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Demoticpapyriandthe
Originalveröffentlichung in: Capasso, Mario/Davoli, Paola (Hg.), Soknopaiou Nesos Project I (2003–2009). Biblioteca degli "Studi di Egittologia e di Papirologia", Pisa/Rom 2012, S. 379–386 CAPITOLO DECIMO INTERPRETING THE ARCHITECTURE OF THE TEMENOS: DEMOTIC PAPYRI AND THE CULT IN SOKNOPAIOU NESOS* MARTIN ANDREAS STADLER** ABSTRACT tailed and systematic palaeographical study of hieroglyphic papyri from the Ptolemaic and Roman periods, it cannot be This article will present papyri that refer to the temple's architec excluded that the papyrus is even Ptolemaic. According to ture and decoration. The material may be divided into two sub Winter the papyrus' function is that it served as a model categories: first, texts that describe the wall's decoration directly, which the craftsmen may have used to carve the inscrip and second, ritual and liturgical texts from which information about the ritually determined architectural layout may be gained tions onto the stone to decorate the gate. However, it is not indirectly. In a third step I will discuss the architectural context in clear whether it was written for the inscription of a naos or which the rituals may have been performed and try to link it to a proper temple gate. Winter favoured the former rather the temple's archaeological remains. The identification of a cult than the latter. If the date of the papyrus is indeed Roman, on the temple's roof and of a contratemple demonstrates that the inscription copied onto the papyrus would be some 100 the temple followed patterns that are common to other Egyptian years older. After having presented two other texts I should temples. -
Obituary Notices
OBITUARY NOTICES SIR GASTON MASPEEO, K.C.M.G. WE regret to record the death, on June 30 last year, of our distinguished Honorary Member, Sir Gaston Maspero, who had long been regarded as the foremost Egyptologist of his generation. Among students of Egyptian antiquity he was the last of the great scholars who were able to include within the range of their activity the various branches of inquiry which tend more and more to become subjects of specialized study. In any survey of his career one is most struck by this extraordinary versatility. To most people his name will be familiar as that of one of the few great historians of the ancient world, his Histoire ancienne des peuples de I'Orient classique (which also appeared m an English form) surveying the ancient history of Egypt and Western Asia in the light of modern excavation and research. By Egyptian philologists he will always be remembered as the first editor and tems- lator of the " Pyramid Texts ", the earlier form assumed by those magical compositions for the benefit of the dead which were known by the Egyptians themselves as the " Chapters of Coming Forth by Day " and are conveniently referred to by modern writers as the " Book of the Dead ". He wrote much on art, mythology, and religion, and every- thing he published bore the impress of his keen insight and attractive style. As editor of the Recueil de travaux and as Director of the Egyptian Service des Antiquites he exerted a wide influence on others' work. In the latter capacity he came into close relations with British official life in Egypt, and his success in this difficult administrative post won him the English title he was proud to bear. -
Bulletin De L'institut Français D'archéologie Orientale
MINISTÈRE DE L'ÉDUCATION NATIONALE, DE L'ENSEIGNEMENT SUPÉRIEUR ET DE LA RECHERCHE BULLETIN DE L’INSTITUT FRANÇAIS D’ARCHÉOLOGIE ORIENTALE en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne BIFAO 114 (2014), p. 455-518 Nico Staring The Tomb of Ptahmose, Mayor of Memphis Analysis of an Early 19 th Dynasty Funerary Monument at Saqqara Conditions d’utilisation L’utilisation du contenu de ce site est limitée à un usage personnel et non commercial. Toute autre utilisation du site et de son contenu est soumise à une autorisation préalable de l’éditeur (contact AT ifao.egnet.net). Le copyright est conservé par l’éditeur (Ifao). Conditions of Use You may use content in this website only for your personal, noncommercial use. Any further use of this website and its content is forbidden, unless you have obtained prior permission from the publisher (contact AT ifao.egnet.net). The copyright is retained by the publisher (Ifao). Dernières publications 9782724708288 BIFAO 121 9782724708424 Bulletin archéologique des Écoles françaises à l'étranger (BAEFE) 9782724707878 Questionner le sphinx Philippe Collombert (éd.), Laurent Coulon (éd.), Ivan Guermeur (éd.), Christophe Thiers (éd.) 9782724708295 Bulletin de liaison de la céramique égyptienne 30 Sylvie Marchand (éd.) 9782724708356 Dendara. La Porte d'Horus Sylvie Cauville 9782724707953 Dendara. La Porte d’Horus Sylvie Cauville 9782724708394 Dendara. La Porte d'Hathor Sylvie Cauville 9782724708011 MIDEO 36 Emmanuel Pisani (éd.), Dennis Halft (éd.) © Institut français d’archéologie orientale - Le Caire Powered by TCPDF (www.tcpdf.org) 1 / 1 The Tomb of Ptahmose, Mayor of Memphis Analysis of an Early 19 th Dynasty Funerary Monument at Saqqara nico staring* Introduction In 2005 the Metropolitan Museum of Art, New York, acquired a photograph taken by French Egyptologist Théodule Devéria (fig. -
Davoli the Temple of Soknopaios and Isis Nepherses at Soknopaiou Nesos (El-Fayyum) 51-68
Université Paul Valéry (Montpellier III) – CNRS UMR 5140 « Archéologie des Sociétés Méditerranéennes » Équipe « Égypte Nilotique et Méditerranéenne » (ENiM) CENiM 9 Cahiers de l’ENiM Le myrte et la rose Mélanges offerts à Françoise Dunand par ses élèves, collègues et amis Réunis par Gaëlle Tallet et Christiane Zivie-Coche * Montpellier, 2014 © Équipe « Égypte Nilotique et Méditerranéenne » de l’UMR 5140, « Archéologie des Sociétés Méditerranéennes » (Cnrs – Université Paul Valéry – Montpellier III), Montpellier, 2014 Françoise Dunand à sa table de travail, à l’Institut d’histoire des religions de l’Université de Strasbourg, dans les années 1980 (d. r.). TABLE DES MATIÈRES Volume 1 Table des matières I-III Abréviations bibliographiques V-VIII Liste des contributeurs IX Introduction Gaëlle Tallet et Christiane Zivie-Coche D’une autre rive. Entretiens avec Françoise Dunand XI-XIX Gaëlle Tallet Bibliographie de Françoise Dunand XXI-XXVII I. La société égyptienne au prisme de la papyrologie Adam Bülow-Jacobsen Texts and Textiles on Mons Claudianus 3-7 Hélène Cuvigny « Le blé pour les Juifs » (O.Ka.La. Inv. 228) 9-14 Arietta Papaconstantinou Egyptians and ‘Hellenists’ : linguistic diversity in the early Pachomian monasteries 15-21 Jean A. Straus Esclaves malfaiteurs dans l'Égypte romaine 23-31 II. Le ‘cercle isiaque’ Corinne Bonnet Stratégies d’intégration des cultes isiaques et du culte des Lagides dans la région de Tyr à l’époque hellénistique 35-40 Laurent Bricault Les Sarapiastes 41-49 Paola Davoli The Temple of Soknopaios and Isis Nepherses at Soknopaiou Nesos (El-Fayyum) 51-68 Michel Reddé Du Rhin au Nil. Quelques remarques sur le culte de Sarapis dans l’armée romaine 69-75 III. -
Documentation in Cairo's Museums and Its Impact on Collections
Documentation History in the Egyptian Museum Cairo and its impact on Collections Management content 1- The history of Egyptian Museum Cairo 2- Documentation history of Egyptian Museum Cairo 3- Documentation impact on collections management. 4- Defects of EMC documentation system 1- The Egyptian Museum Cairo is one of the oldest museums among Egypt's museums. The first idea for building this museum dates back to the reign of the ruler to Egypt Muhammad Ali Pasha in 1835. when he issued a decree contained three articles as follows; Article1 describes ''what is an antiquity thing?'', Article 2, is for collecting old things in a certain place (Ezbekiyya museum), and Article 3 is for prohibiting the export of antiquity things to outside Egypt Egyptian museum Cairo Buildings Boulaq Museum1863 Giza Museum1891 Egyptian museum Cairo As for the Current Egyptian Museum, was opened in 1902, and now is considered one of the largest museums all over world contains ancient Egyptian antiquities telling the history of ancient Egyptians' lives. It contains more than one hundred sixty thousand object are on display, besides the thousands else are in the basement and upper floor magazines. Those objects are representing different periods from the lithic periods to Greco-Roman via Pharaonic periods Egyptian Museum contains 7 sections as follows; Section 1: The antiquities of Jewelry, Tutankhamun, and Royal Mummies objects . Section 2: The antiquities of Prehistoric Periods through Old Kingdom. Section 3: The antiquities of Middle Kingdom Section 4: The antiquities of New Kingdom Section 5: The antiquities of Third Intermediate Periods through Greco-Roman Section 6-C: Coins, Section 6-P: Papyri Section 7: Ostraca, Coffins, and Scarabs 2- Documentation history of the Egyptian Museum Cairo: The actual history for scientific documentation in Egyptian Museum Cairo dates back when Auguste Mariette (1858- 1881) was appointed as a director of Egyptian Antiquities service and Egyptian museum in1858. -
Get Smart with Art Is Made Possible with Support from the William K
From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco. -
7 the Roman Empire
Eli J. S. Weaverdyck 7 The Roman Empire I Introduction The Roman Empire was one of the largest and longest lasting of all the empires in the ancient world.1 At its height, it controlled the entire coast of the Mediterranean and vast continental hinterlands, including most of western Europe and Great Brit- ain, the Balkans, all of Asia Minor, the Near East as far as the Euphrates (and be- yond, briefly), and northern Africa as far south as the Sahara. The Mediterranean, known to the Romans as mare nostrum(‘our sea’), formed the core. The Mediterranean basin is characterized by extreme variability across both space and time. Geologically, the area is a large subduction zone between the African and European tectonic plates. This not only produces volcanic and seismic activity, it also means that the most commonly encountered bedrock is uplifted limestone, which is easily eroded by water. Much of the coastline is mountainous with deep river valleys. This rugged topography means that even broadly similar climatic conditions can pro- duce drastically dissimilar microclimates within very short distances. In addition, strong interannual variability in precipitation means that local food shortages were an endemic feature of Mediterranean agriculture. In combination, this temporal and spatial variability meant that risk-buffering mechanisms including diversification, storage, and distribution of goods played an important role in ancient Mediterranean survival strategies. Connectivity has always characterized the Mediterranean.2 While geography encouraged mobility, the empire accelerated that tendency, inducing the transfer of people, goods, and ideas on a scale never seen before.3 This mobility, combined with increased demand and the efforts of the imperial govern- ment to mobilize specific products, led to the rise of broad regional specializations, particularly in staple foods and precious metals.4 The results of this increased con- It has also been the subject of more scholarship than any other empire treated in this volume. -
WHO WAS WHO AMONG the ROYAL MUMMIES by Edward F
THE oi.uchicago.edu ORIENTAL INSTITUTE NEWS & NOTES NO. 144 WINTER 1995 ©THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO WHO WAS WHO AMONG THE ROYAL MUMMIES By Edward F. Wente, Professor, The Oriental Institute and the Department of Near Eastern Languages and Civilizations The University of Chicago had an early association with the mummies. With the exception of the mummy of Thutmose IV, royal mummies, albeit an indirect one. On the Midway in the which a certain Dr. Khayat x-rayed in 1903, and the mummy area in front of where Rockefeller Chapel now stands there of Amenhotep I, x-rayed by Dr. Douglas Derry in the 1930s, was an exhibit of the 1893 World Columbian Exposition known none of the other royal mummies had ever been radiographed as "A Street in Cairo." To lure visitors into the pavilion a plac until Dr. James E. Harris, Chairman of the Department of Orth ard placed at the entrance displayed an over life-sized odontics at the University of Michigan, and his team from the photograph of the "Mummy of Rameses II, the Oppressor of University of Michigan and Alexandria University began x the Israelites." Elsewhere on the exterior of the building were raying the royal mummies in the Cairo Museum in 1967. The the words "Royal Mummies Found Lately in Egypt," giving inadequacy of Smith's approach in determining age at death the impression that the visitor had already been hinted at by would be seeing the genuine Smith in his catalogue, where mummies, which only twelve he indicated that the x-ray of years earlier had been re Thutmose IV suggested that moved by Egyptologists from a this king's age at death might cache in the desert escarpment have been older than his pre of Deir el-Bahri in western vious visual examination of the Thebes. -
The Impact of the Arab Conquest on Late Roman Settlementin Egypt
Pýý.ý577 THE IMPACT OF THE ARAB CONQUEST ON LATE ROMAN SETTLEMENTIN EGYPT VOLUME I: TEXT UNIVERSITY LIBRARY CAMBRIDGE This dissertation is submitted for the degree of Doctor of Philosophy in the University of Cambridge, March 2002 ALISON GASCOIGNE DARWIN COLLEGE, CAMBRIDGE For my parents with love and thanks Abstract The Impact of the Arab Conquest on Late Roman Settlement in Egypt Alison Gascoigne, Darwin College The Arab conquest of Egypt in 642 AD affected the development of Egyptian towns in various ways. The actual military struggle, the subsequent settling of Arab tribes and changes in administration are discussed in chapter 1, with reference to specific sites and using local archaeological sequences. Chapter 2 assesseswhether our understanding of the archaeological record of the seventh century is detailed enough to allow the accurate dating of settlement changes. The site of Zawyet al-Sultan in Middle Egypt was apparently abandoned and partly burned around the time of the Arab conquest. Analysis of surface remains at this site confirmed the difficulty of accurately dating this event on the basis of current information. Chapters3 and 4 analysethe effect of two mechanismsof Arab colonisation on Egyptian towns. First, an investigation of the occupationby soldiers of threatened frontier towns (ribats) is based on the site of Tinnis. Examination of the archaeological remains indicates a significant expansion of Tinnis in the eighth and ninth centuries, which is confirmed by references in the historical sources to building programmes funded by the central government. Second, the practice of murtaba ` al- jund, the seasonal exploitation of the town and its hinterland for the grazing of animals by specific tribal groups is examined with reference to Kharibta in the western Delta. -
Cartouche the Chapter Newsletter
The Official Publication of the Northern California Chapter of the American Research Center in Egypt May 2021 Dr. Francesco Tiradritti The Life and Deeds of Luigi Vassalli: Painter, Patriot and Egyptologist Sunday, May 2, 3 p.m. PDT @Zoom: registration required Luigi Vassalli was born in 1812 in Milan. In 1828 he enrolled at the Brera Academy and around this period he joined the Mazzinian activism but after a failed conspiracy he was sentenced to death, only to be Cartouche pardoned but exiled. He moved in several places across Europe and later he traveled to Egypt where he began working for the local government. In 1848 Vassalli returned to his homeland to join the revolutionary movements against the Austrian Empire, but after the failure he returned to Egypt where he became a portrait painter and an archaeological guide for wealthy foreigners. Around 1858 he was appointed Inspector of excavations by the French Egyptologist Auguste Mariette, who was Director of Antiquities at this time. Vassalli assisted in excavations at Giza and Saqqara until 1860, when he returned home to give his contribution to the Expedition of the Thousand led by Giuseppe Garibaldi. After the victory he was appointed First Class Conservator at the Naples National Archaeological Museum; however, the office was soon abolished by the still pro-Borbonic museum management and Vassalli again came back to Cairo. In Egypt he made several archaeological explorations in many sites such as Tanis, Saqqara, Dendera and Edfu from 1861 to 1868. He sent many mummy remains to the Museo Civico di Storia Naturale of Milan and in 1871 he made around 150 casts from monuments exhibited in the Bulaq Museum which he brought to Florence with him. -
Power and Nostalgia in Eras of Cultural Rebirth: the Timeless
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2013 Power and Nostalgia in Eras of Cultural Rebirth: The imelesT s Allure of the Farnese Antinous Kathleen LaManna Scripps College Recommended Citation LaManna, Kathleen, "Power and Nostalgia in Eras of Cultural Rebirth: The imeT less Allure of the Farnese Antinous" (2013). Scripps Senior Theses. Paper 176. http://scholarship.claremont.edu/scripps_theses/176 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. POWER AND NOSTALGIA IN ERAS OF CULTURAL REBIRTH: THE TIMELESS ALLURE OF THE FARNESE ANTINOUS by KATHLEEN ROSE LaMANNA SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR MICHELLE BERENFELD PROFESSOR GEORGE GORSE MAY 3, 2013 Acknowledgements To Professor Rankaitis for making sure I could attend the college of my dreams and for everything else. I owe you so much. To Professor Novy for encouraging me to pursue writing. Your class changed my life. Don’t stop rockin! To Professor Emerick for telling me to be an Art History major. To Professor Pohl for your kind words of encouragement, three great semesters, and for being the only person in the world who might love Gladiator more than I do! To Professor Coats for being a great advisor and always being around to sign my many petition forms and for allowing me to pursue a degree with honors. -
Notes on the History of the Sale Room of the Egyptian Museum in Cairo Patrizia Piacentini
Notes on the History of the Sale Room of the Egyptian Museum in Cairo Patrizia Piacentini Introducing the history of the Sale Room ur research1 began with the copy of part of its register among the Bernard OV. Bothmer (1912–1993) papers now at the University of Milan2. The pages he photographed concern the sales of the year 1962. This register contains photo- graphs, concise descriptions, and the names of those who bought objects judged saleable since they were “duplicates” of pieces already present in the collection, or “useless”, as determined by Egyptologists who worked for the Antiquities Service between the end of the nineteenth to the mid-twentieth century, and even in the proposal for the construction of the new museum in Cairo, published in 18943. From a close examination of the entire document kept in the Milan Archives, which we will publish in the near future, it seems that in that register are included both objects sold at the Sale Room itself, and objects that got an official export licence by the Antiquities Service. Fig. 1: Photograph of two pages from the Register of the Sale Room of the Egyptian Museum in Cairo. The Sale Room is mentioned in many sources4 – from guidebooks for the mu- seum and references in publications, in private documents, and scholars’ corre- spondence or journals documenting excavations, like those of the archaeologist James E. Quibell (1867–1935)5, today among the material in the Milan archives. Quibell specified which objects he unearthed might be sold. Other information 75 Patrizia Piacentini can be gleaned from the inventory books of museums with Egyptian antiquities throughout the world, as well as from inquiries of those persons who visited the Sale Room, bought objects there, or had direct contacts with the buyers.