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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod Ified Date
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Play Count Last Played Skip Cou nt Last Skipped My Rating Location Kun Faya Kun www.Songs.PK A.R Rahman, Javed Ali, Mohit Chauhan Music: A .R Rahman Rockstar www.Songs.PK Bollywood Music 9718690 472 4 2011 10/2/2011 3:25 PM 11/16/2012 9:13 PM 160 44100 MPEG audio file www.Songs.PK D:\Music\rockstar\rockstar04(www.songs.pk).mp3 Thayn Thayn www.Songs.PK Abhishek Bachchan, Ayush Phukan and Earl www.Songs.PK Dum Maaro Dum www.Songs.PK Bollywood Music 4637567 204 5 2011 3/17/2011 4:19 AM 11/16/2012 9:13 PM 174 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\dummaardum05(www.songs.pk).mp3 Kaun Hai Ajnabi www.Songs.PK Aditi Singh Sharma & K.K Shankar Ehsan Lo y Game www.Songs.PK Bollywood Music 5461864 238 4 2011 3/27/2011 4:08 AM 11/16/2012 9:13 PM 173 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\game04(www.songs.pk).mp3 Yahaan Roadies 8 MyDiddle.com Airport MyDiddle.com Roadies 8 MyDiddle.com MyDiddle.com 3758166 232 12/12/2010 10:29 AM 11/16/2012 9:13 PM 128 44100 MPEG aud io file MyDiddle.com D:\Music \mm\MTV Roadies 8 Yahaan (Theme Song).mp3 Deva Shree Ganesha www.Songs.PK Ajay Gogavale Music: AjayAtul | Lyric s: Amitabh Bhattacharya Agneepath www.Songs.PK Bollywood Music 7287918 356 6 2011 4/17/2012 8:40 PM 11/16/20 12 9:13 PM 161 44100 MPEG audio file www.Songs.PK D:\Music\agneepath\agneepath06(www.songs.pk).mp3 That's My Name -
Khamoshiyan Now on Home Video by : INVC Team Published on : 9 Apr, 2015 12:00 AM IST
Khamoshiyan now on Home Video By : INVC Team Published On : 9 Apr, 2015 12:00 AM IST INVC NEWS Mumbai, Horror, drama, melodies, beauty, “Khamoshiyan” has it all. Recently released, the movie features Sapna Pabbi, Gurmeet Chaudhary and Ali Fazal. Shemaroo Entertainment now releases “Khamoshiyan” on Home Video. The film is directed by Karan Darra and produced by Mahesh Bhatt and Mukesh Bhatt in association with Vishesh Films. A young novelist KABIR (Ali Fazal) is a one-book wonder. He is on an inspirational journey to find himself and to write his book. He meets a young and beautiful lady MEERA (Sapna Pabbi) who runs the isolated guest-house which he finds eerie. Meera is married to the owner of this guest-house JAIDEV (Gurmeet Choudhary) who was once a rich paper mill owner, he had disguised himself as a charming man but is a controlling demon within. Kabir begins to encounter unusual things and discover secrets about the house and Meera. But Meera is evasive about these suspicious incidents that are taking place, which if Kabir finds out, would threaten to destroy her. The more Kabir interacts with Meera about these strange incidents the more he gets drawn towards her. What are the secrets that are hidden in her silences? Khamoshiyan is a horror movie with melodious music tracks and serves as perfect bollywood weekend dose!! URL : https://www.internationalnewsandviews.com/khamoshiyan-now-on-home-video/ 12th year of news and views excellency Committed to truth and impartiality Copyright © 2009 - 2019 International News and Views Corporation. All rights reserved. -
Kasoor Movie Download in Hindi Dubbed Mp4
Kasoor Movie Download In Hindi Dubbed Mp4 1 / 4 Kasoor Movie Download In Hindi Dubbed Mp4 2 / 4 3 / 4 Distributed by, Vishesh Films. Release date. 2 April 2004 (2004-04-02). Running time. 130 minutes. Country, India. Language, Hindi. Budget, 5 crore. Box office, 80.49 crore. Murder is a 2004 Indian Hindi erotic thriller film directed by Anurag Basu and produced by . Viraj Adhav as the Hindi dubbing voice); Mallika Sherawat as Simran Sehgal.. 14 Aug 2018 - 53 secCheck out the teaser of Jr NTR and Trivikram Srinivas' upcoming film 'Aravinda Sametha .. Hollywood Movies Hindi Dubbed Free Download 3gp,Mp4 Mobile Movies . Collection () 82 GB Free Download Dil Ka Kya Kasoor () Hindi Movie HD MB Free.. Free Download Mp4 3Gp AVI Mobile Movies, Mp4 HD Movies 340p 480p 720p, Hollywood Hindi Dubbed Movies, South Indian Hindi Dubbed Movies, Marathi.. Motu Patlu - Joker Motu Patlu - Download mp4 3gp Videos. Laung Laachi Title Song Mannat Noor - Download mp4 3gp Videos. Motu Patlu In Hindi Cartoon.. Download Dil ka kya kasoor movie type Mp3 3gp mp4 and watch Dil ka kya kasoor . Dil Ka Kya Kasoor (1992) Full Length Hindi Movie - Prithvi, Divya Bharti, . Divya Bharti Purpose Prithvi Best Scenes Movie Dil Ka Kiya Kasoor 1992 Hd.. 5 Aug 2018 . Super Khiladi 4 2018 Hindi Dubbed Movie Download HDRip 720p Dual Audio IMDb . Wapking and DJmaza official mp4, 3gp, avi videos.. 25 Jul 2018 . 2012 Movies Online Watch Free Download HD Mp4 Mobile Movies. (2012) Hindi Dubbed Full Movie, LOL (2012) Hindi Dubbed Full Movie.. kasoor full movie Video Download Full HD, 3gp, Mp4, HD Mp4-HDVdz.com. -
Murder2 Full Movies Hd 720P
Murder2 Full Movies Hd 720p Murder2 Full Movies Hd 720p 1 / 4 2 / 4 10.12.2015 — Watch Online Full Hindi Movie Murder 2 2011 300MB Short Size On Putlocker Blu Ray Rip Resumable Single Download Link For Hindi Film Murder 2 .... 18.10.2018 — Murder 2 (2011) l Full Hindi Movie *HD* l Emraan Hashmi, Jacqueline Fernandez, Prashant Narayanan ... Bollywood Movies & Songs HD.. 08.10.2019 — Bookmark Us And Always Use mkvmoviespoint.wiki in Browser ... Poster of Murder 2 2011 Full Hindi Free Download Watch Online In HD Movie .... murder movie; murder movies based on true stories; murder movie songs. Murder 2 Haal e Dil Official Video (Original Version) [ HQ] HD 720p Imran Hashmi .. 05.04.2020 — Murder 2 2011 Hindi 400MB BRRip 720p ESubs HEVC IMDB Rating: 6.1/10. Directed: Mohit Suri. Released Date: 8 July 2011. Types: Thriller. Murder 2 Hindi movie of 2011, torrent kickass, hd movies and 1080p quality torrent links, just click and download films, fast and easy 720p, dvd. murder movies murder movies, murder movies on netflix, murder movies based on true stories, murder movies bollywood, murder movies on amazon prime, murder movies on hulu, murder movies 2021, murder movies 2020, murder movie hindi, murder movies to watch, murder movies on hbo max, murder movies based on true stories netflix Join our Telegram Channel for Updates/Tips or Tricks! Report File Not Found Problem from GDToT via Comment Section! Enjoy Downloading from OlaMovies.Top!!. 17.07.2020 — Genre: Action, All Bollywood Movies, Bollywood Movies 2011-12, Crime, Drama, Thriller Director: Mohit Suri. -
Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the 'Muslim' Courtesan (Tawaif) in Hindustani Cinema
DOCTORAL DISSERTATIO Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the ‘Muslim’ Courtesan (tawaif) in Hindustani cinema Farhad Khoyratty Supervised by Dr. Felicity Hand Departament de Filologia Anglesa i Germanística Universitat Autònoma de Barcelona 2015 Table of Contents Acknowledgements iv 1. Introduction 1 2. Methodology & Literature Review 5 2.1 Methodology 5 2.2 Towards Defining Hindustani Cinema and Bollywood 9 2.3 Gender 23 2.3.1 Feminism: the Three Waves 23 2.4 Feminist Film Theory and Laura Mulvey 30 2.5 Queer Theory and Judith Butler 41 2.6 Discursive Models for the Tawaif 46 2.7 Conclusion 55 3. The Becoming of the Tawaif 59 3.1 The Argument 59 3.2 The Red Dupatta 59 3.3 The Historical Tawaif – the Past’s Present and the Present’s Past 72 3.4 Geisha and Tawaif 91 4. The Courtesan in the Popular Hindustani cinema: Mapping the Ethico-Ideological and Mythopoeic Space She Occupies 103 4.1 The Argument 103 4.2 Mythopoeic Functions of the Tawaif 103 4.3 The ‘Muslim’ Courtesan 120 4.4 Agency of the Tawaif 133 ii 4.5 Conclusion 147 5. Hindustani cinema Herself: the Protean Body of Hindustani cinema 151 5.1 The Argument 151 5.2 Binary Narratives 151 5.3 The Politics of Kissing in Hindustani Cinema 187 5.4 Hindustani Cinema, the Tawaif Who Seeks Respectability 197 Conclusion 209 Bibliography 223 Filmography 249 Webography 257 Photography 261 iii Dedicated to My Late Father Sulliman For his unwavering faith in all my endeavours It is customary to thank one’s supervisor and sadly this has become such an automatic tradition that I am lost for words fit enough to thank Dr. -
Downloads/NZJAS-%20Dec07/02Booth6.Pdfarameters.Html
Ph.D. Thesis ( FEMALE PROTAGONIST IN HINDI CINEMA: Women’s Studies A COMPARATIVE STUDY OF REPRESENTATIVE FILMS FROM 1950 TO 2000 ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ) Doctor of Philosophy IN WOMEN’S STUDIES SIFWAT MOINI BY SIFWAT MOINI UNDER THE SUPERVISION OF DR. PITABAS PRADHAN (Associate Professor) 201 6 ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2016 DEPARTMENT OF MASS COMMUNICATION ALIGARH MUSLIM UNIVERSITY Dr. Pitabas Pradhan Associate Professor Certificate This is to certify that Ms. Sifwat Moini has completed her Ph.D. thesis entitled ‘Female Protagonist in Hindi Cinema: A Comparative Study of Representative Films from 1950 to 2000’ under my supervision. This thesis has been submitted to the Advanced Centre for Women’s Studies, Aligarh Muslim University, Aligarh for the award of degree of Doctor of Philosophy. It is further certified that this thesis represents original work and to the best of my knowledge has not been submitted for any degree of this university or any other university. (Dr. Pitabas Pradhan) Supervisor Sarfaraz House, Aligarh Muslim University, Aligarh-202002 Phone: 0571-2704857, Ext.: 1355,Email: [email protected], [email protected] ACKNOWLEDGEMENT I owe all of my thankfulness to the existence of the Almighty and the entities in which His munificence is reflected for the completion of this work. My heartfelt thankfulness is for my supervisor, Dr. Pitabas Pradhan. His presence is a reason of encouragement, inspiration, learning and discipline. His continuous support, invaluable feedback and positive criticism made me sail through. I sincerely thank Prof. -
Seriously Kissed Sexual Freedom and Its Normative Structures in Raja
Seriously kissed Sexual freedom and its normative structures in Raja Natwarlal Willem Lenders, 6032257 Master Thesis rMA Cultural Analysis Graduate school of the Humanities University of Amsterdam Date: 10-06-2015 First reader: dhr. dr. M. (Murat) Aydemir Second reader: mw. dr. H.H. (Hanneke) Stuit Willem Lenders, 6032257 University of Amsterdam Table of contents 1. A boy in Bollywood 3 1.1 Visualizing sex and sexual freedom 3 1.2 Approaching Raja Natwarlal 5 2. Playing with patriarchy 9 2.1 Conflating the national with the Hindu female ideal 10 2.2 Visualizing sex in the genre 12 2.3 Queer sexuality through homosociality 17 2.4 Queering gender 20 2.5 Problematizing explicit and implicit visualizations 23 3. Sex and erotics in Raja Natwarlal 25 3.1 Raja and Ziya 26 3.2 The men of Raja 30 3.3 The feminine and the masculine 33 4. Breaking down sexual freedom 37 4.1 Sexual freedom and the repressive hypothesis 38 4.2 Homosexual panic and the regulation of the male body 41 4.3. Raja vs. Bollywood: intersections of sex, gender and the nation 44 Bibliography 49 Attachment 51 2 Willem Lenders, 6032257 University of Amsterdam 1. A boy in Bollywood While travelling through India in the summer of 2014, I was able to experience what it was like to be part of the largest movie industry in the world, Bollywood. For one day my travel buddy and I were asked to be extras in the new and upcoming movie Raja Natwarlal. As the Lonely Planet described to us: “Studios sometimes want Westerners as extras to add a whiff of international flair (or provocative dress, which locals often won’t wear) to a film.” (Lonely Planet, 734). -
A Celebration
[email protected] TUESDAY 19 MAY 2015 • www.thepeninsulaqatar.com • 4455 7741 The inaugural Katara Arabic Novel Festival which opened yesterday promises to be an effective platform to promote Arabic novels globally and encourage cultural interaction among Arab novelists. RAMADA ENCORE LAUNCHES THE BIG FISHERMAN’S HOOK UP P | 4 FASHION SASHAYS FOR FIGHT AGAINST AIDS P | 8 A CELEBRATION MY MUSIC IS OF ARABIC NOVEL DEDICATED TO THE HEART: MITHOON P | 2-3 P | 11 | TUESDAY 19 MAY 2015 | 02 CULTURE The four-day festival hosts a number of cultural, literary, media and art figures from Qatar and other Arab countries and includes symposia, exhibitions and events celebrating the Arabic novel. Katara pushes Arabic novel forward RAYNALD C RIVERA wider cultural interaction among promi- nent figures and intellectuals. he inaugural Katara Arabic “I hope that the Katara Prize for Novel Festival which Arabic Novel will usher in a new era for opened yesterday prom- Arabic novel,” added Dr Al sulaiti. ises to act as an effec- The opening day also saw the tive platform in promoting inauguration of the Katara Centre for TArabic novels globally and encourag- Arabic Novel, one of the vital projects ing cultural interaction among Arab in Katara which is the first of its kind in novelists. the region as it specifically focuses on The four-day festival hosts a number Arabic novels and provides services for of cultural, literary, media and art figures Arab novelists. The centre is equipped from Qatar and other Arab countries with a library which houses modern and includes symposia, exhibitions and and old Arabic novels as well as films events celebrating the Arabic novel. -
SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I the Birth of Cinema Lumie
B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I The birth of cinema Lumier brother’s package The Grand father of Indian cinema: Dada Saheb Phalke The silent era (1896-1930) The talkie era and decade wise trend up to 1990 The new trends in Indian cinema (1991-2007) UNIT – II The brief study and analysis of trend setter film directors V ShantaramSohrab ModiMehboob KhanVijay BhattWadia brothersRaj KapoorGuruduttBimal RoySatyajit RayB. R. Chopra Yash ChopraHrishikesh Mukherjee Chetan Anand Basu Chaterjee Sai ParanjapeGuljarBasu BhattacharyaMahesh Bhatt Ramesh SippyShyam BenegalKetan MehtaGovind Nihlani Suraj BarjatyaVidhu Vinod ChopraJ P DuttaSanjay Leela Bhansali Ramgopal VermaKaran JojarAditya Chopra Raj kumar santoshi Rakesh Mehra Rj kumar Hirani UNIT – III Film as an art Film and painting Film and theatre Film and literature Film and music UNIT – IV Film language and grammar (A)Shot, scene & cut, (B)Camera Distance, (C) Camera Angles, (D)Camera movements (E) Lighting (F) Sound in films (G) Film Editing devices Film institutions in India Film festivals (National and International) Film awards Film censorships 45, Anurag Nagar, Behind Press Complex, Indore (M.P.) Ph.: 4262100, www.rccmindore.com 1 B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism UNIT I THE BIRTH OF CINEMA The Lumiere brothers were born in Besancon, France, in 1862 and 1864, and moved to Lyon in 1870. This is where they spent most of their lives and where their father ran a photographic firm. The brothers worked there starting at a young age but never started experimenting with moving film until after their father had died in 1892.The brothers worked on their new film projects for years, Auguste making the first experiments. -
India Daily, February 13, 2012
INDIA DAILY February 13, 2012 India 10-Feb 1-day1-mo 3-mo Sensex 17,749 (0.5) 9.9 3.2 Nifty 5,382 - 10.6 4.1 Contents Global/Regional indices Daily Alerts Dow Jones 12,801 (0.7) 3.1 5.3 Nasdaq Composite 2,904 (0.8) 7.1 8.4 Results FTSE 5,852 (0.7) 3.8 5.5 DLF: Right course but still in rough waters Nikkie 8,963 0.2 5.5 5.3 Hang Seng 20,837 0.3 8.5 8.9 Oil India: Country cousin steals a march KOSPI 2,003 0.5 6.8 7.5 Tata Power: Coal production ramps up, low cost coal gives Mundra hope Value traded – India IDFC: Growth strong, core in line Cash (NSE+BSE) 185 166 70 Reliance Communications: Weak results but do they matter? Derivatives (NSE) 1,371 1,079 1,107 Shriram Transport: A flat quarter Deri. open interest 1,372 1,112 1,260 Reliance Capital: A mixed quarter Eros International: Growing up Forex/money market MTNL: Operational strife continues Change, basis points Puravankara Projects: In-line results, poor sales 10-Feb 1-day 1-mo 3-mo Rs/US$ 49.4 (5) (204) (97) Results, Change in Reco 10yr govt bond, % 8.3 1 (8) (64) Net investment (US$mn) JSW Steel: Reports consolidated loss; stock expensive 9-Feb MTD CYTD FIIs 294 1,810 3,994 Sun TV Network: A rainy quarter; Sun hides behind the clouds MFs (77) (95) (282) Change in Reco Top movers -3mo basis Tata Steel: Negatives out of the way Change, % Best performers 10-Feb 1-day 1-mo 3-mo IndusInd Bank: Limited risks to business; valuations cap returns in the near IVRC IN Equity 56.7 (4.4) 48.0 51.0 term TTMT IN Equity 257.4 0.0 23.3 41.8 WLCO IN Equity 133.6 1.9 20.6 38.7 Sector MMTC IN Equity 875.2 (1.1) (8.0) 36.5 Consumer products: Hale and hearty, for now TGBL IN Equity 119.0 (3.3) 26.3 34.7 Worst performers Economy UNSP IN Equity 670.3 (2.3) 11.8 (19.8) BHEL IN Equity 260.6 (0.5) (2.3) (19.7) Economy: IIP growth likely to be near the bottom ESOIL IN Equity 66.0 (3.1) 6.5 (18.6) MM IN Equity 691.6 (1.5) (0.1) (17.8) NMDC IN Equity 189.2 (0.8) 8.0 (14.2) For Private Circulation Only. -
SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI
B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I The birth of cinema Lumier brother’s package The Grand father of Indian cinema: Dada Saheb Phalke The silent era (1896-1930) The talkie era and decade wise trend up to 1990 The new trends in Indian cinema (1991-2007) UNIT – II The brief study and analysis of trend setter film directors V ShantaramSohrab ModiMehboob KhanVijay BhattWadia brothersRaj KapoorGuruduttBimal RoySatyajit RayB. R. Chopra Yash ChopraHrishikesh Mukherjee Chetan Anand Basu Chaterjee Sai ParanjapeGuljarBasu BhattacharyaMahesh Bhatt Ramesh SippyShyam BenegalKetan MehtaGovind Nihlani Suraj BarjatyaVidhu Vinod ChopraJ P DuttaSanjay Leela Bhansali Ramgopal VermaKaran JojarAditya Chopra Raj kumar santoshi Rakesh Mehra Rj kumar Hirani UNIT – III Film as an art Film and painting Film and theatre Film and literature Film and music UNIT – IV Film language and grammar (A)Shot, scene & cut, (B)Camera Distance, (C) Camera Angles, (D)Camera movements (E) Lighting (F) Sound in films (G) Film Editing devices Film institutions in India Film festivals (National and International) Film awards Film censorships 45, Anurag Nagar, Behind Press Complex, Indore (M.P.) Ph.: 4262100, www.rccmindore.com 1 B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism UNIT I THE BIRTH OF CINEMA Lumiere brothers The Lumiere brothers were born in Besancon, France, in 1862 and 1864, and moved to Lyon in 1870. This is where they spent most of their lives and where their father ran a photographic firm. The brothers worked there starting at a young age but never started experimenting with moving film until after their father had died in 1892.The brothers worked on their new film projects for years, Auguste making the first experiments.