DOCSLIB.ORG

A Comparative Study of Black Magic Power in Roger Lancelyn’S Novel King Arthur and His Knight of the Round Table and Andrea Hirata’S Novel Sirkus Pohon

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Comparative Study of Black Magic Power in Roger Lancelyn’S Novel King Arthur and His Knight of the Round Table and Andrea Hirata’S Novel Sirkus Pohon A COMPARATIVE STUDY OF BLACK MAGIC POWER IN ROGER LANCELYN’S NOVEL KING ARTHUR AND HIS KNIGHT OF THE ROUND TABLE AND ANDREA HIRATA’S NOVEL SIRKUS POHON A THESIS BY REGINA GOELA STEVANIE DEPARI REG.NO. 150705028 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I, REGINA GOELA STEVANIE DEPARI DECLARE THAT I AM THE SOLE AUTHOR OF THIS THESIS EXCEPT WHERE REFERENCE IS MADE IN THE TEXT OF THIS THESIS. THIS THESIS CONTAINS NO MATERIAL PUBLISHED ELSEWHERE OR EXTRACTED IN WHOLE OR IN PART FROM A THESIS BY WHICH I HAVE QUALIFIED FOR OR AWARDED ANOTHER DEGREE. NO OTHER PERSON’S WORK HAS BEEN USED WITHOUT DUE ACKNOWLEDGMENTS IN THE MAIN TEXT OF THIS THESIS. THIS THESIS HAS NOT BEEN SUBMITTED FOR THE AWARD OF ANOTHER DEGREE IN ANY TERTIARY EDUCATION. Signed : Date : May 20th, 2019 v UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION NAME : REGINA GOELA STEVANIE DEPARI TITLE OF THESIS : A COMPARATIVE STUDY OF BLACK MAGIC POWER IN ROGER LANCELYN’S NOVEL KING ARTHUR AND HIS KNIGHT OF THE ROUND TABLE AND ANDREA HIRATA’S NOVEL SIRKUS POHON QUALIFICATION : S1/SARJANA SASTRA DEPARTMENT : ENGLISH I AM WILLING THAT MY THESIS SHOULD BE AVAILABLE FOR REPRODUCTION AT THE DISCRETION OF THE LIBRARIAN OF DEPARTMENT OF ENGLISH, FACULTY OF CULTURAL STUDIES, UNIVERSITY OF SUMATERA UTARA ON THE UNDERSTANDING THAT USERS ARE MADE AWARE OF THEIR OBLIGATION UNDER THE LAW OF THE REPUBLIC OF INDONESIA. Signed : Date : May 20th, 2019 vi UNIVERSITAS SUMATERA UTARA ACKNOWLEDGMENT Firstly, all praise to the Almighty God, the most gracious and merciful, the lord of the world, who has been giving me His compassions and blessings, so due to those, this thesis is finally finished. My gratitude goes to the Rector of University of Sumatera Utara, Prof. Runtung Sitepu, S.H, M.Hum and the Dean of the Faculty Cultural Studies, Dr. Budi Agustono, M.S. Then, I would like to thank to the Head and the Secretary of English Department, Prof. Dra. T. Silvana Sinar, M.A., Ph.D. and Rahmadsyah Rangkuti, S.S, M.A, Ph.D. and all the lecturers and the staff of English Department for the facilities and opportunities given to me during my study in this faculty. I would like to express my sincere gratitude to Drs. Parlindungan Purba, M.Hum., as my supervisor for his kindness, knowledge, patience, motivation and great advice for me to write and finish this thesis. Also, I would like to thank Dra. Swesana Mardia Lubis, M.Hum., as my co-supervisor for her kindness, great, knowledge, and excellent advice to help me overcome problems I have encountered. vii UNIVERSITAS SUMATERA UTARA My sincere gratefulness is devoted to my parents, Fabian Depari and Rita Vat Nova Br. Ginting. They are the best parents that I have ever had who has been fighting so hard for the sake off my college. I do really thank you that you always support me in every condition, for giving me advices everytime I get lost, giving me motivation everytime I am down, reminding me everytime I do wrong things, and giving me endless loves no matter how often I annoyed you. I am so grateful to have such amazing people that support me from the beginning until now. I dedicate my deepest gratitude to my beloved friends, The members of ―LFH‖ Widi, Rara, Srik, Audry and Miftach, and other friends Anna and Haura. Thank you so much who had been my crazy friend, second family, and always being my energy when I fall down and fell sad. My greatest thanks to all of English Literature students especially for the students of class B 15, who always support me during the process of writing this thesis. Thank you for all the support you have shown me, especially during the college process. I am grateful to have you all in my life. Last but not least, I would like to thank to my dear one Nicolas Bram, the one who often cheers me up, and always understand me in every condition during finishing my college. Thank you for filling out my days, and listening to my whole story. Hopefully we can make our dreams come true. viii UNIVERSITAS SUMATERA UTARA In writing this paper, I realized that this thesis is far from being perfect though I have done my best, so I hope suggestion for this thesis. Without any helps and support from all parties, this thesis would not be completed. Finally, may this thesis gives benefits for the readers and future researchers, may the grace, the bless and the love of the Almighty God always be with us forever, and may we always be in the protection of the Almighty God. Amen… Medan, May 20th, 2019 Regina Goela Stevanie Depari Reg. No. 150705028 ix UNIVERSITAS SUMATERA UTARA ABSTRACT This thesis entitles "A Comparative Study of Black Magic Power in Roger Lancelyn's Novel King Arthur and His Knight of The Round Table and Andrea Hirata's Novel Sirkus Pohon". This thesis discusses about black magic power by elements of magic power. There are two problems that focused in this thesis; the black magic power portrayed in the novel King Arthur and his knights of the round table by Roger Lancelyn Green and Sirkus Pohon by Andrea Hirata and the similarities and the differences of black magic power portrayed in the novel King Arthur and His Knights of the Round Table by Roger Lancelyn Green and Sirkus Pohon by Andrea Hirata. The method of research that is used in this thesis is qualitative method. Novel King Arthur and His Knight of The Round Table by Roger Lancelyn and Novel Sirkus Pohon by Andrea Hirata are the primary source of data by using theory elements of magic power by Kanisius and theory comparative literature which is will be compare in this study. The purpose of this thesis are to find out how black magic power and how the similarities and the differences of black magic power are portrayed in the novel King Arthur and His Knights of the Round Table by Roger Lancelyn Green and Sirkus Pohon by Andrea Hirata. From this research it is found that the black magic power can be prove from the element of magic power are, subject, object and intermediary that portrayed in both of novels. Keyword: black magic power, comparative, literature x UNIVERSITAS SUMATERA UTARA ABSTRAK Tesis ini berjudul "A Comparative Study of Black Magic Power in Roger Lancelyn's Novel King Arthur and His Knight of The Round Table and Andrea Hirata's Novel Sirkus Pohon". Tesis ini membahas tentang kekuatan sihir hitam oleh unsur-unsur kekuatan sihir. Ada dua masalah yang difokuskan dalam tesis ini; kekuatan sihir hitam digambarkan dalam novel King Arthur and His Knight of The Round Table oleh Roger Lancelyn Green dan Sirkus Pohon oleh Andrea Hirata dan persamaan dan perbedaan kekuatan sihir hitam yang digambarkan dalam novel King Arthur and His Knight of The Round Table oleh Roger Lancelyn Green dan Sirkus Pohon oleh Andrea Hirata. Metode penelitian yang digunakan dalam tesis ini adalah metode kualitatif. Novel King Arthur and His Knight of The Round Table oleh Roger Lancelyn Green dan Novel Sirkus Pohon oleh Andrea Hirata adalah sumber utama data dengan menggunakan elemen-elemen teori kekuatan sihir oleh Kanisius dan teori perbandingan literatur yang akan dibandingkan dalam penelitian ini. Tujuan dari tesis ini adalah untuk mengetahui bagaimana kekuatan sihir hitam dan bagaimana persamaan dan perbedaan kekuatan sihir hitam digambarkan dalam novel Novel King Arthur and His Knight of The Round Table oleh Roger Lancelyn Green dan Novel Sirkus Pohon oleh Andrea Hirata. Dari penelitian ini ditemukan bahwa kekuatan sihir hitam dapat dibuktikan dari unsur kekuatan sihir adalah, subjek, objek dan perantara yang digambarkan dalam kedua novel. Kata kunci: kekuatan ilmu hitam, komparatif, sastra xi UNIVERSITAS SUMATERA UTARA TABLE OF CONTENTS AUTHOR’S DECLARATION………………………………………………………….. v COPYRIGHT DECLARATION………………………………………………………... vi ACKNOWLEDGMENTS……………………………………………………………….. vii ABSTRACT………………………………………………………………………….…… x ABSTRAK………………………………………………………………………………... xi TABLE OF CONTENTS………………………………………………………………... xii CHAPTER I INTRODUCTION.............................................................................. 1 1.1 Background of the Study................................................................ 1 1.2 Problems of the Study…................................................................ 6 1.3 Objectives of the Study.................................................................. 7 1.4 Scope of the Study......................................................................... 7 1.5 Significance of the Study............................................................... 7 CHAPTER II REVIEW OF LITERATURE........................................................... 8 2.1 Novel.............................................................................................. 8 2.1 A Brief Description of Comparative Literature............................. 9 2.2 Motif............................................................................................... 11 2.3 A Brief Description of Black Magic Power................................... 12 2.4 Previous Researches....................................................................... 15 CHAPTER III METHOD OF THE STUDY............................................................. 17 3.1 Research Design............................................................................. 17 3.2 Data and Data Source..................................................................... 18 3.3 Data Collecting Procedure............................................................
Load more

Recommended publications
  • Magic and the Supernatural
    Edited by Scott E. Hendrix and Timothy J. Shannon Magic and the Supernatural At the Interface Series Editors Dr Robert Fisher Dr Daniel Riha Advisory Board Dr Alejandro Cervantes-Carson Dr Peter Mario Kreuter Professor Margaret Chatterjee Martin McGoldrick Dr Wayne Cristaudo Revd Stephen Morris Mira Crouch Professor John Parry Dr Phil Fitzsimmons Paul Reynolds Professor Asa Kasher Professor Peter Twohig Owen Kelly Professor S Ram Vemuri Revd Dr Kenneth Wilson, O.B.E An At the Interface research and publications project. http://www.inter-disciplinary.net/at-the-interface/ The Evil Hub ‘Magic and the Supernatural’ 2012 Magic and the Supernatural Edited by Scott E. Hendrix and Timothy J. Shannon Inter-Disciplinary Press Oxford, United Kingdom © Inter-Disciplinary Press 2012 http://www.inter-disciplinary.net/publishing/id-press/ The Inter-Disciplinary Press is part of Inter-Disciplinary.Net – a global network for research and publishing. The Inter-Disciplinary Press aims to promote and encourage the kind of work which is collaborative, innovative, imaginative, and which provides an exemplar for inter-disciplinary and multi-disciplinary publishing. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without the prior permission of Inter-Disciplinary Press. Inter-Disciplinary Press, Priory House, 149B Wroslyn Road, Freeland, Oxfordshire. OX29 8HR, United Kingdom. +44 (0)1993 882087 ISBN: 978-1-84888-095-5 First published in the United Kingdom in eBook format in 2012. First Edition. Table of Contents Preface vii Scott Hendrix PART 1 Philosophy, Religion and Magic Magic and Practical Agency 3 Brian Feltham Art, Love and Magic in Marsilio Ficino’s De Amore 9 Juan Pablo Maggioti The Jinn: An Equivalent to Evil in 20th Century 15 Arabian Nights and Days Orchida Ismail and Lamya Ramadan PART 2 Magic and History Rational Astrology and Empiricism, From Pico to Galileo 23 Scott E.
    [Show full text]
  • Echoes of Legend: Magic As the Bridge Between a Pagan Past And
    Winthrop University Digital Commons @ Winthrop University Graduate Theses The Graduate School 5-2018 Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur Josh Mangle Winthrop University, [email protected] Follow this and additional works at: https://digitalcommons.winthrop.edu/graduatetheses Part of the Literature in English, British Isles Commons Recommended Citation Mangle, Josh, "Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur" (2018). Graduate Theses. 84. https://digitalcommons.winthrop.edu/graduatetheses/84 This Thesis is brought to you for free and open access by the The Graduate School at Digital Commons @ Winthrop University. It has been accepted for inclusion in Graduate Theses by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact [email protected]. ECHOES OF LEGEND: MAGIC AS THE BRIDGE BETWEEN A PAGAN PAST AND A CHRISTIAN FUTURE IN SIR THOMAS MALORY’S LE MORTE DARTHUR A Thesis Presented to the Faculty Of the College of Arts and Sciences In Partial Fulfillment Of the Requirements for the Degree Of Master of Arts In English Winthrop University May 2018 By Josh Mangle ii Abstract Sir Thomas Malory’s Le Morte Darthur is a text that tells the story of King Arthur and his Knights of the Round Table. Malory wrote this tale by synthesizing various Arthurian sources, the most important of which being the Post-Vulgate cycle. Malory’s work features a division between the Christian realm of Camelot and the pagan forces trying to destroy it.
    [Show full text]
  • The C.S. Lewis Letters Collection
    C.S. Lewis Letters at the Marion E. Wade Center BBC Correspondence Wade Binder Title BBC Correspondence Collection# Date Author Recipient Phys Description Location L-BBC1 February 10, 1941 C.S. Lewis Mr. [James W.] Welch 1 p. on 1 lf. ALS X L-BBC2 February 17, 1941 C.S. Lewis Mr. [Eric] Fenn 1 p. on 1 lf. ALS X L-BBC3 May 12, 1941 C.S. Lewis [Eric] Fenn 1 p. on 1 lf. ALS X L-BBC4 May 13, 1941 EF [Eric Fenn] C.S. Lewis 1 p. on 1 lf. TLS X L-BBC5 July 22, 1941 EF [Eric Fenn] [Unknown] 1 p. on 1 lf. TLS X L-BBC6 August 1, 1941 EF [Eric Fenn] [Unknown] 1 p. on 1 lf. TLS X L-BBC7 August 7, 1941 EF [Eric Fenn] C.S. Lewis 1 p. on 1 lf. TLS X L-BBC8 August 18, 1941 H.A. Purser [Unknown] 1 p. on 1 lf. TLS X L-BBC9 August 28, 1941 [Eric Fenn] C.S. Lewis 1 p. on 1 lf. TL X L-BBC10 August 28, 1941 [Eric Fenn] [Unknown] 1 p. on 1 lf. TLS X Monday, February 3, 2020 Page 1 of 263 BBC Correspondence L-BBC11 August 28, 1941 [Eric Fenn] [Unknown] 1 p. on 1 lf. TLS X L-BBC12 [n.d.] C.S. Lewis [Eric Fenn] 1 p. on 1 lf. ALS X L-BBC13 September 4, 1941 EF [Eric Fenn] C.S. Lewis 1 p. on 1 lf. TLS X L-BBC14 September 7, 1941 C.S.
    [Show full text]
  • Meike Weijtmans S4235797 BA Thesis English Language and Culture Supervisor: Dr
    Weijtmans, s4235797/1 Meike Weijtmans s4235797 BA Thesis English Language and Culture Supervisor: dr. Chris Cusack Examiner: dr. L.S. Chardonnens August 15, 2018 The Celtic Image in Contemporary Adaptations of the Arthurian Legend M.A.S. Weijtmans BA Thesis August 15, 2018 Weijtmans, s4235797/2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: dr. Chris Cusack, dr. L.S. Chardonnens Title of document: The Celtic Image in Contemporary Adaptations of the Arthurian Legend Name of course: BA Thesis Date of submission: August 15, 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Meike Weijtmans Student number: s4235797 Weijtmans, s4235797/3 Abstract Celtic culture has always been a source of interest in contemporary popular culture, as it has been in the past; Greek and Roman writers painted the Celts as barbaric and uncivilised peoples, but were impressed with their religion and mythology. The Celtic revival period gave birth to the paradox that still defines the Celtic image to this day, namely that the rurality, simplicity and spirituality of the Celts was to be admired, but that they were uncivilised, irrational and wild at the same time. Recent debates surround the concepts of “Celt”, “Celticity” and “Celtic” are also discussed in this thesis. The first part of this thesis focuses on Celtic history and culture, as well as the complexities surrounding the terminology and the construction of the Celtic image over the centuries. This main body of the thesis analyses the way Celtic elements in contemporary adaptations of the Arthurian narrative form the modern Celtic image.
    [Show full text]
  • Doctor Cornelius Knows It's Important That Caspian Know His Own History
    octor Cornelius knows it’s important that Caspian know his own history and the Dhistory of Narnia. Use the facts below to answer the questions on the activity page. NARNIA FACT FILE O When C.S. Lewis started writing his O In choosing the name, ‘Pevensie’, but the author of The Hobbit and The first story about Narnia, he began with C.S. Lewis may have been thinking of Lord of the Rings didn’t like the story the words: “This book is about four the village of Pevensey on the Sussex and Lewis almost didn’t write any children whose names were Ann, coast, which was the historic site of more. Martin, Rose, and Peter. But it is most an early Roman fort built to protect O It was C.S. Lewis’ good friend, about Peter who was the youngest.” England from invasion. It is also the writer Roger Lancelyn Green, who Peter was the only one of C S Lewis’ where Duke William the Bastard of encouraged the author to complete original names for the children to be Normandy came ashore for his the first book about Narnia and, later, used in the books and he was the invasion which culminated in the suggested giving the seven books the eldest not the youngest. Battle of Hastings. overall title, ‘The Chronicles of Narnia’. O C.S. Lewis probably chose the name O C.S. Lewis’ dedicated The Lion, O Although J.R.R. Tolkien didn’t really ‘Peter’ because it had been the name the Witch and the Wardrobe to his like C.S.
    [Show full text]
  • Magic, Witchcraft, and Faërie: Evolution of Magical Ideas in Ursula K
    Volume 39 Number 2 Article 2 4-23-2021 Magic, Witchcraft, and Faërie: Evolution of Magical Ideas in Ursula K. Le Guin’s Earthsea Cycle Oleksandra Filonenko Petro Mohyla Black Sea National University Follow this and additional works at: https://dc.swosu.edu/mythlore Recommended Citation Filonenko, Oleksandra (2021) "Magic, Witchcraft, and Faërie: Evolution of Magical Ideas in Ursula K. Le Guin’s Earthsea Cycle," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 39 : No. 2 , Article 2. Available at: https://dc.swosu.edu/mythlore/vol39/iss2/2 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract In my article, I discuss a peculiar connection between the persisting ideas about magic in the Western world and Ursula Le Guin's magical world in the Earthsea universe and its evolution over the decades.
    [Show full text]
  • Cunning Folk and Wizards in Early Modern England
    Cunning Folk and Wizards In Early Modern England University ID Number: 0614383 Submitted in part fulfilment for the degree of MA in Religious and Social History, 1500-1700 at the University of Warwick September 2010 This dissertation may be photocopied Contents Acknowledgements ii Abstract iii Introduction 1 1 Who Were White Witches and Wizards? 8 Origins 10 OccupationandSocialStatus 15 Gender 20 2 The Techniques and Tools of Cunning Folk 24 General Tools 25 Theft/Stolen goods 26 Love Magic 29 Healing 32 Potions and Protection from Black Witchcraft 40 3 Higher Magic 46 4 The Persecution White Witches Faced 67 Law 69 Contemporary Comment 74 Conclusion 87 Appendices 1. ‘Against VVilliam Li-Lie (alias) Lillie’ 91 2. ‘Popular Errours or the Errours of the people in matter of Physick’ 92 Bibliography 93 i Acknowledgements I would like to thank my undergraduate and postgraduate tutors at Warwick, whose teaching and guidance over the years has helped shape this dissertation. In particular, a great deal of gratitude goes to Bernard Capp, whose supervision and assistance has been invaluable. Also, to JH, GH, CS and EC your help and support has been beyond measure, thank you. ii Cunning folk and Wizards in Early Modern England Witchcraft has been a reoccurring preoccupation for societies throughout history, and as a result has inspired significant academic interest. The witchcraft persecutions of the early modern period in particular have received a considerable amount of historical investigation. However, the vast majority of this scholarship has been focused primarily on the accusations against black witches and the punishments they suffered.
    [Show full text]
  • Lewis Carroll, George Macdonald and Charles Dickens
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository FANTASTICAL REFLECTIONS: LEWIS CARROLL, GEORGE MACDONALD AND CHARLES DICKENS By HAYLEY HANNAH FLYNN A thesis submitted to the University of Birmingham for the degree of MASTER OF ARTS College of Arts and Law University of Birmingham September 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines the presence and importance of the fantastical in literature of the Victorian period, a time most frequently associated with rationality. A variety of cultural sources, including popular entertainment, optical technology and the fairy tale, show the extent of the impact the fantastical has on the period and provides further insight into its origins. Lewis Carroll, George MacDonald and Charles Dickens, who each present very different style of writing, provide similar insight into the impact of the fantastical on literature of the period. By examining the similarities and influences that exist between these three authors and other cultural sources of the fantastical a clear pattern can be seen, demonstrating the origins and use of the fantastical in Victorian literature and providing a new stance from which it should be viewed.
    [Show full text]
  • Complete Book of Necromancers by Steve Kurtz
    2151 ® ¥DUNGEON MASTER® Rules Supplement Guide The Complete Book of Necromancers By Steve Kurtz ª Table of Contents Introduction Bodily Afflictions How to Use This Book Insanity and Madness Necromancy and the PC Unholy Compulsions What You Will Need Paid In Full Chapter 1: Necromancers Chapter 4: The Dark Art The Standard Necromancer Spell Selection for the Wizard Ability Scores Criminal or Black Necromancy Race Gray or Neutral Necromancy Experience Level Advancement Benign or White Necromancy Spells New Wizard Spells Spell Restrictions 1st-Level Spells Magic Item Restrictions 2nd-Level Spells Proficiencies 3rd-Level Spells New Necromancer Wizard Kits 4th-Level Spells Archetypal Necromancer 5th-Level Spells Anatomist 6th-Level Spells Deathslayer 7th-Level Spells Philosopher 8th-Level Spells Undead Master 9th-Level Spells Other Necromancer Kits Chapter 5: Death Priests Witch Necromantic Priesthoods Ghul Lord The God of the Dead New Nonweapon Proficiencies The Goddess of Murder Anatomy The God of Pestilence Necrology The God of Suffering Netherworld Knowledge The Lord of Undead Spirit Lore Other Priestly Resources Venom Handling Chapter 6: The Priest Sphere Chapter 2: Dark Gifts New Priest Spells Dual-Classed Characters 1st-Level Spells Fighter/Necromancer 2nd-Level Spells Thief / Necromancer 3rd-Level Spells Cleric/Necromancer 4th-Level Spells Psionicist/Necromancer 5th-Level Spells Wild Talents 6th-Level Spells Vile Pacts and Dark Gifts 7th-Level Spells Nonhuman Necromancers Chapter 7: Allies Humanoid Necromancers Apprentices Drow Necromancers
    [Show full text]
  • 1. Introduction 2. the Scott Legacy 3. the Emphasis On
    Notes 1. INTRODUCTION 1. The texts of these letters are reproduced in Dear Stevenson: Letters from Andrew Lang to Robert Louis Stevenson with Five Letters from Stevenson to Lang, edited by Marysa DeMoor (Leuven: Uitgeverij Peeters, 1990). 2. John Maynard, 'Broad Canvas, Narrow Perspective', in The Worlds of Victorian Fiction, edited by Jerome H. Buckley (Cambridge, Mass.: Harvard University Press, 1975; Harvard English Studies 6), p. 238. 2. THE SCOTT LEGACY 1. Ian Jack, English Literature 1815-1832 (Oxford: Clarendon Press, 1963.) 2. Allan Massie, 'Scott and the European Novel,' in Sir Walter Scott: The Long-Forgotten Melody, ed. Alan Bold (London: Vision Press, and Totowa, NJ: Barnes & Noble, 1983), p. 94. 3. Ibid., pp. 94-97. Massie reminds us that the French historian Augustin Thierry was not alone when he called Ivanhoe Scott's masterpiece, and added, 'Unless, I say, one can understand the feelings which these [medieval] novels and poems aroused, on cannot begin to measure or evaluate Scott or his influence.' 4. Nicholas Rance, The Historical Novel and Popular Politics in Nineteenth­ Century England (London: Vision Press, 1975), pp. 25-26. Rance thus characterizes the way in which the Victorians interpreted the history of some five centuries earlier: 'The Middle Ages in fiction were either absolutely remote from contemporary life, in the sense that modern­ ised heroes and heroines breathed a romantic 'period' atmosphere, or else, more cunningly, the concept of the enduring English-Saxon character, resistant to Norman and Stuart tyranny, endowed readers with the spirit of the free Saxons.' Carlyle and Froude recognized the fact of change, but did not understand the mechanisms of evolution that created Victorian society.
    [Show full text]
  • Morgan Le Fay: the Inheritance of the Goddess
    Brathair 15 (1), 2015 ISSN 1519-9053 Morgan le Fay: The Inheritance of the Goddess Ana Rita Martins English Lecturer Universidade de Lisboa, Faculdade de Letras (ULICES) [email protected] Enviado em: 30/05/2015 Aceito em: 07/07/2015 Resumo: “Morgan le Fay: A Herança da Deusa” faz uma breve análise da figura de Morgan le Fay nas narrativas arturianas na Idade Média. Começando por uma reflexão sobre os Celtas e a sua cultura, este estudo tem por objectivo demonstrar como a origem de Morgan le Fay poderá remontar às deusas célticas. Com efeito, Morgan possui características que a aproximam de A Morrígan e Modron. Todavia, é de salientar que esta personagem apenas surge pela primeira vez, em 1150, na obra Vita Merlini, de Geoffrey of Monmouth sob o nome Morgen. Suprema regente da ilha maravilhosa de Avalon, ela possui características exclusivamente benéficas. Assim, pretendemos também explicar as razões pelas quais esta se transformou numa das principais vilãs dos textos arturianos. Adicionalmente, serão considerados algumas das obras literárias medievais inglesas, bem como factores de ordem sociocultural. Palavras-chave: Morgan le Fay; Narrativas Arturianas; Mitos Célticos. Abstract: “Morgan le Fay: The Inheritance of the Goddess” will analyze Morgan le Fay’s character in Arthurian narrative during the Middle Ages. Starting from a research on the Celts and their culture, this article aims to prove that Morgan le Fay’s origin might be traced back to Celtic goddesses due to the characteristics she shares with the Celtic goddesses The Morrígan and Modron. However, Morgan is only mentioned for the first time, in 1150, in the work Vita Merlini by Geoffrey of Monmouth, where she is named Morgen.
    [Show full text]
  • Poulton Hall Has Been in the Family for Many Upper Field, Past a Monument Erected by Scirard De Generations
    Issue No. 28 October 2010 Newsletter Patron: The Viscount Ashbrook Company Limited by Guarantee, no. 05673816 www.cheshire-gardens-trust.org.uk Charity Number 1119592 Inside: Some future events: Trentham Gardens Mrs Delany and her Circle – Sat. 17h November Gardening the British way in Iraq 19th century Villa Gardens – Sat. 22nd January Harvington Hall Gresgarth Hall – February (date t.b.c.) Gardens on the Isle of Wight Roswitha Arnold on German gardens: Spring What to do with your apple harvest Lecture at end of March (date t.b.c.) PPoouullttoonn HHaallll Without doubt this is the quirkiest garden that we Launcelyn built his castle on a defensive mound above have visited. the river Dibbin. Full of humour and literary associations, it is a A later house was probably destroyed by fire; the memorial to Roger Lancelyn-Green, the biographer second house, built in the seventeenth century, was and writer of children‟s fiction, and has been designed brick built with stone coigns and is just recognizable. by his wife, June Lancelyn-Green, to reflect his It was later stuccoed but when this deteriorated it was interests and his books. pebble-dashed. From the car park the Hall is approached through the Poulton Hall has been in the family for many Upper Field, past a monument erected by Scirard de generations. In the eleventh century Scirard de Launcelyn, and over a Ha-ha. 2 The lawns at the front of the house have always been It is, in fact, a series of gardens, each with a literary a major feature and were much admired by Nathanial theme.
    [Show full text]