Chapter 5 Summary & Conclusions…
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The Indian Culture By: Rachita Vinoth
The Indian Culture By: Rachita Vinoth Red, pink, yellow, green, purple, orange, blue, white. Colors float and wave around me. They are in front of me, beside me, behind me, everywhere! There are so many colors that it feels like I am in the sun where all the colors are combined. But to tell you the truth, I am in India. India is a place full of colors, and everywhere you look, everything is so lively and beautiful. There are so many varieties of everything here. India is even called “The Land of Diversity” because of the varieties of food, entertainment, traditions, festivals, clothing, religions, languages, and so much more. Every direction you look, from food to religion, you will see so many unique things. It helps you, it gives you energy, it is the thing that keeps you moving and working - it’s food. There are so many famous foods in India that it is called the land of spices. People from Northern India desire foods like Mughlaifood. Famous foods in Southern India are dosa, idli, and more rice-based dishes. Some foods that people across the country like are chole bhature, all kinds of bread like roti and naan, and of course the all time favorite biryani! Some Indian desserts that are famous are kheer, rasgulla, gulab jamun, and more different varieties. Indians like to play a musical game called antakshari. They also like to watch movies, and the movies are mostly musical, including many types of songs and dances. The movie industry, Bollywood, is almost as big as Hollywood now. -
Trade Marks Journal No: 1625, 27/01/2014 P`Kasana : Baart Sarkar
Trade Marks Journal No: 1625, 27/01/2014 Reg. No. TECH/47-714/MBI/2000 Registered as News Paper p`kaSana : Baart sarkar vyaapar icanh rijasT/I esa.ema.raoD eMTa^p ihla ko pasa paosT Aa^ifsa ko pasa vaDalaa mauMba[- 400037 durBaaYa : 022 24101144 ,24101177 ,24148251 ,24112211. fO@sa : 022 24140808 Published by: The Government of India, Office of The Trade Marks Registry, Baudhik Sampada Bhavan (I.P. Bhavan) Near Antop Hill, Head Post Office, S.M. Road, Mumbai-400037. Tel:022-24140808 1 Trade Marks Journal No: 1625, 27/01/2014 Anauk/maiNaka INDEX AiQakairk saucanaaeM Official Notes vyaapar icanh rijasT/IkrNa kayaa-laya ka AiQakar xao~ Jurisdiction of Offices of the Trade Marks Registry sauiBannata ko baaro maoM rijaYT/ar kao p`arMiBak salaah AaoOr Kaoja ko ilayao inavaodna Preliminary advice by Registrar as to distinctiveness and request for search saMbaw icanh Associated Marks ivaraoQa Opposition ivaiQak p`maaNa p`~ iT.ema.46 pr AnauraoQa Legal Certificate/ Request on Form TM-46 k^apIra[T p`maaNa p`~ Copyright Certificate t%kala kaya- Operation Tatkal saava-jainak saucanaaeM Public Notices svaIkRit ko puva- iva&aipt Aavaodna Applications advertised before acceptance-class-wise: 2 Trade Marks Journal No: 1625 27/01/2014 vaga- / Class –1 11-24 vaga- / Class –2 25-28 vaga- / Class – 3 29-45 vaga- / Class – 4 46-48 vaga- / Class – 5 49-111 vaga- / Class – 6 112-121 vaga- / Class – 7 122-144 vaga- / Class – 8 145-151 vaga- / Class – 9 152-166 vaga- / Class –10 167-178 vaga- / Class – 11 179-183 vaga- / Class – 12 184-193 vaga- / Class – 13 194-195 -
BHUJ "Ancient Temples, Tall Hills and a Deep Sense of Serenity" Bhuj Tourism
BHUJ "Ancient temples, tall hills and a deep sense of serenity" Bhuj Tourism A desert city with long history of kings and empires make Bhuj one of the most interesting and unique historical places to see. The city has a long history of kings and empires - and hence many historic places to see. The city was left in a state of devastation after the 2001 earthquake and is still in the recovery phase. Bhuj connects you to a range of civilizations and important events in South Asian history through prehistoric archaeological finds, remnants of the Indus Valley Civilization (Harappan), places associated with the Mahabharata and Alexander the Great's march into India and tombs, palaces and other buildings from the rule of the Naga chiefs, the Jadeja Rajputs, the Gujarat Sultans and the British Raj. The vibrant and dynamic history of the area gives the area a blend of ethnic cultures. In a walk around Bhuj, you can see the Hall of Mirrors at the Aina Mahal; climb the bell tower of the Prag Mahal next door; stroll through the produce market; have a famous Kutchi pau bhaji for lunch; examine the 2000-year-old Kshatrapa inscriptions in the Kutch Museum; admire the sculptures of Ramayana characters at the Ramakund stepwell; walk around Hamirsar Lake and watch children jumping into it from the lake walls as the hot afternoon sun subsides; and catch the sunset among the chhatardis of the Kutchi royal family in a peaceful field outside the center of town. This Guide includes : About Bhuj | Suggested Itinerary | Commuting tips | Top places to visit | Hotels | Restaurants | Related Stories Commuting in Bhuj Tuk-tuks (autorickshaws) are the best way to travel within the city. -
Chapter 3 Methodology…
Chapter 3 Methodology… Methodology….. CHAPTER III METHODOLOGY The research being descriptive and analytical in nature, a longitudinal research design was planned to accomplish the framed objectives. The study had been divided into three different phases. The detailed historical research was conducted during the first phase while the second phase included the collection and documentation of the data. Earnest efforts for the preservation and popularization of the traditional royal costumes were made during the third phase of research. The organized research procedure that would be accomplishing the present study is mentioned as follows: 3.1 Selection of topic The present research had started with an inspiring thought of investigator’s master’s dissertation work and experiences. The researcher had seen various researches and documentation of Indian royal costumes especially of princely states of Rajasthan and Gujarat and found that the dearth of information was available on the royal costumes of Kachchh which led researcher towards its investigation. The present research had taken its shape as a researcher came across royal heritage of Kachchh for taking it into the limelight and preserving it in a decent manner for future generation. Moreover, the statement of the problem identified as Documentation of traditional costumes of rulers of Kachchh. The rulers of Kachchh were not as popular as other princely state rulers. The word “royal costume” provides an impression of luxurious fabrics, embellishments, and royalty. There could be the difference in these elements in royal costumes of Kachchh compared to other ruler’s costume. Kachchh’s geographical location has Rajasthan one end and Sindh Pakistan at the other end as neighboring states which could have influenced the costumes. -
A Midsummer Night's Bollywood Dream by © 2009
A MIDSUMMER NIGHT’S BOLLYWOOD DREAM BY © 2009 Madison Elizabeth Spencer Submitted to the graduate degree program in Design and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements of the degree of Master of Fine Arts ________________________ Chairperson ________________________ ________________________ ________________________ Date defended: ________04/06/2009______ The Thesis Committee for Madison Elizabeth Spencer certifies that this is the approved Version of the following thesis: A MIDSUMMER NIGHT’S BOLLYWOOD DREAM Committee: ________________________ Chairperson ________________________ ________________________ ________________________ Date approved: _________04/24/2009_____ ii TABLE OF CONTENTS INTRODUCTION 1 HINDU DEITIES AND THE CASTE SYSTEM 4 DESIGN CONCEPT 8 COSTUME DESIGN 11 MAKE-UP 17 SET DESIGN 19 LIGHTING DESIGN 22 CONCLUSION 23 CLOTHING GLOSSARY 25 BIBLIOGRAPHY 27 NOTES 29 IMAGE INDEX 30 DOCUMENT INDEX 34 iii INTRODUCTION “Bollywood” is the colloquial term used to describe the Hindi film industry in India. It describes that part of the film industry with colorful, exaggerated, overly dramatic, music-and-dance-filled characteristics rather than this nation’s entire film making. In contrast to Hollywood, from which it takes its tongue-in-cheek name, Bollywood is no actual place; rather, it is the term that best describes a style of film making. Bollywood style in its broadest meaning is the mass media vehicle for entertainment that feeds some of the amusement needs of a population with a variety of languages and ethnic/caste backgrounds. Themes are simple and predictable for the most part, with a great degree of flexibility in the telling of even the most well known story in order to make a relevant point on a particular issue or current event. -
Traditional Indian Textiles Students Handbook + Practical Manual Class XII
Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½ -
Clothing of Ancient India
Clothing of Ancient India India has a strong connection to its history and traditions. This is especially evident in traditional Indian dress. Many people still wear traditional garments, although the use of Western clothes has increased markedly. Indian clothing is very diverse and varies by region and religious group. One of the most common garments for women is the sari. A sari is a wide strip of cotton cloth, 1.5 to 2.75 metres long, which is draped around the body. There are many methods for draping a sari. One common method is to wrap it around the waist like a skirt and then drape the end over the left shoulder. Saris are usually worn over a petticoat and a tight fitting blouse, or choli. Also common is the salwar kameez, a loose shirt over loose trousers. Men often wear a dhoti, which is similar to the sari. It only covers the lower half of the body and is worn with a traditional or Western-style shirt. Both the dhoti and the sari are ancient garments, possible dating back thousands of years. Men in some parts of India. On formal occasions men may wear a long, fitted coat called a sherwani. The turban was once a common head covering, but its use is in decline. Questions 1. Write a summary of the text. 2. True or False: (3 marks) a. Traditional Indian dress is diverse and is still worn today. b. Most Indians now wear Western-style cothing. c. The turban has undergone changes in popularity over the years. -
Sai World Wide
+91-8049186518 Sai World Wide https://www.indiamart.com/runakofashion/ We “Sai World Wide” are a Sole Proprietorship firm that is an affluent manufacturer of a wide array of Men's Sherwani, Men's Kurta Pajama, Men's Pathani Suit, Men's Suits etc. About Us Incepted in the year 2013 at Ahmedabad (Gujarat, India), we “Sai World Wide” are a Sole Proprietorship firm that is an affluent manufacturer and exporter of a wide array of Men's Sherwani, Men's Kurta Pajama, Men's Pathani Suit, Men's Suits etc. We design the offered products as per the latest fashion trends and deliver these at the users’ premises within the assured time frame. Under the supervision of, “Mr. Dhruvil Patel” (Proprietor), we have gained huge success in this field. We ensure clients comfort by accepting payments through various modes. For more information, please visit https://www.indiamart.com/runakofashion/profile.html INDO WESTERN SHERWANI O u r P r o d u c t R a n g e Black Indo Western Sherwani Elegant Black Indo Western Sherwani Designer Indo Western Purple Indo Western Sherwani Sherwani MEN'S KURTA PAJAMA O u r P r o d u c t R a n g e Fancy Kurta Pajama Designer Kurta Pajama Men's Kurta Pajama Trendy Men's Kurta Pajama MEN'S PATHANI SUIT O u r P r o d u c t R a n g e Designer Pathani Suit Fancy Pathani Suit Latest Pathani Suit Pathani Suit MEN'S DESIGNER KURTA O u r P r o d u c t R a n g e Mens Designer Kurta Trendy Men's Kurta Wedding Men's Kurtas Men's Cotton Kurta MEN'S SHERWANI O u r P r o d u c t R a n g e Men's Sherwani Semi Sherwani Men's Wedding Sherwani -
Ancient Civilizations Huge Infl Uence
India the rich ethnic mix, and changing allegiances have also had a • Ancient Civilizations huge infl uence. Furthermore, while peoples from Central Asia • The Early Historical Period brought a range of textile designs and modes of dress with them, the strongest tradition (as in practically every traditional soci- • The Gupta Period ety), for women as well as men, is the draping and wrapping of • The Arrival of Islam cloth, for uncut, unstitched fabric is considered pure, sacred, and powerful. • The Mughal Empire • Colonial Period ANCIENT CIVILIZATIONS • Regional Dress Harappan statues, which have been dated to approximately 3000 b.c.e. , depict the garments worn by the most ancient Indi- • The Modern Period ans. A priestlike bearded man is shown wearing a togalike robe that leaves the right shoulder and arm bare; on his forearm is an armlet, and on his head is a coronet with a central circular decora- ndia extends from the high Himalayas in the northeast to tion. Th e robe appears to be printed or, more likely, embroidered I the Karakoram and Hindu Kush ranges in the northwest. Th e or appliquéd in a trefoil pattern. Th e trefoil motifs have holes at major rivers—the Indus, Ganges, and Yamuna—spring from the the centers of the three circles, suggesting that stone or colored high, snowy mountains, which were, for the area’s ancient inhab- faience may have been embedded there. Harappan female fi gures itants, the home of the gods and of purity, and where the great are scantily clad. A naked female with heavy bangles on one arm, sages meditated. -
What Should I Bring? Apparel
What Should I Bring? Apparel Formal Suit – 1 (2 for Business Majors) Conservative professional – Black, Navy, Charcoal gray, Navy pinstripe, Charcoal gray pinstripe, etc. Formal Trousers – 2 Plaint front or pleated slacks Match the suit color Formal Skirt (for women) – 1 Knee length skirt Solid colors matching the suit Formal Shirt – 3 (At least 1 full sleeved) Neutral conservative colors – White, Light Blue, Cream, etc. Plain, fine stripes and fine patterns Half sleeved and solid colors for Formal Events and parties Formal Blouse (for Women) – 1 (2 for Business Majors) Tailored if required Keep the professional attire conservative Formal Tie – 2 Conservative with small pattern Leather Belt – 1 Neat, simple and matching/complementing the trouser color Leather Shoes – 1 (Pair) Match belt color Shoe polish and brush Closed toe conservative heel for women India Student Association | University of Oklahoma Casual T-Shirt/Shirt/Top – 7 Cotton fabric is more comfortable during the summer Machine wash safe fabric is recommended Jeans/Trousers/Pants – 4 Versatility is useful. Jeans can be worn to classes as well as to events. Shorts – 3 Shorts are quite common and comfortable during summer Casual Belts – 1 Hats/Caps – 1 Jacket – 1 Preferably one that offers protection from both cold and rain Gloves – 1 (Pair) Can be purchased here for about $5 Casual Sport Shoes – 1 (Pair) Sandals – 1 (Pair) Regular Slippers – 1 (Pair) Socks – 14 (Pair) Can be purchased here at low prices Towels – 2 Handkerchiefs – 5 Undergarments – 14 Laundry -
R M B Badruddin and Co
+91-8048371751 R M B Badruddin And Co. https://www.indiamart.com/rmbbadruddinandco/ Established in 2007, R M B Badruddin And Co. has made a well- recognized name as a Manufacturer And Wholesaler of Mens Sherwani, Ladies Stoles, Mens Lungi, Men Kurtas, etc. We offer these at market leading rates. About Us Established in 2007, R M B Badruddin And Co. has made a well-recognized name as a Manufacturer And Wholesaler of Mens Sherwani, Ladies Stoles, Mens Lungi, Men Kurtas And Men Scarves.We have achieved expertise in catering to the requirements of our clients exactly as per their specifications. We emphasize on stringent quality standards in order to ensure that the products provided to our clients is always optimum to its level. Since we have incepted in this industry, we are working under the leadership and quality management of our mentor Mr. Mohd Irfan Ahmed. Moreover, his inspiration and motivation has assisted us in completing all our tasks in a hassle free manner thus earning a top stature in the market. For more information, please visit https://www.indiamart.com/rmbbadruddinandco/profile.html LADIES STOLE O u r P r o d u c t s Ladies Designer Rayon Stole Ladies Printed Casual Rayon Stole Ladies Printed Rayon Stole Ladies Designer Rayon Stole MEN KURTAS O u r P r o d u c t s Mens Peacock Blue Mens Embroidered Kurta Embroidered Kurta Mens Silk Embroidered Kurta Mens Printed Wedding Kurta MENS SHERWANI O u r P r o d u c t s Mens Embroidered Wedding Mens Embroidered Sherwani Sherwani Mens Indo Western Sherwani Mens Designer Groom Sherwani O u r OTHER PRODUCTS: P r o d u c t s Ladies Printed Red Rayon Mens Silk Wedding Kurta Stole Mens Polyester Check Lungi Mens Checked Cotton Lungi F a c t s h e e t Year of Establishment : 2007 Nature of Business : Exporter and Manufacturer Total Number of Employees : Upto 10 People CONTACT US R M B Badruddin And Co. -
Research Guru Volume-5 (March, 2015) (ISSN: 2349-266X)
Research Guru Volume-5 (March, 2015) (ISSN: 2349-266X) Apparel art of Solanki Period Dr. Dharti Patel Apparel is the most eminent from of individual as well as racial self expression. It is at the same time an excellent embodiment of their sense if beauty. An Artistic age generally produces artistic apparel and artistic people cloth then selves accordingly. Archeological art in an aesthetic expression or exercise it‟s a study of great civilization of humanistic ideas. It can be explored in many new materials, so this study makes it possible to like at it with a fresh set of ideas and new research idea. The traditional Indian clothing takes us close to our cultural roots and reminds us of the glorious past. Read about the Indian ethnic wear. In Earlier dynasties i.e Maurya , Sunga, Saka , Parthian , Satvahana & Kushan etc. Many Beautiful costumes are found of the different sculpture . These sculptures are from walls Of temples , stups , pillar , viharas , caves , relics etc. Traditional clothing has come into prominence once again. Well, if you notice the trends in fashion industry, you'll realize that modern fashion has aped the styling and designing of the bygone eras, the period of royalty, when Maharajas and Rani „s used to spend extravagantly on their clothing. Whatever the royals chose to go in for was reminiscent of splendor and luxury. The creative fashion designers of today are in a lookout for ethnic designs that take us close to our cultural roots and remind us of the glorious past. Well, in this section, we will provide you with information on the different kinds of traditional clothing in India.