- / Class –2 25-28 vaga- / Class – 3 29-45 vaga- / Class – 4 46-48 vaga- / Class – 5 49-111 vaga- / Class – 6 112-121 vaga- / Class – 7 122-144 vaga- / Class – 8 145-151 vaga- / Class – 9 152-166 vaga- / Class –10 167-178 vaga- / Class – 11 179-183 vaga- / Class – 12 184-193 vaga- / Class – 13 194-195
    [Show full text]
  • GI Journal No. 75 1 November 26, 2015
    GI Journal No. 75 1 November 26, 2015 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO.75 NOVEMBER 26, 2015 / AGRAHAYANA 05, SAKA 1936 GI Journal No. 75 2 November 26, 2015 INDEX S. No. Particulars Page No. 1 Official Notices 4 2 New G.I Application Details 5 3 Public Notice 6 4 GI Applications Bagh Prints of Madhya Pradesh (Logo )- GI Application No.505 7 Sankheda Furniture (Logo) - GI Application No.507 19 Kutch Embroidery (Logo) - GI Application No.509 26 Karnataka Bronzeware (Logo) - GI Application No.510 35 Ganjifa Cards of Mysore (Logo) - GI Application No.511 43 Navalgund Durries (Logo) - GI Application No.512 49 Thanjavur Art Plate (Logo) - GI Application No.513 57 Swamimalai Bronze Icons (Logo) - GI Application No.514 66 Temple Jewellery of Nagercoil (Logo) - GI Application No.515 75 5 GI Authorised User Applications Patan Patola – GI Application No. 232 80 6 General Information 81 7 Registration Process 83 GI Journal No. 75 3 November 26, 2015 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 75 of the Geographical Indications Journal dated 26th November 2015 / Agrahayana 05th, Saka 1936 has been made available to the public from 26th November 2015. GI Journal No. 75 4 November 26, 2015 NEW G.I APPLICATION DETAILS App.No. Geographical Indications Class Goods 530 Tulaipanji Rice 31 Agricultural 531 Gobindobhog Rice 31 Agricultural 532 Mysore Silk 24, 25 and 26 Handicraft 533 Banglar Rasogolla 30 Food Stuffs 534 Lamphun Brocade Thai Silk 24 Textiles GI Journal No.
    [Show full text]
  • Chapter 3 Methodology…
    Chapter 3 Methodology… Methodology….. CHAPTER III METHODOLOGY The research being descriptive and analytical in nature, a longitudinal research design was planned to accomplish the framed objectives. The study had been divided into three different phases. The detailed historical research was conducted during the first phase while the second phase included the collection and documentation of the data. Earnest efforts for the preservation and popularization of the traditional royal costumes were made during the third phase of research. The organized research procedure that would be accomplishing the present study is mentioned as follows: 3.1 Selection of topic The present research had started with an inspiring thought of investigator’s master’s dissertation work and experiences. The researcher had seen various researches and documentation of Indian royal costumes especially of princely states of Rajasthan and Gujarat and found that the dearth of information was available on the royal costumes of Kachchh which led researcher towards its investigation. The present research had taken its shape as a researcher came across royal heritage of Kachchh for taking it into the limelight and preserving it in a decent manner for future generation. Moreover, the statement of the problem identified as Documentation of traditional costumes of rulers of Kachchh. The rulers of Kachchh were not as popular as other princely state rulers. The word “royal costume” provides an impression of luxurious fabrics, embellishments, and royalty. There could be the difference in these elements in royal costumes of Kachchh compared to other ruler’s costume. Kachchh’s geographical location has Rajasthan one end and Sindh Pakistan at the other end as neighboring states which could have influenced the costumes.
    [Show full text]
  • Traditional Indian Textiles Students Handbook + Practical Manual Class XII
    Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½
    [Show full text]
  • Ancient Civilizations Huge Infl Uence
    India the rich ethnic mix, and changing allegiances have also had a • Ancient Civilizations huge infl uence. Furthermore, while peoples from Central Asia • The Early Historical Period brought a range of textile designs and modes of dress with them, the strongest tradition (as in practically every traditional soci- • The Gupta Period ety), for women as well as men, is the draping and wrapping of • The Arrival of Islam cloth, for uncut, unstitched fabric is considered pure, sacred, and powerful. • The Mughal Empire • Colonial Period ANCIENT CIVILIZATIONS • Regional Dress Harappan statues, which have been dated to approximately 3000 b.c.e. , depict the garments worn by the most ancient Indi- • The Modern Period ans. A priestlike bearded man is shown wearing a togalike robe that leaves the right shoulder and arm bare; on his forearm is an armlet, and on his head is a coronet with a central circular decora- ndia extends from the high Himalayas in the northeast to tion. Th e robe appears to be printed or, more likely, embroidered I the Karakoram and Hindu Kush ranges in the northwest. Th e or appliquéd in a trefoil pattern. Th e trefoil motifs have holes at major rivers—the Indus, Ganges, and Yamuna—spring from the the centers of the three circles, suggesting that stone or colored high, snowy mountains, which were, for the area’s ancient inhab- faience may have been embedded there. Harappan female fi gures itants, the home of the gods and of purity, and where the great are scantily clad. A naked female with heavy bangles on one arm, sages meditated.
    [Show full text]
  • We Are Manufacturing and Exporting Ethnic Wear for Men, Women & Kids
    We are manufacturing and exporting ethnic wear for men, women & kids and includes embroidered bridal lehenga, salwar suit & fashion accessories. Our range is popular across the US market for quality, variety, embroidery and fabric used. - Company Brief - Started in 1990, we Dot Exports cater to international buyers with our range of ethnic bridal wear, ladies saree, ladies suits, men's wear, kid's wear, indian fashion jewelry & accessories. Our extensive range of ethnic garments & accessories are best suitable for wedding trousseau. From lehenga-choli, fancy sari, salwar kameez & more for women to sherwani, jodhpuri suits & kurta for men, we have it all. Our range also encompasses ethnic dresses for kids. To match the garments styling, we offer variety of embroidered safas, stoles, dupattas, juti or mojaris, etc. Our efforts are to deliver uniqueness in each item, so our workshops nurture some of the best designers & karigars, who have the expertise to create awesome fabric wonders. Our workers & supervisors have good understanding of intricacies and fineness of Indian embroidery & embellishment that highlights our range in the global market. Operating since 1990, we Dot Exports are a recognized manufacturer & exporter of Indian ethnic garment, fashion accessories & traditional jewelery. Our vast range includes bridal wears, sarees, ladies suits, ethnic wear for men, Indian outfits for kids, fashion jewelery and accessories. As a noted exporter to US markets, we combine the dexterity of our designers with the requirements of the fashion conscious global market and make our product-line perfect to suit all seasons and occasions. Adding glamor to the wedding wardrobes, all our products are known for quality in terms of fabric, workmanship & tailoring expertise.
    [Show full text]
  • Wedding Sherwani, Indo Western Sherwani, Kurta Pajama and Many More
    +91-8048600930 Kinny Garments Private Limited https://www.kinnygarments.in/ We are one of the leading manufacturers, suppliers and exporters of optimum quality Mens Wedding Dresses. Owing to their attractive design and trendy appearance, these men’s wedding dresses are highly demanded in the market. About Us We, Kinny Garments Private Limited set up in the year 1988, are among the prominent manufacturers, suppliers and exporters of an extensive range of optimum quality Mens Wedding Dresses. The range of products offered by us are given as Wedding Sherwani, Indo Western Sherwani, Kurta Pajama and many more. The fabric yarns, which are best in the market, are used for the purpose of precisely designing the offered men’s wedding dresses. For the purpose of designing the offered wedding dressing in adherence to the prevailing fashion, the skilled designers and advanced weaving machines are used. These dresses are known in the market for their appealing design, resistance to fading & shrinkage, excellent sheen, smooth finish, vibrant color combination and durability. Owing to our large production capacity, we have been able to meet the bulk demands within the stipulated time frame. These wedding dresses can be customized as per the specifications provided by the customers. It is owing to our state-of-the-art infrastructure that we have been able to cater to the precise needs of our valuable customers in the most efficient manner. We, being a quality certified organization, assure the premium quality of the offered dresses is maintained at all times. For delivering the offered products at the customers’ end, we have set up a huge distribution network that is well connected with different modes of transport.
    [Show full text]
  • Traditional Clothes of the Country(Joint
    Message froM PRESIDENT Dear Rotaractors, Warm Rotaract Greetings from Rotaract Club of Thane North (RID 3142- India) We are glad sharing an editorial space with you and find great pleasure introducing the Traditional attire of our country. As you know India is a diverse country and has 29 states and 7 union territories. Every state has their own diverse language and traditional attire. We even have diversity in religion maximum people following Hinduism and the rest being Islam, Christianity and Sikhism; leave aside the other tribes which have their own traditional attire. Living in such a diversified country it is difficult to write about the entire traditional clothing, but here I will just try giving you a glimpse of the same. For men, traditional clothes are the Achkan/Sherwani, Bandhgala, Lungi, Kurta, Angarkha, Jama and Dhoti or Pajama. Additionally, recently pants and shirts have been accepted as traditional Indian dress by the Government of India. In India, women's clothing varies widely and is closely associated with the local culture, religion and climate. Traditional Indian clothing for women in the north and east are saris worn with choli tops; a long skirt called a lehenga or pavada worn with choli and a dupatta scarf to create an ensemble called a gagra choli; or salwar kameez suits, while many south Indian women traditionally wear sari and children wear pattu langa. Saris made out of silk are considered the most elegant. Mumbai, formerly known as Bombay, is one of India's fashion capitals. In many rural parts of India, traditional clothes is worn.
    [Show full text]
  • REPORT + TRENDS Lakme Fashion Week 2 FASHION
    REPORT + TRENDS Lakme Fashion Week AWEEK OF UPCYCLIN 136 | FIBRE2FASHION SEPTEMBER 2017 WEEK OF The Lakmé Fashion Week Summer/Resort 2017, that saw 93 designers exhibit their collections and innovations across 42 shows, was a lot about recycling and upcycling. Meher Castelino reports. G here has been constant talk in the past few years in India, abroad and at several seminars and discussions on how to protect the environment. This has led to many projects that have tried to figure out N how fast fashion can be slowed down. In turn, it is now being debated how the fashion industry, which is the most polluting, can make use of itsT discarded garments and turn them into new creations. What happens to all the old clothes that are discarded by the fashion- conscious? Are those just waste, or can they be used with inventive ideas? What happens to all the leftover fabrics in factories after the garments are made? A beginning to this end was made at the Lakmé Fashion Week Summer/Resort 2017 season through the concept of using old clothes to create new ones with the top designers like Rajesh Pratap Singh and Abraham and Thakore leading the way. SEPTEMBER 2017 FIBRE2FASHION | 137 REPORT + TRENDS Lakme Fashion Week Using discarded fabrics The Abraham & Thakore label by David Abraham and Rakesh Thakore has been loyal to sustainable and organic fashion for decades. At the Week this time, their menswear collection ‘Dandy March’ was a stylish parade of unconventional garments. Using only discarded fabrics like bedsheets, cushion covers and off-cuts, the duo made a creative attempt at recycling waste material from off-cuts on the factory floor.
    [Show full text]
  • Fashion Text Book
    Fashion STUDIES Text Book CLASS-XII CENTRAL BOARD OF SECONDARY EDUCATION Preet Vihar, Delhi - 110301 FashionStudies Textbook CLASS XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110 301 India Text Book on Fashion Studies Class–XII Price: ` First Edition 2014, CBSE, India Copies: "This book or part thereof may not be reproduced by any person or agency in any manner." Published By : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 Design, Layout : Multi Graphics, 8A/101, W.E.A. Karol Bagh, New Delhi-110005 Phone: 011-25783846 Printed By : Hkkjr dk lafo/ku mísf'kdk ge] Hkkjr ds yksx] Hkkjr dks ,d lEiw.kZ 1¹izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kkRed x.kjkT;º cukus ds fy,] rFkk mlds leLr ukxfjdksa dks% lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /eZ vkSj mikluk dh Lora=krk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj 2¹jk"Vª dh ,drk vkSj v[kaMrkº lqfuf'pr djus okyh ca/qrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/ku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~ }kjk bl lafo/ku dks vaxhÑr] vf/fu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977) ls ¶izHkqRo&laiUu yksdra=kkRed x.kjkT;¸ ds LFkku ij izfrLFkkfirA 2- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977) ls ¶jk"Vª dh ,drk¸ ds LFkku ij izfrLFkkfirA Hkkx 4 d ewy dÙkZO; 51 d- ewy dÙkZO; & Hkkjr ds izR;sd ukxfjd dk ;g dÙkZO; gksxk fd og & (d) lafo/ku
    [Show full text]
  • Nepali Times Has Compiled All Its Travel Writeups Over the Past Eight Years Into a Special Destination Package
    #420 3 - 9 October 2008 20 pages Rs 30 Weekly Internet Poll # 420 Q. Was the finance minister right to cut ’Tis the budget for festivals? the Total votes: 5,089 season Weekly Internet Poll # 421. To vote go to: www.nepalitimes.com Q.Do you expect next year’s Dasain- lear skies, fabulous mountain Tihar to be better than this year’s? C views, festivals, smiles. Those characteristics of the Dasain-Tihar holidays make the autumn season popular for tourism and trekking. With the peace process on track, elections over and a new government in place, visitor arrivals have picked up. Hotel rooms and airline tickets are scarce. But there are still places to go in this vast country that are off the beaten track, like Upper Dolakha (p 8-9). Nepali Times has compiled all its travel writeups over the past eight years into a Special Destination package. See: www.nepalitimes.com.np/ special/travel_nepal.php Editorial Time is running out p2 GUEST COLUMN Karna Shakya p2 PLAIN SPEAKING Prashant Jha p4 Dolakha’s hidden charm p8-9 Cars cars cars! p10-11 Maoist movies p15 College fashion p16 HAPPY HOLIDAY Nepali Times wishes all its readers and partners a happy Dasain, Chhat, Eid. Because of the holidays, there will be no BEAUTIFUL COUNTRY: issue of Nepali Dentistry student Times on 10 Sunaina Palikhe and October. The next hotel management hardcopy edition student Monita Pun of this paper will trekking in Dhampus come out on 17 amidst a spectacular October. Log on to backdrop of www.nepalitimes.com Machapuchre on for regular news Saturday.
    [Show full text]