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Akhenaten and Moses
Story 27 A k h e n a t e n . and MOSES !? Aten is a creator of the universe in ancient Egyptian mythology, usually regarded as a sun god represented by the sun's disk. His worship (Atenism) was instituted as the basis for the mostly monotheistic — in fact, monistic — religion of Amenhotep IV, who took the name Akhenaten. The worship of Aten ceased shortly after Akhenaten's death; while Nefertiti was knifed to death by the Amun priesthood! Fig. 1. Pharaoh Akhenaten, his beloved Queen Nefer- titi, and family adoring the Aten, their Sun God; second from the left is Tutankhamen who was the son of Akhenaten. The relief dated 1350BC of the sun disk of Aten is a lime stone slab, with traces of the draufts- man’s grid still on it, found in the Royal Tomb of Amarna, the ill-fated capital of the founder of mono- theism long before Moses claimed it for Judaism. Aten was the focus of Akhenaten's religion, but viewing Aten as Akhena- ten's god is a simplification. Aten is the name given to represent the solar disc. The term Aten was used to designate a disc, and since the sun was a disc, it gradually became associated with solar deities. Aten expresses indirectly the life-giving force of light. The full title of Akhenaten's god was The Rahorus who rejoices in the horizon, in his/her Name of the Light which is seen in the sun disc. (This is the title of the god as it appears on the numerous stelae which were placed to mark the boundaries of Akhenaten's new capital at Amarna, or "Akhetaten."). -
Dendara. Gergory Marouard
DENDARA DENDARA Gregory Marouard Dendara (Tentyra, Iunet) is one of the major archaeological sites north of the Theban region and the ancient capital of the sixth nome of Upper Egypt, Iqer, the Crocodile nome. The site is located 55 km (34 mi) north of the Luxor area and 5 km (3 mi) south of the modern town of Qena. Situated on the “West Bank” from an ancient Egyptian perspective, Dendara lies south of the river, in a curving bend of the Nile, the only part of the valley where the river runs from the east to the w est (fig. 1). Today the site is positioned along the desert fringe of the Nile valley floodplain. It seems quite likely that the river — currently situated 2 km to the north — flowed much closer to the site in ancient times. Well known by its sanctuary complex of the goddess Hathor, which dates back to the late Ptolemaic and early Roman periods (fig. 2), the main temple is one of the most iconic and the best preserved, with the Ptolemaic temple at Edfu-Behedet. Those two sanctuaries, the temple of Hathor at Dendara and the temple of Horus in Edfu, were always considered as sister-sites sharing a close religious connection. The triad of Edfu (Horus, Hathor, Harsomtus/Ihy) was honored in both temples and every year in the month of Epiphi (Season of Shemu), when the Nile waters were at the lowest level, the “Feast of the Beautiful Reunion” was celebrated. The statue of Hathor left its temple and traveled upstream by boat to the south in order to join her consort Horus in Edfu. -
Solar Eclipses in the Outlook of the Slavs
ics & Ae ys ro h sp p a o r c t e s T A e Prokofyev, J Astrophys Aerospace Technol 2014, 2:2 f c h o Journal of Astrophysics & n l o a DOI: 10.4172/2329-6542.1000107 l n o r g u y o J Aerospace Technology ISSN: 2329-6542 Research Article Open Access Solar Eclipses in the Outlook of the Slavs Prokofyev A* KITION Planetarium & Observatory, Kiti, Larnaca, Cyprus *Corresponding author: Alexandr Prokofyev, KITION Planetarium & Observatory, Ammochostou 9, Kiti, 7550, Larnaca, Cyprus. Tel: +357 99037440; E-mail: [email protected] Rec date: Jul 1, 2014, Acc date: Jul 26, 2014, Pub date: Aug 15, 2014 Copyright: © 2014 Prokofyev A. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract The article provides an overview of descriptions of total solar eclipses in different literature forms, rites and toponyms of Slavs. It is shown that the solar eclipse had a prominent role in the worldview of the tribes. Explanations of some terms of Slavic outlook are given with suggestions for the correct terminology. A program for further investigation in Slavic and other people’s culture is proposed. Keywords: Total solar eclipse; Archeoastronomy; Mythology; Slavs; Character 'Akhet' (Figure 2) should be translated as 'eclipse' instead of Akhet; Myth of creation of the world; Myth of end of the world; 'horizon'. Then the next well-known text obtains a simple explanation. Dragon slayer; Tales During the advance of the eclipse (former translation: after sunset at the horizon) Ra joins the fight against the forces of darkness, Introduction crocodiles, snakes and so on. -
Life in Egypt During the Coptic Period
Paper Abstracts of the First International Coptic Studies Conference Life in Egypt during the Coptic Period From Coptic to Arabic in the Christian Literature of Egypt Adel Y. Sidarus Evora, Portugal After having made the point on multilingualism in Egypt under Graeco- Roman domination (2008/2009), I intend to investigate the situation in the early centuries of Arab Islamic rule (7th–10th centuries). I will look for the shift from Coptic to Arabic in the Christian literature: the last period of literary expression in Coptic, with the decline of Sahidic and the rise of Bohairic, and the beginning of the new Arabic stage. I will try in particular to discover the reasons for the tardiness in the emergence of Copto-Arabic literature in comparison with Graeco-Arabic or Syro-Arabic, not without examining the literary output of the Melkite community of Egypt and of the other minority groups represented by the Jews, but also of Islamic literature in general. Was There a Coptic Community in Greece? Reading in the Text of Evliya Çelebi Ahmed M. M. Amin Fayoum University Evliya Çelebi (1611–1682) is a well-known Turkish traveler who was visiting Greece during 1667–71 and described the Greek cities in his interesting work "Seyahatname". Çelebi mentioned that there was an Egyptian community called "Pharaohs" in the city of Komotini; located in northern Greece, and they spoke their own language; the "Coptic dialect". Çelebi wrote around five pages about this subject and mentioned many incredible stories relating the Prophets Moses, Youssef and Mohamed with Egypt, and other stories about Coptic traditions, ethics and language as well. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
The Religious Reforms of Akhenaten and the Cult of the Aten
The Pharaoh’s Sun-Disc : The Religious Reforms of Akhenaten and the Cult of the Aten The 18th Dynasty Pharaoh Akhenaten, known to many as the “Heretic King,” made significant changes to the religious institutions of Ancient Egypt during his reign in the 14th century BCE. The traditional view long maintained that these reforms, focused on the promotion of a single solar god known as the Aten, constituted an early form of monotheism foreshadowing the rise of Western Biblical tradition. However, this simplification ignores the earlier henotheistic tendency of Egyptian polytheism and the role of Atenism in strengthening the Pharaoh’s authority in the face of the powerful Amun-Ra priesthood, as well as distinctions between the monotheism of Moses and Akhenaten’s cult. Instead, the religion of Akhenaten, which developed from earlier ideas surrounding the solar deity motif, can be seen as an instance of monotheistic practice in form but not in function, characterized by a lack of conviction outside the new capital of Akhetaten as well as an ultimate goal of establishing not one god but one ruling power in Egypt: the Pharaoh. This will become clear through an analysis of the background to Akhenaten’s reign, the nature of his reforms and possible motivations, and the reality of Atenism vis-à-vis later Biblical monotheism. The “revolution” of Akhenaten, born Amunhotep IV,1 evidently had significant implications both during and after his reign. The radical nature of his reforms is clearly visible in the later elimination of his name and those of his immediate successors from the official list of rulers.2 However, it is possible to see the roots of these changes, and perhaps of the Pharaoh’s motivations, in earlier developments in the importance and form 1 Greek Amunhopis IV. -
Identification of Terrestrial Gastropods Species in Sohag Governorate, Egypt
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archives of Agriculture and Environmental Science Archives of Agriculture and Environmental Science 3(1): 45-48 (2018) https://doi.org/10.26832/24566632.2018.030105 This content is available online at AESA Archives of Agriculture and Environmental Science Journal homepage: www.aesacademy.org e-ISSN: 2456-6632 ORIGINAL RESEARCH ARTICLE Identification of terrestrial gastropods species in Sohag Governorate, Egypt Abd El-Aleem Saad Soliman Desoky Department of Plant protection (Agriculture Zoology), Faculty of Agriculture, Sohag University, EGYPT E-mail: [email protected] ARTICLE HISTORY ABSTRACT Received: 15 January 2018 The study aims to identify of terrestrial gastropods species in Sohag Governorate during the Revised received: 10 February 2018 year 2016 and 2017. The present study was carried out for survey and identification for ran- Accepted: 21 February 2018 dom land snail in 11 districts, i.e. (Tema, Tahta, Gehyena, El-Maragha, Saqultah, Sohag, Akhmim, El-Monshah, Gerga, El-Balyana, and Dar El-Salam) at Sohag Governorate, Egypt. Samples were collected from 5 different locations in each district during 2016-2017 seasons. The monthly Keywords samples were taken from winter and summer crops (areas were cultivated with the field crops Egypt such as wheat, Egyptian clover, and vegetables crops. The results showed that found two spe- Eobania vermiculata cies of land snails, Monacha obstracta (Montagu) and Eobania vermiculata (Muller). It was -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
Egyptian Religion a Handbook
A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries. -
Graffiti-As-Devotion.Pdf
lsa.umich.edu/kelsey/ i lsa.umich.edu/kelsey/ lsa.umich.edu/kelsey/ iii Edited by Geoff Emberling and Suzanne Davis Along the Nile and Beyond Kelsey Museum Publication 16 Kelsey Museum of Archaeology University of Michigan, 2019 lsa.umich.edu/kelsey/ iv Graffiti as Devotion along the Nile and Beyond The Kelsey Museum of Archaeology, Ann Arbor 48109 © 2019 by The Kelsey Museum of Archaeology and the individual authors All rights reserved Published 2019 ISBN-13: 978-0-9906623-9-6 Library of Congress Control Number: 2019944110 Kelsey Museum Publication 16 Series Editor Leslie Schramer Cover design by Eric Campbell This book was published in conjunction with the special exhibition Graffiti as Devotion along the Nile: El-Kurru, Sudan, held at the Kelsey Museum of Archaeology in Ann Arbor, Michigan. The exhibition, curated by Geoff Emberling and Suzanne Davis, was on view from 23 August 2019 through 29 March 2020. An online version of the exhibition can be viewed at http://exhibitions.kelsey.lsa.umich.edu/graffiti-el-kurru Funding for this publication was provided by the University of Michigan College of Literature, Science, and the Arts and the University of Michigan Office of Research. This book is available direct from ISD Book Distributors: 70 Enterprise Drive, Suite 2 Bristol, CT 06010, USA Telephone: (860) 584-6546 Email: [email protected] Web: www.isdistribution.com A PDF is available for free download at https://lsa.umich.edu/kelsey/publications.html Printed in South Korea by Four Colour Print Group, Louisville, Kentucky. ♾ This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). -
Paola Davoli
Papyri, Archaeology, and Modern History Paola Davoli I. Introduction: the cultural and legal context of the first discoveries. The evaluation and publication of papyri and ostraka often does not take account of the fact that these are archaeological objects. In fact, this notion tends to become of secondary importance compared to that of the text written on the papyrus, so much so that at times the questions of the document’s provenance and find context are not asked. The majority of publications of Greek papyri do not demonstrate any interest in archaeology, while the entire effort and study focus on deciphering, translating, and commenting on the text. Papyri and ostraka, principally in Greek, Latin, and Demotic, are considered the most interesting and important discoveries from Greco-Roman Egypt, since they transmit primary texts, both documentary and literary, which inform us about economic, social, and religious life in the period between the 4th century BCE and the 7th century CE. It is, therefore, clear why papyri are considered “objects” of special value, yet not archaeological objects to study within the sphere of their find context. This total decontextualization of papyri was a common practice until a few years ago though most modern papyrologists have by now fortunately realized how serious this methodological error is for their studies.[1] Collections of papyri composed of a few dozen or of thousands of pieces are held throughout Europe and in the United States. These were created principally between the end of the 19th century and the first half of the 20th century, a period in which thousands of papyri were sold in the antiquarian market in Cairo.[2] Greek papyri were acquired only sporadically and in fewer numbers until the first great lot of papyri arrived in Cairo around 1877. -
Use of Photogrammetry for Digital Surveying, Documentation and Communication of Cultural Heritage
Use of Photogrammetry for Digital Surveying, Documentation and Communication of Cultural Heritage. The Case of Virtual Reconstruction of the Access Doors for the Nameless Temple of Tipasa (Algeria) BAYA BENNOUI-LADRAA, National Center for Archaeological Research, Algeria YOUCEF CHENNAOUI, Polytechnic School of Architecture and Urbanism, Algeria This paper presents a methodological contribution to the field of the process of archaeological restoration based on virtual anastylosis. In particular, we treat the reconstruction of fragments of the nameless Temple of Tipasa in Algeria. Our work is focused more specifically on the virtual restoration of the three access doors into the temple’s sacred courtyard. Here, we have found many fragments, including the voussoirs, which were revealed during excavation, encouraging the development of our hypothesis about the original condition of the temple. The protocol followed is based on the photogrammetric survey of the blocks, which has allowed us to generate 3D models of the elements constituting the entrance facade into the sacred courtyard. The historical documentation as well as architectural treatises made it possible to fill in the gaps in the evidence with the aim of reconstructing the temple as best as can be done. The main objective of the research was to provide a corpus of data in 2D and 3D of all the blocks which served, at first, for the documentation and the study of the remains. Secondarily, the same documentation proved useful for development of a hypothesis of virtual reconstitution for making more comprehensible to the general public the history of the site of Tipasa. Key words: Photogrammetry, 3D Reconstruction, Virtual Anastylosis, Corpus, Temple.